IN THE OLD WORLD.

They had been to the Lido for a short swim in the slight but bracing

surf of the Adriatic. They had had a midday breakfast in a queer

little restaurant, known only to the initiated and therefore early

discovered by Larry, who had a keen scent for a cook learned in the

law. They had loitered along the Riva degli Schiavoni, looking at a

perambulatory puppet-show, before which a delighted audience sturdily

disregarded the sharp wind which bravely fluttered the picturesque

tatters of the spectators; and they were moved to congratulate the

Venetians on their freedom from the monotonous repertory of the

Anglo-American Punch-and-Judy, which consists solely of a play really

unique in the exact sense of that much-abused word. They were getting

their fill of the delicious Italian art which is best described by an

American verb--to loaf. And yet they were not wont to be idle, and

they had both the sharp, quick American manner, on which laziness sits

uneasily and infrequently.

John Manning and Laurence Laughton were both young New Yorkers.

Larry--for so in youth was he called by everybody pending the arrival

of years which should make him a universal uncle, to be known of all

men as "Uncle Larry"--was as pleasant a travelling companion as one

could wish. He was the only son and heir of a father, now no more, but

vaguely understood when alive and in the flesh to have been "in the

China trade"--although whether this meant crockery or Cathay no one

was able with precision to declare. Larry Laughton had been graduated

from Columbia College with the class of 1860, and the following spring

found him here in Venice after a six months' ramble through Europe

with his old friend, John Manning, partly on foot and partly in an old

carriage of their own, in which they enjoyed the fast-vanishing

pleasures of posting.

John Manning was a little older than Larry; he had left West Point in

1854 with a commission as second lieutenant in the ----first Cavalry.

For nearly six years he did his duty in that state of life in which it

pleased the Secretary of War and General Scott to call him; he had

crossed the plains one bleak winter to a post in the Rocky Mountains,

and he had danced through two summers at Fort Adams at Newport; he had

been stationed for a while in New Mexico, where there was an abundance

of the pleasant sport of Indian-fighting--even now he had only to make

believe a little to see the tufted head of a Navajo peer around the

columns supporting the Lion of Saint Mark, or to mistake the fringe of

_facchini_ on the edge of the Grand Canal for a group of the shiftless

half-breeds of New Mexico. In time the ----first Cavalry had been

ordered North, where the work was then less pleasant than on the

border; and, in fact, it was a distinct unwillingness to execute the

Fugitive Slave Law which forced John Manning to resign his commission

in the army, although it was the hanging of John Brown which drew from

him the actual letter of resignation. Before settling down to other

work, for he was a man who could not and would not be idle, he had

gratified his long desire of taking a turn through the Old World.

Larry Laughton had joined him in Holland, where he had been making

researches into the family history, and proving to his own

satisfaction at least that the New York Mannings, in spite of their

English name, had come from Amsterdam to New Amsterdam. And now,

toward the end of April, 1861, John Manning and Laurence Laughton

stood on the Rialto, hesitating _Fra Marco e Todaro_, as the Venetians

have it, in uninterested question whether they should go into the

Ghetto, among the hideous homes of the chosen people, or out again to

Murano for a second visit to the famous factory of Venetian glass.

"I say, John," remarked Larry as they lazily debated the question,

gazing meanwhile on the steady succession of gondolas coming and going

to and from the steps by the side of the bridge, "I'd as lief if not

liefer go to Murano again, if they've any of their patent anti-poison

goblets left. You know they say they used to make a glass so fine that

it was shattered into shivers whenever poison might be poured into it.

Of course I don't believe it, but a glass like that would be mighty

handy in the sample-rooms of New York. I'm afraid a man walking up

Broadway could use up a gross of the anti-poison goblets before he got

one straight drink of the genuine article, unadulterated and drawn

from the wood."

"You must not make fun of a poetic legend, Larry. You have to believe

everything over here or you do not get the worth of your money," said

John Manning.

"Well, I don't know," was Larry's reply; "I don't know just what to

believe. I was talking about it last night at Florian's, while you

were writing letters home."

"I did not know Mr. Laughton had friends in Venice."

"Oh, I can make friends anywhere. And this one was lots of fun. He was

a priest, an _abbate_, I think he calls himself. He had read five

newspapers in the _caffe_ and paid for one tiny cup of coffee. When I

finished the _Debats_ I passed it to him for his sixth--and he spoke

to me in French, and I wasn't going to let an Italian talk French to

me without answering back, so I just sailed in and began to swap

stories with him."

"No doubt you gave him much valuable information."

"Well, I did; I just exuded information. Why, the first thing he said,

when I told him I was an American, was to wonder whether I hadn't met

his brother, who was also in America--in Rio Janeiro--just as if Rio

was the other side of the North River!"

John Manning smiled at Larry's disgusted expression, and asked, "What

has this _abbate_ to do with the fragile Venetian glass?"

"Only this," answered Larry. "I told him two or three North-westers,

just as well as I could in French, and then he said that marvellous

things were also done here once upon a time. And he told me about the

glass which broke when poison was poured into it."

"It is a pleasant superstition," said John Manning. "I think Poe makes

use of it, and I believe Shakespeare refers to it."

"But did either Poe or Shakespeare say anything about the two goblets

just alike made for the twin brothers Manin nearly four hundred years

ago? Did they tell you how one glass was shivered by poison and its

owner killed, and how the other brother had to flee for his life? Did

they inform you that the unbroken goblet exists to this day, and is

in fact now for sale by an Hebrew Jew who peddles antiquities? Did

they tell you that?"

"Neither Edgar Allan Poe nor William Shakespeare ever disturbs my

slumbers by telling me anything of the sort," laughed Manning.

"Well, my _abbate_ told me just that, and he gave me the address of

the Shylock who has the surviving goblet for sale."

"Suppose we go there and see it," suggested Manning, "and you can tell

me the whole story of the twin brothers as we go along."

"Shall we take a gondola or walk?" was Larry's interrogative

acceptance of the suggestion.

"It's in the Ghetto, isn't it?"

"Most of the Jew curiosity dealers have left the Ghetto. Our Shylock

has a palace on the Grand Canal. I guess we had better take a gondola,

though it can't be far."

So they sat themselves down in one of the aquatic cabs which ply the

water streets of the city in the sea. The gondolier stood to his oar

and put his best foot foremost, and as the boat sped forward on its

way along the capital S of the Grand Canal, Larry told the tale of the

twin brothers and the shattered goblet.

"Well, it seems that some time in the sixteenth century, say three

hundred years ago or thereabout, there were several branches of the

great and powerful Manin family--the same family to which the

patriotic Daniele Manin belonged, you know. And at the head of one of

these branches were the twin brothers Marco Manin and Giovanni Manin.

Now, these brothers were devoted to each other, and they had only one

thought, one word, one deed. When one of them happened to think of a

thing, it often happened that the other brother did it. So it was not

surprising that they both fell in love with the same woman. She was a

dangerous-looking, yellow-haired woman, with steel-gray eyes--that is,

if her eyes were not really green, as to which there was doubt. But

there was no doubt at all that she was powerfully handsome. The

_abbate_ said that there was a famous portrait of her in one of these

churches as a Saint Mary Magdalen with her hair down. She was a

splendid creature, and lots of men were running after her besides the

twin Manins. The two brothers did not quarrel with each other about

the woman, but they did quarrel with some of her other lovers, and

particularly with a nobleman of the highest rank and power, who was

supposed to belong not only to the Council of Ten but to the Three.

Between this man and the Manins there was war to the knife and the

knife to the hilt. One day Marco Manin expressed a wish for one of

these goblets of Venetian glass so fine that poison shatters it, and

so Giovanni went out to Murano and ordered two of them, of the very

finest quality, and just alike in every particular of color and shape

and size. You see the twins always had everything in pairs. But the

people at Murano somehow misunderstood the order, and although they

made both glasses they sent home only one. Marco Manin was at table

when it arrived, and he took it in his hand at once, and after

admiring its exquisite workmanship--you see, all these old Venetians

had the art-feeling strongly developed--he told a servant to fill it

to the brim with Cyprus wine. But as he raised the flowing cup to his

lips it shivered in his grasp and the wine was spilt on the marble

floor. He drew his sword and slew the servant who had sought to betray

him, and rushing into the street he found himself face to face with

the enemy whom he knew to have instigated the attempt. They crossed

swords at once, but before Marco Manin could have a fair fight for his

life he was stabbed in the back by a glass stiletto, the hilt of which

was broken off short in the wound."

"Where was his brother all this time?" was the first question with

which John Manning broke the thread of his friend's story.

"He had been to see the yellow-haired beauty, and he came back just in

time to meet his brother's lifeless body as it was carried into their

desolate home. Holding his dead brother's hand as he had often held it

living, he promised his brother to avenge his death without delay and

at any cost. Then he prepared at once for flight. He knew that Venice

would be too hot to hold him when the deed was done; and besides, he

felt that without his brother life in Venice would be intolerable. So

he made ready for flight. Twenty-four hours to a minute after Marco

Manin's death the body of the hireling assassin was sinking to the

bottom of the Grand Canal, while the man who had paid for the murder

lay dead on the same spot with the point of a glass stiletto in his

heart! And when they wanted to send him the other goblet, there was no

one to send it to: Giovanni Manin had disappeared."

"Where had he gone?" queried John Manning.

"That's what I asked the _abbate_, and he said he didn't know for

sure, but that in those days Venice had a sizable trade with the Low

Countries, and there was a tradition that Giovanni Manin had gone to

the Netherlands."

"To Holland?" asked John Manning with unwonted interest.

"Yes, to Amsterdam or to Rotterdam or to some one of those --dam

towns, as we used to call them in our geography class."

"It was to Amsterdam," said Manning, speaking as one who had certain

information.

"How do you know that?" asked Larry. "Even the _abbate_ said it was

only a tradition that he had gone to Holland at all."

"He went to Amsterdam," said Manning; "that I know."

Before Larry could ask how it was that his friend knew anything about

the place of exile of a man whom he had never heard of ten minutes

earlier, the gondola had paused before the door of the palace in which

dwelt the dealer in antiquities who had in his possession the famous

goblet of Venetian glass. As they ascended to the sequence of rambling

rooms cluttered with old furniture, rusty armor, and odds and ends of

statuary, in the which the modern Jew of Venice sat at the receipt of

custom, both Larry Laughton and John Manning had to give their

undivided attention to the framing in Italian of their wishes. Shylock

himself was a venerable and benevolent person, with a look of

wonderful shrewdness and an incomprehensibility of speech, for he

spoke the Venetian dialect with a harsh Jewish accent, either of which

would have daunted a linguistic veteran. Plainly enough, conversation

was impossible, for he could barely understand their American-Italian,

and they could not at all understand his Jewish-Venetian. But it would

not do to let these _Inglesi_ go away without paying tribute.

"Cio!" said Shylock, smiling graciously at his futile attempts to open

communication with the enemy. Then he called Jessica from the deep

window where she had been at work on the quaint old account-books of

the shop, as great curiosities as anything in it, since they were kept

in Venetian, but by means of the Hebrew alphabet. She spoke Italian,

and to her the young men made known their wants. She said a few words

to her father, and he brought forth the goblet.

It was a marvellous specimen of the most exquisite Venetian

workmanship. A pair of green serpents with eyes that glowed like fire

writhed around the golden stem of a blood-red bowl, and as the white

light of the cloudless sky fell on it from the broad window, it burned

in the glory of the sunshine and seemed to fill itself full of some

mysterious and royal wine. Shylock revolved it slowly in his hand to

show the strange waviness of its texture, and as it turned, the

serpents clung more closely to the stem and arched their heads and

shot a glance of hate at the strangers who came to gaze on them with

curious fascination.

John Manning looked at the goblet long and eagerly. "How did it come

into your possession?" he asked.

And Jessica translated Shylock's declaration that the goblet had been

at Murano for hundreds of years; it was _antico--antichissimo_, as the

signor could see for himself. It was of the best period of the art.

That Shylock would guarantee. How came it into his possession? By the

greatest good fortune. It was taken from Murano during the troubles

after the fall of the Republic in the time of Napoleon. It had gone

finally into the hands of a certain count, who, very luckily, was

poor. _Conte che non conta, non conta niente._ So Shylock had been

enabled to buy it. It had been the desire of his heart for years to

own so fine an object.

"How much do you want for it?" asked John Manning.

Shylock scented from afar the battle of bargaining, dear in Italy to

both buyer and seller. He gave a keen look at both the _Inglesi_, and

took up the glass affectionately, as though he could not bear to part

with it. Jessica interpreted. Shylock had intended that goblet for his

own private collection, but the frank and generous manner of their

excellencies had overcome him, and he would let them have it for five

hundred florins.

"Five hundred florins! Phew!" whistled Larry, astonished in spite of

his initiation into the mysteries of Italian bargaining. "Well, if you

were to ask me the Shakespearian conundrum, Hath not a Jew eyes? I

shouldn't give it up; I should say he has eyes--for the main chance."

"Five hundred florins," said John Manning. "Very well. I'll take it."

Shylock's astonishment at getting four times what he would have taken

was equalled only by his regret that he had not asked twice as much.

"Can you pack it so that I can take it to New York safely?"

"_Sicuro_, signor," and Shylock agreed to have the precious object

boxed with all possible care and despatch, and delivered at the hotel

that afternoon.

"Servo suo!" said Jessica, as they stood at the door.

"Bon di, Patron!" responded Larry in Venetian fashion; then as the

door closed behind them he said to John Manning, "Seems to me you were

in a hurry! You could have had that glass for half the money."

"Perhaps I could," was Manning's quiet reply, "but I was eager to get

it back at once."

"Get it back? Why, it wasn't stolen from _you_, was it? I never did

suppose _he_ came by it honestly."

"It was not stolen from me personally. But it belonged to my family.

It was made for Giovanni Manin, who fled from Venice to Amsterdam

three hundred odd years ago. His grandson and namesake left Amsterdam

for New Amsterdam half a century later. And when the English changed

New Amsterdam into New York, Jan Mannin became John Manning--and I am

his direct descendant, and the first of my blood to return to Venice

to get the goblet Giovanni Manin ordered and left behind."

"Well, I'm damned!" said Larry, pensively.

"And now," continued John Manning as they took their seats in the

gondola, "tell the man to go to the church where the picture of Mary

Magdalen is. I want a good look at that woman!"

* * * * *

In the evening, as John Manning sat in a little _caffe_ under the

arcades of the Piazza San Marco, sipping a tiny cup of black coffee,

Larry entered with a rush of righteous indignation.

"What's the matter, Larry?" was John Manning's calm query.

"There's the devil to pay at home. South Carolina has fired on the

flag at Sumter."

* * * * *

Three weeks later Colonel Manning was assigned to duty in the Army of

the Potomac.

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