Near the end of the letter came this:--

"You remember the chapter of 'The Golden Gondola' that I wrote for the

_People's Pageant_ just before I had the honour to lead to the altar,

&c. I mean the one that ends in the subterranean passage, with

Geraldine's hair down, and her last hope gone, and the three villains

stealing upon her with Venetian subtlety in their hearts and Toledo

daggers (specially imported) in their garters? I didn't care much for it

myself, you remember. I think I must have been thinking of other things

when I wrote it. But you, I recollect, consoled me by refusing to regard

it as other than 'ripping.' 'Clinking' was, as I recall it, Oswald's

consolatory epithet. You'll weep with me, I feel confident, when you

hear that my Editor does not share your sentiments. He writes me that it

is not up to my usual form. He fears that the public, &c., and he trusts

that in the next chapter, &c. Let us hope that the public will, in this

matter, take your views, and not his. Oh! for a really discerning

public, just like you--you amiable critics! Albert's new aunt is

leaning over my shoulder. I can't break her of the distracting habit.

How on earth am I ever to write another line? Greetings to all from

"ALBERT'S UNCLE AND AUNT.

"PS.--She insists on having her name put to this, but of course she

didn't write it. I am trying to teach her to spell."

"PSS.--Italian spelling, of course."

"And now," cried Oswald, "I see it all!"

The others didn't. They often don't when Oswald does.

"Why, don't you see!" he patiently explained, for he knows that it is

vain to be angry with people because they are not so clever as--as other

people. "It's the direct aspiration of Fate. He wants it, does he? Well,

he shall have it!"

"What?" said everybody.

"We'll be it."

"_What?_" was the not very polite remark now repeated by all.

"Why, his discerning public."

And still they all remained quite blind to what was so clear to Oswald,

the astute and discernful.

"It will be much more useful than killing dragons," Oswald went on,

"especially as there aren't any; and it will be a really truly wedding

present--just what we were wishing we'd given him."

The five others now fell on Oswald and rolled him under the table and

sat on his head so that he had to speak loudly and plainly.

[Illustration: THE FIVE OTHERS]

"All right! I'll tell you--in words of one syllable if you like. Let go,

I say!" And when he had rolled out with the others and the tablecloth

that caught on H.O.'s boots and the books and Dora's workbox, and the

glass of paint-water that came down with it, he said--

"We will _be_ the public. We will all write to the editor of the

_People's Pageant_ and tell him what we think about the Geraldine

chapter. Do mop up that water, Dora; it's running all under where I'm

sitting."

"Don't you think," said Dora, devoting her handkerchief and Alice's in

the obedient way she does not always use, "that six letters, all signed

'Bastable,' and all coming from the same house, would be

rather--rather----"

"A bit too thick? Yes," said Alice; "but of course we'd have all

different names and addresses."

"We might as well do it thoroughly," said Dicky, "and send three or four

different letters each."

"And have them posted in different parts of London. Right oh!" remarked

Oswald.

"_I_ shall write a piece of poetry for mine," said Noel.

"They ought all to be on different kinds of paper," said Oswald. "Let's

go out and get the paper directly after tea."

We did, but we could only get fifteen different kinds of paper and

envelopes, though we went to every shop in the village.

At the first shop, when we said, "Please we want a penn'orth of paper

and envelopes of each of all the different kinds you keep," the lady of

the shop looked at us thinly over blue-rimmed spectacles and said, "What

for?"

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