CHAPTER I

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STAGE-COACH

AND MAIL IN

DAYS OF YORE

WORKS BY THE SAME AUTHOR

=The Brighton Road=: Old Times and New on a Classic Highway.

=The Portsmouth Road=, and its Tributaries: To-day and in

Days of Old.

=The Dover Road=: Annals of an Ancient Turnpike.

=The Bath Road=: History, Fashion, and Frivolity on an Old

Highway.

=The Exeter Road=: The Story of the West of England Highway.

=The Great North Road=: The Old Mail Road to Scotland. Two

Vols.

=The Norwich Road=: An East Anglian Highway.

=The Holyhead Road=: The Mail-Coach Road to Dublin. Two Vols.

=The Cambridge, Ely, and King’s Lynn Road=: The Great

Fenland Highway.

=Cycle Rides Round London.=

=The Oxford, Gloucester, and Milford Haven Road=: Two Vols.

[_In the Press._

[Illustration:

THE MAIDENHEAD AND MARLOW POST-COACH, 1782.

_From a contemporary painting._

]

STAGE-COACH

AND MAIL IN

DAYS OF YORE

_A PICTURESQUE HISTORY

OF THE COACHING AGE_

VOL. I

BY CHARLES G. HARPER

[Illustration]

_Illustrated from Old-Time Prints

and Pictures_

LONDON:

CHAPMAN & HALL, LIMITED

1903

_All rights reserved_

PRINTED BY

HAZELL, WATSON AND VINEY, LD.,

LONDON AND AYLESBURY.

[Illustration: PREFACE]

_“Hang up my old whip over the fireplace,” said Harry Littler, of the

Southampton “Telegraph,” when the London and Southampton Railway was

opened, in 1833,--“I shan’t want it never no more”: and he fell ill,

turned his face to the wall, and died._

_The end of the coaching age was a tragedy for the coachmen; and even

to many others, whose careers and livelihood were not bound up with the

old order of things, it was a bitter uprooting of established customs.

Many travellers were never reconciled to railways, and in imagination

dwelt fondly in the old days of the road for the rest of their lives;

while many more never ceased to recount stories of the peculiar

glory and exhilaration of old-time travel, forgetting the miseries

and inconveniences that formed part of it. But although reminiscent

oldsters have talked much about those vanished times, they have rarely

attempted a consecutive story of them. Such an attempt is that essayed

in these pages, confined within the compass of two volumes, not because

material for a third was lacking, but simply for sake of expediency.

It is shown in the body of this book, and may be noted again in this

place, that the task of writing anything in the nature of a History of

Coaching is rendered exceeding difficult by reason of the disappearance

of most of the documentary evidence on which it should be based; but I

have been fortunate enough to secure the aid of Mr. Joseph Baxendale

in respect of the history of Pickford & Co., of Mr. William Chaplin,

grandson of the great coach-proprietor, and of Mr. Benjamin Worthy

Horne, grandson of Chaplin’s partner, for information concerning

their respective families. Colonel Edmund Palmer, also, communicated

interesting notes on his grandfather, John Palmer, the founder of

the mail-coach system. To my courteous friend, Mr. W. H. Duignan, of

Walsall, whose own recollections of coaching, and whose collections of

coaching prints and notes I have largely used, this acknowledgment is

due. Mr. J. B. Muir, of 35, Wardour Street, my obliging friend of years

past, has granted extensive use of his collection of sporting pictures,

and Messrs. Arthur Ackermann & Son, of 191, Regent Street, have lent

prints and pictures from their establishment._

CHARLES G. HARPER.

PETERSHAM, SURREY,

_April 1903_.

CONTENTS

CHAPTER PAGE

I. THE INTRODUCTION OF CARRIAGES 1

II. THE HORSEMEN 14

III. DAWN OF THE COACHING AGE 57

IV. GROWTH OF COACHING IN THE EIGHTEENTH CENTURY 87

V. THE STAGE-WAGGONS AND WHAT THEY CARRIED: HOW THE POOR

TRAVELLED 103

VI. THE EARLY MAIL-COACHES 146

VII. THE NINETEENTH CENTURY: 1800–1824 181

VIII. COACH LEGISLATION 194

IX. THE EARLY COACHMEN 221

X. THE LATER COACHMEN 231

XI. MAIL-GUARDS 249

XII. STAGE-COACH GUARDS 272

XIII. HOW THE COACHES WERE NAMED 282

XIV. GOING BY COACH: BOOKING OFFICES 320

XV. HOW THE COACH PASSENGERS FARED: MANNERS AND CUSTOMS DOWN

THE ROAD 333

[Illustration: LIST OF ILLUSTRATIONS]

SEPARATE PLATES

PAGE

1. THE MAIDENHEAD AND MARLOW POST-COACH, 1782. (_From a

contemporary Painting_) _Frontispiece_

2. THE STAGE-COACH, 1783. (_After Rowlandson_) 83

3. THE WAGGON, 1816. (_After Rowlandson_) 115

4. THE STAGE-WAGGON, 1820. (_After J. L. Agasse_) 121

5. THE ROAD-WAGGON: A TRYING CLIMB. (_After J. Pollard_) 131

6. THE STAGE-WAGGON, 1816. (_By Rowlandson_) 137

7. PICKFORD’S LONDON AND MANCHESTER FLY VAN, 1826. (_After

George Best_) 141

8. JOHN PALMER AT THE AGE OF 17. (_Attributed to Gainsborough,

R.A._) 149

9. JOHN PALMER. (_From the Painting by Gainsborough, R.A._) 153

10. THE MAIL-COACH, 1803. (_From the Engraving after George

Robertson_) 169

11. JOHN PALMER IN HIS 75TH YEAR. (_From an Etching by the

Hon. Martha Jervis_) 175

12. MRS. BUNDLE IN A RAGE; OR, TOO LATE FOR THE STAGE.

(_After Rowlandson_, 1809) 183

13. THE SHEFFIELD COACH, ABOUT 1827. (_From a contemporary

Painting_) 187

14. THE “BIRMINGHAM EXPRESS” LEAVING THE “HEN AND CHICKENS.”

(_From a contemporary Painting_) 191

15. “MY DEAR, YOU’RE A PLUMPER”: COACHMAN AND BARMAID.

(_After Rowlandson_) 223

16. THE OLD “PRINCE OF WALES” BIRMINGHAM COACH. (_After H.

Alken_) 233

17. IN TIME FOR THE COACH. (_After C. Cooper Henderson,

1848_) 243

18. STUCK FAST. (_After C. Cooper Henderson, 1834_) 267

19. THE “READING TELEGRAPH” PASSING WINDSOR CASTLE. (_After

J. Pollard_) 297

20. THE EXETER MAIL, 1809. (_After J. A. Atkinson_) 301

21. THE BRIGHTON “COMET,” 1836. (_After J. Pollard_) 307

22. MATTHEWS’ PATENT SAFETY COACHES ON THE BRIGHTON ROAD 313

23. A COACH-BREAKFAST. (_After J. Pollard_) 349

ILLUSTRATIONS IN TEXT

PAGE

Vignette (_Title-page_)

Preface vii

List of Illustrations xi

Stage-coach and Mail in Days of Yore 1

Arms of the Worshipful Company of Coach and Harness Makers 12

Epigram Scratched with a Diamond-ring on a Window-pane by Dean

Swift 46

Old Coaching Bill, Preserved at the “Black Swan,” York 75

Old Birmingham Coaching Bill 81

Coaching Advertisement from the _Edinburgh Courant_, 1754 89

One of Three Mail-coach Halfpennies struck at Bath, 1797 173

Moses James Nobbs, the Last of the Mail-guards 265

[Illustration: STAGE-COACH AND MAIL IN DAYS OF YORE]

CHAPTER I

THE INTRODUCTION OF CARRIAGES

“Ah! sure it was a coat of steel,

Or good tough oak, he wore,

Who first unto the ticklish wheel

’Gan harness horses four.”

The lines quoted above are not remarkably good as poetry. Nay, it is

possible to go farther, and to say that they are exceptionally bad--the

product of one of those corn-box poets who were accustomed to speak of

steam as a “demon foul”; but if his lines are bad verse, the central

idea is good. That man who first essayed to drive four-in-hand must

indeed have been more than usually courageous.

To form anything at all like an adequate idea of the Coaching Age,

it is first necessary to discover how people travelled before that

age dawned. As a picture is made by contrasted light and shade, so is

the story of the coaching period only to be properly set forth by

first narrating how journeys were made from place to place before the

continuous history of wheeled traffic begins. That history, measured

by mere count of years, is not a long one. It cannot, in its remotest

origin, go back beyond the first appearance of the stage-waggon,

about 1590, when the peasantry of this kingdom began to obtain an

occasional lift on the roads, and sat among the goods which it was

the first business of those waggons to carry. The peasant, then, was

the first coach-passenger, for while he was carried thus, everyone

else, in all the estates of the realm, from King and Queen down to

the middle classes, rode horseback, and it was not until 1657 and the

establishment of the Chester Stage that the Coaching Age opened for the

public in general.

If, then, we please to pronounce for that event as the true beginning,

and allow 1848, the year when one of the last coaches, the Bedford

“Times,” was withdrawn from the London and Bedford road in consequence

of the opening of the Bletchley and Bedford branch railway, to be

the end, we have the beginning, the growth and perfection of the old

coaching era, and its final extinction, all comprised within a period

of a hundred and ninety-one years.

Wheeled conveyances are generally said by the usual books of reference

to take their origin in this country with the introduction of Queen

Mary’s Coronation carriage in 1553; but, so far from that being

correct, mention of carriages is often found in authorities of a

period earlier by almost two centuries. Thus, in her will of September

25th, 1355, Elizabeth de Burgh, Lady Clare, bequeathed her “great

carriage, with the covertures, carpets, and cushions,” to her eldest

daughter; and carriage-builders at the close of Edward III.’s reign

charged £100 and £1000 for their wares. Carts were not unknown to the

peasantry; Froissart tells us that the English returned from Scotland

in 1360 in “charettes,” a kind of carriage whose make he does not

specify; and ladies are discovered in 1380 travelling with the baggage

in “whirlicotes,” which were cots or beds on wheels, or a species of

wheeled litter. We have, by favour of one of the old chroniclers, a

fugitive picture of Richard II., at the age of seventeen, travelling in

one of these whirlicotes, accompanying his mother, who was ill.

But such instances do not prove more than occasional use, and it

certainly appears that when Queen Mary rode from the Tower of London

to Westminster on her Coronation Day, September 20th, 1553, in her

State coach, she thereby revived the use of carriages, which, for some

reason or another, had fallen into disuse since those early days. Her

coachmaker, by a grant made on May 29th in the first year of her reign,

was one Anthony Silver.

We may seek the cause of wheeled conveyances going out of use in the

two centuries before this date in the steady and continuous decay of

the roads consequent upon the troubled state of the kingdom in that

intervening space. Rebellions, pestilences, foreign wars, and domestic

strife had marked that epoch. The Wars of the Roses themselves lasted

thirty years, and in all that while the social condition of the people

had not merely stood still, but degenerated. Towns and districts were

half depopulated, and the ancient highways fell into disuse. It is

significant that the first General Highway Act, a measure passed in

1555, was practically coincident with the reintroduction of carriages.

Queen Mary’s Coronation carriage--or, as it was called in the language

of that time, “coach”--was drawn by six horses, less for reasons of

display than of sheer necessity, for, with a less numerous and powerful

team, it would probably have been stuck fast in the infamously bad

roads that then set a gulf of mud between the twin cities of London

in the east and Westminster in the west. Only three other carriages

followed her Majesty on that historic occasion, and the ladies who

attended rode horseback.

Two years after this new departure mention is found of a

“coach”--still, of course, a carriage--made for the Earl of Rutland by

one Walter Rippon, who in the same year appears to have built a new one

for the Queen.

The next patron of carriages seems to have been Sir Thomas Hoby,

sometime Her Britannic Majesty’s Ambassador to the French Court:

that Sir Thomas who lies beside his brother, Sir Philip, in their

magnificent tomb in the little Berkshire village church of Bisham,

beside the Thames. He owned a carriage in 1566.

The progressive age of Elizabeth now opens. In 1564, six years after

her accession, she was using a carriage brought over from Holland

by a certain William Boonen, himself a Hollander. Boonen, indeed,

became her Majesty’s coachman, but his services cannot often have

been required, for, if we are to believe Elizabeth’s own words to the

French Ambassador in 1568, driving in these early carriages, innocent

of springs, must have been as uncomfortable as a journey in a modern

builder’s cart or an ammunition-waggon would be. When his Excellency

waited upon her, she was still suffering “aching pains, from being

knocked about in a coach driven too fast a few days before.”

Little wonder, then, that the great Queen used her coach only when

occasions of State demanded. She journeyed to her palace at Greenwich

by water, between Greenwich and her other palace of Eltham on

horseback, and to Nonsuch and Hampton Court and on her many country

progresses in like manner, resorting only to wheels with advancing

years. How bad were even the roads especially repaired for her coming

may be judged from a contemporary description of her journey along that

“new highway” whose “perfect evenness” is the theme of the writer. “Her

Majesty left the coach only once, while the hinds and the folk of a

base sort lifted it on with their poles.” Majesty must have been sore

put to it to look majestic on such occasions, and in the bad condition

of all roads at that time we find a new significance in the courtliness

of Sir Walter Raleigh, who at Greenwich threw his velvet cloak upon the

ground for Elizabeth to walk over.

Elizabeth was an accomplished horsewoman, and it is not surprising,

under these circumstances, that she made full use of the

accomplishment, continuing on all possible public occasions to appear

in this manner. On longer journeys she rode on a pillion behind a

mounted chamberlain, holding on to him by his waistbelt just as

ladies continued to do for centuries yet to come. The curious in

these things may find interest in the fact that the modern groom’s

leathern waistbelt, which now serves no practical function, is merely

a strange survival of that old necessity of feminine travel. The

commonly-received opinion that Elizabeth objected to carriages from

the supposed “effeminacy” of using them receives a severe shock from

her carriage experiences, which make it quite obvious that travelling

in the earliest of them was only to be indulged in by persons of the

strongest frame and in the rudest health. She who mounted on her

palfrey before her troops at Tilbury, when the Armada threatened, could

justly claim that though but a woman she had the spirit of a King--aye,

and a King of England--quailed before the rigours of a carriage-drive.

In 1579 the Earl of Arundel imported one of these new and strange

machines from Germany. How novel and strange they were may be gathered

from the particular mention thus accorded them in the annals of the

time. When we consider how bad was the condition even of the streets

of London, it will be abundantly evident that a desire for display

rather than comfort brought about the increasing use of carriages

that marked the closing years of Elizabeth’s reign. By 1601 they had

become so comparatively numerous that it was sought to obtain an Act

restraining their excessive use and forbidding men riding in them.

This projected ordinance especially set forth the enervating nature

of riding in carriages; but it would seem that the real objection was

the growing magnificence displayed in this way by the wealthy, tending

to overshadow the public appearances of Royalty itself. Whatever the

real reason of this disabling measure, it was rejected on the second

reading and never became law, and four years later both hackney and

private carriages were in common use in London. Carters and waggoners

hated them with a bitter hatred, called them “hell-carts,” and heaped

abuse upon all who used them. Both their primitive construction and

the fearful condition of the roads rendered their use impossible in

the country. Teams of fewer than six horses were rarely seen drawing

coaches in what were then regarded as London suburbs, districts long

since included in Central London; and perhaps even the haughty and

arrogant Duke of Buckingham, favourite of James I. and Charles, was

misjudged when, in 1619, the people, seeing his carriage drawn by

that number, “wondered at it as a novelty, and imputed it to him as a

mastering pride.” Had he employed fewer horses he certainly would have

been obliged to get out and walk, or to have again resorted to the use

of the sedan-chair, in which, before he had set up a carriage, he was

used to be carried, greatly to the indignation of the populace, to whom

sedan-chairs were at that time novelties. “The clamour and the noise of

it was so extravagant,” we are told, “that the people would rail upon

him in the streets, loathing that men should be brought to as servile a

condition as horses.” Yet no one ever thought of denouncing Buckingham

or any other of the magnificos when they lolled in easy seats under

the silken hangings of their state barges and were rowed by the labour

of a dozen lusty oarsmen on the Thames. The work was as servile as the

actual carrying of a passenger, but the innate conservatism of mankind

could not at first perceive this. On the whole, Buckingham therefore

has our sympathy. The most innocent doings of a favourite with Royalty

are capable of being twisted into haughty and malignant acts, and had

it not been for Buckingham’s position at Court his displays would not

have brought him the hatred of the people and the rivalry of his own

order which they certainly did arouse. The Earl of Northumberland was

one of those who were thus goaded into the rivalry of display. Hearing

that the favourite had six horses to his carriage, he thought that he

might very well have eight, “and so rode,” we are told, “from London to

Bath, to the vulgar talk and admiration.”

The first public carriages, according to a statement made to

Taylor, the “water poet,” by Old Parr, the centenarian, were the

“hackney-coaches,” established in London in 1605. “Since then,” says

Taylor, writing on the subject at different times between 1623 and

1635, “coaches have increased with a mischief, and have ruined the

trade of the watermen by hackney-coaches, and now multiply more than

ever.” The “watermen” were, of course, those who plied with their

boats and barges for hire upon the Thames, chiefly between London and

Westminster, the river being then, and for long after, the principal

highway for traffic in the metropolis. So greatly, indeed, was the

river traffic for the time affected, that the sprack-witted Taylor

relinquished his trade of waterman and embarked upon the more promising

career of pamphleteering.

“Thirty years ago,” he says, in one of these outbursts, “The World

runnes on Wheeles,” “coaches were few”:--

Then upstart helcart coaches were to seeke,

A man could scarce see twenty in a weeke,

But now I thinke a man may daily see

More than the whirries on the Thames can be.

Carroches, coaches, jades and Flanders mares

Doe rob us of our shares, our wares, our fares;

Against the ground we stand and knock our heeles,

Whilest all our profit runs away on wheeles.

“This,” we find him saying, on another occasion, “is the rattling,

rowling, rumbling age, and the world runnes on wheeles. The

hackney-men, who were wont to have furnished travellers in all places

with fitting and serviceable horses for any journey, are (by the

multitude of coaches) undone by the dozens.”

The bitter cry of Taylor and the Thames watermen may or may not have

been hearkened to, but certainly hackney-coaches were prohibited in

1635. This, however, was probably due rather to Royal whim or prejudice

than to any consideration for a decaying trade.

It was an arbitrary age, and it only needed a Star Chamber order for

public carriages, considered by the Court to be a nuisance, to be

suppressed. The reasons advanced read curiously at this time: “His

Majesty, perceiving that of late the great numbers of hackney-coaches

were grown a great disturbance to the King, Queen, and nobility

through the streets of the said city, so as the common passage was

made dangerous and the rates and prices of hay and provender and other

provisions of the stable thereby made exceeding dear, hath thought

fit, with the advice of his Privy Council, to publish his Royal

pleasure, for reformation therein.” His Majesty therefore commanded

that no hackney-coaches should be used in London unless they were

engaged to travel at least three miles out of town, and owners of such

coaches were to keep sufficient able horses and geldings, fit for his

Majesty’s service, “whensoever his occasion shall require them.”

This despotic measure was amended in 1637, when fifty hackney-coachmen

for London were licensed, to keep not more than twelve horses each.

This meant either that three hundred or a hundred and fifty public

carriages then came into use, according to whether two or four horses

were harnessed. “And so,” says Taylor, “there grew up the trade of

coach-building in England.”

These early carriages, whether hackney or private, were not only

without springs, but were innocent of windows. In their place were

shutters or leather curtains. The first “glass coach” mentioned is

that made for the Duke of York in 1661. Pepys at this period becomes

our principal authority on this subject. On May 1st, 1665, he is found

witnessing experiments with newly-designed carriages with springs, and

again on September 5th, finding them go not quite so easy as their

inventor claimed for them. Yet, since private carriages were clearly

becoming the fashion, Mr. Secretary-to-the-Admiralty Pepys must needs

have one; and accordingly, on December 2nd, 1668, he takes his first

ride: “Abroad with my wife, the first time that I ever rode in my own

coach.”

[Illustration: ARMS OF THE WORSHIPFUL COMPANY OF COACH AND HARNESS

MAKERS.]

Pepys always delighted in being in the fashion. He would not be in

advance of it, and not, if he could help it, behind. The fact, then,

of his setting up a carriage of his own is sufficient to show how

largely the moneyed classes had begun to go about on wheels. But

better evidence still is found in the establishment, May 1677, of the

Worshipful Company of Coach and Harness Makers, whose arms still bear

representations of the carriages in use at that period. The armorial

bearings of the Coach-makers are, when duly tricked out in their proper

colours, somewhat striking. Stated in plain terms, done into English

out of heraldic jargon, they consist of a blue shield of arms with

three coaches and a chevron in gold, supported on either side by a

golden horse, harnessed and saddled in black studded with gold; with

blue housings garnished with red, and fringed and purfled in gold.

The horses are further adorned with plumes of four feathers in gold,

silver, red, and blue. A crest above displays Phœbus driving his

chariot, and the motto beneath declares that “After clouds rises the

sun.”

The hackney-carriages of London in 1669, the year following Pepys’

establishment of his own private turn-out, numbered, according to the

memoirs of Cosmo, Grand Duke of Tuscany, who travelled England at that

time, eight hundred. The age of public vehicles was come.

Stage-coach and Mail in Days of Yore, Volume 1 (of 2) A picturesque history of the coaching age · 第 1 / 15 章