SCENE V.

_Dark.—The Sleepy Hollow, in the bosom of the mountains, occupying the

extreme extent of the stage—stunted trees, fragments of rock in various

parts.—Moon in the horizon; __ the entrance to this wild recess being by

an opening from the abyss in the rear of the glen._

_Music_.—GROTESQUE DUTCH FIGURES _with [enormous]_(_122_)_ masked heads

and lofty tapering hats, discovered playing_ [_at cards in various

places—others at Dutch pins—battledores and shuttlecocks—the majority

seated on a rock drinking and smoking._](123)

GAUDERKIN.

Since on earth this only day,

In fifty years we’re given to stray,

We’ll keep it as a holiday!

So brothers, let’s be jolly and gay.

ICKEN.

But question, where’s that lazy [wight,](124)

Who, soon as sun withdrew it’s light,

Was for the earth’s rich beverage sent,

And has such time in absence spent.

GAUDERKIN.

Perhaps [with some](125) misfortune he’s been doomed to meet,

Cross’d, no doubt, on the road by mortal feet.

ICKEN.

And what the punishment that you decree

On him, who on our mysteries makes free?

GAUDERKIN.

Twenty years in slumber’s chain,

Is the fate that we ordain:

Yet, if merry wight he prove,

Pleasing dreams his sleep shall move.

ICKEN.

Our brother comes, and up the rugged steep,

A mortal, see, Swaggrino’s presence keep.

OMNES.

Twenty years in slumber’s chain,

Is the fate that we ordain.

He comes! he comes! let silence reign!—

Let silence reign! let silence reign!

_The_ SPIRITS _retire up and station themselves in motionless attitudes_.

_Music_.—[SWAGGRINO](126) _ascends by the opening in the rear followed by_

RIP, _with the keg_.—RIP _advances on the left, and, with the assistance

of his conductor, places the cask on the rock.—_

_The_ SPIRITS _remain immovable._

RIP.

I’m a dead man, to a certainty. Into what strange company have I

tumbled! crikey, what will become of me? Dear, dear! would I were home

again, even though along with [Dame](127) Van Winkle.

_Music.—The_ FIGURES _severally advance, and stare at him, then resume

their game._ SWAGGRINO _taps the cask; motions the astonished_ RIP _to

assist him in distributing its contents into various flagons; an

injunction with which he complies._—SWAGGRINO _helps his companions._

RIP.

After all, they seem a harmless set, and there can be no argument with

them, for they appear to be all dumbies.—[Lord were my wife](128) as

silent. They’re a deadly, lively, jolly set; but I wonder what kind of

spirits dese spirits are [drinking!](129) Surely, dere can be no harm

in taking a drop along mit dem.—[_Fills a flagon._]—Here

goes!—Gentlemen, here’s your [go-to-hells,](130) and your [broad

chopped](131) family’s, and may you all live long and prosper.

[_Drinks._]

OMNES.

Ha, ha, ha!

_Music.—A grotesque dance ensues, during which_ RIP _continues to supply

himself from the keg.—He at length joins in the dance, and becomes so

exhausted, that he reels forward and sinks in front. The dancing ceases,

the_ SPIRITS _utter three "ho, ho, ho’s!"—[Some of them sink.]_(132)

END OF ACT I.

*Footnotes*

122 Not in K.

123 In K., reads, “_at Dutch pins—the majority seated on a rock drinking

and smoking—thunder reverberates each time a bowl is delivered_.”

124 “ICHEN” in K.; also “sprite.”

125 Not in K.

126 “_The_ IMP” in K.

127 “Frau” in K.

128 In K., “if mein wife vere”

129 “trinking” in K.

130 “goot-hells” in K.

131 Not in K. Instead, “Your family’s goot-hells.”

132 In K., the stage directions end, “_Moon very bright. Tableau._”

ACT II.

SCENE I.

_The last of the First Act repeated; but the distance now presents a

richly cultivated country.—The bramble is grown into a lofty tree, and all

that remains of_ RIP’S _gun is its rusty barrel, which is at the foot of

the tree._

_Bird Music._—RIP _discovered extended on the ground, asleep; his hair

grey, and beard grown to an unusual length.—The hour of __ the scene is

gray dawn and birds from sky and hill are chirping._(133)

RIP.

[_Speaking in his sleep._] Mother Van Winkle! [Dame](134) Van Winkle!

what are you arter? Don’t be always badgering; will you never allow poor

Rip a moment’s quiet? Curse it! don’t throw de hot water about so,

you’ll scald one’s eyes, and so you will, and no mistake; and so you

have. [_He awakens in sudden emotion._] Eh! by dunder! what’s all

dis,—where am I—in the name of goodness where am I? [_Gazing around._]

On the Catskill Mountains, by all that’s miraculous! Egad! my rib will

play the very devil with me for stopping out all night. There will be a

fine peal sounded when I get home. [_Rises._](135) How confoundedly

stiff and sore my joints do feel; surely I must have been sleeping for a

pretty long time! Asleep! [no;](136) I was awake and enjoying myself

with as jolly a rum set of codgers as ever helped to toom out a keg of

Hollands. I danced, and egad, drank with them, till I was pretty blue,

and dat’s no mistake;—but confound it, they shouldn’t have caught me

napping, for ’tis plain they have taken themselves off [like an

unceremonious pack of—pack of—give an eye tooth to know who they

were.(137) [_Looking around._] Where is my gun? I left it on a little

bush. [_On examining he finds the rusty barrel of his gun._] Hillo!

[come up, here’s a grab!](138) the unmannerly set of sharpers! stolen

one of the best fowling-pieces that ever made a crack; and left this

[worthless,](139) rusty barrel, by way of exchange! What will Dame Van

Winkle say to this! By the hookey! but she’ll comb my hair finely! Now,

I went to sleep beneath that hickory;—’twas a mere bush. Can I be

dreaming still? Is there any one who will be [good](140) enough to tell

me whether it is so or not? Be blowed if I can make head or tail

[o’nt.](141) One course only now remains,—to pluck up resolution, go

back to Dame Van Winkle, and by dunder! she’ll soon let me know whether

I’m awake or not!(142)

[_Music.—Exit._

*Footnotes*

133 In K., the scene opens thus:

_The_ AERIAL SPIRITS _in Tableau._—_Dance of the_ SPIRITS _to the

gleams of the rising sun._—_Tableau._

SPIRIT OF THE MOUNTAIN. [_Speaks._]

Wake, sleeper, wake, rouse from thy slumbers.

The rosy cheeked dawn is beginning to break,

The dream-spell no longer thy spirit encumbers.

Gone is its power, then wake, sleeper, wake.

The Spirits of Night can no longer enchain thee,

The breeze of the morn now is striving to shake

Sweet dewdrops like gems from the copsewood and forest

tree.

All nature is smiling, then wake, sleeper, wake.

_Tableau.—They disappear as the clouds gradually pass away

and a full burst of bright sunshine illumines the scene._]

134 “Frau” in K.

135 In K., stage direction reads,“_Rises with difficulty._” All through

this speech in K., the dialect is pronounced.

136 “nein” in K.

137 Not in K.

138 In K., “donner unt blitzen.”

139 Not in K.

140 “goot” in K.

141 In K., “of him.”

142 In K., speech ends, [_Moves painfully._] “My legs do seem as if they

vould not come after me.”

SCENE II.(143)

_A well-furnished apartment in the house of_ KNICKERBOCKER.

LORRENNA, _now a woman, enters._

LORRENNA.

Alas, what a fate is mine! Left an orphan at an early age,—a relation’s

bounty made me rich, but, to-day, this fatal day—poverty again awaits me

unless I bestow my hand without my heart! Oh, my poor father! little did

you know the misery you have entailed upon your child.

KNICKERBOCKER _and_ ALICE _enter, arm in arm. They are much more corpulent

than when seen in Act I and dressed in modern attire_,—ALICE _in the

extreme of former fashion._

KNICKERBOCKER.

Decided that cause in the most judgematical like manner. White wasn’t

black. Saw that in a twinkling; no one disputed my argument. [_Speaking

as entering._] Come along, spouse! Lauks! how you do waddle up and down,

side to side, like one of our butter-laden luggers in a squall, as the

Dutchmen have it. Ah, Lorrenna, you here? but you appear more depressed

than customary. Those saddened looks are by no means pleasing to those

who would ever wish to see you cheerful. What the dickens prevents your

being otherwise when all around are so anxious for your happiness!

LORRENNA.

Truly, am I beholden for your protection and ever grateful. But to place

a smile on the brow whilst sorrow lingers in the bosom is a deceptive

penance to the wearer—painful to those around who mark and must perceive

the vizard; to say that I am happy would be inconsistent with truth. The

persecutions of Herman Van Slaus—

ALICE.

Ah! my dear Lorrenna, many a restless night have I had on that varlet’s

account, as spouse knows.

KNICKERBOCKER.

That’s as true as there’s ghosts in the Catskills, as Dutchmen have it;

for be darned if a single night passes that Alice suffers me to go to

sleep peaceably.

ALICE.

Well, well; cheer thee, my niece; there is bounteous intelligence in

store; nor think there is any idle fiction in this brain, as our divine

poets picture.

KNICKERBOCKER.

There, there, Alice is getting into her romance again,—plain as my

fist—she has been moonified ever since she became a subscriber for books

at the new library! Planet struck, by gum, as philosophers have it, and—

ALICE.

And you have said so little to the purpose, that I must now interpose.

My dear Lorrenna—Gustaffe—’tis your aunt who speaks—

KNICKERBOCKER.

There, now, pops in her word before a magistrate.

LORRENNA.

My Gustaffe! ha! say!—

KNICKERBOCKER.

Would have told you in a brace of shakes, as gamblers have it, if she

hadn’t thrown the dice first. Yes, my pretty chicky—Gustaffe’s vessel is

now making up the Hudson; so, cheer thee! cheer thee, I say! your lover

is not far off.

LORRENNA.

Gustaffe so near? blessed intelligence! Oh, the happiest wishes of my

heart are gratified! But are you certain? Do not raise my hopes without

cause. Are you quite certain? speak, dear aunt; are you indeed assured,

Gustaffe’s vessel has arrived?

KNICKERBOCKER.

Didn’t think fit to break the news too suddenly, but you have it.

ALICE.

“The ship with wide-expanded canvas glides along and soon”—I forget the

remainder of the quotation; but ’tis in the delectable work, “Robinson

Crusoe”—soon will you hear him hail. [_A knock is heard._] My stars

foretell that this is either him—

KNICKERBOCKER.

Or somebody else, as I suppose.

_Enter_ SOPHIA.

SOPHIA.

Oh, sir; Squire Knickerbocker, Herman, son of the late Derric Van Slaus,

is in the hall.

ALICE.

That’s not the him whom I expected, at all events.

KNICKERBOCKER.

Son of the individual whom I succeeded as burgomaster? Talk of the

devil—now, I don’t know how it is, but I’m always squalmish when in

company of these lawyers that’s of his cast. _Qui Tam._

SOPHIA.

He wishes to be introduced. What is your pleasure?

KNICKERBOCKER.

Let him be so, by all means. An honest man needn’t fear the devil.

[_Exit_ SOPHIA.

LORRENNA.

Excuse my presence, uncle. To hear him repeat his claims, would but

afflict a heart already agonized: and with your leave, I will withdraw.

[_Exit._

KNICKERBOCKER.

Aye, aye; let me alone to manage him, as a barrister says to his client

when he cross-questions a witness. See Miss Lorrenna to her chamber,

Mrs. Knickerbocker. This Herman is a d——d rogue, as the English have it;

and he’ll go to the dominions below, as the devil will have it, and as I

have had it for the last twenty years.

ALICE.

And I tell you, to your comfort, if you don’t send the varlet quick off

with a flea in his ear, you shall have it. Yes, Squire Knickerbocker,

you shall have it, be assured. So says Mrs. Knickerbocker, you shall

have it. [_Exit._

KNICKERBOCKER.

Truly, I’ve had plenty of it from you for the last eighteen years.

_Enter_ HERMAN.

HERMAN.

Sir, I wait upon you once more. The period is now expired when my just

claim, which you have so long protracted, can be vainly disputed. A vain

and idle dispute of justice.

KNICKERBOCKER.

Precious fine, indeed, sir,—but, my ward has a mighty strong reluctance

to part with her fortune, and much more so to make you her partner for

life. You are not exactly to her liking, nor to her in the world’s

generally.

HERMAN.

One or the other she is compelled to. You are aware, sir, that the law

is on my side! the law, sir—the law, sir!

KNICKERBOCKER.

Oh, yes! And, no doubt, every quibble that it offers will be twisted to

the best purpose for your interest. You’re a dabster at chicane, or

you’re preciously belied.

HERMAN.

You will not, I presume, dispute the signature of the individual who

formed the contract?

KNICKERBOCKER.

Oh, no! not dispute Rip’s signature, but his error in judgement. I

happened to be a cabinet councillor at the very moment my deceased

relative, who was _non compos mentis_, at the time, clapped his pen to a

writing, artfully extracted from him by your defunct father, whose

memory is better forgotten than remembered.

HERMAN.

Sir, I came here, not to meet insult; I came hither, persuaded you would

acknowledge my right, and to prevent a publicity that may be painful to

both parties. You are inclined to dispute them; before a tribunal shall

they be arbitrated; and, knowing my claims, Mr. Knickerbocker, know well

that Lorrenna or her fortune must be mine. [_Exit._

KNICKERBOCKER.

You go to Davy Jones, as the seamen have it. Lorrenna shall never be

yours, and if ever she wants a cent whilst I have one, my name isn’t

Knickerbocker;—damme, as the dandies have it.

LORRENNA _enters, with_ ALICE.

LORRENNA.

My dear guardian, you have got rid of Herman, I perceive.

KNICKERBOCKER.

I wish I had, with all my soul; but he sticks to his rascally

undertaking like a crab to its shell; egad, there will be no dislodging

him unless he’s clapped into a cauldron of boiling water, as fishmongers

have it.

ALICE.

And boiled to rags. But, husband! husband, I say!

KNICKERBOCKER.

Mr. Knickerbocker, my dear, if you please.

ALICE.

Well, then, Mr. Knickerbocker, my dear, if you please, we have been

looking out at the window to ascertain who came and went, and have

discovered a fine, handsome fellow galloping towards the town, and I

shouldn’t at all wonder if it wasn’t—

GUSTAFFE _rushes in._

LORRENNA.

[_Hurries to him._] My dear, dear Gustaffe!

GUSTAFFE.

[_Embracing her._] My tender, charming Lorrenna!

KNICKERBOCKER.

Why, Gustaffe! Bless us! why, how the spark has grown.

ALICE.

Not quite so corpulent as you, spouse.

KNICKERBOCKER.

Spouse! Mr. Knickerbocker, if you please. Truly, wife, we have both

increased somewhat in corporal, as well as temporal substance, since

Gustaffe went to sea. But you know, Alice—

ALICE.

Mrs. Knickerbocker, if you please.

KNICKERBOCKER.

Well, Mrs. Knickerbocker—

GUSTAFFE.

Why, Knickerbocker, you have thriven well of late.

KNICKERBOCKER.

I belong to the corporation, and we must support our corporation as well

as it. But not a word about the pig, as the butchers have it, when you

were a little boy, and Alice courting me.

ALICE.

I court you, sirrah? what mean you?

KNICKERBOCKER.

Sirrah! Mr. Knickerbocker, if you please. Why, then, deary—we didn’t

like anyone to intrude on our society; do you take the hint? as the

gamblers have it. Come along, Alice—Mrs. Knickerbocker, I would say—let

us leave the lovers to themselves.

ALICE.

Again they meet, and sweet’s the love that meets return.

_Exeunt_ KNICKERBOCKER _and_ ALICE, _singing in concert_, “Again they

meet.”

GUSTAFFE.

My dear Lorrenna, why this dejected look?—It is your own Gustaffe

enfolds you in his arms.

LORRENNA.

Alas! I am no longer worthy of your love,—your friendship. A fatal bond

extracted from my lamented father has severed us forever—I am devoid of

fortune.

GUSTAFFE.

Lorrenna, you have been the star that has guided my bark,—thee, my

compass—my north pole,—and when the magnet refuses its aid to the

seaman, then will he believe that you have foundered in affection, or

think that I would prove faithless from the loss of earthly pittance.

LORRENNA.

Shoals,—to speak in your nautical language—have long, on every side,

surrounded me; but, by my kind uncle’s advice, must we be guided.

[_Exit._

*Footnotes*

143 Scene II, in K., reads as follows:

SCENE SECOND.—_Chamber._

Enter NICHOLAS VEDDER and DAME VEDDER (_formerly_ DAME VAN WINKLE).

DAME. ’Tis very hard for the poor girl.

VEDDER. Yes; but ’tis your fault. You shouldn’t have had a fool and

a sot for your first husband.

DAME. [_Aside._] And I didn’t ought to have had a bear for my

second.

VEDDER. What did you say?

DAME. Nothing—nothing.

VEDDER. Well, don’t say it again. Because Lowena will have to be the

wife of Herman Van Slaus, that’s settled!

DAME. But he’s a most disreputable man, and my poor child detests

him.

VEDDER. Well, she won’t be the first wife that has detested her

husband.

DAME. No; I should think not, indeed.

VEDDER. You should think not! What do you mean by that?

DAME. Nothing!

VEDDER. Well, don’t mean it again. What, do you suppose that I’ll

suffer my daughter-in-law to sacrifice her fortune—a

fortune of which we shall have our share?—Herman has

promised that.

DAME. Herman will promise anything; and you know that my poor girl

is doatingly fond of young Gustaffe.

VEDDER. Well, I can’t help that; but I am not going to allow her to

make a beggar of herself and us too, for any nonsense

about the man of her heart.

DAME. Hers will break if she is compelled to—

VEDDER. Nonsense—a woman’s heart is about the toughest object in

creation.

DAME. You have given me plenty of proof that you think so.

VEDDER. What do you intend to imply by that?

DAME. Nothing!

VEDDER. Well, don’t imply it again—don’t, because—

_Enter_ Knickerbocker _and_ ALICE, _arm-in-arm—both grown stout._

KNICKERBOCKER. Halloa! what’s going on—a matrimonial tiff? My wife

has just been giving me a few words, because I told her

that she waddles up and down, and rolls about like one

of our butter-laden luggers in a squall, as the Dutchmen

have it.

ALICE. You have no occasion to talk, Mr. Knickerbocker, for, I am

sure, your corporation—

KNICKERBOCKER. Yes, I belong to the town corporation, and to look

respectable, am obliged to have one of my own. Master

Vedder, a word with you. [_Talks aside with him._

ALICE. [_Going to_ DAME.] You wish now, that my poor brother Rip

hadn’t died, don’t you?

DAME. [_Sighing._] But I thought Nicholas Vedder would have been

just as easy to manage: he was as mild as a dove before

our marriage.

ALICE. You ought to have known that to be allowed to wear the

inexpressibles by two husbands was more than the most

deserving of our sex had any right to expect.

DAME. Oh, dear me! I never thought that I should live to be any

man’s slave.

ALICE. Ah, we never know what we may come to! but your fate will be

a warning and example for me, if Mr. Knickerbocker

should take it into his head to leave me a widow.

VEDDER. Mrs. Vedder, what are you whispering about there?

DAME. Nothing!

VEDDER. Well, don’t whisper it any more.

ALICE. [_Aside_, to DAME.] Come along with me.

VEDDER. Mrs. Vedder, take yourself out of the room.

ALICE. Mr. Knickerbocker, I shall expect you to follow me

immediately.

[_Exeunt_ ALICE _and_ DAME.

KNICKERBOCKER. And this is the last day of the term fixed on by the

agreement!

VEDDER. Yes; and Herman is resolute, and so am I.

KNICKERBOCKER. I am sorry for poor Lowena.

VEDDER. She shouldn’t have had a fool for a father.

KNICKERBOCKER. It was unfortunate, but I can’t exactly see that it

was her fault. [_Exeunt._

SCENE III.

_The Town of_ RIP’S _nativity, instead of the Village as presented in

first scene of the drama.—It is now a populous and flourishing

settlement.—On the spot where_ RORY’S _tap-house formerly stood, is a

handsome hotel, and the sign of_ “George III” _is altered into that of_

“George Washington.” _A settee in front, with table.—The harbour is filled

with shipping.—Music at the opening of the scene._

SETH

[SLOUGH,](144) _the landlord, enters from the Hotel.—Loud shouts._

SETH.

Well, I reckon the election’s about bustin’ up. If that temperance

feller gets in I’m bound to sell out; for a rum-seller will stand no

more chance with him than a bob-tail cow in fly time.—[_Laugh._]—Hollo!

who is this outlandish critter? he looks as if he had been dead for

fifty years and was dug up to vote against the temperance ticket.—

_Music.—Enter_ MALE _and_ FEMALE VILLAGERS, _laughing._(_145_)_—Enter_

RIP,—_they gather round him._

RIP.

Where I was I wonder? my neiber frints, “knost you ty spricken?”(146)

VILLAGERS.

Ha, ha, ha!

1ST VILLAGER.

I say, old feller, you ain’t seed nothing of no old butter firkin with

no kiver on, no place about here?

RIP.

No butter firkin mit no kiver no place, no I ain’t seen him.

VILLAGERS.

Ha, ha, ha!

1ST VILLAGER.

Who’s your barber?—[_Strokes his chin.—All laugh and exeunt._

RIP.

I can’t understand dis: everything seems changed.—[_Strokes his

chin._]—Why, I’m changed too; why, my beard’s as long as a goat’s.

SETH.

[_Coming down._] Look here, old sucker, I guess you had better go home

and get shaved.

RIP.

My old woman will shave me when I gets home! Home, where is my home? I

went to the place where it used to was, and it wasn’t dere. Do you live

in Catskill?

SETH.

Well, I rather guess I dus—

RIP.

Do you know where I live?

SETH.

Well, to look at you, I should think you didn’t live nowhere in

particular, but stayed round in spots.

RIP.

You live in Catskill?

SETH.

Certain.

RIP.

You don’t know dat I belong here?

SETH.

No, I’m darned if I do. I should say you belonged to Noah’s ark—-

RIP.

Did you never hear in Catskill of one Rip Van Winkle?

SETH.

What, Rip Van Winkle, the greatest rum-sucker in the country?

RIP.

Dat is a fact—dat is him! ha! ha! now we shall see.

SETH.

Oh, yes, I’ve heard of him; the old coon’s been dead these twenty years.

RIP.

Den I am dead and dat is a fact. Well, poor Rip is dead. I’m sorry for

dat.—Rip was a goot fellow.

SETH.

I wish there was a whole grist just like him in Catskill. Why, they say

he could drink rum enough in one day to swim in.

RIP.

Don’t talk so much about rum; you makes me so dry as never was.

SETH.

Hold on a spell then, and I’ll fetch you something to wet your whistle.

[_Exit into house._

RIP.

Why, here is another change! dis was Rory’s house last night, [SETH

_re-enters._] mit de sign of George the Third.

SETH.

[The alteration of my sign is no bad sign for the country, I

reckon.](147)

RIP.

[_Reading._] “George Washington,”—who is he? [I remember a shoot of dat

name, dat served under Braddock, before I went to sleep.

SETH.

[_Giving him jug._] Well, if you’ve been asleep I guess he ar’n’t: his

enemies always found him wide awake and kicking; and that shoot, as you

call him, has planted the tree of liberty so everlasting tight in

Yankeeland, that all the kingdoms of the earth can’t root it out.](148)

RIP.

Well, here is General Washington’s goot health, and his family’s goot

health, ant may dey all live long ant prosper. So poor Rip Van Winkle is

dead, eh? [Now comes de poser;](149) if Rip is dead, [what has become of

his old woman?](150)

SETH.

She busted a blood-vessel swearing at a Yankee pedlar, and has gone to

kingdom come long ago.

RIP.

De old woman dead too? den her clapper is stopped at last. [_Pause._] So

de old woman is dead; well, she led me a hard life—she was de wife of my

bosom, she was mine frow for all dat. [_Whimpering._] I’m dead too, unt

dat is a fact. Tell me my frient—

SETH.

I can’t stop any longer—the polls are almost closing, and I must spread

the game for the boys. Hurrah, for rum drinking and cheap licence for

the retailers! that’s my ticket. [_Re-enter_ VILLAGERS,

_shouting._](151) Here, boys, see what you can make of this old

critter.—I give him up for the awfulest specimen of human nature in the

States. [_Exit into

house._

2D VILLAGER.

Are you a Federal or a Democrat?

RIP.

Fiddle who? damn who’s cat?

2D VILLAGER.

What’s your politics?

RIP.

Oh, I am on de safe side dere; I am a faithful subject of King George!

2D VILLAGER.

He’s a Tory! Kill him! Duck him!

VILLAGERS.

[To the horse pond! Duck him.](152)

_Music.—They seize_ RIP _and are about hurrying him off when_ GUSTAFFE

_rushes in and throws them off._(153)

GUSTAFFE.

Stand back, [cowards.](154)

OMNES.

Cowards!

GUSTAFFE.

Yes, cowards! who but cowards would rush in numbers one grey-haired man?

RIP.

Yah, yah, dat’s a fact!

GUSTAFFE.

Sheer off! you won’t? then damme, here’s at ye. [_Drives them off._]

Tell me, old man, what cause had you given them to attack you?

RIP.

I don’t know; do you?

GUSTAFFE.

You appear bewildered: can I assist you?

RIP.

Just tell me where I live, dat’s all I want to know.

GUSTAFFE.

And don’t you know?

RIP.

I’m d——d fun I does.

GUSTAFFE.

What is your name?

RIP.

Why, I was Rip Van Winkle.

GUSTAFFE.

Rip Van Winkle? impossible!

RIP.

Well, I won’t swear to it myself.

GUSTAFFE.

Stay,—you have a daughter?

RIP.

To be sure I has: a pretty little girl about so old—Lorrenna; and I have

a son too, a lublicka boy, but my daughter is a girl.

GUSTAFFE.

Do you remember entering into a contract, binding your daughter to marry

Herman Van Slaus?

RIP.

Oh! I remember, de burgomaster came to my house last night mit a paper,

and I wrote my name down on it, but I was drunk.

GUSTAFFE.

Last night! His brain wanders: yet it must be he; come, come with me,

old man.

RIP.

Where are you going to take me to?

GUSTAFFE.

Your daughter.

RIP.

Yes, yes, take me to my child. Stop, my gracious!—I am so

changed,—suppose she should forget me too; no, no, she can’t forget her

poor father. Come, come!

[_Exeunt._

*Footnotes*

144 In K., “Kilderkin.”

145 In K., “_and pointing at_ RIP, _who comes_ on.”

146 In K., “Vhere I was I wonder? my kneiber freunds, sprechen sie

deutsch?”

147 Not in K.

148 Not in K. After “who is he,” read, “I do not know him, but—” and

continue with next Rip speech.

149 “But, now, I’m going to ask a ticklish question” in K. This speech

is in dialect in K.

150 In K., “is his old voman dead too?”

SETH. No. She’s alive and kicking.

RIP. Kicking—yes, she always vas dat.

SETH. And she’s married agin.

RIP. She’s done what agin?

SETH. She’s got a second husband.

RIP. Second husband!—I pities the poor creetur. But there vas—vill

you tell me, my friend—

SETH. I can’t stop any longer, because—

151 In K., the stage directions are, “VILLAGERS _hurry on, shouting._”

152 In K., read, “Duck him—duck him.”

153 In K., read, “_Music. All are rushing on_ RIP.—GUSTAVE _enters._”

154 In K., read, are you not ashamed—a score of you to attack a

single man?

RIP. [_Aside._] Yes. I am a single man—now my vife is marry agin;

dat is a fact!

From this point, the two plays differ so that what remains in Kerr

is here reproduced.

GUSTAVE. And a poor old, gray-haired man.

RIP. Yes, I am poor, dat is a fact; but I know I’m not old, and I

can’t be gray-haired.

GUSTAVE. Take yourselves off! What cause had you given them to

attack you?

VILLAGERS _sneak off._

RIP. I don’t know—do you?

GUSTAVE. [_Smiling._] How should I—

RIP. I say—vhere do I live?

GUSTAVE. Don’t you know?

RIP. I’m stewed fun I does. But, young man, you seems to know

somezing, so, perhaps you knows Rip Van Winkle?

GUSTAVE. Young Rip Van Winkle—I should think I do.

RIP. [_Aside._] Here is von vhat knows me! dat is goot!

GUSTAVE. I only wish his father hadn’t gone away and died, twenty

years ago.

RIP. [_Aside._] His fader! Ah! he means my young Rip, and I’m dead

myself arter all—dat is a fact.

GUSTAVE. Poor old Rip Van Winkle—perhaps you know his daughter?

RIP. His daughter—yes, I tink I—and she is not dead, like her fader?

GUSTAVE. No, thank heaven! and she would have been my wife before

this but for—

RIP. But for what, young man?

_Enter_ LOWENA.

LOWENA. Gustave. [_Moving to him._

GUSTAVE. Ah! dear Lowena!

RIP. Lowena! Ah! dat is my daughter—and I have a son too, a lublicka

boy; but my daughter is a girl, and I always lub my

leetle girl so much, ven she vas only so big—and I must

not hug her now to my poor heart, because she—she has

got another fader—and I am dead—yes, dey all tell me dat

is a fact! I am dead to meinself and—and I am dead to my

leetle girl.

LOWENA. Oh, yes, Gustave, it is indeed a sad misfortune for us both,

that my father should have entered into a contract which

had for its object to coerce me into becoming the wife

of Herman Van Slaus.

RIP. [_Aside._] Yes, dat is a fact. I remember, de burgomaster come

to my house last night mit a paper, and I wrote my name

down on it; but I vas trunk.

GUSTAVE. And having loved you so long, is it now impossible that you

can become my wife?

LOWENA. No, not impossible; but—oh, my poor dear father, if you had

but survived to see this day!

RIP. [_Aside._] I wish what I had—but I am dead, dat is a fact.

_Enter_ HERMAN VAN SLAUS.

LOWENA. Oh, Gustave! see, protect me from that wicked man—I will be

thine, and only thine!

HERMAN. No, Lowena; you will be _mine_, for you will not be suffered

to resign into my hands that fortune of which I covet

the possession, but which would lose half its value to

me if you come not with it.

RIP. [_Aside._] Dat is young Slaus; and he is as big a tam rascal as

vas his resbectable fader.

HERMAN. Hereafter, Lowena, I will cause you to repent that you have

given a rival to the man to whom, from your very

childhood, you have been pledged and bound.

RIP. Herman Van Slaus, _you_ are bledged to old Nick, and vill never

be redeemed.

HERMAN. Who is this miserable old wretch?

GUSTAVE. I would kill you sooner than you should become the husband

of my heart’s adored.

_Enter_ KNICKERBOCKER _and_ ALICE.

KNICKERBOCKER. So, there you are, Master Herman, sticking to your

rascally work like a crab to its shell, as fishmongers

have it.

ALICE. I should like to throw him into a saucepan of boiling water

till he was done to rags.

RIP. [_Aside._] Dat is my sister Alice—and dat is Knickerbocker—how

fat they both is got since last night! What great big

suppers they must have eat!

_Enter_ NICHOLAS VEDDER _and_ DAME VEDDER.

DAME. Oh, do try if you cannot save my poor girl!

RIP. [_Aside._] Tonner unt blitzen! dat is mein frau!

[_Retreating._] No, no! I forget—she not is mine frau

now! [_Chuckles._

DAME. Let him take half the fortune and—

VEDDER. What is that you observe?

DAME. Nothing—nothing!

VEDDER. Then don’t observe it any more.

DAME. I—I only—

VEDDER. [_Shouting._] Silence!

RIP. [_Aside._] Dat is goot! [_Laughing._] Mine frau have caught a

Tartar. De second one make her pay for de virst. Ha, ha,

ha! I’m stewed fun dat is a fact!

HERMAN. Nicholas Von Vedder, say—[_Producing paper._]—is this

contract to be fulfilled?

VEDDER. Certainly. Lowena, the time for trifling is past; you have

delayed until the very last hour, and must now at once

consent to become Herman’s wife.

LOWENA. Never! Welcome poverty, if I may be wealthy only with that

man for my husband. Whatever privations I may be made to

endure, I shall not repine; for he whom I love will

share them with me.

RIP. [_Aside._] Dat is mine own girl, I vill swear to dat.

GUSTAVE. I am poor, Lowena, but my love will give me courage to toil

manfully, and heaven will smile upon my efforts and

enable me to replace that fortune which, for my sake,

you so readily sacrifice.

HERMAN. Well, be it as you will. This document gives me a claim

which may not be evaded. [_Reads._] “We, Deidrich Van

Slous, Burgomaster, and Rip Van Winkle, desirous of

providing for the prosperity of our offspring, do hereby

mutually agree that Herman Van Slous, and Lowena Van

Winkle, shall be united on the demand of either.

Whosoever of those contracted fails in fulfilling the

agreement shall forfeit their fortune to the party

complaining.—Rip Van Winkle—Deidrich Van Slous.”

RIP. [_Aside._] Yes, dat is a fact—I remember dat baber, and I’ve

got him somevheres. [_Feels in his

pockets._

VEDDER. Lowena, I command that you consent to become Herman’s wife—I

will not suffer that your fortune be sacrificed to—

HERMAN. And here is the now useless codicil.

RIP. [_Advancing, paper in hand._] Let me read it. [_All turn

amazedly towards him._] “Should the said Rip Van Winkle

tink fit to annul dis contract vithin twenty years and a

day, he shall be at full liberty to do so.”

HERMAN. How came you by that document?

RIP. You see I’ve got it, and dat is a fact.

HERMAN. Who gave it to you?

RIP. Your old blackguard of a fader.

DAME. Oh, you are—you are—

RIP. Yes, I am—I am Rip Van Winkle! [_All start._—DAME, _with a loud

scream, falls into_ Knickerbocker’s _arms._] Dere! for

de first time in my life, I have doubled up my old

woman!

KNICKERBOCKER _carries off_ DAME.

LOWENA. Oh, it is my father—my dear, dear father! [_Runs into his

arms._

RIP. Yes, and you are mein taughter, my darling dat I always was

love so! Oh, bless your heart, how you have grown since

last night as you was a little girl.

ALICE. [_Embracing him._] Oh, my poor dear brother.

RIP. Yes, I tink I am your broder ’cos you is my sister.

KNICKERBOCKER _returns._

ALICE. And here is my husband.

RIP. He is a much deal uglier, dan he used to vas before.

KNICKERBOCKER. [_Embracing him._] My blessed brother-in-law.

VEDDER. Ah! and now you have come back, I suppose you want your

wife!

RIP. No, I’ll be tam if I do! You’ve got her, and you keep her—I

von’t never have her no more.

VEDDER. I sha’n’t have her—I have done with her, and glad to be rid

of her.

[_Exit._

RIP. Ha, ha! Then my poor frau is a vidder, with two husbands, an’

she ain’t got none at all.

HERMAN. It is Rip Van Winkle, and alive!

RIP. Yes, and to the best of my belief, I have not never been dead

at all.

HERMAN. And I am left to poverty and despair. [_Exit._

RIP. And serve you right too—I’m stewed fun dat is fact. [_Looking

round._] But I had a leetle boy, last night—vhere is my

young baby boy, my leetle Rip?

ALICE. I saw him just now—oh, here he is.

_Enter, young Rip Van Winkle, a very tall young man._

RIP. Is dat my leetle baby boy? How he is grown since last night.

Come here, you young Rip. I am your fader. Vell, he is

much like me—he is a beautiful leetle boy.

KNICKERBOCKER. But tell us, Rip, where have you hid yourself for the

last twenty years?

RIP. Ech woll! ech woll! Vhen I take mine glass, I vill tell mine

strange story, and drink the health of mine friends—and,

ladies and gentlemen, I will drink to your good hells

and your future families, and may you all—and may Rip

Van Winkle too—live long and brosber.

_Curtain._

SCENE IV.

KNICKERBOCKER’S _House as before._

KNICKERBOCKER, ALICE _and_ LORRENNA _enter._

KNICKERBOCKER.

Give me joy, dears; I’m elected unanimously—elected a member of the

Legislature.

ALICE.

Why, spouse!

KNICKERBOCKER.

Mr. Knickerbocker, if you please, my dear; damme! I’m so happy I could

fly to the moon, jump over a steeple, dance a new fandango on stilts.

[_Dances._] Fal, lal, la.

_Enter_ HERMAN.

KNICKERBOCKER.

Well, sir, what the devil do you want?

HERMAN.

I came to claim this lady’s fortune or her hand.

ALICE.

Knock him down, spouse.

KNICKERBOCKER.

Mr. Knickerbocker, my dear.

ALICE.

Oh, bother! I know if he comes near my niece, woman as I am, I’ll

scratch his eyes out.

HERMAN.

Mr. Knickerbocker.

KNICKERBOCKER.

The honourable member from —— County, if you please.

HERMAN.

The judge of the district will this day arrive and give judgement on my

appeal: my rights are definitive, and I question the whole world to

controvert them. We shall meet before the tribunal; then presume to

contend longer if you dare.

[_Exit._

KNICKERBOCKER.

’Twill be difficult, no doubt, but we’ll have a wrangle for the bone, as

the dog’s have it; there will be no curs found in our party, I’ll be

sworn. [_Aside._] Hang me, but I’m really a little chop fallen and there

is a strange sense of dizziness in my head which almost overcomes me.

LORRENNA.

My dear uncle, what is to be done in this emergency?

KNICKERBOCKER.

Done! your fortune is done for: but if you ever want a cent whilst I

have one, may I be sent to the devil, that’s all.

GUSTAFFE.

[_Entering._] Bravo! Nunkey Knickerbocker! you are no blind pilot. Awake

to breakers and quicksand, Knickerbocker.

KNICKERBOCKER.

Knickerbocker! the honourable Mr. Knickerbocker, if you please; I’m now

a member of the Legislature and, curse me, if I’d change my dignified

station as representative of an independent people, for that of the

proudest potentate who holds supremacy by corruption or the bayonet.

[_Exeunt._

SCENE LAST.

_The Court House.—An arm-chair at the back, in front of which is a large

table, covered with baize.—On each side a gallery.—On the right of table

are chairs._

_Music.—The_ JUDGE _discovered, seated.—The galleries filled with

auditors_.—HERMAN.—KNICKERBOCKER.

JUDGE.

Mr. Knickerbocker, you will please to bring your client into court.

KNICKERBOCKER _goes off, and returns with_ Lorrenna _and_ ALICE.

JUDGE.

Be pleased to let your ladies take seats. [LORRENNA _and_ ALICE _sit._

HERMAN.

And now, sir, I presume ’tis time to enter on my cause. Twenty years

have elapsed since this contract, this bond was signed by the father of

that lady, by which she or her fortune were made mine. Be pleased to

peruse. [_Presenting the document to the_ JUDGE.

JUDGE.

[_Reading._] “We, Derric Van Slaus, Burgomaster, and Rip Van Winkle,

desirous of providing for the prosperity of our offspring, do hereby

mutually agree that Herman Van Slaus and Lorrenna Van Winkle shall be

united on the demand of either. Whosoever of those contracted, fails in

fulfilling this agreement, shall forfeit their fortune to the party

complaining.

“Rip Van Winkle”

“Derric Van Slaus.”

But here’s a codicil. “Should the said Rip Van Winkle think fit to annul

this contract within twenty years and a day, he shall be at full liberty

to do so. (Signed) Derric Van Slaus.” The document is perfect in every

form. Rip Van Winkle, ’tis stated, is defunct. Is there any one present

to prove his signature?

HERMAN.

Mr. Knickerbocker, if he dare be honest, will attest it.

KNICKERBOCKER.

Dare be honest, sir! presume you to question my veracity? How was that

bond obtained?

HERMAN.

Why should you ask? The late Rip Van Winkle, anxious for the prosperity

of his offspring, though too indolent to provide for their subsistence,

persuaded my deceased father to form this alliance.

KNICKERBOCKER.

It’s a lie! Hum!—

JUDGE.

Restrain this violence! a court of justice must not be swayed by such

proceedings.

HERMAN.

Behold! sir, a picture of their general effrontery. In a public tribunal

to threaten those, who, in pleading their own rights, but advocate the

cause of justice.

LORRENNA.

[_Comes down stage._] All my hopes vanish—bleak and dreary is the

perspective.

HERMAN.

[_Advances._] At last I triumph! Now, lady, your hand or your

inheritance.

LORRENNA.

My hand! never! Welcome were every privation to an union with one so

base.

JUDGE.

It appears, then, that this signature is not denied by the defendant,

and in that case the contract must stand in full force against her.

LORRENNA.

Oh, Alice, take me home: poverty, death, anything rather than wed the

man I cannot love. [_She is led off by_

ALICE.

KNICKERBOCKER.

Why, damn it, Judge!

JUDGE.

Mr. Knickerbocker!

KNICKERBOCKER.

I beg pardon, I meant no disrespect to the court, but I had thought

after—

JUDGE.

I have decided, Mr. Knickerbocker.

KNICKERBOCKER.

Oh! you have decided. Yes, and a damned pretty mess you’ve made of it.

But I sha’n’t abide by your decision; I’ll appeal to a higher court. I

am now a member of the Legislature, and if they allow such blocks as you

on the bench, I’ll have a tax upon timber, sir—yes, sir, a tax upon

timber. [_Exit, in a rage._

JUDGE.

Twenty years and a day is the period within which the contract could be

cancelled by the negature of Rip Van Winkle, and as he has rendered no

opposition during this lengthened time—

HERMAN.

’Tis not very probable, sir, that he will alter his intentions by

appearing to do so within the few brief hours that will complete the

day. Can the grave give up its inmates? No, no! Who dare pretend to

dispute my rights? The only one who could do so has been dead these

twenty years.

_Enter_ GUSTAFFE _and_ RIP.

GUSTAFFE.

’Tis false! Rip Van Winkle stands before you!

OMNES.

Rip Van Winkle!

HERMAN.

You, Rip Van Winkle! Van Winkle come back after such a lapse of time?

Impossible!

RIP.

Nothing at all impossible in anything Rip Van Winkle undertakes, and,

though all of you are in the same story, dat he has been gone so long,

he is nevertheless back soon enough, to your sorrow, my chap.

HERMAN.

If this, indeed, be Rip Van Winkle, where has he hid himself for twenty

years?

JUDGE.

What answer do you make to this?

RIP.

Why, dat I went up in de mountains last night, and got drunk mit some

jolly dogs, and when I come back dis morning I found myself dead for

twenty years.

HERMAN.

You hear him, sir.

JUDGE.

This is evidently an impostor; take him into custody.

GUSTAFFE.

Stay! delay your judgement one moment till I bring the best of

proofs—his child and sister. [_Exit._

HERMAN.

If you are Rip Van Winkle, some one here would surely recognize you.

RIP.

To be sure dey will! every one knows me in Catskill. [_All gather round

him and shake their heads._] No, no, I don’t know dese peoples—dey don’t

know me neither, and yesterday dere was not a dog in the village but

would have wagged his tail at me; now dey bark. Dere’s not a child but

would have scrambled on my knees—now dey run from me. Are we so soon

forgotten when we’re gone? Already dere is no one wot knows poor Rip Van

Winkle.

HERMAN.

So, indeed, it seems.

RIP.

And have you forgot de time I saved your life?

HERMAN.

Why, I—I—I—

RIP.

In course you have! a short memory is convenient for you, Herman.

HERMAN.

[_Aside_] Should this indeed be he! [_Aloud._] I demand judgement.

JUDGE.

Stay! If you be Rip Van Winkle you should have a counterpart of this

agreement. Have you such a paper?

RIP.

Paper! I don’t know; de burgomaster gave me a paper last night. I put it

in my breast, but I must have loosed him. No, no—here he is! here is de

paper! [_Gives it to_ JUDGE, _who reads it._

JUDGE.

’Tis Rip Van Winkle! [_All gather round and shake hands with him._

RIP.

Oh! everybody knows me now!

HERMAN.

Rip Van Winkle alive! then I am dead to fortune and to fame; the fiends

have marred my brightest prospects, and nought is left but poverty and

despair. [_Exit._

GUSTAFFE.

[_Without._] Room there! who will keep a child from a long lost father’s

arms?

_Enter_ GUSTAFFE, _with_ LORRENNA, ALICE _and_ KNICKERBOCKER.

LORRENNA.

My father! [_Embraces_ RIP.

RIP.

Are you mine daughter? let’s look at you. Oh, my child—but how you have

grown since you was a little gal. But who is dis?

ALICE.

Why, brother!—

RIP.

Alice! give us a hug. Who is dat?

ALICE.

Why, my husband—Knickerbocker.

RIP.

Why Knick, [_Shakes hands._] Alice has grown as big round as a tub; she

hasn’t been living on pumpkins. But where is young Rip, my baby?

KNICKERBOCKER.

Oh, he was in the court-house just now. Ah! here he comes!

_Enter_ RIP VAN WINKLE, JR.

RIP.

Is dat my baby? come here, Rip, come here, you dog; I am your father.

What an interesting brat it is.

KNICKERBOCKER.

But tell us, Rip, where have you hid yourself for the last twenty years?

RIP.

Ech woll—ech woll. I will take mine glass and tell mine strange story

and drink the health of mine frients. Unt, ladies and gents, here is

your goot health and your future families and may you all live long and

prosper.

THE END.

TRANSCRIBERS’ NOTES

The following substitutions were applied to the text by Project Gutenberg

proofers and transcribers—

On page 43, Rory speaking:

though, for its full of emptiness.—Ha, ha, ha!

though, for it’s full of emptiness.—Ha, ha, ha!

In the long footnote on page 62, Dame speaking:

Her’s will break if she is compelled to—

Hers will break if she is compelled to—

Representative Plays by American Dramatists: 1856-1911: Rip van Winkle · 第 5 / 5 章