Spectator) (Addison

Saturday, September 1, 1711.

When I was at Grand Cairo, I picked up several Oriental manuscripts,

which I have still by me. Among others I met with one entitled the

Visions of Mirza, which I have read over with pleasure. I intend to

give it to the public when I have no other entertainment for them; and

shall begin with the first vision, which I have translated word by word

as follows:

“On the fifth day of the moon, which according to the custom of my

forefathers I always keep holy, after having washed myself and offered

up my morning devotions, I ascended the high hills of the Bagdad, in

order to pass the rest of the day in meditation and prayer. As I was

here airing myself on the top of the mountains, I fell into a profound

contemplation upon the vanity of human life; and passing from one

thought to another, ‘Surely,’ said I, ‘man is but a shadow, and life a

dream.’ While I was thus musing, I cast my eyes toward the summit of a

rock that was not far from me, where I discovered one in the habit of

a shepherd, with a little musical instrument in his hand. As I looked

upon him he applied it to his lips, and began to play upon it. The

sound of it was so exceedingly sweet, and wrought into a variety of

tunes that were inexpressibly melodious, and altogether different from

anything I had ever heard. They put me in mind of those heavenly airs

that are played to the departed souls of good men upon their arrival in

Paradise, to wear out the impressions of the last agonies, and qualify

them for the pleasure of that happy place. My heart melted away in

secret raptures.

“I had been often told that the rock before me was the haunt of genius;

and that several had been entertained by music who had passed it, but

never heard that the musician had before made himself visible. When

he had raised my thought by those transporting airs which he played,

to taste the pleasure of his conversation, as I looked upon him like

one astonished, he beckoned me and by waving his hand directed me to

approach the place where he sat. I drew near with that reverence which

is due a superior nature; and as my heart was entirely subdued by the

captivating strains I had heard, I fell down at his feet and wept. The

genius smiled upon me with a look of compassion and affability that

familiarized him to my imagination, and at once dispelled all fears

and apprehensions with which I approached him. He lifted me from the

ground, and taking me by the hand, ‘Mirza,’ said he, ‘I have heard

thee in thy soliloquies; follow me.’

“He then led me to the highest pinnacle of the rock, and placing me on

the top of it--‘Cast thy eyes eastward,’ said he, ‘and tell me what

thou seest.’ ‘I see,’ said I, ‘a huge valley, and a prodigious tide of

water rolling through it.’ ‘The valley that thou seest,’ said he, ‘is

the Vale of Misery, and the tide of water that thou seest is part of

the great tide of eternity.’ ‘What is the reason,’ said I, ‘that the

tide I see rises out of a thick mist at one end, and again loses itself

in a thick mist at the other.’ ‘What thou seest,’ said he, ‘is that

portion of eternity which is called time, measured out by the sun, and

reaching from the beginning of the world to its consummation.’ ‘Examine

now,’ said he, ‘this sea that is bounded with darkness at both ends,

and tell me what thou discoverest in it.’ ‘I see a bridge,’ said I,

‘standing in the midst of the tide.’ ‘The bridge thou seest,’ said he,

‘is human life; consider it attentively.’ Upon a more leisurely survey

of it, I saw that it consisted of threescore and ten entire arches,

with several broken arches, which added to those that were entire, made

up the number about a hundred. As I was counting the arches, the genius

told me that this bridge consisted first of about a thousand arches,

but that a great flood swept away the rest, and left the bridge in the

ruinous condition I now beheld it. ‘But tell me further,’ said he,

‘what thou discoverest on it.’ ‘I see multitudes of people passing over

it,’ said I, ‘and a black cloud hanging on each end of it.’ As I looked

more attentively I saw several of the passengers dropping through the

bridge into the great tide that flowed underneath it; and upon further

examination, perceived that there were innumerable trap doors that lay

concealed in the bridge, which the passengers no sooner trod upon, but

that they fell through them into the tide and immediately disappeared.

These hidden pitfalls were set very thick at the entrance to the

bridge, so that throngs of people no sooner broke through the cloud,

but many of them fell into them. They grew thinner toward the middle,

but multiplied and came closer together toward the end of the arches

that were entire.

“There were indeed some persons, but their number was very small, that

continued a kind of hobbling march upon the broken arches, but fell

through one after another, being quite tired and spent with so long a

walk.

“I passed some time in contemplation of this wonderful structure, and

the great variety of objects which it presented. My heart was filled

with deep melancholy to see several dropping unexpectedly in the midst

of mirth and jollity, and catching at everything that stood by them to

save themselves. Some were looking up toward heaven in a thoughtful

posture, and in the midst of a speculation stumbled and fell out

of sight. Multitudes were very busy in the pursuit of bubbles that

glittered in their eyes and danced before them; but often when they

thought themselves within reach of them, their footing failed, and down

they sank. In this confusion of objects, I observed some with scimitars

in their hands, and others with urinals, who ran to and fro upon the

bridge, thrusting several persons on trap doors which did not seem to

lie in their way, and which they might have escaped had they not thus

been forced upon them.

“The genius seeing me indulge myself in this melancholy prospect, told

me that I had dwelt long enough on it. ‘Take thine eyes off of the

bridge,’ said he, ‘and tell me if thou seest anything thou dost not

comprehend.’ Upon looking up, ‘What mean,’ said I, ‘those great flights

of birds that are perpetually hovering about the bridge, and settling

on it from time to time? I see vultures, harpies, ravens, cormorants,

and among many other feathered creatures several little winged boys,

that perch in great numbers on the middle arches.’ ‘These,’ said the

genius, ‘are Envy, Avarice, Superstition, Despair, Love, with the like

cares and passions that infest human life.’

“Here I fetched a deep sigh. ‘Alas,’ said I, ‘man was made in vain!

how is he given away to misery and mortality! tortured in life, and

swallowed up in death!’ The genius, being moved with compassion towards

me, bid me quit so uncomfortable a prospect. ‘Look no more,’ said

he, ‘on man in the first stages of his existence, his setting out

for eternity; but cast thine eye onto that thick mist into which the

tide bears the several generations of mortals that fall into it.’ I

directed my sight as I was ordered, and (whether or no the good genius

strengthened it with supernatural force, or dissipated part of the mist

that was before too thick for the eye to penetrate) I saw the valley

opening at the farther end, and spreading forth into an immense ocean,

that had a huge rock of adamant running through the midst of it, and

dividing it into equal parts. The clouds still rested on one-half of

it, in so much that I could discover nothing in it: but the other

appeared to me a vast ocean planted with innumerable islands, that were

covered with fruits and interwoven with a thousand little shining seas

that ran among them. I could see people dressed in glorious habits

with garlands upon their heads, passing among the trees, lying down

by the sides of fountains, or resting on beds of flowers; and could

hear a confused harmony of singing birds, falling waters, human voices,

and musical instruments. Gladness grew within me upon the discovery

of so delightful a scene. I wished for the wings of an eagle, that I

might fly away to those happy seats: but the genius told me that there

was no passage to them, except through the gates of death that I saw

opening every moment upon the bridge. ‘The islands,’ said he, ‘that

lie so fresh and green before thee, and with which the whole face of

the ocean appears spotted as far as thou canst see, are more in number

than the sands on the seashore; there are myriads of islands behind

those which thou discoverest, reaching farther than thine eye, or even

thine imagination can extend itself. These are the mansions of good

men after death, who according to the degree and kinds of virtue in

which they excelled, are distributed among these several islands; which

abound with pleasures of different kinds and degrees, suitable to the

relish and perfection of those who are settled in them; every island is

a paradise accommodated to its respected inhabitants. Are not these,

O Mirza, habitations worth contending for? Does life appear miserable

that gives the opportunities of earning such a reward? Is death to be

feared that will convey thee to so happy an existence? Think not man

was made in vain, who has such an eternity reserved for him.’ I gazed

with inexpressible pleasure on these happy islands. ‘At length,’ said

I, ‘show me now, I beseech thee, the secrets that lie hid under those

dark clouds which cover the ocean on the other side of the rock of

adamant.’ The genius making me no answer I turned about to address

myself to him a second time, but I found that he had left me: I then

turned again to the vision which I had been so long contemplating, but

instead of the rolling tide, the arched bridge, and the happy islands,

I saw nothing but the long hollow valley of Bagdad, with oxen, sheep,

and camels, grazing upon the sides of it.”

Remembering the peculiar habits of thought of that day, some indication

of which you will find in the chapter that follows, it will be

seen that Addison’s aim was a high one. Yet he has the modesty of

earnestness. There is no blatant claim to originality, nor verbal

pyrotechnics. You sense the quiet of the scholar with a real literary

background. “I have,” he wrote, “raised to myself so great an audience,

I shall spare no pains to make their instruction agreeable and their

diversion useful. For which reason I shall endeavor to enliven morality

with wit, and to temper wit with morality, that my readers may, if

possible, both ways find their account in the speculation of the day.

And to the end that their virtue and discretion may not be short,

transient, intermitting starts of thought, I have resolved to refresh

their memories from day to day till I have recovered them out of that

desperate state of vice and folly into which the age has fallen.”

(Spec. No. 10.)

Joseph Addison and his time · 第 11 / 37 题