IV

M. Chantal ceased speaking. He was seated on the billiard-table,

dangling his feet, his left hand playing with a ball, while his right

fiddled with a cloth which was used for wiping the chalk-marks off

the scoring-slate, and which from its use we called the chalk-cloth.

Rather red, his voice indistinct, he was speaking to himself now, lost

in his recollections, going gently through the bygone things and the

old events that were waking in his mind, as one strolls through the old

gardens of the home where one was brought up, and where each tree, each

path, each plant, the prickly hollies, the sweet-smelling laurels, the

yews, whose fat red berries crush between one’s fingers, evoke at every

step some little fact of our past life, one of those insignificant and

delicious facts that make up the very foundation, the very warp of

existence.

As for me, I stood there facing him, my back leaning against the wall,

and my hands supported on my unused billiard-cue.

After a minute he resumed.

“Ah, me! How pretty she was at eighteen ... and gracious ... and

perfect.... Ah! what a pretty ... pretty ... pretty and kind ...

and good ... and charming girl! ... She had eyes ... blue eyes ...

transparent ... clear ... the like of which I have never seen ...

never!”

He lapsed into silence again. I asked, “Why has she never married?”

He replied, not to me, but to the word “married” that had been let fall:

“Why? Why? She never wished to ... never wished. Though she had thirty

thousand francs dowry, and was asked several times ... she never wished

to! She seemed sad in those days. That was when I married my cousin,

little Charlotte, my wife, to whom I had been engaged for six years.”

I looked at M. Chantal, and it seemed to me that I saw into his soul,

that I suddenly saw into one of those humble and cruel dramas of

honourable hearts, upright hearts, of hearts without reproach, into one

of those mute, unexplored hearts, which no one has understood, not even

those who are their uncomplaining and resigned victims.

And, suddenly impelled by a daring curiosity, I blurted out:

“Should not you have married her, Monsieur Chantal?”

He trembled, looked at me, and said:

“I? Marry whom?”

“Mademoiselle Perle.”

“Why so?”

“Because you loved her better than your cousin.”

He looked at me with strange, round, startled eyes, then he stammered:

“I loved her ... I? ... how? Who told you that?...”

“Why, any one can see it ... and that’s why you were so long in

marrying your cousin, who waited six years for you.”

He dropped the ball that he was holding in his left hand, seized the

chalk-cloth with both hands, and, hiding his face with it, began to sob

into it. He wept in a distressing, ridiculous way, as a sponge weeps

when it is squeezed, from his eyes and nose and mouth all at once. And

he coughed and hawked, blew his nose into the chalk-cloth, wiped his

eyes, sneezed, began running again from every aperture in his face,

with a throaty noise that suggested gargling.

As for me, frightened and ashamed, I wanted to make my escape and was

at my wits’ end to know what to say, or to do, or try.

And suddenly Madame Chantal’s voice sounded on the stairs, “Will you

soon be done with your smoke?”

The twelve best short stories in the French language · 第 46 / 58 题