W. E. WATT.

Forty years in the pulpit of Plymouth Church in Brooklyn Henry Ward

Beecher stood and poured forth a stream of eloquence which shook

the world. During the stress of civil war he stemmed the current of

English sentiment with his peculiar powers and brought about a change

of feeling which was the salvation of our Union. This greatest of our

pulpit orators was a lover of trees, and some of his finer passages

were inspired by them.

Without doubt, better trees there might be than even the most noble

and beautiful now. I suppose God has, in his thoughts, much better

ones than he has ever planted on this globe. They are reserved for the

glorious land. Beneath them may we walk!

To most people a grove is a grove, and all groves are alike. But no two

groves are alike. There is as marked a difference between different

forests as between different communities. A grove of pines without

underbrush, carpeted with the fine-fingered russet leaves of the pine,

and odorous of resinous gums, has scarcely a trace of likeness to a

maple woods, either in the insects, the birds, the shrubs, the light

and shade, or the sound of its leaves. If we lived in olden times,

among young mythologies, we should say that pines held the imprisoned

spirit of naiads and water-nymphs, and that their sounds were of the

water for whose lucid depths they always sighed. At any rate, the first

pines must have grown on the seashore, and learned their first accents

from the surf and the waves; and all their posterity have inherited the

sound, and borne it inland to the mountains.

I like best a forest of mingled trees, ash, maple, oak, beech, hickory,

and evergreens, with birches growing along the edges of the brook that

carries itself through the roots and stones, toward the willows that

grow in yonder meadow. It should be deep and sombre in some directions,

running off into shadowy recesses and coverts beyond all footsteps. In

such a wood there is endless variety. It will breathe as many voices

to your fancy as might be brought from any organ beneath the pressure

of some Handel's hands. By the way, Handel and Beethoven always remind

me of forests. So do some poets, whose numbers are as various as the

infinity of vegetation, fine as the choicest cut leaves, strong

and rugged in places as the unbarked trunk and gnarled roots at the

ground's surface. Is there any other place, except the seaside, where

hours are so short and moments so swift as in the forest? Where else

except in the rare communion of those friends much loved, do we awake

from pleasure, whose calm flow is without a ripple, into surprise that

whole hours are gone which we thought but just begun--blossomed and

dropped, which we thought but just budding?

Thus do you stand, noble elms! Lifted up so high are your topmost

boughs that no indolent birds care to seek you, and only those of

nimble wings, and they with unwonted beat, that love exertion and

aspire to sing where none sing higher. Aspiration! so heaven gives

it pure as flames to the noble bosom. But debased with passion and

selfishness it comes to be only Ambition!

It was in the presence of this pasture-elm, which we name the Queen,

that we first felt to our very marrow that we had indeed become owners

of the soil! It was with a feeling of awe that we looked up into its

face, and when I whispered to myself, "This is mine," there was a

shrinking as if there were sacrilege in the very thought of _property_

in such a creature of God as this cathedral-topped tree! Does a man

bare his head in some old church? So did I, standing in the shadow of

this regal tree, and looking up into that completed glory, at which

three hundred years have been at work with noiseless fingers! What was

I in its presence but a grasshopper? My heart said, "I may not call

thee property, and that property mine! Thou belongest to the air. Thou

art the child of summer. Thou art the mighty temple where birds praise

God. Thou belongest to no man's hand, but to all men's eyes that do

love beauty, and that have learned through beauty to behold God! Stand,

then, in thine own beauty and grandeur! I shall be a lover and a

protector, to keep drought from thy roots, and the axe from thy trunk."

For, remorseless men there are crawling yet upon the face of the earth,

smitten blind and inwardly dead, whose only thought of a tree of ages

is, that it is food for the axe and the saw! These are the wretches of

whom the scripture speaks: "A man was famous according as he had lifted

up axes upon the thick trees."

Thus famous, or rather infamous, was the last owner but one, before me,

of this farm. Upon the crown of the hill, just where an artist would

have planted them, had he wished to have them exactly in the right

place, grew some two hundred stalwart and ancient maples, beeches,

ashes and oaks, a narrow belt-like forest, forming a screen from the

northern and western winds in winter, and a harp of endless music for

the summer. The wretched owner of this farm, tempted of the devil, cut

down the whole blessed band and brotherhood of trees, that he might

fill his pocket with two pitiful dollars a cord for the wood! Well,

his pocket was the best part of him. The iron furnaces have devoured

my grove, and their huge stumps that stood like gravestones have been

cleared away, that a grove may be planted in the same spot, for the

next hundred years to nourish into the stature and glory of that which

is gone.

In many other places I find the memorials of many noble trees slain;

here a hemlock that carried up its eternal green a hundred feet into

the winter air; there, a huge double-trunked chestnut, dear old

grandfather of hundreds of children that have for generations clubbed

its boughs, or shook its nut-laden top, and laughed and shouted as

bushels of chestnuts rattled down. Now, the tree exists only in the

form of loop-holed posts and weather-browned rails. I do hope the

fellow got a sliver in his fingers every time he touched the hemlock

plank, or let down the bars made of those chestnut rails!

Birds and All Nature, Vol. 6, No. 1, June 1899 Illustrated by Color Photography · 第 35 / 51 题