XVII. WRITINGS-LATER YEARS

If Smith had not been an author, his exploits would have occupied

a small space in the literature of his times. But by his unwearied

narrations he impressed his image in gigantic features on our plastic

continent. If he had been silent, he would have had something less

than justice; as it is, he has been permitted to greatly exaggerate his

relations to the New World. It is only by noting the comparative silence

of his contemporaries and by winnowing his own statements that we can

appreciate his true position.

For twenty years he was a voluminous writer, working off his superfluous

energy in setting forth his adventures in new forms. Most of his

writings are repetitions and recastings of the old material, with such

reflections as occur to him from time to time. He seldom writes a book,

or a tract, without beginning it or working into it a resume of his

life. The only exception to this is his “Sea Grammar.” In 1626 he

published “An Accidence or the Pathway to Experience, necessary to all

Young Seamen,” and in 1627 “A Sea Grammar, with the plain Exposition of

Smith's Accidence for Young Seamen, enlarged.” This is a technical work,

and strictly confined to the building, rigging, and managing of a ship.

He was also engaged at the time of his death upon a “History of the

Sea,” which never saw the light. He was evidently fond of the sea, and

we may say the title of Admiral came naturally to him, since he used

it in the title-page to his “Description of New England,” published in

1616, although it was not till 1617 that the commissioners at Plymouth

agreed to bestow upon him the title of “Admiral of that country.”

In 1630 he published “The True Travels, Adventures and Observations of

Captain John Smith, in Europe, Asia, Affrica and America, from 1593 to

1629. Together with a Continuation of his General History of Virginia,

Summer Isles, New England, and their proceedings since 1624 to this

present 1629: as also of the new Plantations of the great River of the

Amazons, the Isles of St. Christopher, Mevis and Barbadoes in the West

Indies.” In the dedication to William, Earl of Pembroke, and Robert,

Earl of Lindsay, he says it was written at the request of Sir Robert

Cotton, the learned antiquarian, and he the more willingly satisfies

this noble desire because, as he says, “they have acted my fatal

tragedies on the stage, and racked my relations at their pleasure. To

prevent, therefore, all future misprisions, I have compiled this true

discourse. Envy hath taxed me to have writ too much, and done too

little; but that such should know how little, I esteem them, I have

writ this more for the satisfaction of my friends, and all generous

and well-disposed readers: To speak only of myself were intolerable

ingratitude: because, having had many co-partners with me, I cannot

make a Monument for myself, and leave them unburied in the fields, whose

lives begot me the title of Soldier, for as they were companions with me

in my dangers, so shall they be partakers with me in this Tombe.” In the

same dedication he spoke of his “Sea Grammar” caused to be printed by

his worthy friend Sir Samuel Saltonstall.

This volume, like all others Smith published, is accompanied by a great

number of swollen panegyrics in verse, showing that the writers had been

favored with the perusal of the volume before it was published. Valor,

piety, virtue, learning, wit, are by them ascribed to the “great Smith,”

who is easily the wonder and paragon of his age. All of them are

stuffed with the affected conceits fashionable at the time. One of the

most pedantic of these was addressed to him by Samuel Purchas when the

“General Historie” was written.

The portrait of Smith which occupies a corner in the Map of Virginia

has in the oval the date, “AEta 37, A. 1616,” and round the rim the

inscription: “Portraictuer of Captaine John Smith, Admirall of New

England,” and under it these lines engraved:

“These are the Lines that show thy face: but those

That show thy Grace and Glory brighter bee:

Thy Faire Discoveries and Fowle-Overthrowes

Of Salvages, much Civilized by thee

Best shew thy Spirit; and to it Glory Wyn;

So, thou art Brasse without, but Golde within,

If so, in Brasse (too soft smiths Acts to beare)

I fix thy Fame to make Brasse steele outweare.

“Thine as thou art Virtues

“JOHN DAVIES, Heref.”

In this engraving Smith is clad in armor, with a high starched collar,

and full beard and mustache formally cut. His right hand rests on his

hip, and his left grasps the handle of his sword. The face is open and

pleasing and full of decision.

This “true discourse” contains the wild romance with which this volume

opens, and is pieced out with recapitulations of his former writings and

exploits, compilations from others' relations, and general comments.

We have given from it the story of his early life, because there is

absolutely no other account of that part of his career. We may assume

that up to his going to Virginia he did lead a life of reckless

adventure and hardship, often in want of a decent suit of clothes and

of “regular meals.” That he took some part in the wars in Hungary is

probable, notwithstanding his romancing narrative, and he may have been

captured by the Turks. But his account of the wars there, and of the

political complications, we suspect are cribbed from the old chronicles,

probably from the Italian, while his vague descriptions of the lands and

people in Turkey and “Tartaria” are evidently taken from the narratives

of other travelers. It seems to me that the whole of his story of his

oriental captivity lacks the note of personal experience. If it were

not for the “patent” of Sigismund (which is only produced and certified

twenty years after it is dated), the whole Transylvania legend would

appear entirely apocryphal.

The “True Travels” close with a discourse upon the bad life, qualities,

and conditions of pirates. The most ancient of these was one Collis,

“who most refreshed himself upon the coast of Wales, and Clinton and

Pursser, his companions, who grew famous till Queen Elizabeth of blessed

memory hanged them at Wapping. The misery of a Pirate (although many are

as sufficient seamen as any) yet in regard of his superfluity, you shall

find it such, that any wise man would rather live amongst wild beasts,

than them; therefore let all unadvised persons take heed how they

entertain that quality; and I could wish merchants, gentlemen, and all

setters-forth of ships not to be sparing of a competent pay, nor true

payment; for neither soldiers nor seamen can live without means; but

necessity will force them to steal, and when they are once entered into

that trade they are hardly reclaimed.”

Smith complains that the play-writers had appropriated his adventures,

but does not say that his own character had been put upon the stage. In

Ben Jonson's “Staple of News,” played in 1625, there is a reference to

Pocahontas in the dialogue that occurs between Pick-lock and Pennyboy

Canter:

Pick.--A tavern's unfit too for a princess.

P. Cant.--No, I have known a Princess and a great one, Come forth of a

tavern.

Pick.--Not go in Sir, though.

A Cant.--She must go in, if she came forth. The blessed Pocahontas, as

the historian calls her, And great King's daughter of Virginia, Hath

been in womb of tavern.

The last work of our author was published in 1631, the year of his

death. Its full title very well describes the contents: “Advertisements

for the Unexperienced Planters of New England, or anywhere. Or, the

Pathway to Experience to erect a Plantation. With the yearly proceedings

of this country in fishing and planting since the year 1614 to the

year 1630, and their present estate. Also, how to prevent the greatest

inconvenience by their proceedings in Virginia, and other plantations by

approved examples. With the countries armes, a description of the coast,

harbours, habitations, landmarks, latitude and longitude: with the map

allowed by our Royall King Charles.”

Smith had become a trifle cynical in regard to the newsmongers of the

day, and quaintly remarks in his address to the reader: “Apelles by the

proportion of a foot could make the whole proportion of a man: were

he now living, he might go to school, for now thousands can by opinion

proportion kingdoms, cities and lordships that never durst adventure to

see them. Malignancy I expect from these, have lived 10 or 12 years

in those actions, and return as wise as they went, claiming time and

experience for their tutor that can neither shift Sun nor moon, nor say

their compass, yet will tell you of more than all the world betwixt the

Exchange, Paul's and Westminster.... and tell as well what all England

is by seeing but Mitford Haven as what Apelles was by the picture of his

great toe.”

This is one of Smith's most characteristic productions. Its material is

ill-arranged, and much of it is obscurely written; it runs backward

and forward along his life, refers constantly to his former works and

repeats them, complains of the want of appreciation of his services, and

makes himself the centre of all the colonizing exploits of the age. Yet

it is interspersed with strokes of humor and observations full of good

sense.

It opens with the airy remark: “The wars in Europe, Asia and Africa,

taught me how to subdue the wild savages in Virginia and New England.”

He never did subdue the wild savages in New England, and he never was in

any war in Africa, nor in Asia, unless we call his piratical cruising in

the Mediterranean “wars in Asia.”

As a Church of England man, Smith is not well pleased with the

occupation of New England by the Puritans, Brownists, and such “factious

humorists” as settled at New Plymouth, although he acknowledges the

wonderful patience with which, in their ignorance and willfulness, they

have endured losses and extremities; but he hopes better things of

the gentlemen who went in 1629 to supply Endicott at Salem, and were

followed the next year by Winthrop. All these adventurers have, he says,

made use of his “aged endeavors.” It seems presumptuous in them to try

to get on with his maps and descriptions and without him. They probably

had never heard, except in the title-pages of his works, that he was

“Admiral of New England.”

Even as late as this time many supposed New England to be an island, but

Smith again asserts, what he had always maintained--that it was a part

of the continent. The expedition of Winthrop was scattered by a storm,

and reached Salem with the loss of threescore dead and many sick,

to find as many of the colony dead, and all disconsolate. Of the

discouraged among them who returned to England Smith says: “Some could

not endure the name of a bishop, others not the sight of a cross or

surplice, others by no means the book of common prayer. This absolute

crew, only of the Elect, holding all (but such as themselves) reprobates

and castaways, now made more haste to return to Babel, as they termed

England, than stay to enjoy the land they called Canaan.” Somewhat they

must say to excuse themselves. Therefore, “some say they could see no

timbers of ten foot diameter, some the country is all wood; others they

drained all the springs and ponds dry, yet like to famish for want of

fresh water; some of the danger of the ratell-snake.” To compel all

the Indians to furnish them corn without using them cruelly they say

is impossible. Yet this “impossible,” Smith says, he accomplished in

Virginia, and offers to undertake in New England, with one hundred and

fifty men, to get corn, fortify the country, and “discover them more

land than they all yet know.”

This homily ends--and it is the last published sentence of the “great

Smith”--with this good advice to the New England colonists:

“Lastly, remember as faction, pride, and security produces nothing but

confusion, misery and dissolution; so the contraries well practised will

in short time make you happy, and the most admired people of all our

plantations for your time in the world.

“John Smith writ this with his owne hand.”

The extent to which Smith retouched his narrations, as they grew in his

imagination, in his many reproductions of them, has been referred to,

and illustrated by previous quotations. An amusing instance of his care

and ingenuity is furnished by the interpolation of Pocahontas into his

stories after 1623. In his “General Historie” of 1624 he adopts, for the

account of his career in Virginia, the narratives in the Oxford tract

of 1612, which he had supervised. We have seen how he interpolated the

wonderful story of his rescue by the Indian child. Some of his other

insertions of her name, to bring all the narrative up to that level,

are curious. The following passages from the “Oxford Tract” contain in

italics the words inserted when they were transferred to the “General

Historie”:

“So revived their dead spirits (especially the love of Pocahuntas) as

all anxious fears were abandoned.”

“Part always they brought him as presents from their king, or

Pocahuntas.”

In the account of the “masques” of girls to entertain Smith at

Werowocomoco we read:

“But presently Pocahuntas came, wishing him to kill her if any hurt were

intended, and the beholders, which were women and children, satisfied

the Captain there was no such matter.”

In the account of Wyffin's bringing the news of Scrivener's drowning,

when Wyffin was lodged a night with Powhatan, we read:

“He did assure himself some mischief was intended. Pocahontas hid him

for a time, and sent them who pursued him the clean contrary way to seek

him; but by her means and extraordinary bribes and much trouble in three

days' travel, at length he found us in the middest of these turmoyles.”

The affecting story of the visit and warning from Pocahontas in the

night, when she appeared with “tears running down her cheeks,” is not

in the first narration in the Oxford Tract, but is inserted in the

narrative in the “General Historie.” Indeed, the first account would by

its terms exclude the later one. It is all contained in these few lines:

“But our barge being left by the ebb, caused us to staie till the

midnight tide carried us safe aboord, having spent that half night with

such mirth as though we never had suspected or intended anything, we

left the Dutchmen to build, Brinton to kill foule for Powhatan (as by

his messengers he importunately desired), and left directions with our

men to give Powhatan all the content they could, that we might enjoy his

company on our return from Pamaunke.”

It should be added, however, that there is an allusion to some warning

by Pocahontas in the last chapter of the “Oxford Tract.” But the full

story of the night visit and the streaming tears as we have given it

seems without doubt to have been elaborated from very slight materials.

And the subsequent insertion of the name of Pocahontas--of which we have

given examples above--into old accounts that had no allusion to her,

adds new and strong presumptions to the belief that Smith invented what

is known as the Pocahontas legend.

As a mere literary criticism on Smith's writings, it would appear that

he had a habit of transferring to his own career notable incidents and

adventures of which he had read, and this is somewhat damaging to an

estimate of his originality. His wonderful system of telegraphy by means

of torches, which he says he put in practice at the siege of Olympack,

and which he describes as if it were his own invention, he had doubtless

read in Polybius, and it seemed a good thing to introduce into his

narrative.

He was (it must also be noted) the second white man whose life was saved

by an Indian princess in America, who subsequently warned her favorite

of a plot to kill him. In 1528 Pamphilo de Narvaes landed at Tampa Bay,

Florida, and made a disastrous expedition into the interior. Among the

Spaniards who were missing as a result of this excursion was a soldier

named Juan Ortiz. When De Soto marched into the same country in 1539 he

encountered this soldier, who had been held in captivity by the Indians

and had learned their language. The story that Ortiz told was this:

He was taken prisoner by the chief Ucita, bound hand and foot, and

stretched upon a scaffold to be roasted, when, just as the flames were

seizing him, a daughter of the chief interposed in his behalf, and

upon her prayers Ucita spared the life of the prisoner. Three years

afterward, when there was danger that Ortiz would be sacrificed to

appease the devil, the princess came to him, warned him of his danger,

and led him secretly and alone in the night to the camp of a chieftain

who protected him.

This narrative was in print before Smith wrote, and as he was fond

of such adventures he may have read it. The incidents are curiously

parallel. And all the comment needed upon it is that Smith seems to have

been peculiarly subject to such coincidences.

Our author's selection of a coat of arms, the distinguishing feature of

which was “three Turks' heads,” showed little more originality. It was

a common device before his day: on many coats of arms of the Middle

Ages and later appear “three Saracens' heads,” or “three Moors'

heads”--probably most of them had their origin in the Crusades. Smith's

patent to use this charge, which he produced from Sigismund, was dated

1603, but the certificate appended to it by the Garter King at Arms,

certifying that it was recorded in the register and office of the

heralds, is dated 1625. Whether Smith used it before this latter date we

are not told. We do not know why he had not as good right to assume it

as anybody.

[Burke's “Encyclopedia of Heraldry” gives it as granted to Capt. John

Smith, of the Smiths of Cruffley, Co. Lancaster, in 1629, and describes

it: “Vert, a chev. gu. betw. three Turks' heads couped ppr. turbaned or.

Crest-an Ostrich or, holding in the mouth a horseshoe or.”]

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