CHAPTER THIRTEEN.

The energy with which Etheldreda the Ready set about her work as sub-

editor threatened to ruin the magazine before its birth, for intending

contributors grew so tired of daily and sometimes hourly reminders that

by the end of a week weariness had developed into right-down crossness

and irritation. "For goodness' sake leave me alone. I'm sick of the

name of the old magazine! If you worry me once more I won't do a

thing--so there!" Such answers were more than a little disconcerting to

one who had worked herself up to a white heat of enthusiasm, and could

neither think, dream, nor speak of any other subject under the sun. So

engrossed was Dreda in trying to keep other writers to the mark, that it

was not until ten day's of the allotted fourteen had passed by that she

set to work to think out her own contribution. It was to be a story, of

course--not a stupid, amateury, namby-pamby story, such as you could

read in other school magazines, but something striking and original,

that would make everyone talk and wonder, and lie awake at night. So

far so good; but when the time for writing it arrived it was

astonishingly difficult to hit upon a suitable idea! Dreda chewed the

end of her pen, wrote "Synopsis of Plot" at the top of her paper in an

imposing round hand with the downstrokes elaborately inked, dotted

wandering designs here and there, and cudgelled her brains for

inspiration. There must be a girl, of course--a girl heroine, blonde

and lovely, and an adventuress (brunette), and a hero. But she did not

intend to write a love story--that was piffle. Something _really_

thrilling and dangerous! She mentally ran over a list of

misadventures--fire, flood, shipwreck. She had read of them all dozens

of times over; and, mentioned in a synopsis, they would have quite an

ordinary effect. It was after hours of anxious deliberation, during

which ordinary lessons went completely to the wall, that the brilliant

idea of an earthquake flashed upon Dreda's mind. An earthquake story

might be as complicated as one pleased, for all the superfluous people

could be killed off at the crucial moment, while legal papers and wills

could disappear, so that one could not even be expected to unravel the

mystery! She hovered uncertainly between three sensational titles--"A

Hopeless Quest," "For Ever Hidden," "In the Twinkling of an Eye!"--and

plunged boldly into the first sentence of the synopsis without having

the faintest idea how it should end:

"A lovely young girl, Leila (English, yellow hair, sixteen) lives on a

beautiful isle which had been a volcano hundreds of years before. (This

will not be mentioned till the last, but mysterious remarks made about

rumblings, to prepare the mind.) Dolores (Spanish), aged seventeen,

pretends to be her friend, but is really jealous. They stay together at

a country house with a veranda, and exciting things happen. Leila is

supposed to be an orphan, and Dolores patronises her because she is

poor. An English officer comes to call, and staggers back at sight of

Leila. (He is really her father.) Dolores makes mischief, and

persuades him to leave her all his money. They go to the lawyers, and

Leila goes out for a sail in a boat to cheer her spirits. While she is

sailing, the volcano blows up and everyone is killed. Leila is picked

up by a passing ship, and inherits the money."

Compared with this sensational programme, Susan's story promised to be

deplorably tame and uneventful, and Dreda curled her lip in scorn as she

read the neatly written lines:

"I want to write the story of a man who was naturally very nervous and

afraid, but who hid it so well that everyone believed him to be a hero.

I want to show that he really did become brave, because his friends

believed in him, and he tried to be worthy of their trust."

"Gracious! How dull. It sounds like a tract. Susan is a dear; but

she's a currant bun when all is said and done, and she can't get away

from it. They _are_ stodgers!" quoth Miss Dreda, with a shrug, as she

placed the paper beside her own in her desk. Her anger against Susan

had died a rapid death, for the double reason that she herself found it

impossible to harbour resentment, and that Susan steadily refused to be

a second party to a quarrel. Scornfully though her help had been

refused, she offered it afresh every evening, and after three days'

experience of struggle and defeat, Dreda was thankful to accept.

"But you _were_ mean about the editorship, all the same. It wasn't like

you, Susan!" she declared severely, feeling it would be too great a

condescension to capitulate without protest. "You are generally quite

sweet about helping other people. I don't understand what you were

thinking about!"

Susan's quiet smile seemed to express agreement with this last

statement, but she made no protest and allowed herself to be kissed and

petted with a condescending "We'll say no more about it, will we, dear?

Now for this exercise--it's a perfect brute!"

It was only by dint of ceaseless entreaties and cajoleries that the sub-

editor succeeded in collecting a respectable number of entries for the

first number of the magazine before the appointed date, and if the

absolute truth had been known she was already feeling overweighted with

the cares of office. It was a fag to be worried out of one's life, and

as a result to be disliked rather than praised.

"I shake in my shoes at the very sight of Dreda Saxon!" said Norah West

of the spectacles and freckles. "There's no peace in life while she is

on the rampage. This school has never been the same since she came.

She seems to have upset everything."

Nancy offered to contribute an article on "Characteristics of School

Celebrities--Literary and Sportive," and refused to be coaxed to a more

decorous subject. "That, or nothing!" was her mandate, so down it went

on the synopsis, followed, by way of contrast, by Mary Webster's "Essay

on Ancient Greece," and the head girl's "Great Women of History." Beryl

Turner, who had a passion for figure drawing, unjustified by skill,

submitted half a dozen sketches of an impossible young woman apparently

entirely devoid of joints, to explain which she proposed to write a

story, thus entirely reversing the usual process of illustration; and,

fired by a desire to show her own artistic superiority, Dreda hastily

embellished her own paper with two vignette paintings of her own

heroines. Leila, with luxuriant locks of yellow, splashed with green,

and Dolores with inky hair and eyes of a rich gamboge. On the afternoon

of the fourteenth day of the month Dreda spent her recreation hour in

arranging the collected sheets to the best advantage, and in fastening

them within the cover of an old exercise book. She was aglow with self-

satisfaction at having accomplished her task in time, and intended to

lay special stress on the fact in her next letter home and so win from

the home circle that admiration and praise which her schoolfellows were

so slow to bestow.

On the whole, she was well pleased with the result of her labours, and

looked forward with a lively curiosity to Miss Drake's comments and

criticisms. When the booklet was finished and a printed label pasted in

the middle of the black cover, she laid it carefully inside her desk and

went to rejoin her companions by the study fire. They stopped talking

as she approached, and began to "rag" in true school fashion.

"Here comes our literary friend. Quite worn out with the strain of her

intellectual efforts! Sit down, my love, and calm your fevered brow!"

This from Barbara, while Norah cried scornfully:

"Look at her fingers--inked to the joints! Anyone could tell she was a

budding author!"

"Did you tie the papers together with blue ribbon? That's an absolute

necessity. I have a piece I could give you."

"Thank you, Nancy. I'll accept it with pleasure--for my hair. The book

is finished and needs no trimmings. It looks beautifully neat and

professional. I can't show it to anyone until my--my colleague has seen

it and made her alterations; but as soon as it comes back--"

She nodded in condescending fashion, and the girls chuckled and

exchanged twinkling glances.

"`My colleague'! That's good!"

"Good word, Dreda! Bring that in in your story. It has a fine effect."

"I'm thankful it is finished at last. We shall be able to sleep in

peace to-night without being disturbed by your plunging and snortings.

I've always heard that geniuses were trying to live with, but they are

even worse by night than by day!"

"At what time are you going to present the Opus to your colleague?

After prep, to-morrow? Then I beg to suggest that until it has been

reviewed and the verdict passed the subject shall be forbidden. The

strain is _too_ great!"

Norah rolled her eyes, a performance rendered weirdly effective by the

presence of her large round glasses, and the other girls taking up the

clue, flopped in their seats, leant feebly against a neighbouring

shoulder, and fanned themselves faintly with their handkerchiefs. As a

rule, Dreda was as quick to take offence as she was to forgive, but this

afternoon she manifested no signs of irritation. "They laugh who win,"

and no one could deny that she had won this time--won all along the

line--in gaining consent to the establishment of a magazine, in

obtaining the post of sub-editor; lastly, and most striking of all, in

being ready up to time, despite the gloomy prophecies to the contrary.

For the next twenty-four hours she was her brightest, most charming

self, so radiant with happiness that she overflowed with sympathy and

kindness to all around. She nursed little Vida Neale, the baby of the

school, on her knee, and recounted such fascinating stories that earache

was forgotten in squeals of delighted merriment. She went up early to

dress for the evening and carried hot water to the cubicles of her four

best friends; she talked in the most amiable of fashions to poor, dull

Fraulein at supper; listened to remarks on the superiority of Germany

with a self-control bordering on the miraculous; and finally laid her

head down on the pillow of her bed with the feeling of being at peace

with all the world.

"Prosperity suits me," she told herself, snuggling cosily beneath the

clothes. "It brings out the best points in my disposition. I ought

never to be crossed!"

The next morning passed slowly. Dreda did not distinguish herself at

lessons, and it was with a somewhat strained manner that Miss Drake

crossed the room to speak to her at the end of the preparation hour.

She had been obliged to find fault with her new pupil several times in

the course of the day's classes. There was that in her manner which

showed that she feared lest yet another reprimand might be necessary.

"Dreda, have you remembered that to-day is the fifteenth of the month?"

"Yes, Miss Drake."

"Have you the synopsis of the school magazine ready to show me?"

"Yes, Miss Drake."

"Quite ready?"

"Yes, Miss Drake."

The Duck smiled her prettiest, most approving smile.

"Good girl! I like punctuality. Bring it up to me now, please, in my

sitting-room."

"Yes, Miss Drake."

Up the stairs ran Dreda, light of foot, bright of eye, heart beating

high with happiness, into the bare empty schoolroom, where the windows

stood open and the fire smouldered on the grate. She switched on the

electric light, crossed the floor to her own desk, and threw open the

lid. Stupid! She had imagined that she had left the manuscript book on

top ... How came she to be mistaken in so strong an impression?

... She lifted a pile of exercise sheets, pushed the books aside, and

scattered miscellaneous possessions to right and to left. Her eyes

distended as if about to fall from her head. She sank back on a chair

and gazed stupidly before her. The synopsis had disappeared!

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