CHAPTER XIV

GOING BY COACH: BOOKING OFFICES

Journeys by coach were entered upon by our grandfathers with much

deliberation. It was not then a matter of suddenly making up one’s

mind to go somewhere, and going accordingly, with only a few minutes’

preparation. The first step was to book one’s seat, a formality then

absolutely necessary, and in most cases some days before the journey

was proposed to be taken. Only by doing so could one be sure of finding

a place. The nearest modern parallel to this custom is the booking

of passages on ocean steamers; and a relic of it may be observed

every day at every railway station where the name of “Booking Office”

instead of Ticket Office is a survival--like that of the official

railway designation of carriages and passenger returns as “coaches” and

“coaching traffic”--of customs gone, never to return.

The passengers by coach were actually, as the term implies, “booked.”

The booking clerk did not merely give one a ticket in exchange for the

fare. He entered the passenger’s name and all necessary particulars

in a huge ledger, and in this identical manner the first railway

passengers secured their places, until the mere work of entering these

details became too great.

The booking-clerks in coach-offices had their responsibilities, and

were kept up to the highest mark of efficiency by the knowledge that if

they fell into such an error as overbooking a coach on any particular

journey, not only would the proprietors be bound in law to by some

means convey those passengers for whom there was no room, but that the

extra cost of so doing would infallibly be deducted from their wages.

The loss in such cases would inevitably be heavy, but dependent upon

the length of the journey. Mistakes of this kind generally meant that

the extra passengers were conveyed by post-chaise, at anything from

ninepence to a shilling a mile; and it was the difference between these

rates and the coach-fares of from twopence to fivepence a mile that

the clerks had to make good, unless the overbooked passengers were

sufficiently good-natured to wait for another coach.

The usual practice on securing a place was to pay a

proportion--generally one-half of the fare--down, and the other half

on taking one’s seat, as noted in the contemporary doggerel, which

declared:--

When to York per mail you start,

Four-caped, like other men,

To the book-keeper so smart

You pay three pounds, in part:

Two pounds ten before you start:

Sum total, five-pound-ten.

If you did not put in an appearance, the deposit was, of course,

forfeited.

Dickens, who as a reporter in his early years was very intimately

acquainted with coach travelling and all the manners and customs

connected with it, has left a very picturesque description of a coach

booking-office and its occupants. The first impression received by

the prospective traveller was of his own unimportance. One entered a

mouldy-looking room, ornamented with large posting-bills, the greater

part of the place enclosed behind a huge lumbering rough counter, and

fitted up with recesses like the dens of the smaller animals in a

travelling menagerie, without the bars. At these booking-offices, in

fact, one booked parcels as well as passengers, and into these recesses

the parcels were flung, with an air of recklessness at which the

passenger who might have chanced to buy a new carpet-bag that morning

would feel considerably annoyed.

The booking-office to which Dickens here refers was at the “Golden

Cross,” Charing Cross; but booking-offices were all very much alike,

and were exceedingly dreary and uncomfortable places, resembling modern

offices for the reception of parcels:--

“Porters, like so many Atlases, keep rushing in and out, with large

packages on their shoulders; and while you are waiting to make the

necessary inquiries, you wonder what on earth the booking-office clerks

can have been before they were booking-office clerks; one of them,

with his pen behind his ear, and his hands behind him, is standing

in front of the fire like a full-length portrait of Napoleon; the

other, with his hat half off his head, enters the passengers’ names in

the books with a coolness which is inexpressibly provoking; and the

villain whistles--actually whistles--while a man asks him what the

fare is outside--all the way to Holyhead!--in frosty weather too! They

are clearly an isolated race, evidently possessing no sympathies or

feelings in common with the rest of mankind. Your turn comes at last,

and, having paid the fare, you tremblingly inquire--‘What time will it

be necessary for me to be here in the morning?’ ‘Six o’clock,’ replies

the whistler, carelessly pitching the sovereign you have just parted

with into a wooden bowl on the desk. ‘Rather before than arter,’ adds

the man with the semi-roasted unmentionables, with just as much ease

and complacency as if the whole world got out of bed at five. You turn

into the street, ruminating, as you bend your steps homewards, on the

extent to which men become hardened in cruelty by custom.”

The long-distance coaches--divided into the “day” and “night”

varieties--started very early in the morning, or late in the afternoon.

The midday aspect of such yards as Sherman’s “Bull and Mouth,”

Chaplin’s “Swan with Two Necks,” the “Belle Sauvage,” the “Cross Keys,”

the “Golden Cross,” and others was one of repose, but from unearthly

hours in the forenoon until nine or ten, or from three o’clock in

the afternoon until nine at night, they were the scenes of bustling

activity. Any reference to old coaching time-bills will show that the

majority of the day stage-coaches to places distant a hundred miles or

more from London started about 6 a.m. Thus in 1824, among the coaches

from London to Birmingham, eight are found timed from London between

five and a quarter to eight in the morning; leaving the rest of the day

blank until 3 p.m., when the earliest of the night coaches set out. The

“Sovereign” went in 1824 from the “Bull,” Whitechapel, at 5 a.m. Half

an hour later went the “Crown Prince” from the “Belle Sauvage,” and the

“Aurora,” from the “Bull and Mouth”; followed by the “Courier,” from

the “Swan with Two Necks,” and the “Light Coach” from the “Cross Keys”

and “Golden Cross” at 6. At 6.30 went the “Oxonian Express” from the

“Bull and Mouth”; the “Independent Tally-Ho,” from the “Golden Cross,”

while “Mountain’s Tally-Ho,” from the “Saracen’s Head,” Snow Hill,

left at 7.45. In the same year the three early coaches for Bath left

London at 5, 5.45, and 6.15 a.m. These hours, which we should nowadays

regard as extravagantly early, were necessary if those coaches were to

properly serve the roads they travelled, for even a fast coach, doing

its 9 or 9½ miles an hour, including stoppages, would not reach Bath or

Birmingham before the day had nearly closed.

These unseasonable hours meant, of course, very early rising indeed

for would-be passengers, and not even that hardy generation endured the

infliction without a very great deal of grumbling. But there was no

remedy. It was only a choice of ills, whether you had to be called at

a little after three o’clock on perhaps a winter’s morning for a day’s

journey, or whether you elected to wait until the afternoon, and so,

travelling through the night, were deposited at your journey’s end on

the pavements of Bath or Birmingham, or some other strange place, at

the inhospitable hours between midnight and six a.m.; in which latter

case you would be in that extremely unpleasant position of wanting to

go to bed when the rest of the world was considering the expediency of

getting out of it.

Some, difficult to arouse in the early morn, adopted the heroic

expedient of sitting up all night. Others, like Leigh Hunt and James

Payn, taught by long experience, engaged a bedroom overnight at the inn

whence the coach started, so that they might be on the spot and lie two

hours longer. Even then, as Payn confessed, he often slept too long,

and so, without breakfast, often carrying his boots in his hand, and

in other ways not completely dressed, would dash into the coach at the

very moment of its moving away.

“We have often wondered,” wrote Dickens, “how many months’ incessant

travelling in a post-chaise it would take to kill a man; and, wondering

by analogy, we should very much like to know how many months of

constant travelling in a succession of early coaches an unfortunate

mortal could endure. Breaking a man alive upon the wheel would be

nothing to breaking his rest, his peace, his heart--everything but

his fast--upon four; and the punishment of Ixion (the only practical

person, by-the-by, who has discovered the secret of the perpetual

motion) would sink into utter insignificance before the one we have

suggested. If we had been a powerful churchman in those good times when

blood was shed as freely as water, and men were mowed down like grass

in the sacred cause of religion, we would have lain by very quietly

till we got hold of some especially obstinate miscreant, who positively

refused to be converted to our faith, and then we would have booked him

for an inside place in a small coach, which travelled day and night;

and, securing the remainder of the places for stout men with a slight

tendency to coughing and spitting, we would have started him forth on

his last travels--leaving him mercilessly to all the tortures which the

waiters, landlords, coachmen, guards, boots, chambermaids, and other

familiars on his line of road might think proper to inflict.

“If,” he continued, “there be one thing in existence more miserable

than another, it most unquestionably is the being compelled to rise

by candle-light. If you ever doubted the fact, you are painfully

convinced of your error on the morning of your departure. You left

strict orders overnight to be called at half-past four, and you have

done nothing all night but doze for five minutes at a time, and start

up suddenly from a terrific dream of a large church clock with the

small hand running round, with astonishing rapidity, to every figure on

the dial-plate. At last, completely exhausted, you fall gradually into

a refreshing sleep--your thoughts grow confused--the stage-coaches,

which have been ‘going off’ before your eyes all night, become less

and less distinct, until they go off altogether; one moment you are

driving with all the skill and smartness of an experienced whip--the

next you are exhibiting _à la_ Ducrow on the off leader; anon you are

closely muffled up, inside, and have just recognised in the person of

the guard an old school-fellow whose funeral, even in your dream, you

remember to have attended eighteen years ago. At last you fall into a

state of complete oblivion, from which you are aroused, as if into a

new state of existence, by a singular illusion. You are apprenticed

to a trunk-maker; how, or why, or when, or wherefore, you don’t take

the trouble to inquire; but there you are, pasting the lining in the

lid of a portmanteau. Confound that other apprentice in the back-shop,

how he is hammering!--rap, rap, rap--what an industrious fellow he

must be! you have heard him at work for half an hour past, and he has

been hammering incessantly the whole time. Rap, rap, rap, again--he’s

talking now--what’s that he said? Five o’clock! You make a violent

exertion, and start up in bed. The vision is at once dispelled; the

trunk-maker’s shop is your own bedroom, and the other apprentice your

shivering servant, who has been vainly endeavouring to wake you for the

last quarter of an hour, at the imminent risk of breaking either his

own knuckles or the panels of the door.

“You proceed to dress yourself with all possible despatch. The flaring

flat candle with the long snuff gives light enough to show that the

things you want are not where they ought to be, and you undergo a

trifling delay in consequence of having carefully packed up one of your

boots in your over-anxiety of the preceding night. You soon complete

your toilet, however, for you are not particular on such an occasion,

and you shaved yesterday evening; so, mounting your Petersham greatcoat

and green travelling shawl, and grasping your carpet bag in your right

hand, you walk lightly downstairs, lest you should awaken any of the

family, and after pausing in the common sitting-room for one moment,

just to have a cup of coffee (the said common sitting-room looking

remarkably comfortable, with everything out of its place, and strewed

with the crumbs of last night’s supper), you undo the chain and bolts

of the street-door, and find yourself fairly in the street.

“A thaw, by all that is miserable! The frost is completely broken up.

You look down the long perspective of Oxford Street, the gas-lights

mournfully reflected on the wet pavement, and can discern no speck in

the road to encourage the belief that there is a cab or a coach to be

had--the very coachmen have gone home in despair. The cold sleet is

drizzling down with that gentle regularity which betokens a duration

of four-and-twenty hours at least; the damp hangs upon the housetops

and lamp-posts, and clings to you like an invisible cloak. The water

is ‘coming in’ in every area, the pipes have burst, the water-butts

are running over; the kennels seem to be doing matches against time,

pump-handles descend of their own accord, horses in market-carts fall

down, and there’s no one to help them up again; policemen look as

if they had been carefully sprinkled with powdered glass; here and

there a milk-woman trudges slowly along, with a bit of list round

each foot to keep her from slipping; boys who ‘don’t sleep in the

house,’ and are not allowed much sleep out of it, can’t wake their

masters by thundering at the shop-door, and cry with the cold--the

compound of ice, snow, and water on the pavement is a couple of inches

thick--nobody ventures to walk fast to keep himself warm, and nobody

could succeed in keeping himself warm if he did.

“It strikes a quarter past five as you trudge down Waterloo Place on

your way to the “Golden Cross,” and you discover, for the first time,

that you were called about an hour too early. You have not time to go

back, there is no place open to go into, and you have, therefore, no

resource but to go forward, which you do, feeling remarkably satisfied

with yourself and everything about you. You arrive at the office, and

look wistfully up the yard for the Birmingham Highflier, which, for

aught you can see, may have flown away altogether, for no preparations

appear to be on foot for the departure of any vehicle in the shape of a

coach. You wander into the booking-office, which, with the gas-lights

and blazing fire, looks quite comfortable by contrast--that is to say,

if any place _can_ look comfortable at half-past five on a winter’s

morning. There stands the identical book-keeper in the same position

as if he had not moved since you saw him yesterday. As he informs you

that the coach is up the yard, and will be brought round in about a

quarter of an hour, you leave your bag and repair to ‘the Tap’--not

with any absurd idea of warming yourself, because you feel such a

result to be utterly hopeless, but for the purpose of procuring some

hot brandy-and-water, which you do--when the kettle boils! an event

which occurs exactly two minutes and a half before the time fixed for

the starting of the coach.

“The first stroke of six peals from St. Martin’s Church steeple just

as you take the first sip of the boiling liquid. You find yourself at

the booking-office in two seconds, and the tap-waiter finds himself

much comforted by your brandy-and-water in about the same period.

The coach is out; the horses are in, and the guard and two or three

porters are stowing the luggage away, and running up the steps of

the booking-office and down the steps of the booking-office, with

breathless rapidity. The place, which a few minutes ago was so still

and quiet, is now all bustle; the early vendors of the morning

papers have arrived, and you are assailed on all sides with shouts

of ‘_Times_, gen’l’m’n, _Times_,’ ‘Here’s _Chron--Chron--Chron_,’

‘_Herald_, ma’am,’ ‘Highly interesting murder, gen’l’m’n,’ ‘Curious

case o’ breach o’ promise, ladies.’ The inside passengers are already

in their dens, and the outsides, with the exception of yourself,

are pacing up and down the pavement to keep themselves warm; they

consist of two young men with very long hair, to which the sleet has

communicated the appearance of crystallised rats’ tails; one thin young

woman, cold and peevish, one old gentleman ditto ditto, and something

in a cloak and cap, intended to represent a military officer; every

member of the party with a large stiff shawl over his chin, looking

exactly as if he were playing a set of Pan’s pipes.

“‘Take off the cloths, Bob,’ says the coachman, who now appears for

the first time, in a rough blue greatcoat, of which the buttons behind

are so far apart that you can’t see them both at the same time. ‘Now,

gen’l’m’n!’ cries the guard, with the waybill in his hand. ‘Five

minutes behind time already!’ Up jump the passengers--the two young

men smoking like limekilns, and the old gentleman grumbling audibly.

The thin young woman is got upon the roof by dint of a great deal of

pulling and pushing, and helping and trouble; and she repays it by

expressing her solemn conviction that she will never be able to get

down again.

“‘All right!’ sings out the guard at last, jumping up as the coach

starts, and blowing his horn directly afterwards, in proof of the

soundness of his wind. ‘Let ’em go, Harry; give ’em their heads!’ cries

the coachman--and off we start as briskly as if the morning were ‘all

right,’ as well as the coach.”

Stage-coach and Mail in Days of Yore, Volume 1 (of 2) A picturesque history of the coaching age · 第 14 / 15 章