The insecurity of a large part of the fabric is due mainly to the

foundation on which Godfrey de Lucy built when he extended the Cathedral

towards the east. To do this he had to build out over an area of peaty

and water-logged land, wherein to reach a solid foundation it was

necessary to go down through successive layers of marl and gravel and

peat, to a considerable depth, varying from 16 to 24 feet. As this

involved working under water, and as the task of dealing with water

under foundations was beyond the skill of builders of the time, de Lucy

made an artificial foundation of beech logs, or beech trunks rather,

laid horizontally one over the other and kept in place with piles, with

the result that a progressive subsidence has occurred, mainly, but not

entirely, at the east end, causing walls to bulge and crack, and

fissures to appear, until the present degree of insecurity has been

reached. Thus it has been not a question of restoration, but of

preservation, and the work has been taken in hand not a moment too

soon.

The present operations have consisted, in the main, of systematic

underpinning of the walls and buttresses, and as much of the work has

had to be carried out under 10 feet or so of water, a diver has been

employed to lay down concrete in section after section at the base of

the new foundations, the water being afterwards temporarily drawn off by

the help of powerful pumps, to enable the work of underpinning to go on.

The employment of divers to lay foundations for a building 800 years old

would appear a fantastic absurdity, transcending the wildest stretch of

imaginative invention. Winchester Cathedral has actually realised it.

Unfortunately, the securing of the southern aisle of the nave may demand

an addition,--not merely underpinning, but the construction of

buttresses. But these, although novel, will be no more foreign to the

general design than were the corresponding buttresses which Wykeham

added to the north aisle; and these, with the further addition of the

great tie-rods inserted at various spots in the transepts and

retro-choir, will, it is hoped, give the Cathedral a stability which

will ensure its preservation for centuries more. The operations, so

novel in character, so daring in conception, so extensive in scale, are

yet unfinished, and while some £90,000 has been already expended on the

work, something like another £12,000 is still needed for its

completion.

CHAPTER XVII

THE COLLEGE

Schoolmasters in any schoole

Writing with pen and ink.

CHILDE MAURICE.

“Manners makyth man”--‘manners’ in the old and wide sense of the word,

the equivalent of the Latin ‘mores,’ or of the word ‘conversation’ in

St. Paul’s epistles, _i.e._ moral worth and character as contrasted with

wealth, or the symbols of rank and power. This is the motto inseparably

connected with Wykeham’s foundations at Winchester and Oxford alike, and

who shall say how potent this motto has been in inspiring and moulding

the character of English manhood and English public schools during the

five centuries and more since their great founder was laid to rest?

Winchester College is no common place. If Winchester Cathedral, which

enshrines the bones of Egbert, should be the Mecca of all pious lovers

of the Empire, Winchester College should be the Mecca for all English

public school men. Not that Wykeham was the first to found an English

public school, whatever exactly the term ‘public school’ may mean.

Schools had existed in the land for six or seven hundred years before

Wykeham’s day. There were schools in Winchester itself, as, for

instance, the ancient Winchester Grammar School, seven of the poor

scholars of which received a meal daily in the Hundred Mennes Hall at

St. Cross. Wykeham did not invent schools as public schools, but what he

did was to give to public schools the special impetus and character

which they have borne ever since, and in this sense he is rightly named

and revered as the ‘Father of English public schools.’

Earlier schools had almost invariably been linked to collegiate

churches--the communities of secular canons--and had occupied always a

subordinate position. Wykeham gave an independent position to his

school, strengthening it indeed by making it part of a collegiate body,

and linking it with the University, through the sister foundation of New

College--St. Marie College of Wynchester in Oxford, to give it its full

name--which Wykeham had completed in 1386.

Before the college could be commenced many preliminaries were

necessary,--bulls from the Pope, and other official sanctions, lawsuits

and agreements with all kinds of bodies which had an interest in the

site; but Wykeham began to organise his school before the permanent

buildings were ready, and for some years his scholars were lodged in

temporary quarters somewhere by St. Giles’s Hill. The site chosen for

the buildings was just outside the city walls to the south, and when at

last all was ready, on March 20, 1394, the opening ceremony was

solemnized. The aged bishop received the Warden and seventy scholars in

the presence chamber of his Episcopal palace of Wolvesey, and the whole

body left Wolvesey in solemn procession, and entered and took possession

of their new abode.

Wykeham’s immediate purpose in founding a school appears to have been to

help to provide a body of educated clergy. Successive visitations of the

‘Black Death’ had depleted the land of clergy, just as it had of

labourers, and there was pressing need for a supply of educated men to

recruit their ranks. It was to be part of the object of the college to

provide such recruits.

The scheme of the college and the statutes of the founders were

carefully thought out and elaborated. The college was part of a wide

educational scheme: a school and something more--a society, with roots

in Oxford as well as in Winchester. The society was to comprise a

school, a chantry, and a body of Fellows. The school was to consist of

seventy scholars, a number chosen very possibly in symbolical allusion

to the seventy ordained to teach and preach throughout the land of

Galilee, just as Dean Colet afterwards chose ‘a hundred and fifty and

three’ as the number of his scholars in the school he founded--St.

Paul’s School, London. Over these were a master or _Magister

informator_, and an usher or _hostiarius_: the chantry was equipped with

three chaplains, three chapel clerks, and

[Illustration: TOWER OF AMBULATORY, HOSPITAL OF ST. CROSS, WINCHESTER

A picturesque red-brick corner of the domestic buildings of St.

Cross Hospital, close to the magnificent grey-stone tower and

archway known as Beaufort’s Tower.

]

sixteen choristers: the number of Fellows or Socii was ten. The supreme

head over this varied community was the Warden.

This society, complete in itself and so far independent, was linked with

another--the sister foundation of New College, Oxford--in such a way as

to gain stability and dignity without subordination. Winchester was to

be independent of New, but the influence of New was to be a potent

factor in determining the policy of Winchester. The Warden of Winchester

was to be appointed by New College, and New College was also to have

extensive powers of visitation.

In Wykeham’s day any separation of the religious element from other

aspects of education would have been deemed impossible, and everything

was cast in a religious and even semi-monastic mould. Nevertheless the

organisations for the school and chantry were kept quite distinct, and

while divine service was celebrated practically continuously by the

chantry staff, the scholars were required to attend chapel services only

on Sundays, saints’ days, or other festivals. The Warden and Fellows

alike were to be in priests’ orders. The Fellows had duties to perform

connected with the chantry, but none connected with the school, except

that the Warden and Fellows were to elect the headmaster. The headmaster

was not necessarily to be in holy orders; he was to teach the scholars,

and to maintain discipline, and was to be assisted by the usher or

_hostiarius_. The ‘seventy’ were to be _pauperes et indigentes_, _i.e._

poor and in need of assistance, apt to study, and well versed in the

rudiments of Latin grammar, reading, and plain-song. They were to be

elected by a body of six, known afterwards as ‘the Chamber,’ from the

room overlooking Middle or Chamber Court, ‘Election Chamber,’ where

elections took place. The ‘Chamber’ was to consist of the Warden and two

Fellows from New (known as the senior and junior ‘posers’ respectively),

with the Warden, Subwarden, and Headmaster of Winchester. In election

preference was to be given to founder’s kin, and then to others in due

degrees of priority of claim. They were to remain until the age of

eighteen years, unless on the roll for New College; but founder’s kin

could remain till the age of twenty-five years.

The scholars were to be lodged, boarded, clothed, and taught entirely

free of expense: they were not to keep dogs, ferrets, or hawks: to carry

arms or frequent taverns: to empty water, etc., on the heads of their

companions from windows in the court--regulations which throw a curious

light on the manners of the time. The scholars were to be lodged and fed

under the charge of the _hostiarius_ or usher--an arrangement which

obtains even now, as the ‘seventy’ still reside in chambers in college,

under the charge of the second master.

We must not suppose that Wykeham’s scholars were to be boys either

destitute or in actual want. The term _pauperes et indigentes_ was

probably a formal expression, designed to exclude the actually wealthy

rather than anything else, like the term _in need of financial

assistance_ inserted in modern scholarship regulations.

In addition to the above, the statutes contemplated the admission of a

limited number of outsiders, known as _commensales_ or commoners, and

later on town boys or _oppidani_ were admitted as day boys. The

conditions under which the commoners resided varied greatly from time to

time. In 1727 Dr. Burton, then headmaster, made extensive additions to

the College buildings, practically converting his own house into a

boarding-house for them, and this building became known as ‘Old

Commoners.’ In 1838 Commoners was rebuilt, under the name of New

Commoners, but the result was not very satisfactory, and in 1860 the

present plan of boarding in tutors’ houses was commenced, when the Rev.

H. J. Wickham opened the first ‘House.’ In 1869, during Dr. Moberly’s

tenure as headmaster, the system was extended. ‘Commoners’ was done away

with, the commoners themselves lodged in tutors’ houses, and the

building in part transformed into ‘Moberly Library’--so termed in memory

of Dr. Moberly.

The College buildings and grounds are a charm and a delight. From the

outer front in College Street, little indeed can be seen. The

headmaster’s house, built on the site of the old Sustern Spital, is a

flat-fronted modern building faced with squared flints, and the old

Brewery presents little but a blank wall of ancient masonry. The one

external feature of interest is the delightful ‘Old Gateway’ surmounted

by a statue of the Virgin.

Passing under Old Gateway with College Brew House on the right, and then

under Middle Gate into Chamber Court, one is transported back

immediately into mediaevalism. There over Middle Gate is the figure of

‘Sainte Marie,’ and scholars, juniors, at least, if not always seniors,

as they cross the quad, doff their hats still in reverence to the Virgin

as they have done from the beginning. Immediately opposite you are

Chapel and Hall. Chapel, with Fromond’s chantry used by Lower-school

‘Men,’--for Winchester is remarkable among schools as having two

chapels--and the beautiful cloisters behind it, those cloisters which

the Founder himself seems almost to pervade and to spiritualize with his

presence, is a place to wander in and dream dreams of the past. Hall,

approached, as befits its dignity, up a grand old stairway, is

splendidly impressive, with its magnificent open timber roof and carved

wainscot, and the Founder’s portrait--a picture of real grace and

beauty--dominating the high table or dais at the other end. In the lobby

adjoining the kitchen they will show you the ‘Trusty Servant,’ the

quaint old painting emblematic of loyal and devoted service. The riddle

is explained in a copy of verses attached, and the absence of any

reference to expectation of reward on behalf of the ‘Trusty Sweater’ is

at least as suggestive as his loyalty and humble demeanour.

Most appealing, perhaps, after Hall, possibly more even than Cloisters,

is ‘Seventh Chamber,’ Wykeham’s original schoolroom, or part of it at

least, now used as a common study for senior College men, and a

veritable museum of interesting reminders of old Wykehamical life

mingled confusedly with aggressively incongruous and more modern

‘intrusive deposits,’--here perhaps a framed ‘Vanity Fair’ cartoon of

the headmaster; there possibly a couple of Teddy Bears serving as

mascots--for in college life the points of contrast between ancient and

modern are curious and startling, while not the least alluring of its

characteristic features is the rich flavour and vigour of college

nomenclature. ‘Moab,’ the boys’ washing-place in earlier and less

luxurious days--“Moab is my wash-pot”--is a delicious example of this.

College phraseology is a subject almost worthy of separate treatment by

itself.

‘Seventh Chamber Passage,’ itself originally part of Seventh Chamber,

leads you to ‘School,’ the seventeenth-century schoolroom built by

Warden Nicholas. Here you may see the ‘thrones’ or official seats in

earlier days of headmaster and usher, and the world-famous Winchester

emblem on the walls--

Aut disce

Aut discede

Manet tertia sors--caedi.

which may be freely rendered--

Learn, or depart, or stay and be beaten;

though it is more than doubtful whether, in the experience of earlier

Wykehamists at least, the first and the last-mentioned fates were at all

often found to be mutually exclusive.

Beyond is ‘Meads,’ where ‘Domum’ is yearly held, and beyond, again, ‘New

Meads,’ with its magnificent sward, its lofty trees, and its memories of

‘Eton Match’; and right away again, across the river, ‘Hills’ lies in

full view--St. Catherine’s Hill, where Winchester boys in earlier days

repaired for recreation on ‘remedies’ or holidays, the joys of which may

be followed out in full in Bompas’s delightful life of Frank Buckland.

“Manners makyth man”--one is tempted to wonder if more may not here be

meant than meets the ear, and whether ‘manners,’ in its Latin equivalent

_mores_ at least, does not wrap up a punning allusion, after the method

so dear to that age, to Warden Morys, to whose hands, on the erection of

the building, Wykeham first committed the future of his great college.

But be that as it may, the emblem seems to sum up the spirit of the

college with literal fidelity. Passing through its chambers, its chapel,

its courts, its cloisters, one is sadly tempted to linger to recall the

memory of this great headmaster, or recount the quaint stories told of

this famous warden or that, and the names of Ken, Arnold, Goddard,

Gabell, Huntingford, Barter, rise almost instinctively to one’s lips. We

shall find their memories all piously preserved and commemorated whether

in portrait, tablet, or building, as for instance the Memorial Gateway

erected as a memorial of the old Wykehamists who fell in the South

African War; but here we may not stop, and those who wish to do so can

follow out their story in Leach’s _Winchester College_ or Adams’s

delightful _Wykehamica_. But more striking than the past, the noble

traditions nobly preserved is the vitality in the present. ‘Sainte Marie

College’ has always known how to adapt herself successfully, as age

succeeded age, to the requirements of the day, and has paid the truest

respect to the Founder’s wishes in never allowing herself to grow old.

There is no frost, mingled with the kindliness of age, in Winchester

College.

CHAPTER XVIII

WOLVESEY--ST. CROSS--THE CASTLE HALL--THE ROUND TABLE

And for great Arthur’s seat ould Winchester preferres,

Whose ould Round Table yet she vaunteth to be hers.

DRAYTON’S _Polyolbion_.

From College one turns naturally to Wolvesey--Wolvesey with its

wonderful grey stone walls, its memories of Saxon and Norman,

Plantagenet and Stuart times. Here Alfred kept his Court, with all the

learned men of his time around him; here the _English Chronicle_ was

first compiled; and here, above that very Wolvesey wall, it may be, the

Danish pirates captured in the Solent were hanged--as has been already

related--in retributive justice. But the big blocks of ruin in Wolvesey

Mead are of later date; they recall to us the career of that notable

figure among the Bishops of Winchester, Henry of Blois, King Stephen’s

brother, bishop from 1129 to 1171--the masterful man, devoted churchman,

and scheming politician, whose story has been somewhat fully related in

Chapter VIII. To strengthen himself he fortified

[Illustration: CHURCH OF ST. LAWRENCE, WINCHESTER

A small but extremely interesting parish church in ‘The Square,’ of

which practically all the exterior, save the Western Doorway and

the Tower, is hidden from sight by the houses and shops hemming it

in on all sides. Every Bishop of Winchester on being installed

proceeds in solemn procession from the Cathedral to St. Lawrence

Church to ring the bell--a picturesque survival of feudal days.

‘The Square’ marks the site of a palace built for his own

occupation by William the Conqueror.

]

his dwelling at Wolvesey with an ‘adulterine’ castle--for he built here

without royal warrant, as he built his castles elsewhere at Bishop’s

Waltham and at Hursley,--and he sided alternately with Stephen and

Empress Matilda in the civil war, as circumstances dictated. And so it

befell that Winchester itself became divided into rival camps; Matilda’s

forces held the Royal Castle and the Bishop held Wolvesey, and, here

within his defences, now in ruins, the Bishop stood the siege valiantly.

Ultimately peace was made, and Winchester saw Prince Henry make joyful

entry into her ruined streets and ratify the compact. His later years

were passed in works of peace and beneficence, and for these he will

always be most gratefully remembered.

He built the Hospital of St. Cross, a permanent refuge for thirteen poor

brethren, and a house of daily entertainment for the poor and needy

outside its walls. He placed his foundation of St. Cross under the

protection of the Knights of St. John of Jerusalem, an Order specially

devoted to guarding the welfare of pilgrims and wayfarers. And so the

Brethren of St. Cross still wear to-day the eight-pointed cross of the

Order and the black gown which distinguished the Knights Hospitallers,

and the wayfarer’s dole of bread and beer may still be asked for and

obtained at its hospitable gates. Advancement, personal power, and

political ascendancy, all these Bishop Henry desired for himself, strove

for, won and lost in turn. St. Cross retains its vitality still,--such

is the perennial virtue of unselfish kindliness and beneficence.

Though its fortifications were dismantled, Wolvesey remained the

residence of the Bishops of Winchester for many centuries after Henry de

Blois. Here, on March 28, 1394, in the presence chamber of Wolvesey,

William of Wykeham received the warden, John Morys, and the seventy

scholars of his _Newe College of St. Marie_, and gave them his blessing

as they set out in solemn procession to enter into occupation of their

newly erected premises. In the Civil War, after Cromwell’s capture of

the city, the old Bishop’s Castle was finally dismantled.

Present-day Wolvesey Palace stands on your left as you enter from

College Street with the Norman ruins and the old Tilt yard in front of

it and on your right. Bishop Morley, the friend of Ken and Izaak Walton,

erected it. But Wolvesey and Farnham together proved too heavy an

episcopal burden, and later bishops have preferred to reside at Farnham.

So Wolvesey ceased to be the Bishop of Winchester’s official residence,

and the greater part of Morley’s building was pulled down by Bishop

North at the end of the eighteenth century. The growing need for the

division of the diocese makes it quite possible, however, that the

Bishops of Winchester may again be residing in Wolvesey Palace, as their

predecessors did for so many hundreds of years.

Wykeham’s College, ‘the Newe Saint Marie College of Wynchester,’ is but

a stone’s-throw from Wolvesey. The story of the College has been fully

dealt with in a former chapter, and so, now, as we pass along College

Street from Wolvesey, our thoughts may well turn to a house on the left

adjoining College, with memories of a different kind, those of Jane

Austen. A tablet over the door recalls the fact of Jane Austen’s death

within its walls in 1817. She had removed here from her home at Chawton,

near Alton, in hope of recovery under the medical treatment which

Winchester could afford her. But the hope was vain. She lies buried in

the north aisle of the Cathedral nave. We know her now as among the

rarest and most charming of women novelists. Of her we shall speak again

in the chapter on ‘Winchester in Literature.’

Some half mile or so south of College, beyond New Meads and the meadows

by the river--those meadows from which the tower and pinnacles of

College Chapel form so poetic a picture as they mingle with the trees

around, and the Cathedral behind--lies St. Cross, a foundation which has

undergone many vicissitudes and been at various times “much abused”

(_see pp._ 188, 189), but which has happily now for many years past been

rescued from the spoiler and restored to the full exercise of generous

beneficence. Of its foundation by Henry of Blois we have already spoken,

but in its associations another historic name figures, of equal

prominence with Bishop Henry’s--that of Beaufort, Bishop and Cardinal in

Henry VI.’s reign. Beaufort was a second founder, and the domestic

buildings and the fine gateway are his work. Along with the Brethren

with black gown and silver cross will be seen some wearing a mulberry

gown, with the Beaufort Rose as emblem; these are Brethren of the order

Beaufort founded--the Order of Noble Poverty. St. Cross is not a place

to describe at all in words; its traditions, its characteristic customs,

its general atmosphere belong to it and to it alone; to appreciate it it

must be felt. Peaceful and dignified, with the clear transparent waters

of Itchen flowing quietly by at its feet, there is no place in

Winchester, or indeed anywhere else, where the sense of hallowed charm,

of serenity, of contentment, and of rest seems quite so natural and so

pervading as here.

Wherever else we turn in Winchester we find some treasure or other over

which to linger. On the high ground forming the south-west angle of the

city there is the County Hall, last surviving relic of the great royal

castle, which William of Normandy first erected and which his successors

added to. For some six hundred years that great keep, with its heavy

battlements and frowning bastions, scowled down upon the city and

overawed its burghers. Yet, grim and all but impregnable as those ‘rude

ribs’ might seem to be, more than one assailant found means to penetrate

within. Here, in 1140, Matilda the Empress, besieged by Stephen’s Queen,

was forced by hunger to abandon resistance, and to seek safety by

stealth and stratagem in a hasty and disastrous flight--her power of

effective resistance broken finally and for ever. Here, in 1645, flushed

with victory from Naseby field, came Cromwell, and, after nine days of

hot cannonade, compelled the surrender of the citadel--a surrender which

he followed up by ordering the castle to be ‘slighted,’ _i.e._ razed to

the ground.

The present Castle Hall was erected by a Winchester monarch--Henry III.,

Henry of Winchester. Here again the sense of the historic past swells

and surges round you. It is almost a revelation in history to walk round

it and follow out in detail the memories of those whose history is

personally connected with it, their names and arms all emblazoned in the

stained glass which fills the lights on either side. Local feeling has

been just recently somewhat deeply stirred by the removal within the

Hall of Gilbert’s well-known bronze statue of Queen Victoria, formerly

placed in the Abbey grounds--a removal which has evoked a very

unfortunate controversy, and as to the wisdom of which considerable

cleavage of opinion exists. But whatever view be taken of this, as to

the impressiveness of the great Hall, within and without, or the story

it has to tell, no two opinions can be held. The grand interior with its

splendid columns speaks of great assemblies within its walls; of

Parliaments such as the one held here as early as 1265, within a year of

the death of the great De Montfort, the ‘inventor,’ so to speak, of the

representative assembly; of State ceremonial displays such as when Henry

V. received the French ambassadors here, a few days only before the

Agincourt expedition sailed--as when Henry VII. celebrated the birth of

his first-born, Arthur of Winchester, Prince of Wales, and as when Henry

VIII. received and fêted the great Emperor Charles V., the

Charlemagne of his day; of State Trials such as that which unjustly

condemned Sir Walter Raleigh; of the Bloody Assize and the horror of the

judicial murder of Dame Alicia Lisle; while the most characteristic

touch perhaps of all is given by the quaint relic hanging on the western

wall, the so-called King Arthur’s Round Table. A curious relic indeed

this latter, and an ancient one, possibly 700 years old. We shall hardly

accept it, as Henry VIII. and his royal Spanish guest did, as the actual

table at which King Arthur and his knights used to seat themselves, even

though we may read their names--Sir Launcelot, Sir Galahallt, Sir

Bedivere, Sir Kay--inscribed upon its margin. Rather does it recall to

us those quaintly attractive, uncritical mediaeval days, when historical

perspective was unknown, that glorious age when “Once upon a time”

almost satisfied the yearnings of the historical instinct. Yet one may

question whether we are really better off, because for us King Arthur’s

Round Table has no existence and Arthur himself is lost in the strange

background of

Moving faces and of waving hands,

that weird labyrinth where history and legend, myth and romance, are so

strangely and inextricably interwoven; and one turns away baffled and

reluctant from many and many an old-world story, and many and many an

old-world relic such as this, with the sense of something like a lost

inheritance.

So sad, so fresh, the days that are no more.

There is, however, little real excuse for these unavailing regrets in

Winchester, for she above all places has store of real history--and such

history, too--enough and to spare.

Here, for instance, in the West Gate adjoining the Castle Hall, and in

the Obelisk just beyond the circuit of the old walls, this vividness of

history meets us again. Formerly the West Gate was a blockhouse as much

as a gate. You can still see where the portcullis worked up and down,

and look down from the battlements of the roof through the machicolated

openings which enabled defenders to meet assailants with molten lead and

kindred compliments. Later on it was a prison. On the walls of the

splendid old chamber above the gateway we can see elaborate designs

carved out by one poor prisoner after another, to while away the tedium

and to help him to forget the miseries of his imprisonment. Now the West

Gate is a museum with a collection of rare local interest: early weights

and measures of the days when Winchester could still impose its

standards upon others, weapons and armour, the gibbet of the

executioner, and the axe of the headsman. But strong for defence as the

West Gate and city wall were, the Obelisk beyond recalls to us one foe

whom no bar could exclude, no bolt restrain; for though in 1666

Winchester was straitly shut up like Jericho of old, and none went out

and none came in, that grim and relentless assailant, the Plague, passed

all barriers unchallenged, and Winchester became as a city of the dead.

Then--for none dared approach--the country people held their market

without and chaffered for their wares at safe distance with the men upon

the wall, and the Obelisk, erected in 1759, serves to commemorate the

spot where marketing was done for Winchester citizens under such tragic

conditions. Happily, plague has disappeared from our midst for some 250

years. In mediaeval days, right on indeed from 1348, the year of the

Black Death, plague was all too common a visitant. The sister societies

of Natives and Aliens still survive in Winchester, to carry on the work

of relieving widows and orphans, first begun when plague laid its hand

so heavily on the city in the ‘Annus Mirabilis’ and left so many widows

and orphans to relieve.

Full of interest as the West Gate is, it leaves a sense of regret behind

when we remember that it is the only one remaining of the four principal

gateways which the city once possessed. The artificial and curiously

warped ideas of taste and sentiment which characterised the mid-Georgian

period were responsible for a wholesale destruction of Old Winchester

architectural treasures. Three historic gateways, the ruins of Hyde

Abbey, the tomb of Alfred the Great, Bishop Morley’s Palace of Wolvesey,

all these and others suffered destruction, partial or complete. The City

Cross itself was condemned to removal, but popular indignation, ever

ready to express itself in Winchester as vigorously, even in modern

days, as it was in earlier days of Saxon and Dane, when popular clamour

round the hustings was the due and only expression of law,

[Illustration: HURSLEY VICARAGE

Hursley, five miles from Winchester, is the centre of ‘Kebleland.’

Here John Keble was parish priest for thirty-one years. Hursley

Church was practically rebuilt from the profits of the _Christian

Year_, and Keble and his wife lie buried in Hursley churchyard

close to the porch on the southern side.

The village has memories of Richard Cromwell, and there is a fine

historical monument to the Cromwell family in the tower of Hursley

Church.

]

could not be restrained, and the City Cross was left undisturbed. Nor

did the West Gate escape except by accident. The great room over the

gateway was at that time held as an annexe to a public-house adjoining,

and so the West Gate was spared merely in order that Winchester citizens

might the better enjoy their ‘cakes and ale.’ History teaches us to be

grateful at times to strange benefactors. To many, with the present

trend of social and political thought, the sentiment _Das Gasthaus als

Freund_ will come almost as a shock, yet here in Winchester we are

confronted by the curious paradox, that while water has sapped the

stability of the Cathedral, that of the West Gate has been secured by

beer.

Municipal life in Winchester forms another chapter full of interest. Of

her early ‘gilds,’ dating back perhaps to days before Alfred, of the

Chepemanesela, the Chenicteshalla, the Hantachenesla, and other vaguely

indicated centres of civic organisation, where, in Henry I.’s time, the

citizens in their various grades assembled to ‘drink their gild,’ we

have already spoken. Her roll of mayors claims to begin with Florence de

Lunn in 1184. Whatever antiquity the Mayoralty can justly claim--for

Florence de Lunn can hardly be treated quite seriously--her corporate

history is full and varied.

The new Guildhall in the Broadway, some thirty years old only, which has

replaced the old Guildhall in the High Street, possesses an interesting

collection of civic portraits, along with corporation plate, municipal

archives, and much wealth of historic raw material.

The finest of these pictures, King Charles II.’s portrait, painted by

Lely, and presented by the Merry Monarch himself to the city,

represents, perhaps, the only return with which the loyalty of the

citizens towards the house of Stuart was rewarded. They lent King

Charles I. £1000, they melted their private plate, valued at £300, and

their city plate, valued at £58 more, to help to fill his empty coffers

when the Civil War was raging. Old Bishop Morley, whose memories centre

closest round present-day Wolvesey and Farnham, and Bishop Hoadly of the

Queen Anne period, are among the more interesting of the personalities

whose effigies are here displayed.

Many, indeed, are the interesting memories which Winchester preserves of

the Merry Monarch and his Court; of Nell Gwynn and of the valiant stand

made against her by Prebendary Ken; of Sir Christopher Wren and the

palace he commenced to build for his royal master on the site of the

castle razed by Cromwell--a great and ambitious project never completed,

but which, under the name of the King’s House, served for many years as

the military headquarters of the city till a great fire swept it away in

1894, to make room for the present barracks, erected, soon afterwards,

on very nearly the same site.

Another interesting Guildhall portrait is that of Edward Cole, Mayor in

1597, a patriotic citizen who himself subscribed £50--a large sum for

one man in those days--towards the Queen’s war fund in days of the

Armada, and a ‘gubernator’ some years later of Christes Hospitall,

Winchester, founded, by Peter

Symonds, in 1607 alike for the maintenance of the aged and the education

of the young--a foundation possessing a delightful old Jacobean

building, just beyond the Close wall, out of which has grown, almost

within the last decade, on a wide and open site on the outskirts of the

city, a rapidly developing school of modern type, where the ‘children’

of Peter Symonds, in largely increased numbers, receive a far wider

education than was possible when he first called them into existence.

His will is a curious and characteristic document. It occupied an

enormous number of folios. Blue Coat schoolboys, practically until the

removal of the school to Horsham, showed respect to his memory by some

sixty of their number attending a special Good Friday Service at the

church of All Hallows, Lombard Street, at which sixpences and raisins

were distributed, in accordance with his will; and his Winchester

scholars and Brethren keep his memory by an annual procession to service

at the Cathedral on St. Peter’s Day, with a special sermon and quaint

ceremonial observance.

Such are some of the matters of interest, small and great, which meet

you wherever you turn in Winchester--everywhere there is some _genius

loci_, some cricket installed, and chirping on the hearth. Here it is a

quaint tavern-sign such as you can read on the outskirts. As you leave

the city you read the legend “Last Out,” as you approach from without

you read “First In.” Or it is a name of some street--Jewry Street, for

instance, recalling the times when, as already narrated, the Jews

formed a powerful element in the commercial prosperity of the city, and

had a Ghetto here--or Staple Garden, reminiscent of the great Wool Hall,

where the ‘Tron’ or weighing-machine of the Wool Staple was kept, when

Winchester was the mart where the wool trade of the south of England

centred. And here and there are darker and more sombre recollections,

such as the tablet outside the City Museum serves to remind us of the

moving tragedy of the execution of Dame Alicia Lisle in September 1685,

on a spot in the open roadway, in front of what then was the Market

House. Then, too, there are glorious old houses, Tudor and mediaeval,

like God Begot House and the so-called Cheesehill Old Rectory, and the

delightful houses erected by Sir Christopher Wren himself--those

inhabited now by Dr. England and Captain Crawford in Southgate Street

for instance, and the house in St. Peter’s Street erected for the

Duchess of Portsmouth, of unpleasant memory. These are merely random

examples of the kind of interest which Winchester presents to those who

wander through her streets with eyes to see and ears to hear. For the

casual visitor Winchester has much to offer; for the student of history

she has more; but her wealth of treasure can only be apprehended

adequately by those who are privileged to dwell within her charmed

circle, for her harvest of attraction is too wide to be garnered save by

those who bring extended opportunity as well as love and reverence to

the task.

CHAPTER XIX

WINCHESTER IN LITERATURE

And as imagination bodies forth

The forms of things unknown, the poet’s eye

Clothes them with shapes, and gives to airy nothing

A local habitation and a name.

It is always a pleasing occupation to follow out the associations of

human fancy which often invest persons and places with an interest, and

indeed a romantic charm, to which the cold-eyed historian or dryasdust

critic is entirely unresponsive, and if Winchester as it first appeared

to us, as we looked down from the brow of St. Giles’s Hill, seemed to

throb with the life and interest of a departed age, and of historical

personages long since passed away, so too we shall find that it

possesses associations of the purely literary type, not indeed fit to

challenge comparison with the glorious pageantry of its historic past

which we have attempted, all too inadequately, to present upon our

stage, but not unworthy to be chronicled and to be included in her

volume of romance and recollection. Her points of contact with

literature have been many, and yet it would be wrong to describe her as

a literary city. No poet of note, no great writer, has, in recent days

at all events, claimed her as parent; her acquaintance has been rather

with literary persons than with literature itself, for though she has

attracted many to make her in some form or other their theme, but little

of real weight in any but ancient literature has first seen the light

beneath her auspices. For all this she has, in literature as in life,

her story to tell, and that an ancient one.

The first literary associations of Winchester are, as is but natural,

historical ones, and the first mention of her in literature is found in

Bede, who records for us, among other scanty details, her name, ‘Venta,

quae a gente Saxonum Ventanceastir appellatur’; she next appears in a

full flood of glory, the seat of the learned and literary court of

Alfred, from which he gave the world the treasures of his literary

efforts--the _Consolations_ of Boëthius, Gregory’s _Pastoral Care_,

Orosius, and Bede’s _Ecclesiastical History_, all rendered into the

vernacular, and more important far than all of these, the great

thesaurus of early national history, the _English Chronicle_, the

history of which we have already related, and from which we have quoted

so constantly in our earlier chapters, to be followed by the equally

momentous Domesday Book--curious as it may seem to include this among

literary productions. Following from this we have a wide and almost

bewildering series of chroniclers, historians, and annalists, some of

whom, like William of Malmesbury, Henry Knighton, and Matthew Paris,

record details of her career incidentally as general items in the

history of the land, while others, like Precentor Wulfstan and the

annalists of Ealden Mynstre and Newan Mynstre, laboured at Winchester in

their respective scriptoria, producing not merely wonderful works like

the _Benedictional_ of St. Æthelwold and the _Golden Book_ of Edgar, but

local histories in goodly store, the Hyde _Liber Vitae_ and _Liber de

Hyda_, and the later monkish annals of Plantagenet days--Rudborne’s

_Major Historia Wintoniae_, the anonymously written _Annales de

Wintonia_, and others. Prominent among these various chroniclers was

Geoffrey of Monmouth, who, romancist and fabricator as he was, has yet

rendered valuable service by preserving the British legends as they

survived among the Brythonic folk, and has given us--and let us be duly

grateful--the Arthurian legend in all its suggestive elusiveness and

mystery, centring round Winchester and Silchester, with Arthur the

Christian King, Merlin the Mage, Dubric the High Saint, and many

another--a legend which passed through many languages and many lands,

gathering store of added marvels on the way, the customary guerdon of

such literary wanderings, to reappear in strange unwonted guises, as in

Layamond’s _Brut_ and the _Morte d’Arthur_ of Malorie. And the legendary

lore of Winchester is far from being her least attractive literary

asset: we have dealt with this subject fairly fully already--some may

perhaps deem too fully,--yet is not legend but the _alter ego_ of

history, and are not myth and legend, sober fact and imaginative

creation, after all merely the multicoloured strata in the complete

rainbow of presentment of vital truth, passing and repassing each into

other by nice gradation and imperceptible advance? But all these are but

prehistoric as it were, when English as a language was not, and monastic

Latin and Anglo-Saxon the muddy media of literary communication.

The Winchester stream in English literature begins to flow at first with

feeble current--a distich or so of uncouth verse, or a casual reference,

as in _Piers Plowman_, Leland, Camden, or elsewhere. Drayton, in his

_Polyolbion_, has some twenty lines or so on the Itchen, referring to

the Round Table of Arthur at Winchester, and the towns on her course,

speaking of

... that wondrous Pond whence she derives her head,

And places by the way, by which shee’s honoured,

(Old Winchester, that stands neere in her middle way,

And Hampton, at her fall, into the Solent Sea),

and Ken and Walton, in later Stuart days, come upon the scene. Ken is a

real Winchester possession--educated at Winchester College, and later

on, Prebendary of the Cathedral, he wrote his well-known and still

widely-used _Manual of Prayer_ for the use of the scholars of Winchester

College, and his _Morning and Evening Hymns_ breathe the same spirit of

the inner religious life afterwards so beautifully reflected in Keble’s

_Christian Year_. His preferment to the see of Bath and

[Illustration: WINCHESTER FROM ST. GILES’S HILL

From St. Giles’s Hill, where in mediaeval days the world-famous Fair of

St. Egidius or St. Giles was held, an unequalled view of Winchester city

can be obtained. The Cathedral, Wolvesey, the College, the Guildhall,

the High Street, the Alfred Statue, the Old Guildhall, the Westgate, can

all be seen. The dark clump of trees on the sky-line is the so-called

Oliver’s Battery.]

Wells arose too out of his sturdy refusal to countenance the Merry

Monarch’s irregular life, for he refused to let Mistress Eleanor Gwynne

have the use of his house to lodge in, a refusal which angered the king

at the time, but conciliated his respect, for on the bishopric falling

vacant he declared that none should have it but the “good little man who

refused his lodging to poor Nelly.” Izaak Walton, Ken’s relative, made

Winchester his residence during the closing years of his long life--a

man of culture and some literary pretension, apart altogether from his

immortal _Compleat Angler_, for his lives of Donne and Herbert attained

to some celebrity; tradition connects a certain summer-house by the

stream in the Deanery garden with him and his fishing, and in several

places in his _Compleat Angler_ he makes allusion to our Winchester

streams, showing that he had ofttimes baited his angle by one or other

of its waters. Peace to his soul--he rests in the Cathedral, in

Silkstede’s Chapel, and the verses over his tomb, though devoid of all

literary merit, are said to have been written by Ken his kinsman.

Our next possession is a greater name--and that, moreover, a Hampshire,

though not in any real sense a Winchester one--the Hampshire novelist,

the most charming and natural of women writers, Jane Austen. Here in the

early days of 1817, when a deadly and insidious malady had attacked her,

she came with her sister Cassandra to lodge in a house in College

Street, occupied then by a Mrs. David, in the vain hope that Winchester

medical skill might restore her strength.

The following letter from her pen,[3] written at this period, reveals

the characteristic _espièglerie_ of the writer, which not even advancing

weakness could disarm or subdue.

MRS. DAVID’S, COLLEGE STREET, WINTON,

_Tuesday, May 27th_.

There is no better way, my dearest E., of thanking you for your

affectionate concern for me during my illness than by telling you

myself, as soon as possible, that I continue to get better. I will

not boast of my handwriting--neither that nor my face have yet

recovered their proper beauty; but in other respects I gain

strength very fast; am now out of bed from 9 in the morning to 10

at night; upon the sofa, it is true, but I eat my meals with Aunt

Cassandra in a rational way, and can employ myself, and walk from

one room to another. Mr. Lyford says he will cure me, and if he

fails I shall draw up a memorial and lay it before the Dean and

Chapter, and have no doubt of redress from that pious, learned, and

disinterested body. Our lodgings are very comfortable. We have a

neat little drawing-room with a bow window, overlooking Dr.

Gabell’s garden.... On Thursday, which is a confirmation and a

holiday, we are to get Charles [_a relative--then a boy at the

College_] out to breakfast. We have had but one visit from him,

poor fellow, as he is in sick-room, but he hopes to be out

to-night.... God bless you, my dear E. If ever you are ill, may you

be as tenderly nursed as I have been. May the same blessed

alleviations of anxious, sympathising friends be yours; and may you

possess, as I dare say you will, the greatest blessing of all, in

the consciousness of not being unworthy of their love. _I_ could

not feel this.--Your very affectionate aunt,

J. A.

Poor Jane Austen, the rally was but a momentary one, and an untimely

death cut short her career just as she was developing to her best work.

She is buried in the Cathedral, where, curiously, the flat stone slab

over her body speaks eloquently of her benevolence of heart, sweetness

of temper, and Christian patience and hope, but not one word of her

literary skill or claims as an authoress--the only reference to these is

in the indirect phrase “the extraordinary endowments of her mind.” So

little was her right place in literature then realized, that some among

her friends saw her appearance as a novelist rather with concern than

with approval, and her literary ventures were even referred to

apologetically. Posterity has amply atoned for this neglect: the

Cathedral possesses two memorials of her--a brass and a stained-glass

window; and she has long since been admitted to the high measure of

appreciation to which her naturalness and sincerity justly entitle her.

The Dr. Gabell referred to in the letter was, of course, the well-known

Dr. Gabell, headmaster of the College, mentioned in the previous

chapter, a characteristic figure famous in his day, a picture of whom,

had she been spared, she might perhaps have left us, limned in her own

nervous and inimitable manner; but, alas! it was not to be. Fortunately

the house she occupied is known, and a commemorative tablet, placed over

the door, records appropriately her sojourn there and her untimely

death.

Following close upon Jane Austen came another, with a name ever to be

honoured in song--a summer migrant merely, it is true, or rather an

autumn one,--whose light was destined to be shortly afterwards suddenly

extinguished also. John Keats, the poet, who came here in August 1819

from Shanklin, where “Keats’s Green” preserves his memory, for a visit

of some two months’ duration--“the last good days of his life.” Several

considerations dictated his visit to Winchester, among others, the

desire to have access to a good library, a desire destined, quite

unaccountably, to disappointment. His letters written from Winchester

are full and charming literary productions: he describes the

‘maiden-ladylike gentility’ of her streets; the door-steps always ‘fresh

from the flannel’--the knockers with a staid, serious, and almost awful

quietness about them; the High Street as quiet as a lamb, the

door-knockers ‘dieted to three raps per diem’;--in such happy, delicate

phrases he hits off the Winchester of the day. Of the place itself he

gives us interesting touches: the air on one of its downs is ‘worth

sixpence a pint’; the beautiful streams full of trout delight him; the

Cathedral, fourteen centuries old, enchants his imagination; while the

foundation of St. Cross he finds to be greatly abused.

Where he lodged we know not, dearly as we should like to--we can only

form such conclusions as the following clues[4] point to:

I take a walk every day for an hour before dinner, and this is

generally my walk. I go out the back gate across one street into

the Cathedral yard, which is always interesting; there I pass under

the trees along a paved path, pass the beautiful front of the

Cathedral, turn to the left under a stone doorway--then I am on the

other side of the building, which leaving behind me, I pass on

through two College-like squares, seemingly built for the

dwelling-place of Deacons and Prebendaries, furnished with grass

and shaded with trees; then I pass through one of the old city

gates and then you are in one College Street, through which I pass,

and at the end thereof crossing some meadows, and at last a country

alley of gardens, I arrive at the foundation of St. Cross, which is

a very interesting old place, both for its Gothic tower and Alms

square and also for the appropriation of its rich rents to a

relation of the Bishop of Winchester. Then I pass over St. Cross

meadows till you come to the most beautifully clear river. Now this

is only one mile of my walk.[5]

Another clue, which locates the house very close to the High Street, if

not in it, is given by the following:

We heard distinctly a noise patting down the High Street as of a

walking cane of the good old Dowager breed, and a little minute

after we heard a less voice observe, “What a noise the ferril

made--it must be loose.”[6]

Winchester streets are less staid and genteel now, and the High Street

would hardly echo responsive to such repressed sounds to-day.

Two months only the visit lasted, months of tense compression and rich

utterance of song. _Hyperion_ (which he never finished), _Lamia_, _The

Eve of St. Agnes_, _La Belle Dame sans Merci_--all these in one form or

other came under his pen for completion or revision, while his _Ode to

Autumn_, the most perfect of all his odes, was wholly a Winchester

production inspired by his circumstances and surroundings. The German

poet might almost have had Keats prophetically before him when he sang:

Singst du nicht dein ganzes Leben,

Sing doch in der Jugend Drang!

Nur im Blüthenmond erheben

Nachtigallen ihren Sang.

E’en though after years be silent,

Sing while youthful passions throng,

Only in the fervid spring-time

Nightingales pour forth their song.

But no after years, alas! were to succeed, and Keats’s fervid

‘Blüthenmond’ was all his allotted span. Winchester is happy in the

memory of his eventful connection with her, brief in time though it was.

Our next name is Thackeray, who seems to have loved to locate his scenes

in our city and neighbourhood, though in general his references have too

little local colour to permit of identification--assuming, that is, that

any such local image was really intended.

_Vanity Fair_ and _Esmond_ are full of local allusions; Sir Pitt

Crawley, for instance, would appear to derive his names from Pitt and

Crawley, two villages close to Winchester; and in _Esmond_, Hampshire

allusions, tantalisingly veiled, it is true, seem to meet and to baffle

you everywhere. It seems impossible to avoid identifying Castlewood,

with its ruined house battered down by Cromwell, and the Bell Inn with

Basing House and Basingstoke; and while Alton, Alresford, and Crawley

are all mentioned, it is round Winchester that interest centres and

perplexes most. Where else in literature is a scene so inimitably

conjured up and told so charmingly and with such restraint, where else

is the real Thackeray so fully revealed, as when Esmond rides on from

Walcote to the ‘George’ at Winchester on the fateful 29th December, and

walked straight to the Cathedral. The organ was playing, the

winter’s day was already growing grey, as he passed under the

street arch into the Cathedral yard and made his way into the

ancient solemn edifice.

Wonderful is the chapter that follows--when Esmond and his ‘mistress,’

reconciled once more, first become mutually conscious of their love, and

the words of the anthem, “He that goeth forth and weepeth shall

doubtless come again with rejoicing, bringing his sheaves with him,”

find their joyous refrain in the loving words they exchange.

But where is Walcote? Conjecture would almost naturally settle on

Lainston House, some three miles away, the memories of which, in the

person of the notorious Duchess of Kingston, doubtless suggested the

character of Beatrix the incomparable, the breaker of hearts, the wilful

and selfish beauty, did not distance put this out of question. Prior’s

Barton House, at St. Cross, would fit us better. But the problem is a

baffling one, if indeed it has any solution at all.

Of a different kind are the memories which linger round the immediate

neighbourhood--the villages of Twyford, Otterbourne, Hursley. At Twyford

the poet Pope was sent to school, and in a house close by the great Dr.

Benjamin Franklin composed his autobiography; Otterbourne was the

birthplace and lifelong home of Charlotte Yonge, the high-minded and

accomplished, whose books will always be a standard for what is highest

and most womanly in fiction--who loved to weave the details of local

association with the stories she told so skilfully and well; and on a

higher level still we have at Hursley the memories of Keble and the

_Christian Year_,--not that Keble wrote the _Christian Year_ at Hursley,

though his connection with the place as curate commenced before it was

completed, but his life-work was in reality here. Hursley Church,

practically rebuilt by him from the profits of the sale of his

_Christian Year_, is his truest memorial, and the beautiful church and

peaceful churchyard, where he sleeps his last earthly sleep, will be

ever a spot of hallowed association and pilgrimage. Winchester may be

proud of its hymn-writers: Ken and Keble were two, and a third less well

known, but certainly deserving to be honoured, was William Whiting,

master of the College Choir School some two generations or so back,

whose beautiful hymn, “Eternal Father, strong to save,” will ever hold a

high place in the affections of church-going people.

Following on these memories we have a host of references in modern

fiction which centre more or less definitely round the neighbourhood.

Trollope’s _Barchester_ has been conjecturally identified with

Winchester, and there is a wonderfully minute and circumstantial

correspondence in _The Warden_ between the details of _Hiram’s Hospital_

and St. Cross. Miss Braddon takes us to Winchester indeed, but gives us

little, if any, actual picture of the city. The immortal Sherlock Holmes

honoured it also with a visit in the _Adventure of the Copper Beeches_,

keeping an appointment at the ‘Black Swan,’ “an inn of repute in the

High Street,” and the Cathedral and Close seem to be suggested in the

_Silence of Dean Maitland_. Allusions direct, and what seem allusions

barely veiled, are frequent, but none can vie in tragic interest and

solemn faithfulness with the last awful scene in Hardy’s _Tess of the

D’Urbervilles_--when Angel Clare and Liza, her husband and sister, are

awaiting the moment of poor Tess’s execution:--

When they had reached the top of the West Hill the clocks in the

town struck eight. Each gave a start at the notes, and walking

onwards yet a few steps they reached the first milestone ... and

waited in paralysed suspense beside the stone.

The prospect from the summit was almost unlimited. In the valley

beneath, the city they had just left, its more prominent buildings

showing as in an isometric drawing--among them the broad Cathedral

tower, with its Norman windows and immense length of aisle and

nave; the spires of St. Thomas’s; the pinnacled tower of the

College; and more to the right the tower and gables of the ancient

hospice, where to this day the pilgrim may receive his dole of

bread and ale....

Against these far stretches of country rose, in front of the other

city edifices, a large red brick building with level grey roof, and

rows of short barred windows speaking captivity, the whole

contrasting greatly by its formalism with the quaint irregularities

of the Gothic erections.... From the middle of the building an ugly

flat-topped octagonal tower ascended against the east horizon, and

viewed from this spot, on its shady side and against the light,

seemed the one blot on the city’s beauty. Yet it was with this blot

and not with the beauty that the two gazers were concerned. Upon

the cornice of the tower a tall staff was fixed. Their eyes were

riveted on it. A few minutes after the hour had struck, something

moved slowly up the staff and extended itself upon the breeze. It

was a black flag.[7]

Poor Tess! was it necessary for the author to mete out measure thus

cruelly upon the children of his imagination--was it kind to Winchester

to burden her memories with one so appallingly harrowing, so much in

contrast with her quiet peace?

And yet, after all, is it anything more than retributive justice? Have

not her citizens--those of a generation or so back, at least--been

responsible for permitting the one really commanding elevation and

landmark she possesses to be marred and dishonoured by this same ‘blot,’

these obtrusive prison-walls, capped by this self-same ‘ugly flat-topped

octagonal tower’? Is not rather the creator of _Tess_ displaying a fine

and just critical perception in thus exacting from them the full

literary penalty for so unpardonable an outrage on the outward

attractiveness of their own fair city?

Such are some of the phantoms which pursue or elude us as we pass to

and fro through the circle of Winchester and its surroundings--yet are

they actual phantoms? Have not these seemingly impalpable nothings as

complete an identity as the memories and records of the actual

happenings of the past? The writer well recollects, after hunting

through Salisbury and exploring its treasures of architecture and

interest, the delight with which he came upon the old Cathedral organ,

now for some years past removed from the Cathedral to one of the city

churches, and recognized in it a real bond of relationship--not because

it was originally the gift of George III., though that indeed was the

case, but because it was the organ on which Dickens’s Tom Pinch had

played when the Cathedral service was over, and his friend the

organist’s assistant had permitted him to touch the keys. Not a great

circumstance, nor a great character--far from it,--but sufficient to

supply the one touch of human sympathy by which soul recognizes soul,

and which binds all--past and present, student and subject, reader and

author--alike in one. And even as these phantoms, whether of history or

legend, of actual existence or fancy, have been conjured up before us

for some brief spell, let us, now our task has drawn to a close, bid

them adieu with what kindliness of recollection we may:

Come like shadows, so depart.

Index

_The titles in black type refer to illustrations._

Adam of Gurdon, 123

Ælfeah, 58

Æthelbert, 32

Æthelred the Redeless, 61, 85

Æthelwold, Bishop, 20, 30, 49, 54, 58, 78, 85, 147, 153, 154

Æthelwulf, 30, 32, 85, 153

Alfred, King, 5, 32, 34, 91, 143, 152, 153

Alfred, a refugee, 38

Alfred, statue of, 42

Alresford, 111, 184

Alswitha, 41, 91, 145

Alton, Pass of, 123

Alwarenestret, 94

Alwine, 71

Anderida, 15

Anselm, Archbishop, 87, 96

Antonine, Itineraries, 15

Arthur, King, 15, 168, 183

Arthur, Prince, 151, 173

Arthur, Round Table, 21, 168, 174, 184

Asser, Bishop, 36, 40

Assize, Bloody, 7, 175

Athelstan, King, 43

Augustine, 21

Aulus Plautius, 15

Austen, Jane, 7, 154, 171, 185

Avington Park, 22

Barons’ war, 113

Beaufort, Cardinal, 147, 151, 171

Bede (Venerable), 22

Benedictines, 131

Birinus, 23, 24, 153, 154

Bishop’s Waltham, 162, 169

Black Death, 139, 160

Bredenestret, 94

Broadway, 177

Browne, Harold, Bishop, 154

Bucchestret, 93, 94

Burton, Dr., 163

Buttercross, 80, 118, 177

Cædmon, 36

Cær Gwent, 14

Calais, 121

Calpestret, 94

Camden, 143

Castle, Norman, at Winchester, 86, 94, 172

Castle, Brabantine merchants in Winchester, 115

Cathedral, 8, 29

Cathedral of Æthelwold, 56, 77

Cathedral, bedesmen, 4

Cathedral, pilgrims at, 128

Cathedral, preservation of, 77, 155

Cathedral, transformation by Wykeham, 149

Cathedral (Winchester), 23, 146

Celts, 12

Charlemagne, 27

Charles II., 6, 178

Charles V. (Emperor), 6, 174

Chenictes, 96

Chenichetehalla, 96, 177

Chepemanesela, 96, 177

Cheyney Court, 155

Cheyney Court and Close Gate, 112

Chilcombe, 47

Christes Hospitall, 5, 179

_Christian Year_ (Keble), 192

Christianity in Hampshire, 21

Clausentum (Southampton), 15, 18

Close, the, 125

Cnut, 5, 65, 85, 91, 144, 153

Colbrand, 44, 91

Cole, Edward, Mayor, 178

Colet, Dean, 160

College, Brew House, 164

College, Winchester, 145, 158

Commoners, 163

County Hall, 172

Cromwell, Oliver, 172

Cromwell, Thomas, 142

Curfew, 80

Curle, Bishop, 145

Danemark Mead, 47, 91

Danes, 28, 36, 60, 85, 153

Danihel (Bishop), 25

David, King of Scotland, 105

Dean and Chapter of Winchester, 144

Deanery, 145, 155

Deanery, The, 105

De Montfort, Simon, 113, 173

Domesday Book, 72, 80, 92, 182

Domesday (Winchester), 92

Domum, 166

Dorchester, 23

Drayton’s _Polyolbion_, 184

Dunstan (Archbishop), 30, 50, 56

Ealden Mynstre, 41, 44, 51, 183

East Gate, 94, 95

Easton, 96

Edgar, 30, 48, 49, 59, 85

Edmund, King, 48

Edred, King, 48

Edward the Confessor, 66

Edward III., King, 120

Edward, Prince, 114

Edward the Elder, King, 43, 91

Edwy, King, 49

Edyngton, Bishop, 147, 151

Egbert, 27, 85, 153

Election chamber, 162

Emma (Ælfgyfu), Queen, 62, 65, 85, 91, 153

_English Chronicle_, 22, 34, 39, 40, 50, 61, 69, 82, 101, 168, 182

Escheopes, 95

Esmond, 190

Estals, 95

Ethelmar, Bishop, 154

Eton College, 152

Evesham, battle, 114

Feudal system, 80

Flesmangere Stret, 94

Font (cathedral), 100

Fox, Bishop, 147, 151

Franklin, Benjamin, 192

Friars in Winchester, 139

Fromond’s Chantry, 167

Fyfhyde, Walter, Abbot, 139

Gabell, Dr., 166, 187

Gardiner, Bishop, 151

Geoffrey of Monmouth, 20, 183

George, 121, 191

George Hotel, 97

Gere (Gar) Stret, 93

Gewissas, 20, 22

Ghetto, 97, 180

Gild merchant, 46, 80, 121

Gilds, 95, 177

Godbegot House, 62

Godbiete, 62, 80, 120

Godfrey de Lucy, Bishop, 111, 147

Godwine, Earl, 65, 66, 85

Godwine, Earl, death of, 69, 153

Golde Stret, 94

Gospel Oak, 22

Grimbald, Abbot, 41

Guild Hall, 97

Guy of Warwick, 46, 91

Hædda, Bishop, 23

Hamble, 32

Hamble River, 40

Hampshire, Christianity in, 21

_Hampshire, Victoria History of_, 72

Hantachenesle, 94, 96, 177

Hardy, Thomas, 193

Harold, King, 65

Harold II., King, 71

Harthacnut, 65, 85, 153

Hempage Wood, 77

Henry I., 6, 80, 88, 98

Henry II., King, 105, 110

Henry III., King, 6, 111, 154, 173

Henry IV., King, 151

Henry V., 173

Henry VIII., 6, 91, 140, 173

Henry of Blois (Bishop), 22, 64, 92, 100, 154, 168, 171

Henry of Blois, Papal Legate, 102

Heptarchy, 26

_Hereward the Wake_, 48, 85

High Street, 48

Hoadley (Bishop), 154, 178

Horne (Bishop), 144

Hours, services of, 133

Hursley, 192

Hursley Vicarage, 176

_Hyda, Liber de_, 45, 50, 54, 183

Hyde, Abbey, 41, 90, 105, 115, 127, 133, 145

Hyde Abbey, dissolved, 143

Hyde, _Liber Vitæ_ of, 64, 183

Itchen Abbas, 41

Itchen Stoke, Watersplash at, 89

James I., 6

Jewry Street, 97

Jews, 97

Joan of Navarre, 151

John, King, 6, 111

Julius Cæsar, 15

Judith, Countess, 83

Judith, Queen, 36

Keats, John, 3, 188

Keble, John, 153, 192

Ken (Bishop), 153, 166, 170, 178, 188

Kenulphus (Kenwalh), 23, 85, 147, 153

King’s Gate, 95, 98, 114, 123, 130

King’s Gate, 73

Kingsmill, William (Prior), 144

Kitchin, Dean, 136

Knighton, Henry, 47, 105, 183

Knights of St. John (Hospitallers), 107, 169

Kynegils, 22, 24, 32, 147, 153

Lachenictahalla, 96

Lainston House, 191

Langton’s Chapel, 150

Lanfranc, Archbishop, 77, 88

Leach’s _Winchester College_, 167

Leland, 143

Lely, 178

Leofric, Earl, 66

Liberty of Godbiete, 62

Liberty of the Soke, 119

Lisle, Dame Alice, 7, 174

London, 74

Magdalen College, Oxford, 152

Magdalen Hill, 10

Manners makyth man, 6, 158, 166

Martyr Worthy, 80

Mary, Queen, 151

Mary, Queen, 5

Mathew of Paris, 115, 183

Matilda, Empress, 5, 102, 169, 172

Mayor, 119

Meads, 140, 166

Menstre Stret, 94

Middle gate, College, 164

Mirabel Close, 132, 155

Moab, 165

Moberley (Doctor), 163

Monastic life, 130

Morley (Bishop), 154, 170, 178

Mortuary chests, 24, 28, 32, 64, 153

Morys, John, 166, 170

Naseby, 172

Natives and Aliens, 176

Nell Gwynne, 178, 185

New College, Oxford, 159

New Forest, 80, 88

Newan Mynstre, 34, 41, 43, 51, 69, 71, 90

Norman Conquest, 73

Novices, Master of, 135

Nunna Mynstre (St. Mary’s Abbey), 41, 54, 98, 104, 109, 118, 145, 183

Obedientiarii, 133

Obelisk, 175

Old Minster, 63, 64, 66, 69

Oliver’s Battery, 8

Order of Noble Poverty, 172

Osberga, 36

Otterbourne, 192

Oxford, 152

Palm Hall, 126

Parliament at Winchester, 114

Pass of Alton, 123

_Pavilionis Aula_, 122, 126

Peter de Rupibus (Bishop), 112, 154

Peter Symonds, 179

Pevensey, 15

Philip of Spain, 151

Piepowder Court, 126

Piers Plowman, 125

Pilgrims, 126

Pilgrims’ Hall, 128, 155

Pilgrims’ Way, 129

Plague in Winchester, 175

Plantagenets, 109

Plegmund, 43

_Polyolbion_, Drayton’s, 184

Portchester, 10

_Portus Magnus_ (Portchester), 15, 18

Raleigh, 6, 174

Richard of Devizes, 97

Richard I., King, 97, 110, 151

Robert, Earl of Gloucester, 104

Roger Bacon, 113

Rome, Alfred at, 32

Roman roads, 17, 19

Roman occupation, 15

Roman walls, 16

Round table, 21, 168, 174, 184

Rudborne (_Major Historia_), 46, 55, 63, 71, 80, 183

Rufus, 5, 65, 79, 87, 88, 108, 153

St. Æthelwold (_Benedictional_ of), 57, 183

St. Alphege, 58

St. Bartholomew, Hyde, church of, 138

St. Brice’s Day, 61

St. Catherine’s Hill, 9

St. Catherine’s Hill, 10, 64, 166

St. Cross, 64

St. Cross, 5, 100, 107, 108, 127, 145, 169, 171

St. Cross, Tower of Ambulatory, 160

St. Elizabeth’s College, 140, 145

St. Giles’s Fair, 79, 95, 117, 121

St. Giles’s Hill, 7, 10, 159, 180

St. John’s Hospital, 145

St. Josse, 44, 127

St. Lawrence, 169

St. Mary’s Abbey (Nunna Mynstre), 41, 54, 109, 118

St. Peter’s, Cheesehill, 57

St. Swithun’s Church, 114

St. Swithun’s Monastery, 24, 32, 51, 91, 98, 110, 113, 115, 118, 130, 133, 144

Sarum, 10

Saxon Winchester, 20

Scowertenestret, 94, 97

Seculars, 52

Senlac, 72

Seventh Chamber, 164

Shawford Mill, 16

Sherlock Holmes, 193

Silchester, 10, 18, 20

Sildwortenstret, 93, 94

Silence of Dean Maitland, 193

Siward (Earl), 66

Slype, the, 145

Snidelingestret, 94

Soke, Liberty of, 119

Southampton, 15

Southgate, 123

Staple towns, 120

Stephen, 6, 100

Stigand (Bishop), 76, 144

Stret bidel, 95

Sustern Spital, 140, 163

Swithun, Bishop, 29, 32, 54, 127, 147, 153, 154

Tannerestret, 94

_Tess of the D’Urbervilles_, 193

Thackeray, 190

Trollope, Anthony, 192

Tron, 120, 180

Trusty servant, 164

Twyford, 192

Venta, 25

Venta Belgarum, 14, 15

Vespasian, 15

Victoria, Queen, 153, 173

Vikings, 28

Vintan-ceastir, 25, 182

Walcote, 191

Walkelyn (Bishop), 77, 147, 154

Waltheof (Earl), 83

Walton, Izaak, 153, 154, 170, 184

Wantage, 35

Warton, Doctor, 154

Wayneflete (Bishop), 151

Weald Forest, 12

Weirs, The, 25

Wenegerestret, 94

Wessex (capital of), 20, 153

Westgate, 94, 123, 175, 177

Westminster Abbey, 147

White Ship, 90, 98, 101

Whiting, William, 192

Wilberforce, Samuel (Bishop), 154

William of Malmesbury, 183

William I., 5, 71, 74, 87, 172

William II. (Rufus), 5, 65, 79, 87, 88, 108

William of Wykeham, 6, 107, 139, 147, 148, 151, 158

Winchester Domesday, 92

Winchester, Alfred’s death and after, 43

Arthurian legend, 20

Bishop Æthelwold, 49

Capital of Danish Empire, 59

Capital of England, 26

Cathedral, 23, 29, 100, 146, 186, 189

Civil War in, 104

Conversion of Kynegils, 23

Dean and Chapter, 144

Early days, 10

Fourteenth and Fifteenth Centuries, 117

In Literature, 171

Later Norman, 87

Massacre at, 61

Monastic life, 130

Norman, 73

Winchester, Norman castle, 86

Plague in, 175

Roman city, 16

Roman occupation, 15

Saxon, 20

That Joly Citè, 1

Westgate, 40

Winton Survey, 92

Wolvesey, 168

Winchester from St. Giles’s Hill, 184

Winchester College Brewhouse, 121

Cloisters and Fromond’s Chantry, 137

Memorial Gateway, 144

Middle Gate, 128

Second Master’s House, 153

Tower of the Chapel, _Frontispiece_

_Wintonia, Annales de_, 77, 183

Wolsey, 142, 153, 168

Wolvesey, 8, 39, 59, 85, 98, 100, 102, 104, 118, 126, 170

Wool trade, 120, 180

Wren, Sir Christopher, 178, 180

Wrothesley, Thomas, 142

Wulfstan (Precentor), 53, 55, 77, 118

Wye, Faire, 125

Wykehamica, Adams’s, 167

Yonge, Charlotte, 192

THE END

_Printed by_ R. & R. CLARK, LIMITED, _Edinburgh_.

BY THE SAME AUTHOR AND ARTIST AS _WINCHESTER_.

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FOOTNOTES:

[1] Or _Hantachevesle_ (the spelling is obscure).

[2] Knighton’s _De eventibus Angliae_.

[3] _Memoir of Jane Austen_, by Austen Leigh, pp. 163 and 164, inserted

here by kind permission of Messrs. Macmillan and Co.

[4] This and the following extracts are inserted here by kind

permission of Messrs. Macmillan and Co.

[5] Letter to George and Georgina Keats, September 21. From _Letters of

John Keats_: Sidney Colvin: p. 310.

[6] _Letter to G. and G. Keats_, September 20.

[7] Inserted by kind permission of Messrs. Macmillan and Co.

Winchester, Painted by Wilfrid Ball · 第 21 / 21 章