CHAPTER IX

INTO THE PACIFIC

After close to two and a half months at sea we had reached the turning

point on the long course to Honolulu. The Atlantic with its trials lay

behind us, and just in our wake the sullen waters of the Horn lashed

themselves against the coast of Terra Del Fuego. Ahead stretched the

broad Pacific, greatest of oceans, and fraught with every angle of

adventure that comes to the men who sail. Indeed the sailing of a great

ship like the _Fuller_ is the rarest kind of sport from the standpoint

of seamanship, where every stitch of canvas is made to draw to its full

capacity in every wind that blows. From the cold latitudes of the Cape

up to abreast of Valparaiso, we had good lively sailing. Great rollers

followed us, for the winds were mostly fair, and, as the seas overtook

us and expended themselves to the north, we drove onward, cutting down

the latitude in record time; the cape pigeons were left behind, but

several albatross formed a convoy almost to the edge of Capricorn.

During these weeks of strenuous weather a favored few of us were told

off to lay up sennet for use in making chafing mats, and as "service"

on the backstays, where subject to the wear of gear. We would perch

ourselves on the coils of rope stowed on the fore hatch tarpaulin under

the fo'c'sle head, where we were sheltered from the weather and at the

same time within easy call from aft.

Frenchy was the leading sailor in these arts and taught us to lay up

_round_, _flat_, and _French sennet_. The less skilled men busied

themselves in making _nettles_ and _foxes_, using the primitive

"spinning jinney," and rubbing down the small stuff with canvas to

"smooth" it before balling. Here, too, we were initiated into the fine

points of marling spike work, Frenchy, Brenden, and Jimmy Marshall

showing the less knowing ones how to turn in many a splice and knot.

Turk's heads of three, five, and seven strands were made, and the

more difficult series of four, six and eight strands were mastered by

some of us. Jimmy worked a wonderful set of manropes for the after

companion, crosspointing them in red, white and blue, and topping them

with rose knots.

I was delighted to pick up a vast amount of interesting and useful

knowledge about the different knots and hitches used at sea. How many

sailors today can properly cast a _carrick bend_, turn in a _mariner's

splice_, or a _Flemish eye_, or work a _cringle_ into a _Bolt rope_?

Hitchen, of the starboard watch, taught us how to make the _English bag

knot_, an intricate and beautiful formation cast in the bight of a line.

Our work under the fo'c'sle head got all hands started, and during many

a dismal wet dog watch we practiced the forming of every knot from the

_bowline_ down; Peter, the boy, and myself trying to outdo each other

in the variety of our achievements. Frenchy taught us a new way to

form that "king of knots," the _bowline_, in which the loop is passed

through the gooseneck twice, forming a double loop, a most useful knot

employed in the French Navy. When a man is to be lowered over side, he

sits in one of the loops and the other is passed under his arm pits,

the gooseneck coming against his chest. His weight tautens the part

under the arms, and it is impossible for a man to drop out of this

bowline, even though he becomes unconscious.

In this manner much of the unrecorded lore of the sea was passed on to

us in the _Fuller_ as the same things have been handed down through

the ages since the Phoenicians, the Norsemen, and the more ancient

sailors of Cathay first rigged their barks, fashioning their bends and

hitches in the same manner as the sailors of today. Where the marvelous

knots originated, no one can tell. Who invented them, no one knows;

but we do know that the rope craft of the sea is standard and defies

improvement. It takes time to learn the knots, bends, hitches, and

splices; how much longer it must have taken to discover them can only

be imagined.

In time, much of this will be entirely superseded by wire and steel, as

indeed all lower standing rigging is already of wire. But turnbuckles

and riveted plates are part of the metal ships, unyielding and stiff,

that buckle the hollow steel masts, or sheer the channel plates clean

from the hull, when wrenched by the resistless power of the sea.

In the days of wood, of tough live oak, and tarred hemp lanyards, with

their "give" and "spring," the old style rigging knots and splices

endured for thousands of years. Can steel and steam resist the hands of

time as well?

On the _Fuller_ we were taught that everything had to be done just so

to be "shipshape and Bristol fashion," as the old sea phrase has it.

It was always:

Worm and parcel with the lay,

Then turn and serve the other way.

And the humblest tools have had their form decreed since the art

of seamanship began. The _serving board_ and the _serving mallet_

used by Noah; the _fid_, the _marling spike_, the sewing _palm_,

and the _caulking iron_, are the ultimate tools of the most ancient

handicraft; the art of building and rigging ships. We used all of these

implements with industry as the blustery weather sent us up from the

Horn to Honolulu. We saw how able sailors fit a cringle to the tough

four-stranded hempen bolt ropes on the storm canvas; we learned the

proper way to _strop_ a block, with the splice _where it belongs_, as

every sailor knows, and the throat seizing _frapped_ and _hitched_ in

sailor fashion.

The hours spent under the fo'c'sle head during those days of the voyage

were not so tedious. The Horn was behind us and the prospect of fine

weather ahead. Yarning was always going on, and often we spent the dog

watches in making fancy plaitings and knottings for sea chest covers

and the like. I realized that such men as Marshall, Old Smith, Hitchen,

Axel, Brenden, and Frenchy were of a dwindling breed, soon to be as

rare as the makers of stone axes, or the seamen of the Roman galleys.

One other sailor of the ship's company asked odds of no one in the

range of his knowledge of the sea. Whatever else we may have thought

of him, we were forced to acknowledge Mr. Zerk a seaman of the most

accomplished sort. Versed in the art of wire splicing and up to every

dodge in sailmaking and rigging, he combined the ability of the marling

spike man with the gift of the larger seamanship involved in the

handling of a vessel under all conditions. If his eye ever lights on

this, and I hope it will, I herewith accord to him the full measure

of my admiration, for the combination of these two types of sailor is

rare; as rare as the few remaining ships of the school that brought him

forth.

The _Fuller_ was a wooden vessel, Bath built, and coppered, not with

the beautiful "red copper" we read about in Clark Russell, but with a

composition resembling brass, tough, yellow, and antifouling; a less

expensive sheathing than the pure copper, and, to my mind, every bit

as good a color, the bright yellow, between the deep blue sea and the

black hull, striking a pleasing line that glints like gold when the

sun just hits it at the proper angle.

Our ship was a full-bodied model, really a medium clipper, surprisingly

sharp, and with a clean run aft that gave her a handy pair of heels

in any kind of a favorable wind. Like most ships "of a certain age,"

the old girl was troubled with her timbers and joints. These had an

uncomfortable way of sliding over each other and complaining in a truly

agonizing manner.

"She has lots of 'give' to her," one of the men remarked on our running

into the first sea after leaving port.

The working of the vessel's timbers kept her bilge "sweet" by admitting

a liberal quantity of nice cool sea water seeping in all the way from

the garboard strake to the channels, a circumstance that necessitated

constant pumping, back breaking labor that in heavy weather continued

during the whole of the twenty-four hours, with two hands bending over

the lee bilge pump. The wheel, the lookout at night, and the bilge

pump, were taken in rotation by all hands. For back breaking, soul

destroying labor, nominate the bilge pump. I had a standing offer in

the fo'c'sle to stand two wheels for one bilge pump, Scouse and Fred

and Martin being my best customers until I was dated up so far in

advance on the steering that I had to take this on as well as the

pumping, which came along oftener as it called for two men.

In the matter of small trading we did a thriving business in the

fo'c'sle, some of us even branching out into foreign trade with the

starboard watch. I was the one to introduce this practice on board the

_Fuller_, a relic of my schoolship days, when pools were formed in the

different messes and five and ten rations of cold corned beef traded

off for potatoes, or potatoes and butter paid out as rental for the use

of the precious frying pans of which there were a few on board. When

I worked out a system of credits for different kinds of grub on the

_Fuller_ it was found to be a source of diversion and made possible

some adjustment along the lines of personal taste, in the matter of

our meals. We had stock fish every once in a while, no doubt as a

concession to the Scandinavian contingent, to be found in every ship

that sails the seas. I invariably passed off my share of this delicacy

to Fred or Martin and would be credited with their rations of apple

jack, a stew of musty dried apples; or I would contract for half of

their whack of lime juice and vinegar.

Mr. Zerk, with whom I always was a favorite, that is until we got to

Honolulu, occasionally gave me a jar of preserves, of which he had a

large store. These were home-made pickles and jams, and when brought

into the fo'c'sle caused quite a commotion.

"Rats with 'im and 'is rotten marmerlade," declared Jimmy in great

dudgeon when I brought forward the first fruits of my "stand in."

"Eat it yerself but don't ast no self-respectin' man to touch it," was

the sarcastic way in which the haughty Marshall voiced his sentiments.

"Wot do you say?" he demanded, glaring about the fo'c'sle to see if

anyone dared dispute him.

"Righto," piped up Joe. "That rotten skunk aft has poisoned the stuff,

I'll bet."

"No, it's good," I declared, dipping in with the tip of my sheath

knife. It was a jar of very red cherry jam. It also had a very pleasant

aroma as well as a pleasing taste. I purposely took a second very large

helping and could see that the temptation to fall was great.

"Here, Frenchy, don't eat any, now. Just _taste_ it, perhaps it does

taste a little funny." Frenchy tasted. "I don't know. It does taste

funny," he said.

"Here, gimme a piece o' tack," and Joe was sampling the jam very

liberally.

In a moment all hands, including Jimmy, were tasting it, and all

declared it tasted funny. As a matter of fact it did taste very funny

if we accepted apple jack as a standard.

As the last smear of jam was cleaned from the jar the hypercritical

Jimmy had the nerve to remark, "That was the rottenest marmerlade I

ever tasted."

However, after that no questions were raised when I brought a donation

forward, though to tell the truth these treats were scarce, as the

mate's private stock ran out long before we got to Honolulu.

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