CRESCENT (Lat. _crescens_, growing), originally the waxing moon, hence a
name applied to the shape of the moon in its first quarter. The crescent
is employed as a charge in heraldry, with its horns vertical; when they
are turned to the dexter side of the shield, it is called increscent,
when to the sinister, decrescent. A crescent is used as a difference to
denote the second son of a house; thus the earls of Harrington place a
crescent upon a crescent, as descending from the second son of a second
son. An order of the crescent was instituted by Charles I. of Naples and
Sicily in 1268, and revived by Rene of Anjou in 1464. A Turkish order or
decoration of the crescent was instituted by Sultan Selim III. in 1799,
in memory of the diamond crescent which he had presented to Nelson after
the battle of the Nile, and which Nelson wore on his coat as if it were
an order.
The crescent is the military and religious symbol of the Ottoman Turks.
According to the story told by Hesychius of Miletus, during the siege of
Byzantium by Philip of Macedon the moon suddenly appeared, the dogs
began to bark and aroused the inhabitants, who were thus enabled to
frustrate the enemy's scheme of undermining the walls. The grateful
Byzantines erected a statue to "torch-bearing" Hecate, and adopted the
lunar crescent as the badge of the city. It is generally supposed that
it was in turn adopted by the Turks after the capture of Constantinople
in 1453, either as a badge of triumph, or to commemorate a partial
eclipse of the moon on the night of the final attack. In reality, it
seems to have been used by them long before that event. Ala ud-din, the
Seljuk sultan of Iconium (1245-1254), and Ertoghrul, his lieutenant and
the founder of the Ottoman branch of the Turkish race, assumed it as a
device, and it appeared on the standard of the janissaries of Sultan
Orkhan (1326-1360). Since the new moon is associated with special acts
of devotion in Turkey--where, as in England, there is a popular
superstition that it is unlucky to see it through glass--it may
originally have been adopted in consequence of its religious
significance. According to Professor Ridgeway, however, the Turkish
crescent, like that seen on modern horse-trappings, has nothing to do
with the new moon, but is the result of the base-to-base conjunction of
two claw or tusk amulets, an example of which has been brought to light
during the excavations of the site of the temple of Artemis Orthia at
Sparta (see _Athenaeum_, March 21, 1908). There is nothing distinctively
Turkish in the combination of crescent and star which appears on the
Turkish national standard; the latter is shown by coins and inscriptions
to have been an ancient Illyrian symbol, and is of course common in
knightly and decorative orders. It is doubtful whether any opposition
between crescent and cross, as symbols of Islam and Christianity, was
ever intended by the Turks; and it is an historical error to attribute
the crescent to the Saracens of crusading times or the Moors in Spain.
Crescent is also the name of a Turkish musical instrument. In
architecture, a crescent is a street following the arc of a circle; the
name in this sense was first used in the Royal Crescent at Bath.
CRESCIMBENI, GIOVANNI MARIO (1663-1728), Italian critic and poet, was
born at Macerata in 1663. Having been educated by a French priest at
Rome, he entered the Jesuits' college of his native town, where he
produced a tragedy on the story of Darius, and versified the
_Pharsalia_. In 1679 he received the degree of doctor of laws, and in
1680 he removed again to Rome. The study of Filicaja and Leonico having
convinced him that he and all his contemporaries were working in a wrong
direction, he resolved to attempt a general reform. In 1690, in
conjunction with fourteen others, he founded the celebrated academy of
the Arcadians, and began the contest against false taste and its
adherents. The academy was most successful; branch societies were opened
in all the principal cities of Italy; and the influence of Marini,
opposed by the simplicity and elegance of such models as Costanzo, soon
died away. Crescimbeni officiated as secretary to the Arcadians for
thirty-eight years. In 1705 he was made canon of Santa Maria; in 1715 he
obtained the chief curacy attached to the same church; and about two
months before he died (1728) he was admitted a member of the order of
Jesus.
His principal work is the _Istoria della volgar poesia_ (Rome, 1698),
an estimate of all the poets of Italy, past and contemporary, which
may yet be consulted with advantage. The most important of his
numerous other publications are the _Commentarij_ (5 vols., Rome,
1702-1711), and _La Bellezza della volgar poezia_ (Rome, 1700).
CRESILAS, a Cretan sculptor of Cydonia. He was a contemporary of
Pheidias, and one of the sculptors who vied in producing statues of
amazons at Ephesus (see GREEK ART) about 450 B.C. As his amazon was
wounded (_volnerata_; Pliny, _Nat. Hist._ xxxiv. 75), we may safely
identify it with the figure, of which several copies are extant, who is
carefully removing her blood-stained garment from a wound under the
right breast. Another work of Cresilas of which copies survive is the
portrait of Pericles, the earliest Greek portrait which has been with
certainty identified, and which fully confirms the statement of ancient
critics that Cresilas was an artist who idealized and added nobility to
men of noble type. An extant portrait of Anacreon is also derived from
Cresilas.
CRESOLS or METHYL PHENOLS, C7H8O or C6H4.CH3.OH. The three isomeric
cresols are found in the tar obtained in the destructive distillation of
coal, beech-wood and pine. The crude cresol obtained from tar cannot be
separated into its different constituents by fractional distillation,
since the boiling points of the three isomers are very close together.
The pure substances are best obtained by fusion of the corresponding
toluene sulphonic acids with potash.
Ortho-cresol, CH3(1).C6H4.OH(2), occurs as sulphate in the urine of the
horse. It may be prepared by fusion of ortho-toluene sulphonic acid with
potash; by the action of phosphorus pentoxide on carvacrol; or by the
action of zinc chloride on camphor. It is a crystalline solid, which
melts at 30 deg. C. and boils at 190.8 deg. C. Fusion with alkalis
converts it into salicylic acid.
Meta-cresol, CH3(1).C6H4.OH(3), is formed when thymol
(para-isopropyl-meta-cresol) is heated with phosphorus pentoxide.
Propylene is liberated during the reaction, and the phosphoric acid
ester of meta-cresol which is formed is then fused with potash. It can
also be prepared by distilling meta-oxyuvitic acid with lime, or by the
action of air on boiling toluene in the presence of aluminium chloride
(C. Friedel and J. M. Crafts, _Ann. Chim. Phys._, 1888 [6], 14, p. 436).
It solidifies in a freezing mixture, on the addition of a crystal of
phenol, and then melts at 3 deg.-4 deg. C. It boils at 202 deg..8 C. Its
aqueous solution is coloured bluish-violet by ferric chloride.
Para-cresol, CH3(1).C6H4.OH(4), occurs as sulphate in the urine of the
horse. It is also found in horse's liver, being one of the putrefaction
products of tyrosine. It may be prepared by the fusion of para-toluene
sulphonic acid with potash; by the action of nitrous acid on
para-toluidine; or by heating para-oxyphenyl acetic acid with lime. It
crystallizes in prisms which melt at 36 deg. C. and boil at 201 deg..8
C. It is soluble in water, and the aqueous solution gives a blue
coloration with ferric chloride. When treated with hydrochloric acid and
potassium chlorate, no chlorinated quinones are obtained (M. S.
Southworth, _Ann._ (1873), 168, p. 271), a behaviour which distinguishes
it from ortho- and meta-cresol.
On the composition of commercial cresylic acid see A. H. Allen, _Jour.
Soc. Chem. Industry_ (1890), 9, p. 141. See also CREOSOTE.
CRESPI, DANIELE (1590-1630), Italian historical painter, was born near
Milan, and studied under Giovanni Battista Crespi and Giulio Procaccini.
He was an excellent colourist; his drawing was correct and vigorous, and
he grouped his compositions with much ability. His best work, a series
of pictures from the life of Saint Bruno, is in the monastery of the
Carthusians at Milan. Among the most famous of his paintings is a
"Stoning of St Stephen" at Brera, and there are several excellent
examples of his work in the city of his birth and at Pavia.
CRESPI, GIOVANNI BATTISTA (1557-1663), called Il Cerano, Italian
painter, sculptor, and architect, was born at Cerano in the Milanese. He
was a scholar of considerable attainments, and held a position of
dignity in his native city. He was head of the Milanese Academy founded
by Cardinal Frederigo Borromeo, and he was the teacher of Guercino. He
is most famous as a painter; and, though his figures are neither natural
nor graceful, his colouring is good, and his designs full of ideal
beauty.
CRESPI, GIUSEPPE MARIA (1665-1747), Italian painter, called "Lo
Spagnuolo" from his fondness for rich apparel, was born at Bologna, and
was trained under Angelo Toni, Domenico Canuti and Carlo Cignani. He
then went through a course of copying from Correggio and Barocci; this
he followed up with a journey to Venice for the sake of Titian and Paul
Veronese; and late in life he proclaimed himself a follower of Guercino
and Pietro da Cortona. He was a good colourist and a facile executant,
and was wont to employ the camera obscura with great success in the
treatment of light and shadow; but he was careless and unconscientious.
He was a clever portrait-painter and a brilliant caricaturist; and his
etchings after Rembrandt and Salvator are in some demand. His greatest
work, a "Massacre of the Innocents," is at Bologna; but the Dresden
gallery possesses twelve examples of him, among which is his celebrated
series of the Seven Sacraments.
CRESS, in botany. "Garden Cress" (_Lepidium sativum_) is an annual plant
(nat. ord. Cruciferae), known as a cultivated plant at the present day
in Europe, North Africa, western Asia and India, but its origin is
obscure. Alphonse de Candolle (_L'Origine des plantes cultivees_) says
its cultivation must date from ancient times and be widely diffused, for
very different names for it exist in the Arab, Persian, Albanian,
Hindustani and Bengali tongues. He considered the plant to be of Persian
origin, whence it may have spread after the Sanskrit epoch (there is no
Sanskrit name for it) into the gardens of India, Syria, Greece and North
Africa. It is used in salads, the young plants being cut and eaten while
still in the seed-leaf, forming, along with plants of the white mustard
in the same stage of growth, what is commonly called "small salad." The
seeds should be sown thickly broadcast or in rows in succession every
ten or fourteen days, according to the demand. The sowings may be made
in the open ground from March till October, the earliest under
hand-glasses, and the summer ones in a cool moist situation, where water
from trees, shrubs, walls, &c., cannot fall on or near them. The grit
thrown up by falling water pierces the tender tissues of the cress, and
cannot be thoroughly removed by washing. During winter they must be
raised on a slight hotbed, or in shallow boxes or pans placed in any of
the glass-houses where there is a temperature of 60 deg. or 65 deg..
Cress is subject to the attack of a fungus (_Pythium debaryanum_) if
kept too close and moist. The pest very quickly infects a whole sowing.
There is no cure for it; preventive measures should therefore be taken
by keeping the sowings fairly dry and well ventilated. The seed should
be sown on new soil, and should not be covered.
The "Golden" or "Australian" cress is a dwarf, yellowish-green,
mild-flavoured sort, which is cut and eaten when a little more advanced
in growth but while still young and tender. It should be sown at
intervals of a month from March onwards, the autumn sowing, for winter
and spring use, being made in a sheltered situation.
The "curled" or "Normandy" cress is a very hardy sort, of good flavour.
In this, which is allowed to grow like parsley, the leaves are picked
for use while young; and, being finely cut and curled, they are well
adapted for garnishing. It should be sown thinly, in drills, in good
soil in the open borders, in March, April and May, and for winter and
spring use at the foot of a south wall early in September, and about the
middle of October.
_Water-cress._--"Water-cress" (_Nasturtium officinale_) is a member of
the same natural order, and a native of Great Britain. Although now so
largely used, it does not appear to have been cultivated in England
prior to the 19th century, though in Germany, especially near Erfurt, it
had been grown long previously. Its flavour is due to an essential oil
containing sulphur. Water-cress is largely cultivated in shallow
ditches, prepared in wet, low-lying meadows, means being provided for
flooding the ditches at will. Where the amount of water available is
limited, the ditches are arranged at successively higher levels, so as
to allow of the volume admitted to the upper ditch being passed
successively to the others. The ditches are usually puddled with clay,
which is covered to the depth of 9 to 12 in. with well-manured soil.
A stock of plants may be raised in two ways--by cuttings, and by seeds.
If a stock is to be raised from cuttings, the desired quantity of young
shoots is gathered--those sold in bunches for salad serve the purpose
well--and reduced where necessary to about 3 in. in length, the basal
and frequently rooted portion being rejected. They are dibbled thickly
into one of the ditches, and only enough water admitted to just cover
the soil. If the start is made in late spring, the cuttings will be
rooted in a week. They are allowed to remain for another week or two,
and are then taken up and dropped about 9 in. apart into the other
ditches, which have been slightly flooded to receive them. There is no
need to plant them--the young roots will very soon be securely anchored.
The volume of water is increased as the plants grow. If raised from
seed, the seed-bed is prepared as for cuttings, and seed sown either in
drills or broadcast. No flooding is done until the seedlings are up.
Water is then admitted, the level being raised as the plants grow. When
5 or 6 in. high, they are taken up and dropped into their permanent
quarters precisely like those raised from cuttings.
Cultivated as above described, the plants afford frequent cuttings of
large clean cress of excellent flavour for market purposes. Sooner or
later growth will become less vigorous and flowering shoots will be
produced. This will be accompanied by a pronounced deterioration of the
remaining vegetative shoots. These signs will be interpreted by the
grower to mean that his plants, as a market crop, are worn out. He will
therefore take steps to repeat the routine of culture above described.
In the winter the ditches are flooded to protect the cress from frost.
The best-flavoured water-cress is produced in the pure water of running
streams over chalk or gravel soil. Should the water be contaminated by
sewage or other undesirable matter, the plants not only absorb some of
the impurities but also serve to anchor much of the solid particles
washed as scum among them. This is extremely difficult to dislodge by
washing, and renders the cress a source of danger as food.
Water-cress for domestic use may be raised as a kitchen-garden crop if
frequently watered overhead. Beds to afford cress during the summer
should be made in broad trenches on a border facing north. It may also
be raised in pots or pans stood in saucers of water and frequently
watered overhead.
In recent years in America attention has been paid to the injury done to
water-cress beds by the "water-cress sow-bug" (_Mancasellus
brachyurus_), and the "water-cress leaf-beetle" (_Phaedon aeruginosa_).
Another species of _Phaedon_ is known in England as "blue beetle" or
"mustard beetle," and is a pest also of mustard, cabbage and kohlrabi
(see F. H. Chittenden, in _Bulletin_ 66, part ii. of Bureau of
Entomology, United States Department of Agriculture, 1907).
The name "nasturtium" is applied in gardens, but incorrectly, to species
of _Tropaeolum_.
CRESSENT, CHARLES (1685-1768), French furniture-maker, sculptor and
_fondeur-ciseleur_. As the second son of Francois Cressent, _sculpteur
du roi_, and grandson of Charles Cressent, a furniture-maker of Amiens,
who also became a sculptor, he inherited the tastes and aptitudes which
were likely to make a finished designer and craftsman. Even more
important perhaps was the fact that he was a pupil of Andre Charles
Boulle. Trained in such surroundings, it is not surprising that he
should have reached a degree of achievement which has to a great extent
justified the claim that he was the best decorative artist of the 18th
century. Cressent's distinction is closely connected with the regency,
but his earlier work had affinities with the school of Boulle, while his
later pieces were full of originality. He was an artist in the widest
sense of the word. He not only designed and made furniture, but created
the magnificent gilded enrichments which are so characteristic of his
work. He was likewise a sculptor, and among his plastic work is known to
have been a bronze bust of Louis, duc d'Orleans, the son of the regent,
for whom Cressent had made one of the finest examples of French
furniture of the 18th century--the famous _medaillier_ now in the
Bibliotheque Nationale. Cressent's bronze mounts were executed with a
sharpness of finish and a grace and vigour of outline which were hardly
excelled by his great contemporary Jacques Caffieri. His female figures
placed at the corners of tables are indeed among the most delicious
achievements of the great days of the French metal worker. Much of
Cressent's work survives, and can be identified; the Louvre and the
Wallace collection are especially rich in it, and his commode at
Hertford House with gilt handles representing Chinese dragons is perhaps
the most elaborate piece he ever produced. The work of identification is
rendered comparatively easy in his case by the fact that he published
catalogues of three sales of his work. These catalogues are highly
characteristic of the man, who shared in no small degree the personal
_bravoura_ of Cellini, and could sometimes execute almost as well. He
did not hesitate to describe himself as the author of "a clock worthy to
be placed in the very finest cabinets," "the most distinguished
bronzes," or pieces of "the most elegant form adorned with bronzes of
extra richness." He worked much in marqueterie, both in tortoiseshell
and in brilliant coloured woods. He was indeed an artist to whom colour
appealed with especial force. The very type and exemplar of the
"feeling" of the regency, he is worthy to have given his own name to
some of the fashions which he deduced from it.
CRESSWELL, SIR CRESSWELL (1794-1863), English judge, was a descendant of
an old Northumberland family, and was born at Newcastle in 1794. He was
educated at the Charterhouse and at Emmanuel College, Cambridge. He
graduated B.A. in 1814, and M.A. four years later. Having chosen the
profession of the law he studied at the Middle Temple, and was called to
the bar in 1819. He joined the northern circuit, and was not long in
earning a distinguished position among his professional brethren. In
1837 he entered parliament as Conservative member for Liverpool, and he
soon gained a reputation as an acute and learned debater on all
constitutional questions. In January 1842 he was made a judge of the
court of common pleas, being knighted at the same time; and this post he
occupied for sixteen years. When the new court for probate, divorce and
matrimonial causes was established (1858), Sir Cresswell Cresswell was
requested by the Liberal government to become its first judge and
undertake the arduous task of its organization. Although he had already
earned a right to retire, and possessed large private wealth, he
accepted this new task, and during the rest of his life devoted himself
to it most assiduously and conscientiously, with complete satisfaction
to the public. In one case only, out of the very large number on which
he pronounced judgment, was his decision reversed. His death was sudden.
By a fall from his horse on the 11th of July 1863 his knee-cap was
injured. He was recovering from this when on the 29th of the same month
he died of disease of the heart.
See Foss's _Lives of the Judges_; E. Manson, _Builders of our Law_
(1904).
CRESSY, HUGH PAULINUS DE (c. 1605-1674), English Benedictine monk, whose
religious name was Serenus, was born at Wakefield, Yorkshire, about
1605. He went to Oxford at the age of fourteen, and in 1626 became a
fellow of Merton College. Having taken orders, he rose to the dignity of
dean of Leighlin, Ireland, and canon of Windsor. He also acted as
chaplain to Lord Wentworth, afterwards the celebrated earl of Strafford.
For some time he travelled abroad as tutor to Lord Falmouth, and in
1646, during a visit to Rome, joined the Roman Catholic Church. In the
following year he published his _Exomologesis_ (Paris, 1647), or account
of his conversion, which was highly valued by Roman Catholics as an
answer to William Chillingworth's attacks. Cressy entered the
Benedictine Order in 1649, and for four years resided at Somerset House
as chaplain to Catherine of Braganza, wife of Charles II. He died at
West Grinstead on the 10th of August 1674. Cressy's chief work, _The
Church History of Brittanny or England, from the beginning of
Christianity to the Norman Conquest_ (1st vol. only published, Rouen,
1668), gives an exhaustive account of the foundation of monasteries
during the Saxon heptarchy, and asserts that they followed the
Benedictine rule, differing in this respect from many historians. The
work was much criticized by Lord Clarendon, but defended by Antony a
Wood in his _Athenae Oxoniensis_, who supports Cressy's statement that
it was compiled from original MSS. and from the _Annales Ecclesiae
Britannicae_ of Michael Alford, _Dugdale's Monasticon_, and the _Decem
Scriptores Historiae Anglicanae_. The second part of the history, which
has never been printed, was discovered at Douai in 1856. To Roman
Catholics Cressy's name is familiar as the editor of Walter Hilton's
_Scale of Perfection_ (London, 1659); of Father A. Baker's _Sancta
Sophia_ (2 vols., Douai, 1657); and of Juliana of Norwich's _Sixteen
Revelations on the Love of God_ (1670). These books, which would have
been lost but for Cressy's zeal, have been frequently reprinted, and
have been favourably regarded by a section of the Anglican Church.
For a complete list of Cressy's works see J. Gillow's _Bibl. Dict. of
Eng. Catholics_, vol. i.
CREST, a town of south-eastern France, in the department of Drome, on
the right bank of the Drome, 20 m. S.S.E. of Valence by rail. Pop.
(1906) town, 3971; commune, 5660. It carries on silk-worm breeding,
silk-spinning, and the manufacture of woollens, paper, leather and
cement. There is trade in truffles. On the rock which commands the town
stands a huge keep, the sole survival of a castle (12th century) to
which Crest was indebted for its importance in the middle ages and the
Religious Wars. The rest of the castle was destroyed in the first half
of the 17th century, after which the keep was used as a state prison.
Crest ranked for a time as the capital of the duchy of Valentinois, and
in that capacity belonged before the Revolution to the prince of Monaco.
The communal charter, graven on stone and dating from the 12th century,
is preserved in the public archives. Ten miles south-east of Crest lies
the picturesque Forest of Saon.
CREST (Lat. _crista_, a plume or tuft), the "comb" on an animal's head,
and so any feathery tuft or excrescence, the "cone" of a helmet (by
transference, the helmet itself), and the top or summit of anything. In
heraldry (q.v.) a crest is a device, originally borne as a cognizance on
a knight's helmet, placed on a wreath above helmet and shield in
armorial bearings, and used separately on a seal or on articles of
property.
_Cresting_, in architecture, is an ornamental finish in the wall or
ridge of a building, which is common on the continent of Europe. An
example occurs at Exeter cathedral, the ridge of which is ornamented
with a range of small _fleurs-de-lis_ in lead.
CRESTON, a city and the county-seat of Union county, Iowa, U.S.A., about
60 m. S.W. of Des Moines, at the crossing of the main line and two
branches of the Chicago, Burlington & Quincy railway. Pop. (1890) 7200;
(1900) 7752; (1905, state census) 8382 (753 foreign-born); (1910) 6924.
The city is on the crest of the divide between the Mississippi and the
Missouri basins at an altitude of about 1310 ft.--whence its name. It is
situated in a fine farming and stock-raising region, for which it is a
shipping point. The site was chosen in 1869 by the Burlington & Missouri
River Railroad Company (subsequently merged in the Chicago, Burlington &
Quincy Railroad Company) for the location of its shops. Creston was
incorporated as a town in 1869, and was chartered as a city in 1871.
CRESWICK, THOMAS (1811-1869), English landscape-painter, was born at
Sheffield, and educated at Hazelwood, near Birmingham. At Birmingham he
first began to paint. His earliest appearance as an exhibitor was in
1827, at the Society of British Artists in London; in the ensuing year
he sent to the Royal Academy the two pictures named "Llyn Gwynant,
Morning," and "Carnarvon Castle." About the same time he settled in
London; and in 1836 he took a house in Bayswater. He soon attracted some
attention as a landscape-painter, and had a career of uniform and
encouraging, though not signal success. In 1842 he was elected an
associate, and in 1850 a full member of the Royal Academy, which, for
several years before his death, numbered hardly any other full members
representing this branch of art. In his early practice he set an
example, then too much needed, of diligent study of nature out of doors,
painting on the spot all the substantial part of several of his
pictures. English and Welsh streams may be said to have formed his
favourite subjects, and generally British rural scenery, mostly under
its cheerful, calm and pleasurable aspects, in open daylight. This he
rendered with elegant and equable skill, colour rather grey in tint,
especially in his later years, and more than average technical
accomplishment; his works have little to excite, but would, in most
conditions of public taste, retain their power to attract. Creswick was
industrious and extremely prolific; he produced, besides a steady
outpouring of paintings, numerous illustrations for books. He was
personally genial--a dark, bulky man, somewhat heavy and graceless in
aspect in his later years. He died at his house in Bayswater, Linden
Grove, on the 28th of December 1869, after a few years of declining
health. Among his principal works may be named "England" (1847); "Home
by the Sands, and a Squally Day" (1848); "Passing Showers" (1849); "The
Wind on Shore, a First Glimpse of the Sea, and Old Trees" (1850); "A
Mountain Lake, Moonrise" (1852); "Changeable Weather" (1865); also the
"London Road, a Hundred Years ago"; "The Weald of Kent"; the "Valley
Mill" (a Cornish subject); a "Shady Glen"; the "Windings of a River";
the "Shade of the Beech Trees"; the "Course of the Greta"; the "Wharfe";
"Glendalough," and other Irish subjects, 1836 to 1840; the "Forest
Farm." Frith for figures, and Ansdell for animals, occasionally worked
in collaboration with Creswick.
In 1873 T. O. Barlow, the engraver, published a catalogue of
Creswick's works.
CRESWICK, a borough of Talbot county, Victoria, Australia. 85-1/2 m. by
rail N.W. of Melbourne. Pop. (1901) 3060. It is the centre of a mining,
pastoral and agricultural district. Gold is found both in alluvial and
quartz formations, the quartz being especially rich. The surrounding
country is fertile and well-timbered, and there is a government
plantation and nursery in connexion with the forests department.
CRETACEOUS SYSTEM, in geology, the group of stratified rocks which
normally occupy a position above the Jurassic system and below the
oldest Tertiary deposits; therefore it is in this system that the
closing records of the great Mesozoic era are to be found. The name
furnishes an excellent illustration of the inconvenience of employing a
local lithological feature in the descriptive title of a wide-ranging
rock-system. The white chalk (Lat. _creta_), which gives its name to the
system, was first studied in the Anglo-Parisian basin, where it takes a
prominent place; but even in this limited area there is a considerable
thickness and variety of rocks which are not chalky, and the Cretaceous
system as a whole contains a remarkable diversity of types of sediment.
_Classification._--The earlier subdivisions of the Cretaceous rocks were
founded upon the uncertain ground of similarity in lithological
characters, assisted by observed stratigraphical sequence. This method
yielded poor results even in a circumscribed area like Great Britain,
and it breaks down utterly when applied to the correlation of rocks of
similar age in Europe and elsewhere. Study of the fossils, however, has
elicited the fact that certain forms characterize certain "zones," which
are preceded and succeeded by other zones each bearing a peculiar
species or distinctive assemblage of species. By these means the
Cretaceous rocks of the world have now been correlated zone with zone,
with a degree of exactitude proportional to the palaeontological
information gained in the several areas of occurrence.
The Cretaceous system falls naturally into two divisions, an upper and a
lower, in all but a few limited regions. In the table on page 288 the
names of the principal stages are enumerated; these are capable of
world-wide application. The sub-stages are of more local value, and too
much importance must not be attached to them for the correlation of
distant deposits. The general table is designed to show the relative
position in the system of some of the more important and better-known
formations; but it must be remembered that the Cretaceous rocks of
Europe can now be classified in considerable detail by their fossils,
the most accurate group for this purpose being the cephalopods. The
smaller table was compiled by T. C. Chamberlin and R. D. Salisbury to
show the main subdivisions of the North American Cretaceous rocks. The
correlation of the minor subdivisions of Europe and America are only
approximate.
[Illustration: Distribution of Cretaceous Rocks]
_Relation of the Cretaceous Strata to the Systems above and below._--In
central and northern Europe the boundary between the Cretaceous and
Tertiary strata is sharply defined by a fairly general unconformity,
except in the Danian and Montian beds, where there is a certain
commingling of Tertiary with Cretaceous fossils. The relations with the
underlying Jurassic rocks are not so clearly defined, partly because the
earliest Cretaceous rocks are obscured by too great a thickness of
younger strata, and partly because the lowest observable rocks of the
system are not the oldest, but are higher members of the system that
have overlapped on to much older rocks. However, in the south of
England, in the Alpine area, and in part of N.W. Germany the passage
from Jurassic to Cretaceous is so gradual that there is some divergence
of opinion as to the best position for the line of separation. In the
Alpine region this passage is formed by marine beds, in the other two by
brackish-water deposits. In a like manner the Potomac beds of N. America
grade downwards into the Jurassic; while in the Laramie formation an
upward passage is observed into the Eocene deposits. There is a very
general unconformity and break between the Lower and Upper Cretaceous;
this has led Chamberlin and Salisbury to suggest that the Lower
Cretaceous should be regarded as a separate period with the title
"Comanchean."
_Physiographical Conditions and Types of Deposit._--With the opening of
the Cretaceous in Europe there commenced a period of marine
transgression; in the central and western European region this took
place from the S. towards the N., slow at first and local in effect, but
becoming more decided at the beginning of the upper division. During the
earlier portion of the period, S. England, Belgium and Hanover were
covered by a great series of estuarine sands and clays, termed the
Wealden formation (q.v.), the delta of a large river or rivers flowing
probably from the N.W. Meanwhile, in the rest of Europe alternations of
marine and estuarine deposits were being laid down; but over the Alpine
region lay the open sea, where there flourished coral reefs and great
banks of clam-like molluscs. The sea gradually encroached upon the
estuarine Wealden area, and at the time of the Aptian deposits uniform
marine conditions prevailed from western Europe through Russia into
Asia. This extension of the sea is illustrated in England by the overlap
of the Gault over the Lower Greens and on to the older rocks, and by
similar occurrences in N. France and Germany.
Almost throughout the Upper Cretaceous period the marine invasion
continued, varied here and there by slight movements in the opposite
sense which did not, however, interfere with the quiet general advance
of the sea. This marine extension made itself felt over the old central
plateau of France, the N. of Great Britain, the Spanish peninsula, the
Armorican peninsula, and also in the Bavarian Jura and Bohemia; it
affected the northern part of Africa and East Africa; in N. America the
sea spread over the entire length of the Rocky Mountain region; and in
Brazil, eastern Asia and western Australia, Upper Cretaceous deposits
are found resting directly upon much older rocks. Indeed, at this time
there happened one of the greatest changes in the distribution of land
and water that have been recorded in geological history.
We have seen that in early Cretaceous times marine limestones were being
formed in southern Europe, while estuarine sands and muds were being
laid down in the Anglo-German delta, and that beds of intermediate
character were being made in parts of N. France and Germany. During
later Cretaceous times this striking difference between the northern and
southern facies was maintained, notwithstanding the fact that the later
deposits were of marine origin in both regions. In the northern region
the gradual deepening and accompanying extension of the sea caused the
sandy deposits to become finer grained in N.W. Europe. The sandy beds
and clays then gave way to marly deposits, and in these early stages
glauconitic grains are very characteristically present both in the sand
and in the marls. In their turn these marly deposits in the
Anglo-Parisian basin were succeeded gradually and somewhat
intermittently by the purer, soft limestone of the chalk sea, and by
limestones, similar in character, in N. France, extra-Alpine Germany, S.
Scandinavia, Denmark and Russia. Meanwhile, the S. European deposits
maintained the characters already indicated; limestones (not chalk)
prevailed, except in certain Alpine and Carpathian tracts where detrital
sandstones were being laid down.
The great difference between the lithological characters of the northern
and southern deposits is accompanied by an equally striking difference
between their respective organic contents. In the north, the genera
_Inoceramus_ and _Belemnitella_ are particularly abundant. In the south,
the remarkable, large, clam-like, aberrant pelecypods, the
_Hippuritidae_, _Rudistes_, _Caprotina_, &c., attained an extraordinary
development; they form great lenticular banks, like the clam banks of
warm seas, or like our modern oyster-beds; they appear in successive
species in the different stages of the Cretaceous system of the south,
and can be used for marking palaeontological horizons as the cephalopods
are used elsewhere. Certain genera of ammonites, _Haploceras_,
_Lytoceras_, _Phylloceras_, rare in the north, are common in the south;
and the southern facies is further characterized by the peculiar group
of swollen belemnites (_Dumontia_), by the gasteropods _Actionella_,
_Nerinea_, &c., and by reef-building corals. The southern facies is far
more widespread and typical of the period than is the chalk; it not only
covers all southern Europe, but spreads eastwards far into Asia and
round the Mediterranean basin into Africa. It is found again in Texas,
Alabama, Mexico, the West Indies and Colombia; though limestones of the
chalk type are found in Texas, New Zealand, and locally in one or two
other places. The marine deposits are organically formed limestones, in
which foraminifera and large bivalve mollusca play a leading part, marls
and sandstones; dolomite and oolitic and pisolitic limestones are also
known.
+-----------+--------------------------------+---------------------+-----------------------+
| | European Classification. | | Germany, &c., several |
| +--------------+-----------------+ Britain. | other parts of Europe.|
| | Stages. | Sub-stages. | | |
+-----------+--------------+-----------------+---------------------+-----------------------+
| | | | | |
| |Montian. |(placed by some | | Marls and pisolitic |
| | |in the Tertiary).| | Limestone of Meudon. |
| | | | | |
| |Danian. | |Chalk of Trimingham. | Limestone of Saltholm |
| | |Maestrichtian | | and Faxo (Denmark). |
| | | (Dordonian). |Upper Chalk with | |
| |Aturian. \ | | Flints. |Upper Quader Sandstone.|
| | | |Campanian. | | |
| Upper | Senonian. | | | |
|Cretaceous.| | |Santonian. | | Quader Marls and |
| |Emscherian./ | | | Planer Marls. |
| | |Coniacian. | | |
| | | |Middle Chalk without | |
| | |Angoumian. | Flints. | Upper Planer. | \
| |Turonian. | | | | \
| | |Ligerian. | | | |
| | | | | | |
| | |Carentonian. |Grey Chalk. | Lr. Planer and Lr. | |
| |Cenomanian. | |Chalk marl. | Quader. | Hippurite
| | |Rothomagian. |Cambridge Greensand. | | limestones
| | | +---------------------+ Tourtia of Mons, &c. | of
+-----------+--------------+-----------------| Selbornian. +-----------------------+ Southern
| | | | | | France
| | | | Gault and Upper | | and
| | | | Greensand. | | Mediterranean
| |Albian. |Gault. | | Flammen mergel. Clay | Region
| | | +---------------------+ of N. Germany. | |
| | |Gargasian. | | Urgonian | |
| |Aptian. | |Lower Greensand. | Requienia | |
| Lower | |Bedoulian. | | (caprotina) Kalk | /
|Cretaceous.| | | | or Schrattenkalk. | /
| |Barremian. | |Weald Clay | |
| | |Hauterivian. | and | |
| |Neocomian. | |Hastings sands. | North |
| | |Valangian. | | German |
| | | | Marine | Hills |
| | |Berriasian. | Beds of | formation |
| | | | Specton. | |
| | | | | |
| | | | | |
+-----------+--------------+-----------------+---------------------+-----------------------+
+-----------+--------------------------------------------------:-------------------------------------+
| | Upper Cretaceous. : Lower Cretaceous. |
+-----------+--------------------------------------------------:-------------------------------------+
| | Aptychenkalk in E. Alps ... Cretaceous Flysch... : ... Cretaceous Flysch ... |
| | Biancone of S. Alps. : Carpathian and Vienna Sandstones, |
| Alpine | : Gosau formation of E. Alps. |
| Region. | : Seewan beds of N. Alps. |
| | : Scaglia of S. Alps. |
+-----------+--------------------------------------------------:-------------------------------------+
| Africa. | Nubian Sandstone of ... : ... N. Africa and Syria. |
| | Uitenhage Beds S. Africa. : Pondoland Beds S. Africa. |
+-----------+--------------------------------------------------:-------------------------------------+
| India. | Oomia and Utatur Group. : Arialoor Beds (Deccan Trap). |
+-----------+--------------------------------------------------:-------------------------------------+
|Australia. | Rolling Down Formation. : Desert Sandstone. |
+-----------+--------------------------------------------------:-------------------------------------+
| New | Thick conglomeratic Series with Bitumous coals. : Waipara Beds and Limestones, Chalk, |
| Zealand. | : with Flints, Marls and Greensand. |
+-----------+--------------------------------------------------:-------------------------------------+
|S. America.| Puegiredon Series. Belgrano ... : ... Series. San Martin Series. |
+-----------+--------------------------------------------------:-------------------------------------+
| Japan. | Torinosa Limestone and Ryoseki Series. : Izumi Sandstone and Hokkaido Series.|
+-----------+--------------------------------------------------:-------------------------------------+
|Greenland. | Kome Group. : Atani Group. Patoot Group (part). |
+-----------+--------------------------------------------------:-------------------------------------+
_Note to Tables._
Montian from Mons in Belgium.
Danian " Denmark = _Garumnien_ of Leymerie.
Aturian " Adour.
Maestrichtian " Maestricht.
Campanian " Champagne.
Emscherian " Emscher river in Westphalia.
Santonian " Saintonge.
Coniacian " Cognac.
Senonian " Sens in department of Yonne.
Turonian " Touraine.
Angoumian " Angoumois.
Ligerian " the Loire.
Cenomanian " Le Mans (Cenomanum).
Carentonian " Charente.
Rothomagian " Rouen (_Rothomagus_).
Albian " dept. of Aube.
Selbornian " Selborne in Hampshire.
Aptian " Apt in Vaucluse.
Gargasian " Gargas near Apt.
Bedoulian " la Bedoule (Var) = _Rhodanien_ of Renevie
Barremian " Barreme in Basses Alpes.
Hauterivian " Hauterive on Lake of Neuchatel.
Valangian " Chateau de Valangin near Neuchatel.
Neocomian " Neuchatel (_Neocomum_).
Berriasian " Berrias (_Ardeche_) near Besseges.
Urgonian " Orgon near Arles.
The Cretaceous seas were probably comparatively shallow; this was
certainly the case where the deposits are sandy, and in the regions
occupied by the hippuritic fauna. Much discussion has taken place as to
the depth of the chalk sea. Stress has been laid upon the resemblance of
this deposit to the modern deep-sea globigerina-ooze; but on the whole
the evidence is in favour of moderate depth, perhaps not more than 1000
fathoms; the freedom of the deposit from detrital matter being regarded
as due to the low elevation of the surrounding land, and the main lines
of drainage being in other directions. Sandy and shore deposits are
common throughout the system in every region. Besides the Weald, there
were great lacustrine and terrestrial deposits in N. America (the
Potomac, Kootenay, Morrison, Dakota and Laramie formations) as well as
in N. Spain, and in parts of Germany, &c. The general distribution of
land and sea is indicated in the map.
_Earth Movements and Vulcanicity._--During the greater part of the
Cretaceous period crustal movements had been small and local in effect,
but towards the close a series of great deformative movements was
inaugurated and continued into the next period. These movements make it
possible to discriminate between the Cretaceous and Tertiary rocks,
because the conditions of sedimentation were profoundly modified by
them, and in most parts of the world there resulted a distinct break in
the sequence of fossil remains. Great tracts of our modern continental
land areas gradually emerged, and several mountainous tracts began to be
elevated, such as the Appalachians, parts of the Cordilleras, and the
Rocky Mountains, and their northern continuation, and indeed the greater
part of the western N. American continent was intensely affected; the
uplifting was associated with extensive faulting. Volcanic activity was
in abeyance in Europe and in much of Asia, but in America there were
many eruptions and intrusions of igneous rock towards the close of the
period. Diabases and peridotites had been formed during the Lower
Cretaceous in the San Luis Obispo region. Great masses of ash and
conglomerate occur in the Crow's Nest Pass in Canada; porphyries and
porphyritic tuffs of later Cretaceous age are important in the Andes;
while similar rocks are found in the Lower Cretaceous of New Zealand. It
is, however, in the Deccan lava flows of India that we find eruptions on
a scale more vast than any that have been recorded either before or
since. These outpourings of lava cover 200,000 sq. m. and are from 4000
to 6000 ft. thick. They lie upon an eroded Cenomanian surface and are to
some extent interbedded with Upper Cretaceous sediments.
+-----------+---------------+------------+----------------+--------------------+---------------+-------------+
| |Atlantic Coast.|Eastern Gulf| Western Gulf | Western Interior. | Pacific Coast.| European. |
| | | Region. | Region. | | | |
+-----------+---------------+------------+----------------+--------------------+---------------+-------------+
| / | Manasquan. | | |Denver, Livingstone,| | |
| | | | ...... | ...... | (possibly Eocene).| Not | |
| | | | | | &c. | differentiated| |
| | | Rancocas. | | | Laramie. | or wanting. | Danian. |
| | +---------------+------------+----------------+--------------------+---------------+-------------+
| | | | Ripley. | | Montana Series | | |
|CRETACEOUS | Monmouth. | | Montana Series | 2. Fox Hills. | | Senonian. |
| | | | Selma. | Navarro. | 1. Fort Pierre and| | |
| Upper | | | | Belly River. | | |
|Cretaceous.| Matawan. | Eutaw. | Colorado Series| Colorado Series. | | |
| | | | | 2. Austin | 2. Niobrara. | Chico. | Turonian. |
| | | | | 1. Eagle Ford | 1. Benton. | | |
| | +---------------+------------+----------------|--------------------+ +-------------+
| | | | | Dakota. | Dakota. | | Cenomanian. |
| | | ...... | ...... | Woodbine. | | | Albian. |
| | | | | | | | Unconformity|
| \ | | U n c o|n f o r m i t y.| | | in places.|
| |...............|............|................|....................|...............|.............|
| / | | | | | Horsetown | Aptian. |
| | | | | Washita. | | | |
| | | | | | | Knoxville. | Urgonian. |
| | | | Tuskaloosa | Fredericksburg.| Kootenay and | \__ ___/ | |
|COMANCHEAN | | Series. | | Morrison (or | \/ | Neocomian. |
| | |Potomac Series.| | | Como). | Shastan. | Wealden. |
| Lower | 4. Raritan. | | | | | |
|Cretaceous.| 3. Patapsco. | | Trinity. | | | |
| | | | | | | | |
| | | Jurassic?| | | | | |
| \ | 2. Arundel | | | | | |
| | 1. Patuxent | | | | | |
+-----------+---------------+------------+----------------+--------------------+---------------+-------------+
_Economic Products of Cretaceous Rocks._--Coal is one of the most
important products of the rocks of this system. The principal Cretaceous
coal-bearing area is in the western interior of N. America, where an
enormous amount of coal--mostly lignitic, but in places converted into
anthracite--lies in the rocks at the foot of the Rocky Mountains; most
of this is of Laramie age. Similar beds occur locally in Montana. Coal
seams of Lower Cretaceous age are found in the Black Hills (S. Dakota),
Alaska, Greenland, and in New Zealand; and the "Upper Quader" of
Lowenberg in Silesia also contains coal seams. Coals also occur in the
brackish and fresh-water deposits of Carinthia, Dalmatia and Istria,
while unimportant lignitic beds are known in many other regions. The
Fort Pierre beds are oil-bearing at Boulder, Colorado; and the Trinity
formation bears asphalt and bitumen. Important clay deposits are worked
in the Raritan formation of New Jersey, &c., and pottery clays are found
in the Lowenberg district in Germany. The Washita beds yield the
well-known hone stone. Great beds of gypsum exist in the Cretaceous
rocks of S. America. Near Salzburg a variety of the hippuritic limestone
is quarried for marble. Lithographic stone occurs in the Pyrenees. The
economic products peculiar to the chalk are mentioned in the article
CHALK. Beds of iron ore are found in the Lower Cretaceous of Germany and
England.
_The Life of the Cretaceous Period._--The fossils from the Cretaceous
series comprise marine, fresh-water and terrestrial animals and plants.
Foremost in interest and importance is the appearance in the Lower
Potomac (Lower Cretaceous) of eastern and central N. America of the
earliest representatives of angiospermous dicotyledons, and undoubted
monocotyledons, the progenitors of our modern flowering plants. The
angiosperms spread outward from the Atlantic coast region of N. America,
and first appeared in Europe in the Aptian of Portugal; towards the
close of the Lower Cretaceous period they occupied parts of Greenland,
the remaining land areas of N. America, and were steadily advancing in
every quarter of the globe. At first the Jurassic plants, the Cycads,
ferns and conifers, lived on and were the dominant plant forms.
Gradually, however, they took a subordinate place, and by the close of
the Cretaceous period the angiosperms had gained the upper hand. The
earliest of these fossil angiosperms is not in a true sense a primitive
form, and no records of such types have yet been discovered. Some of the
early forms of the Lower Cretaceous are distinctly similar to modern
genera, such as _Ficus_, _Sassafras_ and _Aralia_; others bore leaves
closely resembling our elm, maple, willow, oak, eucalyptus, &c. Before
the close of the period many other representatives of living genera had
appeared, beech, walnut, tamarisk, plane, laurel (_Laurus_), cinnamon,
ivy, ilex, viburnum, buckthorn, breadfruit, oleander and others; there
were also junipers, thujas, pines and sequoias and monocotyledons such
as _Potamogeton_ and _Arundo_. This flora was widely spread and uniform;
there was great similarity between that of Europe and N. America, and in
parts of the United States (Virginia and Maryland) the plants were very
like those in Greenland. The general aspect of the flora was
sub-tropical; the eucalyptus and other plants then common in Europe and
N. America are now confined to the southern hemisphere.
The marine fauna comprised foraminifera which must have swarmed in the
Chalk and some of the limestone seas; their shells have formed great
thickness of rock. Common forms are the genera _Alveolina_,
_Cristellaria_, _Rotalia_, _Textularia_, _Orbitolina_, _Globigerina_.
Radiolarians were doubtless abundant, but their remains are rare.
Sponges with calcareous (_Peronidilla_, _Barroisia_) and siliceous
skeletons (_Siphonia_, _Coeloptychium_, _Ventriculites_) were very
numerous in certain of the Cretaceous waters. Corals were comparatively
rare, _Trochosmilia_, _Parasmilia_, _Holocystis_ being typical genera;
reefs were formed in the Maestricht beds of Denmark and Faxoe, in the
Neocomian and Turonian of France, in the Turonian of the Alps and
Pyrenees, and also in the Gosau beds and in the Utatur group of India.
Sea-urchins were a conspicuous feature, and many nearly allied forms are
still living; _Cidaris_, _Micraster_, _Discoidea_ are examples. Crinoids
were represented by _Marsupites_, _Uintacrinus_ and _Bourgueticrinus_;
starfish (_Calliderma_ and _Pentagonaster_) were not uncommon. Polyzoa
were abundant; brachiopods were fairly common, though subordinate to the
pelecypods; they were mostly rhynchonellids and terebratulids, which
lived side by side with the ancient forms, like _Crania_ and _Discina_.
The bivalve mollusca were very important during this period,
_Inoceramus_, _Ostrea_, _Spondylus_, _Gervillia_, _Exogyra_, _Pecten_,
_Trigonia_ being particularly abundant in the northern seas, while in
the southern waters the remarkable _Hippurites_, _Radiolites_,
_Caprotina_, _Caprina_, _Monopleura_ and _Requienia_ prevailed.
Gasteropods were well represented and included many modern genera.
Cephalopods were important as a group, but the ammonites, so vigorous in
the foregoing period, were declining and were assuming curious
degenerate forms, often with a tendency to uncoil the shell;
_Baculites_, _Hoplites_, _Turrilites_, _Ptychoceras_, _Hamites_ are some
of the typical genera, while _Belemnites_ and _Belemnitella_ were
abundant in the northern seas.
The vertebrate fauna of the Cretaceous period differed in many features
from that of the present day; mammals appear to have been only poorly
represented by puny forms, related to Triassic and Jurassic types; they
were mainly marsupials (_Batodon_, _Cimolestes_) with a few
monotreme-like forms; carnivores, rodents and ungulates were still
unknown. As in Jurassic times, reptiles were the dominant forms, and not
a few genera lived on from the former period into the Cretaceous; but,
on the whole, the reptilian assemblage was no longer so varied, and most
of the distinctive mesozoic types had passed away before the close of
this period. Dinosaurs were represented by herbivorous and carnivorous
genera as in the Jurassic period, but the latter were less abundant than
before. The _Iguanodon_ of the Sussex-Weald and Bernissart in Belgium is
perhaps the best-known genus; but there were many others, their remains
being particularly abundant and well-preserved in the Cretaceous
deposits of N. America. _Titanosaurus_, _Acanthopholis_, _Megalosaurus_
and _Hypsilophodon_ may be mentioned, some of these being of great size,
while _Diclonius_ was a curious duck-billed creature; but most
remarkable in appearance must have been the horned Dinosaurs, _Ceratops_
and _Triceratops_, gross, unwieldy creatures, 25 to 30 ft. long, whose
huge heads were grotesquely armed with horns and bony frills.
Coincident, perhaps, with the widespread extension of the sea was the
development of aquatic habits and structures suitable thereto amongst
all the reptilian groups including also the birds. The foremost place
was undoubtedly taken by the pythonomorphs or sea-serpents, including
_Mosasaurus_ and many others; these were enormously elongated creatures,
reaching up to 75 ft., with swimming flappers and powerful swimming
tails, and they lived a predatory life in the open sea. Ichthyosaurians
soon disappeared from Cretaceous waters; but the plesiosaurians
(_Cimoliosaurus_ and others) reached their maximum development in this
period. The remarkable flying lizards, pterosaurs, likewise attained
their great development and then passed away; they ranged in size from
that of a pigeon to creatures with a wing-spread of 25 ft.; notable
genera are _Pteranodon_, _Ornithocheirus_, _Nyctiosaurus_. Ordinary
lizard-like forms were represented by _Coniosaurus_, _Dolichosaurus_,
&c.; and true crocodiles, _Goniopholis_, _Suchosaurus_, appeared in this
period, and continued to approximate to modern genera. The earliest
known river turtles are found in the Belly River deposits of Canada;
marine turtles also made their first appearance and were widely
represented, some of them, _Archelon_ and _Protostega_, being of great
size. True snakes appeared later in the period.
The birds, as far as existing evidence goes, were aquatic; some, like
_Ichthyornis_, were built for powerful flight; others, like
_Hesperornis_, were flightless. _Enaliornis_ is a form well known from
the Cambridge Greensand. They were toothed birds having structural
affinities with the Dinosaurs and Pterodactyles.
Fish remains of this period show that a marked change was taking place;
teleosteans (with bony internal skeleton) were taking a more prominent
place, and although ganoids were still represented (_Macropoma_,
_Lepidotus_, _Amiopris_, &c.) they had quite ceased to be the dominant
types before the close of Cretaceous times. Sharks and rays were of the
modern types, though distinct in species. Amongst the early forms of
Cretaceous teleosteans may be mentioned _Elopopsis_, _Ichthyodectes_,
_Diplomystus_ (herring), _Haplopteryx_ and _Urenchelys_ (eel).
For further information see the articles CHALK; GREENSAND; WEALDEN.
Sir A. Geikie's _Text-book of Geology_, vol. ii. (4th ed., 1903),
contains in addition to a full general account of the system very full
references to the literature.
CRETE (Gr. [Greek: Krete]; Turk. _Kirid_, Ital. _Candia_), after Sicily,
Sardinia and Cyprus the largest island in the Mediterranean, situated
between 34 deg. 50' and 35 deg. 40' N. lat. and between 23 deg. 30' and
26 deg. 20' E. long. Its north-eastern extremity, Cape Sidero, is
distant about 110 m. from Cape Krio in Asia Minor, the interval being
partly filled by the islands of Carpathos and Rhodes; its north-western,
Cape Grabusa, is within 60 m. of Cape Malea in the Morea. Crete thus
forms the natural limit between the Mediterranean and the Archipelago.
The island is of elongated form; its length from E. to W. is 160 m., its
breadth from N. to S. varies from 35 to 7-1/2 m., its area is 3330 sq.
m. The northern coast-line is much indented. On the W. two narrow
mountainous promontories, the western terminating in Cape Grabusa or
Busa (ancient Corycus), the eastern in Cape Spada, shut in the Bay of
Kisamos; beyond the Bay of Canea, to the E., the rocky peninsula of
Akrotiri shelters the magnificent natural harbour of Suda (8-1/2 sq.
m.), the only completely protected anchorage for large vessels which the
island affords. Farther E. are the bays of Candia and Malea, the deep
Mirabello Bay and the Bay of Sitia. The south coast is less broken, and
possesses no natural harbours, the mountains in many parts rising almost
like a wall from the sea; in the centre is Cape Lithinos, the
southernmost point of the island, partly sheltering the Bay of Messara
on the W. Immediately to the E. of Cape Lithinos is the small bay of
Kali Limenes or Fair Havens, where the ship conveying St Paul took
refuge (Acts xxvii. 8). Of the islands in the neighbourhood of the
Cretan coast the largest is Gavdo (ancient Clauda, Acts xxvii. 16),
about 25 m. from the south coast at Sphakia, in the middle ages the see
of a bishop. On the N. side the small island of Dia, or Standia, about 8
m. from Candia, offers a convenient shelter against northerly gales.
Three small islands on the northern coast--Grabusa at the N.W.
extremity, Suda, at the entrance to Suda harbour, and Spinalonga, in
Mirabello Bay--remained for some time in the possession of Venice after
the conquest of Crete by the Turks. Grabusa, long regarded as an
impregnable fortress, was surrendered in 1692, Suda (where the flags of
Turkey and the four protecting powers are now hoisted) and Spinalonga in
1715.
[Illustration: Map of Crete]
_Natural Features._--The greater part of the island is occupied by
ranges of mountains which form four principal groups. In the western
portion rises the massive range of the White Mountains (_Aspra Vouna_),
directly overhanging the southern coast with spurs projecting towards
the W. and N.W. (highest summit, Hagios Theodoros, 7882 ft.). In the
centre is the smaller, almost detached mass of Psiloriti ([Greek:
Hypsiloreition], ancient Ida), culminating in Stavros (8193 ft.), the
highest summit in the island. To the E. are the Lassithi mountains with
Aphenti Christos (7165 ft.), and farther E. the mountains of Sitia with
Aphenti Kavousi (4850 ft.). The Kophino mountains (3888 ft.) separate
the central plain of Messara from the southern coast. The isolated peak
of Iuktas (about 2700 ft.), nearly due S. of Candia, was regarded with
veneration in antiquity as the burial-place of Zeus. The principal
groups are for the greater part of the year covered with snow, which
remains in the deeper clefts throughout the summer; the intervals
between them are filled by connecting chains which sometimes reach the
height of 3000 ft. The largest plain is that of Monofatsi and Messara, a
fertile tract extending between Mt. Psiloriti and the Kophino range,
about 37 m. in length and 10 m. in breadth. The smaller plain, or rather
slope, adjoining Canea and the valley of Alikianu, through which the
Platanos (ancient Iardanos) flows, are of great beauty and fertility. A
peculiar feature is presented by the level upland basins which furnish
abundant pasturage during the summer months; the more remarkable are the
Omalo in the White Mountains (about 4000 ft.) drained by subterranean
outlets ([Greek: katabothra]), Nida ([Greek: eis ten Idan]) in Psiloriti
(between 5000 and 6000 ft.), and the Lassithi plain (about 3000 ft.), a
more extensive area, on which are several villages. Another remarkable
characteristic is found in the deep narrow ravines ([Greek: pharangia]),
bordered by precipitous cliffs, which traverse the mountainous
districts; into some of these the daylight scarcely penetrates. Numerous
large caves exist in the mountains; among the most remarkable are the
famous Idaean cave in Psiloriti, the caves of Melidoni, in Mylopotamo,
and Sarchu, in Malevisi, which sheltered hundreds of refugees after the
insurrection of 1866, and the Dictaean cave in Lassithi, the birth-place
of Zeus. The so-called Labyrinth, near the ruins of Gortyna, was a
subterranean quarry from which the city was built. The principal rivers
are the Metropoli Potamos and the Anapothiari, which drain the plain of
Monofatsi and enter the southern sea E. and W. respectively of the
Kophino range; the Platanos, which flows northwards from the White
Mountains into the Bay of Canea; and the Mylopotamo (ancient Oaxes)
flowing northwards from Psiloriti to the sea E. of Retimo.
_Geology._[1]--The metamorphic rocks of western Crete form a series
some 9000 to 10,000 ft. in thickness, of very varied composition. They
include gypsum, dolomite, conglomerates, phyllites, and a basic series
of eruptive rocks (gabbros, peridotites, serpentines). Glaucophane
rocks are widely spread. In the centre of the folds fossiliferous beds
with crinoids have been found, and the black slates at the top of the
series contain _Myophoria_ and other fossils, indicating that the
rocks are of Triassic age. It is, however, not impossible that the
metamorphic series includes also some of the Lias. The later beds of
the island belong to the Jurassic, Cretaceous and Tertiary systems. At
the western foot of the Ida massif calcareous beds with corals,
brachiopods (_Rhynchonella inconstans_, &c.) have been found, the
fossils indicating the horizon of the Kimmeridge clay. Lower
Cretaceous limestones and schists, with radiolarian cherts, arc
extensively developed; and in many parts of the island Upper
Cretaceous limestones with _Rudistes_ and Eocene beds with nummulites
have been found. All these are involved in the earth movements to
which the mountains of the island owe their formation, but the Miocene
beds (with _Clypeaster_) and later deposits lie almost undisturbed
upon the coasts and the low-lying ground. With the Jurassic beds is
associated an extensive series of eruptive rocks (gabbro, peridotite,
serpentine, diorite, granite, &c.); they are chiefly of Jurassic age,
but the eruptions may have continued into the Lower Cretaceous.
The structure of the island is complex. In the west the folds run from
north to south, curving gradually westward towards the southern and
western coasts; but in the east the folds appear to run from west to
east, and to be the continuation of the Dinaric folds of the Balkan
peninsula. The structure is further complicated by a great
thrust-plane which has brought the Jurassic and Lower Cretaceous beds
upon the Upper Cretaceous and Eocene beds.
_Vegetation._--The forests which once covered the mountains have for the
most part disappeared and the slopes are now desolate wastes. The
cypress still grows wild in the higher regions; the lower hills and the
valleys, which are extremely fertile, are covered with olive woods.
Oranges and lemons also abound, and are of excellent quality, furnishing
almost the whole supply of continental Greece and Constantinople.
Chestnut woods are found in the Selino district, and forests of the
valonia oak in that of Retimo; in some parts the carob tree is abundant
and supplies an important article of consumption. Pears, apples,
quinces, mulberries and other fruit-trees flourish, as well as vines;
the Cretan wines, however, no longer enjoy the reputation which they
possessed in the time of the Venetians. Tobacco and cotton succeed well
in the plains and low grounds, though not at present cultivated to any
great extent.
_Animals._--Of the wild animals of Crete, the wild goat or _agrimi
(Capra aegagrus)_ alone need be mentioned; it is still found in
considerable numbers on the higher summits of Psiloriti and the White
Mountains. The same species is found in the Caucasus and Mount Taurus,
and is distinct from the ibex or bouquetin of the Alps. Crete, like
several other large islands, enjoys immunity from dangerous serpents--a
privilege ascribed by popular belief to the intercession of Titus, the
companion of St Paul, who according to tradition was the first bishop of
the island, and became in consequence its patron saint. Wolves also are
not found in the island, though common in Greece and Asia Minor. The
native breed of mules is remarkably fine.
_Population._--The population of Crete under the Venetians was estimated
at about 250,000. After the Turkish conquest it greatly diminished, but
afterwards gradually rose, till it was supposed to have attained to
about 260,000, of whom about half were Mahommedans, at the time of the
outbreak of the Greek revolution in 1821. The ravages of the war from
1821 to 1830, and the emigration that followed, caused a great
diminution, and the population was estimated by Pashley in 1836 at only
about 130,000. In the next generation it again materially increased; it
was calculated by Spratt in 1865 as amounting to 210,000. According to
the census taken in 1881, the complete publication of which was
interdicted by the Turkish authorities, the population of the island was
279,165, or 35.78 to the square kilometre. Of this total, 141,602 were
males, 137,563 females; 33,173 were literate, 242,114 illiterate;
205,010 were orthodox Christians, 73,234 Moslems, and 921 of other
religious persuasions. The Moslem element predominated in the principal
towns, of which the population was--Candia, 21,368; Canea, 13,812;
Retimo, 9274. According to the census taken in June 1900, the population
of the island was 301,273, the Christians having increased to 267,266,
while the Moslems had diminished to 33,281. The Moslems, as well as the
Christians, are of Greek origin and speak Greek.
_Towns._--The three principal towns are on the northern coast and
possess small harbours suitable for vessels of light draught. Candia,
the former capital and the see of the archbishop of Crete (pop. in 1900,
22,501), is officially styled Herakleion; it is surrounded by remarkable
Venetian fortifications and possesses a museum with a valuable
collection of objects found at Cnossus, Phaestus, the Idaean cave and
elsewhere. It has been occupied since 1897 by British troops. Canea
(Xavia), the seat of government since 1840 (pop. 20,972), is built in
the Italian style; its walls and interesting galley-slips recall the
Venetian period. The residence of the high commissioner and the
consulates of the powers are in the suburb of Halepa. Retimo [Greek:
Rethumnos] is, like Canea, the see of a bishop (pop. 9311). The other
towns, Hierapetra, Sitia, Kisamos, Selino and Sphakia, are unimportant.
_Production and Industries._--Owing to the volcanic nature of its
soil, Crete is probably rich in minerals. Recent experiments lead to
the conclusion that iron, lead, manganese, lignite and sulphur exist
in considerable abundance. Copper and zinc have also been found. A
large number of applications for mining concessions have been received
since the establishment of the autonomous government. The principal
wealth of the island is derived from its olive groves; notwithstanding
the destruction of many thousands of trees during each successive
insurrection, the production is apparently undiminished, and will
probably increase very considerably owing to the planting of young
trees and the improved methods of cultivation which the Government is
endeavouring to promote. The orange and lemon groves have also
suffered considerably, but new varieties of the orange tree are now
being introduced, and an impulse will be given to the export trade in
this fruit by the removal of the restriction on its importation into
Greece. Agriculture is still in a primitive condition; notwithstanding
the fertility of the arable land the supply of cereals is far below
the requirements of the population. A great portion of the central
plain of Monofatsi, the principal grain-producing district, is lying
fallow owing to the exodus of the Moslem peasantry. The cultivation of
silk cocoons, formerly a flourishing industry, has greatly declined in
recent years, but efforts are now being made to revive it. There are
few manufactures. Soap is produced at fifteen factories in the
principal towns, and there are two distilleries of cognac at Candia.
_Commerce._--The expansion of Cretan commerce has been retarded by
many drawbacks, such as the unsatisfactory condition of the harbours,
the want of direct steamship lines to England and other countries, and
the deficiency of internal communications. The total value of imports
in the four years 1901-1904 was L1,756,888, of exports L1,386,777;
excess of imports over exports, L370,111. Exports in 1904 were valued
at L419,642, the principal items being agricultural products (oranges,
lemons, carobs, almonds, grapes, valonia, &c.), value L153,858, olives
and products of olives (oil, soap, &c.), L134,788, and wines and
liquors, L48,544. The countries which accept the largest share of
Cretan produce are Turkey, England, Egypt, Austria and Russia. Imports
in 1904 were valued at L549,665, including agricultural products
(mainly flour and corn), value L162,535, and textiles, L129,349.
Cereals are imported from the Black Sea and Danube ports, ready-made
clothing from Austria and Germany, articles of luxury from Austria and
France, and cotton textiles from England. Imports are charged 8%,
exports 1% _ad valorem_ duty. According to a law published in 1899,
Turkish merchandise became subjected to the same rates as that of
foreign nations.
_Constitution and Government._--During the past half-century the affairs
of Crete have repeatedly occupied the attention of Europe. Owing to the
existence of a strong Mussulman minority among its inhabitants, the
warlike character of the natives, and the mountainous configuration of
the country, which enabled a portion of the Christian population to
maintain itself in a state of partial independence, the island has
constantly been the scene of prolonged and sanguinary struggles in which
the numerical superiority of the Christians was counterbalanced by the
aid rendered to the Moslems by the Ottoman troops. This unhappy state of
affairs was aggravated and perpetuated by the intrigues set on foot at
Constantinople against successive governors of the island, the conflicts
between the Palace and the Porte, the duplicity of the Turkish
authorities, the dissensions of the representatives of the great powers,
the machinations of Greek agitators, the rivalry of Cretan politicians,
and prolonged financial mismanagement. A long series of
insurrections--those of 1821, 1833, 1841, 1858, 1866-1868, 1878, 1889
and 1896 may be especially mentioned--culminated in the general
rebellion of 1897, which led to the interference of Greece, the
intervention of the great powers, the expulsion of the Turkish
authorities, and the establishment of an autonomous Cretan government
under the suzerainty of the sultan. According to the autonomous
constitution of 1899 the supreme power was vested in Prince George of
Greece, acting as high commissioner of the protecting powers. The
authority thus conferred was confided exclusively to the prince, and was
declared liable to modification by law in the case of his successor. The
modified constitution of February 1907 curtailed the large exceptional
legislative and administrative powers then accorded. The high
commissioner is irresponsible, but his decrees, except in certain
specified cases, must be countersigned by a member of his council. He
convokes, prorogues and dissolves the chamber, sanctions laws, exercises
the right of pardon in case of political offences, represents the island
in its foreign relations and is chief of its military forces. The
chamber ([Greek: boule]), which is elected in the proportion of one
deputy to every 5000 inhabitants, meets annually for a session of two
months. New elections are held every two years. The chamber exercises a
complete financial control, and no taxes can be imposed without its
consent. The high commissioner is aided in the administration by a
cabinet of three members, styled "councillors" ([Greek: symbouloi]), who
superintend the departments of justice, finance, education, public
security and the interior. The councillors, who are nominated and
dismissed by the high commissioner, are responsible to the chamber,
which may impeach them before a special tribunal for any illegal act or
neglect of duty.
In general the Cretan constitution is characterized by a conservative
spirit, and contrasts with the ultra-democratic systems established in
Greece and the Balkan States. A further point of difference is the more
liberal payment of public functionaries in Crete. For administrative
purposes the departmental divisions existing under the Turkish
government have been retained. There are 5 _nomoi_ or prefectures
(formerly _sanjaks_) each under a prefect ([Greek: nomarchos]), and 23
eparchies (formerly _kazas_) each under a sub-prefect ([Greek:
eparchos]). All these functionaries are nominated by the high
commissioner. The prefects are assisted by departmental councils. The
system of municipal and communal government remains practically
unchanged. The island is divided into 86 communes, each with a mayor, an
assistant-mayor, and a communal council elected by the people. The
councils assess within certain limits the communal taxes, maintain
roads, bridges, &c., and generally superintend local affairs. Public
order is maintained by a force of gendarmerie ([Greek: chorophulake])
organized and at first commanded by Italian officers, who were replaced
by Greek officers in December 1906. The constitution authorizes the
formation of a militia ([Greek: politophulake]) to be enrolled by
conscription, but in existing circumstances the embodiment of this force
seems unnecessary.
_Justice._--The administration of justice is on the French model. A
supreme court of appeal, which also discharges the functions of a court
of cassation, sits at Canea. There are two assize courts at Canea and
Candia respectively with jurisdiction in regard to serious offences
([Greek: kakourgemata ]). Minor offences ([Greek: plemmelemata]) and
civil causes are tried by courts of first instance in each of the five
departments. There are 26 justices of peace, to whose decision are
referred slight contraventions of the law ([Greek: ptaismata]) and civil
causes in which the amount claimed is below 600 francs. These
functionaries also hold monthly sessions in the various communes. The
judges are chosen without regard to religious belief, and precautions
have been taken to render them independent of political parties. They
are appointed, promoted, transferred or removed by order of the council
of justice, a body composed of the five highest judicial dignitaries,
sitting at Canea. An order for the removal of a judge must be based upon
a conviction for some specified offence before a court of law. The jury
system has not been introduced. The Greek penal code has been adopted
with some modifications. The Ottoman civil code is maintained for the
present, but it is proposed to establish a code recently drawn up by
Greek jurists which is mainly based on Italian and Saxon law. The
Mussulman cadis retain their jurisdiction in regard to religious
affairs, marriage, divorce, the wardship of minors and inheritance.
_Religion and Education._--The vast majority of the Christian population
belongs to the Orthodox (Greek) Church, which is governed by a synod of
seven bishops under the presidency of the metropolitan of Candia. The
Cretan Church is not, strictly speaking, autocephalous, being dependent
on the patriarchate of Constantinople. There were in 1907 3500 Greek
churches in the island with 53 monasteries and 3 nunneries; 55 mosques,
4 Roman Catholic churches and 4 synagogues. Education is nominally
compulsory. In 1907 there were 547 primary schools (527 Christian and 20
Mahommedan), and 31 secondary schools (all Christian). About L20,000 is
granted annually by the state for the purposes of education.
_Finance._--Owing to the havoc wrought during repeated insurrections,
the impoverishment of the peasants, the desolation of the districts
formerly inhabited by the Moslem agricultural population, and the
drain of gold resulting from the sale of Moslem lands and emigration
of the former proprietors, together with other causes, the financial
situation has been unsatisfactory. Notwithstanding the advance of
L160,000 made by the four protecting powers after the institution of
autonomous government and the profits (L61,937) derived from the issue
of a new currency in 1900, there was at the beginning of 1906 an
accumulated deficit of L23,470, which represents the floating debt. In
addition to the above-mentioned debt to the powers, the state
contracted a loan of L60,000 in 1901 to acquire the rights and
privileges of the Ottoman Debt, to which the salt monopoly has been
conceded for 20 years. In the budgets for 1905 and 1906 considerable
economies were effected by the curtailment of salaries, the abolition
of various posts, and the reduction of the estimates for education and
public works. The estimated revenue and expenditure for 1906 were as
follows:--
Revenue. Expenditure.
Drachmae (gold). Drachmae (gold).
Direct taxes 1,494,000 High Commissioner 200,000
Indirect taxes 1,715,000 Financial
administration 694,670
Stamp dues 351,700 Interior (including
gendarmerie) 1,678,566
Other sources 780,967 Education and Justice 1,453,500
--------- ---------
4,341,667 4,026,736
--------- ---------
The salary of the high commissioner was reduced in 1907 to 100,000
drachmae.
Improved communications are much needed for the transport of
agricultural produce, but the state of the treasury does not admit of
more than a nominal expenditure on road-making and other public works.
On these the average yearly expenditure between 1898 and 1905 was
L13,404. The prosperity of the island depends on the development of
agriculture, the acquirement of industrious habits by the people, and
the abandonment of political agitation. The Cretans were in 1906 more
lightly taxed than any other people in Europe. The tithe had been
replaced by an export tax on exported agricultural produce levied at
the custom-houses, and the smaller peasant proprietors and shepherds
of the mountainous districts were practically exempt from any
contribution to the state. The communal tax did not exceed on the
average two francs annually for each family. The poorer communes are
aided by a state subvention. (J. D. B.)
_Archaeology._
Early, Middle and Late "Minoan" periods.
The recent exploration and excavation of early sites in Crete have
entirely revolutionized our knowledge of its remote past, and afforded
the most astonishing evidence of the existence of a highly advanced
civilization going far back behind the historic period. Great "Minoan"
palaces have been brought to light at Cnossus and Phaestus, together
with a minor but highly interesting royal abode at Hagia Triada near
Phaestus. "Minoan" towns, some of considerable extent, have been
discovered at Cnossus itself, at Gournia, Palaikastro, and at Zakro. The
cave sanctuary of the Dictaean Zeus has been explored, and throughout
the whole length and breadth of the island a mass of early materials has
now been collected. The comparative evidence afforded by the discovery
of Egyptian relics shows that the Great Age of the Cretan palaces covers
the close of the third and the first half of the second millennium
before our era. But the contents of early tombs and dwellings and
indications supplied by such objects as stone vases and seal-stones show
that the Cretans had already attained to a considerable degree of
culture, and had opened out communication with the Nile valley in the
time of the earliest Egyptian dynasties. This more primitive phase of
the indigenous culture, of which several distinct stages are traceable,
is known as the Early Minoan, and roughly corresponds with the first
half of the third millennium B.C. The succeeding period, to which the
first palaces are due and to which the name of Middle Minoan is
appropriately given, roughly coincides with the Middle Empire of Egypt.
An extraordinary perfection was at this time attained in many branches
of art, notably in the painted pottery, often with polychrome
decoration, of a class known as "Kamares" from its first discovery in a
cave of that name on Mount Ida. Imported specimens of this ware were
found by Flinders Petrie among XIIth Dynasty remains at Kahun. The
beginnings of a school of wall painting also go back to the Middle
Minoan period, and metal technique and such arts as gem engraving show
great advance. By the close of this period a manufactory of fine faience
was attached to the palace of Cnossus. The succeeding Late Minoan
period, best illustrated by the later palace at Cnossus and that at
Hagia Triada, corresponds in Egypt with the Hyksos period and the
earlier part of the New Empire. In the first phase of this the Minoan
civilization attains its acme, and the succeeding style already shows
much that may be described as rococo. The later phase, which follows on
the destruction of the Cnossian palace, and corresponds with the
diffused Mycenaean style of mainland Greece and elsewhere, is already
partly decadent. Late Minoan art in its finest aspect is best
illustrated by the animated ivory figures, wall paintings, and _gesso
duro_ reliefs at Cnossus, by the painted stucco designs at Hagia Triada,
and the steatite vases found on the same site with zones in reliefs
exhibiting life-like scenes of warriors, toreadors, gladiators,
wrestlers and pugilists, and of a festal throng perhaps representing a
kind of "harvest home." Of the more conventional side of Late Minoan
life a graphic illustration is supplied by the remains of miniature wall
paintings found in the palace of Cnossus, showing groups of court ladies
in curiously modern costumes, seated on the terraces and balustrades of
a sanctuary. A grand "palace style" of vase painting was at the same
time evolved, in harmony with the general decoration of the royal halls.
Minoan script.
It had been held till lately that the great civilization of prehistoric
Greece, as first revealed to us by Schliemann's discoveries at Mycenae,
was not possessed of the art of writing. In 1893, however, Arthur Evans
observed some signs on seal-stones from Crete which led him to believe
that a hieroglyphic system of writing had existed in Minoan times.
Explorations carried out by him in Crete from 1894 onwards, for the
purpose of investigating the prehistoric civilization of the island,
fully corroborated this belief, and showed that a linear as well as a
semi-pictorial form of writing was diffused in the island at a very
early period ("Cretan Pictographs and Prae-Phoenician Script," _Journ.
of Hellenic Studies_, xiv. pt. 11). In 1895 he obtained a libation-table
from the Dictaean cave with a linear dedication in the prehistoric
writing ("Further Discoveries," &c., _J.H.S._ xvii.). Finally in 1900
all scepticism in the learned world was set at rest by his discovery in
the palace of Cnossus of whole archives consisting of clay tablets
inscribed both in the pictographic (hieroglyphic) and linear forms of
the Minoan script (Evans, "Palace of Knossos," _Reports of Excavation,
1900-1905_; _Scripta Minoa_, vol. i., 1909). Supplementary finds of
inscribed tablets have since been found at Hagia Triada (F. Halbherr,
_Rapporto, &c., Monumenti antichi_, 1903) and elsewhere (Palaikastro,
Zakro and Gournia). It thus appears that a highly developed system of
writing existed in Minoan Crete some two thousand years earlier than the
first introduction under Phoenician influence of Greek letters. In this,
as in so many other respects, the old Cretan tradition receives striking
confirmation. According to the Cretan version preserved by Diodorus (v.
74), the Phoenicians did not invent letters but simply altered their
forms.
Earlier pictographic script.
There is evidence that the use in Crete of both linear and pictorial
signs existed in the Early Minoan period, contemporary with the first
Egyptian dynasties. It is, however, during the Middle Minoan age, the
centre point of which corresponds with the XIIth Egyptian dynasty,
according to the Sothic system of dating, c. 2000-1850 B.C., that a
systematized pictographic or hieroglyphic script makes its appearance
which is common both to signets and clay tablets. During the Third
Middle Minoan period, the lower limits of which approach 1600 B.C., this
pictographic script finally gives way to a still more developed linear
system--which is itself divided into an earlier and a later class. The
earlier class (A) is already found in the temple repositories of Cnossus
belonging to the age immediately preceding the great remodelling of the
palace, and this class is specially well represented in the tablets of
Hagia Triada (M.M. iii. and L.M. i.). The later class (B) of the linear
script is that used on the great bulk of the clay tablets of the
Cnossian palace, amounting in number to nearly 2000.
These clay archives are almost exclusively inventories and business
documents. Their general purport is shown in many cases by pictorial
figures relating to various objects which appear on them--such as
chariots and horses, ingots and metal vases, arms and implements, stores
of corn, &c., flocks and herds. Many showing human figures apparently
contain lists of personal names. A decimal system of numeration was
used, with numbers going up to 10,000. But the script itself is as yet
undeciphered, though it is clear that certain words have changing
suffixes, and that there were many compound words. The script also
recurs on walls in the shape of graffiti, and on vases, sometimes
ink-written; and from the number of seals originally attached to
perishable documents it is probable that parchment or some similar
material was also used. In the easternmost district of Crete, where the
aboriginal "Eteocretan" element survived to historic times (Praesus,
Palaikastro), later inscriptions have been discovered belonging to the
5th and succeeding centuries B.C., written in Greek letters but in the
indigenous language (Comparetti, _Mon. Ant._ iii. 451 sqq.; R. S.
Conway, _British School Annual_, viii. 125 sqq. and ib. xl.). In 1908 a
remarkable discovery was made by the Italian Mission at Phaestus of a
clay disk with imprinted hieroglyphic characters belonging to a
non-Cretan system and probably from W. Anatolia.
Character of Minoan religion.
The remains of several shrines within the building, and the religious
element perceptible in the frescoes, show that a considerable part of
the Palace of Cnossus was devoted to purposes of cult. It is clear that
the rulers, as so commonly in ancient states, fulfilled priestly as well
as royal functions. The evidence supplied by this and other Cretan sites
shows that the principal Minoan divinity was a kind of _Magna Mater_, a
Great Mother or nature goddess, with whom was associated a male
satellite. The cult in fact corresponds in its main outlines with the
early religious conceptions of Syria and a large part of Anatolia--a
correspondence probably explained by a considerable amount of ethnic
affinity existing between a large section of the primitive Cretan
population and that of southern Asia Minor. The Minoan goddess is
sometimes seen in her chthonic form with serpents, sometimes in a more
celestial aspect with doves, at times with lions. One part of her
religious being survives in that of the later Rhea, another in that of
Aphrodite, one of whose epithets, _Ariadne_ ( = the exceeding holy),
takes us back to the earliest Cnossian tradition. Under her native name,
Britomartis ( = the sweet maiden) or Dictynna, she approaches Artemis
and Leto, again associated with an infant god, and this Cretan virgin
goddess was worshipped in Aegina under the name of Aphaea. It is
noteworthy that whereas, in Greece proper, Zeus attains a supreme
position, the old superiority of the Mother Goddess is still visible in
the Cretan traditions of Rhea and Dictynna and the infant Zeus.
Although images of the divinities were certainly known, the principal
objects of cult in the Minoan age were of the aniconic class; in many
cases these were natural objects, such as rocks and mountain peaks, with
their cave sanctuaries, like those of Ida or of Dicte. Trees and
curiously shaped stones were also worshipped, and artificial pillars of
wood or stone. These latter, as in the well-known case of the Lion's
Gate at Mycenae, often appear with guardian animals as their supporters.
The essential feature of this cult is the bringing down of the celestial
spirit by proper incantations and ritual into these fetish objects, the
dove perched on a column sometimes indicating its descent. It is a
primitive cult similar to that of Early Canaan, illustrated by the
pillow stone set up by Jacob, which was literally "Bethel" or the "House
of God." The story of the _baetylus_, or stone swallowed by Saturn under
the belief that it was his son, the Cretan Zeus, seems to cover the same
idea and has been derived from the same Semitic word.
A special form of this "baetylic" cult in Minoan Crete was the
representation of the two principal divinities in their fetish form by
double axes. Shrines of the Double Axes have been found in the palace of
Cnossus itself, at Hagia Triada, and in a small palace at Gournia, and
many specimens of the sacred emblem occurred in the Cave Sanctuary of
Dicte, the mythical birthplace of the Cretan Zeus. Complete scenes of
worship in which libations are poured before the Sacred Axes are,
moreover, given on a fine painted sarcophagus found at Hagia Triada.
Labyrinth and Minotaur.
The same cult survived to later times in Caria in the case of Zeus
Labrandeus, whose name is derived from _labrys_, the native name for the
double axe, and it had already been suggested on philological grounds
that the Cretan "labyrinthos" was formed from a kindred form of the same
word. The discovery that the great Minoan foundation at Cnossus was at
once a palace and a sanctuary of the Double Axe and its associated
divinities has now supplied a striking and it may well be thought an
overwhelming confirmation of this view. We can hardly any longer
hesitate to recognize in this vast building, with its winding corridors
and subterranean ducts, the Labyrinth of later tradition; and as a
matter of fact a maze pattern recalling the conventional representation
of the Labyrinth in Greek art actually formed the decoration of one of
the corridors of the palace. It is difficult, moreover, not to connect
the repeated wall-paintings and reliefs of the palace illustrating the
cruel bull sports of the Minoan arena, in which girls as well as youths
took part, with the legend of the Minotaur, or bull of Minos, for whose
grisly meals Athens was forced to pay annual tribute of her sons and
daughters. It appears certain from the associations in which they are
found at Cnossus, that these Minoan bull sports formed part of a
religious ceremony. Actual figures of a monster with a bull's head and
man's body occurred on seals of Minoan fabric found on this and other
Cretan sites.
Historic substratum of Cretan myths.
It is abundantly evident that whatever mythic element may have been
interwoven with the old traditions of the spot, they have a solid
substratum of reality. With such remains before us it is no longer
sufficient to relegate Minos to the regions of sun-myths. His legendary
presentation as the "Friend of God," like Abraham, to whom as to Moses
the law was revealed on the holy mountain, calls up indeed just such a
priest-king of antiquity as the palace-sanctuary of Cnossus itself
presupposes. It seems possible even that the ancient tradition which
recorded an earlier or later king of the name of Minos may, as suggested
above, cover a dynastic title. The earlier and later palaces at Cnossus
and Phaestus, and the interrupted phases of each, seem to point to a
succession of dynasties, to which, as to its civilization as a whole, it
is certainly convenient to apply the name "Minoan." It is interesting,
as bringing out the personal element in the traditional royal seat, that
an inscribed sealing belonging to the earliest period of the later
palace of Cnossus bears on it the impression of two official signets
with portrait heads of a man and of a boy, recalling the "associations"
on the coinage of imperial Rome. It is clear that the later traditions
in many respects accurately summed up the performances of the "Minoan"
dynast who carried out the great buildings now brought to light. The
palace, with its wonderful works of art, executed for Minos by the
craftsman Daedalus, has ceased to belong to the realms of fancy. The
extraordinary architectural skill, the sanitary and hydraulic science
revealed in details of the building, bring us at the same time face to
face with the power of mechanical invention with which Daedalus was
credited. The elaborate method and bureaucratic control visible in the
clay documents of the palace point to a highly developed legal
organization. The powerful fleet and maritime empire which Minos was
said to have established will no doubt receive fuller illustration when
the sea-town of Cnossus comes to be explored. The appearance of ships on
some of the most important seal-impressions is not needed, however, to
show how widely Minoan influence made itself felt in the neighbouring
Mediterranean regions.
Early relations with Egypt.
The Kefts and Philistines.
Early relations with Cyprus and N. Aegean.
The Nilotic influence visible in the vases, seals and other fabrics of
the Early Minoan age, seems to imply a maritime activity on the part of
the islanders going back to the days of the first Egyptian dynasties. In
a deposit at Kahun, belonging to the XIIth Dynasty, c. 2000 B.C., were
already found imported polychrome vases of "Middle Minoan" fabric. In
the same way the important part played by Cretan enterprise in the days
of the New Egyptian empire is illustrated by repeated finds of Late
Minoan pottery on Egyptian sites. A series of monuments, moreover,
belonging to the early part of the XVIIIth Dynasty show the
representatives of the Kefts or peoples of "The Ring" and of the "Lands
to the West" in the fashionable costume of the Cnossian court, bearing
precious vessels and other objects of typical Minoan forms. Farther to
the east the recent excavations on the old Philistine sites like Gezer
have brought to light swords and vases of Cretan manufacture in the
later palace style. The principal Philistine tribe is indeed known in
the biblical records as the Cherethims or Cretans, and the Minoan name
and the cult of the Cretan Zeus were preserved at Gaza to the latest
classical days. Similar evidence of Minoan contact, and indeed of
wholesale colonization from the Aegean side, recurs in Cyprus. The
culture of the more northerly Aegean islands, best revealed to us by the
excavations of the British School at Phylakopi in Melos, also attest a
growing influence from the Cretan side, which, about the time of the
later palace at Cnossus, becomes finally predominant.
Minoan influence on mainland of Greece.
Turning to the mainland of Greece we see that the astonishing remains of
a highly developed prehistoric civilization, which Schliemann first
brought to light in 1876 at Mycenae, and which from those discoveries
received the general name of "Mycenaean," in the main represent a
transmarine offshoot from the Minoan stock. The earlier remains both at
Mycenae and Tiryns, still imperfectly investigated, show that this
Cretan influence goes back to the Middle Minoan age, with its
characteristic style of polychrome vase decoration. The contents of the
royal tombs, on the other hand, reveal a wholesale correspondence with
the fabrics of the first, and, to a less degree, the second Late Minoan
age, as illustrated by the relics belonging to the Middle Period of the
later palace at Cnossus and by those of the royal villa at Hagia Triada.
The chronological centre of the great beehive tombs seems to be slightly
lower. The ceiling of that of Orchomenos, and the painted vases and gold
cups from the Vaphio tomb by Sparta, with their marvellous reliefs
showing scenes of bull-hunting, represent the late palace style at
Cnossus in its final development.
The leading characteristics of this mainland civilization are thus
indistinguishable from the Minoan. The funeral rites are similar, and
the religious representations show an identical form of worship. At the
same time the local traditions and conditions differentiate the
continental from the insular branch. In Crete, in the later period, when
the rulers could trust to the "wooden walls" of the Minoan navy, there
is no parallel for the massive fortifications that we see at Tiryns or
Mycenae. The colder winter climate of mainland Greece dictated the use
of fixed hearths, whereas in the Cretan palaces these seem to have been
of a portable kind, and the different usage in this respect again
reacted on the respective forms of the principal hall or "Megaron."
Minoan influences in N. Greece.
Minoan culture under its mainland aspect left its traces on the
Acropolis at Athens,--a corroboration of the tradition which made the
Athenians send their tribute children to Minos. Similar traces extend
through a large part of northern Greece from Cephallenia and Leucadia to
Thessaly, and are specially well marked at Iolcus (near mod. Volo), the
legendary embarking place of the Argonauts. This circumstance deserves
attention owing to the special connexion traditionally existing between
the Minyans of Iolcus and those of Orchomenus, the point of all others
on this side where the early Cretan influence seems most to have taken
root. The Minoan remains at Orchomenus which are traceable to the latest
period go far to substantiate the philological comparison between the
name of Minyas, the traditional ancestor of this ancient race, and that
of Minos.
Adriatic and Italian extension.
Still farther to the north-west a distinct Minoan influence is
perceptible in the old Illyrian lands east of the Adriatic, and its
traces reappear in the neighbourhood of Venice. It is well marked
throughout southern Italy from Taranto to Naples. It was with Sicily,
however, that the later history of Minos and his great craftsman
Daedalus was in a special way connected by ancient tradition. Here, as
in Crete, Daedalus executed great works like the temple of Eryx, and it
was on Sicilian soil that Minos, engaged in a western campaign, was said
to have met with a violent death at the hands of the native king Kokalos
(Cocalus) and his daughters. His name is preserved in the Sicilian
Minoa, and his tomb was pointed out in the neighbourhood of Agrigentum,
with a shrine above dedicated to his native Aphrodite, the lady of the
dove; and in this connexion it must be observed that the cult of Eryx
perpetuates to much later times the characteristic features of the
worship of the Cretan Nature goddess, as now revealed to us in the
palace of Cnossus and elsewhere. These ancient indications of a Minoan
connexion with Sicily have now received interesting confirmation in the
numerous discoveries, principally due to the recent excavations of P.
Orsi, of arms and painted vases of Late Minoan fabric in Bronze Age
tombs of the provinces of Syracuse and Girgenti (Agrigentum) belonging
to the late Bronze Age. Some of these objects, such as certain forms of
swords and vases, seem to be of local fabric, but derived from originals
going back to the beginning of the Late Minoan age.
Minoan crisis: c. 1400 B.C.
The abiding tradition of the Cretan aborigines, as preserved by
Herodotus (vii. 171), ascribes the eventual settlement of the Greeks in
Crete to a widespread desolation that had fallen on the central regions.
It is certain that by the beginning of the 14th century B.C., when the
signs of already decadent Minoan art are perceptible in the imported
pottery found in the palace of Akhenaton at Tell el-Amarna, some heavy
blows had fallen on the island power. Shortly before this date the
palaces both of Cnossus and Phaestus had undergone a great destruction,
and though during the ensuing period both these royal residences were
partially reoccupied it was for the most part at any rate by poorer
denizens, and their great days as palaces were over for ever. Elsewhere
at Cnossus, in the smaller palace to the west, the royal villa and the
town houses, we find the evidence of a similar catastrophe followed by
an imperfect recovery, and the phenomenon meets us again at Palaikastro
and other early settlements in the east of Crete. At the same time, to
whatever cause this serious setback of Minoan civilization was owing, it
would be very unsafe to infer as yet any large displacement of the
original inhabitants by the invading swarms from the mainland or
elsewhere. The evidence of a partial restoration of the domestic quarter
of the palace of Cnossus tends to show a certain measure of dynastic
continuity. There is evidence, moreover, that the script and with it the
indigenous language did not die out during this period, and that
therefore the days of Hellenic settlement at Cnossus were not yet. The
recent exploration of a cemetery belonging to the close of the great
palace period, and in a greater degree to the age succeeding the
catastrophe, has now conclusively shown that there was no real break in
the continuity of Minoan culture. This third Late Minoan period--the
beginning of which may be fixed about 1400--is an age of stagnation and
decline, but the point of departure continued to be the models supplied
by the age that had preceded it. Art was still by no means extinct, and
its forms and decorative elements are simply later derivatives of the
great palace style. Not only the native form of writing, but the
household arrangements, sepulchral usages, and religious rites remain
substantially the same. The third Late Minoan age corresponds generally
with the Late Mycenaean stage in the Aegean world (see AEGEAN
CIVILIZATION). It is an age indeed in which the culture as a whole,
though following a lower level, attains the greatest amount of
uniformity. From Sicily and even the Spanish coast to the Troad,
southern Asia Minor, Cyprus and Palestine,--from the Nile valley to the
mouth of the Po, very similar forms were now diffused. Here and there,
as in Cyprus, we watch the development of some local schools. How far
Crete itself continued to preserve the hegemony which may reasonably be
ascribed to it at an earlier age must remain doubtful. It is certain
that towards the close of this third and concluding Late Minoan period
in the island certain mainland types of swords and safety-pins make
their appearance, which are symptomatic of the great invasion from that
side that was now impending or had already begun.
_Principal Minoan Sites._
It will be convenient here to give a general view of the more important
Minoan remains recently excavated on various Cretan sites.
_Cnossus._--The palace of Cnossus is on the hill of Kephala about 4 m.
inland from Candia. As a scene of human settlement this site is of
immense antiquity. The successive "Minoan" strata, which go well back
into the fourth millennium B.C., reach down to a depth of about 17 ft.
But below this again is a human deposit, from 20 to 26 ft. in
thickness, representing a long and gradual course of Neolithic or
Later Stone-Age development. Assuming that the lower strata were
formed at approximately the same rate as the upper, we have an
antiquity of from 12,000 to 14,000 years indicated for the first
Neolithic settlement on this spot. The hill itself, like a Tell of
Babylonia, is mainly formed of the debris of human settlements. The
palace was approached from the west by a paved Minoan Way
communicating with a considerable building on the opposite hill. This
road was flanked by magazines, some belonging to the royal armoury,
and abutted on a paved area with stepped seats on two sides (theatral
area). The palace itself approximately formed a square with a large
paved court in the centre. It had a N.S. orientation. The principal
entrance was to the north, but what appears to have been the royal
entrance opened on a paved court on the west side. This entrance
communicated with a corridor showing frescoes of a processional
character. The west side of the palace contained a series of 18
magazines with great store jars and cists and large hoards of clay
documents. A remarkable feature of this quarter is a small council
chamber with a gypsum throne of curiously Gothic aspect and lower
stone benches round. The walls of the throne room show frescoes with
sacred griffins confronting each other in a Nile landscape, and a
small bath chamber--perhaps of ritual use--is attached. This quarter
of the palace shows the double axe sign constantly repeated on its
walls and pillars, and remains of miniature wall-paintings showing
pillar shrines, in some cases with double axes stuck into the wooden
columns. Here too were found the repositories of an early shrine
containing exquisite faience figures and reliefs, including a snake
goddess--another aspect of the native divinity--and her votaries. The
central object of cult in this shrine was apparently a marble cross.
Near the north-west angle of the palace was a larger bath chamber, and
by the N. entrance were remains of great reliefs of bull-hunting
scenes in painted _gesso duro_. South of the central court were found
parts of a relief in the same material, showing a personage with a
fleur-de-lis crown and collar. The east wing of the palace was the
really residential part. Here was what seems to have been the basement
of a very large hall or "Megaron," approached directly from the
central court, and near this were found further reliefs, fresco
representations of scenes of the bull-ring with female as well as male
toreadors, and remains of a magnificent gaming-board of gold-plated
ivory with intarsia work of crystal plaques set on silver plates and
blue enamel (_cyanus_). The true domestic quarter lay to the south of
the great hall, and was approached from the central court by a
descending staircase, of which three flights and traces of a fourth
are preserved. This gives access to a whole series of halls and
private rooms (halls "of the Colonnades," "of the Double Axes,"
"Queen's Megaron" with bath-room attached and remains of the fish
fresco, "Treasury" with ivory figures and other objects of art),
together with extensive remains of an upper storey. The drainage
system here, including a water-closet, is of the most complete and
modern kind. Near this domestic quarter was found a small shrine of
the Double Axes, with cult objects and offertory vessels in their
places. The traces of an earlier "Middle Minoan" palace beneath the
later floor-levels are most visible on the east side, with splendid
ceramic remains. Here also are early magazines with huge store jars.
At the foot of the slope on this side, forming the eastern boundary of
the palace, are massive supporting walls and a bastion with descending
flights of steps, and a water-channel devised with extraordinary
hydraulic science (Evans, "Palace of Knossos," "Reports of Excavations
1900-1905," in _Annual of British School at Athens_, vi. sqq.; _Journ.
R.I.B.A._ (1902), pt. iv. For the palace pottery see D. Mackenzie,
_Journ. of Hellenic Studies_, xxiii.). The palace site occupies nearly
six acres. To the N.E. of it came to light a "royal villa" with
staircase, and a basilica-like hall (Evans, _B.S. Annual_, ix. 130
seq.). To the N.W. was a dependency containing an important hoard of
bronze vessels (ib. p. 112 sqq.). The building on the hill to the W.
approached by the Minoan paved way has the appearance of a smaller
palace (_B.S. Annual_, xii., 1906). Many remains of private houses
belonging to the prehistoric town have also come to light (Hogarth,
_B.S.A._ vi. [1900], p. 70 sqq.). A little N. of the town, at a spot
called Zafer Papoura, an extensive Late Minoan cemetery was excavated
in 1904 (Evans, _The Prehistoric Tombs of Knossus_, 1906), and on a
height about 2 m. N. of this, a royal tomb consisting of a square
chamber, which originally had a pointed vault of "Cyclopaean"
structure approached by a forehall or rock-cut passage. This
monumental work seems to date from the close of the Middle Minoan age,
but has been re-used for interments at successive periods (Evans,
_Archaeologia_, 1906, p. 136 sqq.). It is possibly the traditional
tomb of Idomeneus. (For later discoveries see further CNOSSUS.)
_Phaestus._--The acropolis of this historic city looks on the Libyan
Sea and commands the extensive plain of Messara. On the eastern hill
of the acropolis, excavations initiated by F. Halbherr on behalf of
the Italian Archaeological Mission and subsequently carried out by L.
Pernier have brought to light another Minoan palace, much resembling
on a somewhat smaller scale that of Cnossus. The plan here too was
roughly quadrangular with a central court, but owing to the erosion of
the hillside a good deal of the eastern quarter has disappeared. The
Phaestian palace belongs to two distinct periods, and the earlier or
"Middle Minoan" part is better preserved than at Cnossus. The west
court and entrance belonging to the earlier building show many
analogies with those of Cnossus, and the court was commanded to the
north by tiers of stone benches like those of the "theatral area" at
Cnossus on a larger scale. Magazines with fine painted store jars came
to light beneath the floor of the later "propylaeum." The most
imposing block of the later building is formed by a group of
structures rising from the terrace formed by the old west wall. A fine
paved corridor running east from this gives access to a line of the
later magazines, and through a columnar hall to the central court
beyond, while to the left of this a broad and stately flight of steps
leads up to a kind of entrance hall on an upper terrace. North of the
central court is a domestic quarter presenting analogies with that of
Cnossus, but throughout the later building there was a great dearth of
the frescoes and other remains such as invest the Cnossian palace with
so much interest. There are also few remaining traces here of upper
storeys. It is evident that in this case also the palace was overtaken
by a great catastrophe, followed by a partial reoccupation towards the
close of the Late Minoan age (L. Pernier, _Scavi della missione
italiana a Phaestos; Monumenti antichi_, xii. and xiv.).
About a kilometre distant from the palace of Phaestus near the village
of Kalyvia a Late Minoan cemetery was brought to light in 1901,
belonging to the same period as that of Cnossus (Savignoni, _Necropoli
di Phaestos_, 1905).
_Hagia Triada._--On a low hill crowned by a small church of the above
name, about 3 m. nearer the Libyan Sea than Phaestus, a small palace
or royal villa was discovered by Halbherr and excavated by the Italian
Mission. In its structure and general arrangements it bears a general
resemblance to the palace of Phaestus and Cnossus on a smaller scale.
The buildings themselves, with the usual halls, bath-rooms and
magazines, together with a shrine of the Mother Goddess, occupy two
sides of a rectangle, enclosing a court at a higher level approached
by flights of stairs. Repositories also came to light containing
treasure in the shape of bronze ingots. In contrast to the palace of
Phaestus, the contents of the royal villa proved exceptionally rich,
and derive a special interest from the fact that the catastrophe which
overwhelmed the building belongs to a somewhat earlier part of the
Late Minoan age than that which overwhelmed Cnossus and Phaestus. Clay
tablets were here found belonging to the earlier type of the linear
script (Class A), together with a great number of clay sealings with
religious and other devices and incised countermarks. Both the signet
types and the other objects of art here discovered display the fresh
naturalism that characterizes in a special way the first Late Minoan
period. A remarkable wall-painting depicts a cat creeping over
ivy-covered rocks and about to spring on a pheasant. The steatite
vases with reliefs are of great importance. One of these shows a
ritual procession, apparently of reapers singing and dancing to the
sound of a sistrum. On another a Minoan warrior prince appears before
his retainers. A tall funnel-shaped vase of this class, of which a
considerable part has been preserved, is divided into zones showing
bull-hunting scenes, wrestlers and pugilists in gladiatorial costume,
the whole executed in a most masterly manner. The small palace was
reconstructed at a later period, and at a somewhat higher level. To a
period contemporary with the concluding age of the Cnossian palace
must be referred a remarkable sarcophagus belonging to a neighbouring
cemetery. The chest is of limestone coated with stucco, adorned with
life-like paintings of offertory scenes in connexion with the sacred
Double Axes of Minoan cult. There have also come to light remains of a
great domed mortuary chamber of primitive construction containing
relics of the Early Minoan period (Halbherr, _Monumenti Antichi_,
xiii. (1903), p. 6 sqq., and _Memorie del instituto lombardo_, 1905;
Paribeni, _Lavori eseguiti della missione italiana nel Palazzo e nella
necropoli di Haghia Triada; Rendiconti_, &c., xi. and xii.; Savignoni,
_Il Vaso di Haghia Triada_).
_Palaikastro._--Near this village, lying on the easternmost coast of
Crete, the British School at Athens has excavated a section of a
considerable Minoan town. The buildings here show a stratification
analogous to that of the palace of Cnossus. The town was traversed by
a well-paved street with a stone sewer, and contained several
important private houses and a larger one which seems to have been a
small palace. Among the more interesting relics found were ivory
figures of Egyptian or strongly Egyptianizing fabric. On an adjacent
hill were the remains of what seems to have been in later times a
temple of the Dictaean Zeus, and from the occurrence of rich deposits
of Minoan vases and sacrificial remains at a lower level, the
religious tradition represented by the later temple seems to go back
to prehistoric times. On the neighbouring height of Petsofa, by a
rock-shelter, remains of another interesting shrine were brought to
light dating from the Middle Minoan period, and containing interesting
votive offerings of terra-cotta, many of them apparently relating to
cures or to the warding off of diseases (R. C. Bosanquet, _British
School Annual_, viii. 286 sqq., ix. 274 sqq.; R. M. Dawkins, ibid. ix.
290 sqq., x.; J. L. Myres, ibid. ix. 356 sqq.).