CHAPTER I.

TRANSCRIBER'S NOTE

* Italics are denoted by underscores as in _italics_.

* Bold text is denoted by equals as in =bold=.

* Small caps are represented in upper case as in SMALL CAPS.

* Obvious printer errors have been silently corrected.

* Original spelling was kept, but variant spellings were made

consistent when a predominant usage was found.

* Throughout the text the following replacements were made:

“Maria” by “María”,

“Telleria” by “Tellería”,

“Joaquin” by “Joaquín”,

“Fontan” by “Fontán”,

“Leopold” by “Leopoldo”,

“Agustin” by “Agustín”,

“Perez” by “Pérez”.

* The following changes were also made:

Page 18: “Atheneam” replaced by “Atheneum”.

Page 28: “Centa” replaced by “Ceuta”.

Page 75: “Corralles” replaced by “Corrales”.

Page 144: “Cerinola” replaced by “Ceriñola”.

Page 147: “Cayentano” replaced by “Cayetano”.

Page 199: “Arragon” replaced by “Aragón” (twice).

Page 246: “Monilla” replaced by “Monina”.

Page 274: “her papa” replaced by “your papa” (twice--after

checking the Spanish original version).

LEON ROCH

A ROMANCE

BY

B. PÉREZ GALDÓS

Author of “Gloria,” etc.

FROM THE SPANISH BY CLARA BELL

--AUTHORIZED EDITION--

IN TWO VOLUMES--VOL. I.

REVISED AND CORRECTED IN THE UNITED STATES

NEW YORK

WILLIAM S. GOTTSBERGER, PUBLISHER

11 MURRAY STREET

1888

Entered according to Act of Congress, in the year 1886

BY WILLIAM S. GOTTSBERGER

in the Office of the Librarian of Congress, at Washington

THIS TRANSLATION WAS MADE EXPRESSLY FOR THE PUBLISHER

CONTENTS.

VOLUME I.

CHAPTER PAGE

I.--FROM THE SAME TO THE SAME, 1

II.--LIFE AT A WATERING PLACE, 9

III.--IN WHICH THE READER WILL ENJOY HEARING THE

PRAISES LAVISHED BY SPANIARDS ON THEIR

COUNTRY AND COUNTRY-MEN, 15

IV.--MORE CONVERSATION, GIVING US SOME IDEA

OF THE SPANISH CHARACTER, 24

V.--ILLUSTRATING ANOTHER TRAIT OF SPANISH

CHARACTER, 31

VI.--PEPA, 37

VII.--TWO MEN AND THEIR SCHEMES IN LIFE, 45

VIII.--MARÍA EGYPTIACA, 57

IX.--THE MARQUESA TELLERÍA, 69

X.--THE MARQUIS, 79

XI.--LEOPOLDO, 88

XII.--GUSTAVO, 94

XIII.--THE LAST ILLUSION, 103

XIV.--HUSBAND AND WIFE, 111

XV.--A MODUS VIVENDI, 127

XVI.--IN THE DOG-DAYS, 133

XVII.--DESERTERS, 142

XVIII.--THE ASCETIC, 149

XIX.--THE MARQUESA GOES TO A CONCERT, 159

XX.--THE OLD, OLD DRAMA, 166

XXI.--A STRUGGLE WITH THE ANGEL, 179

XXII.--CONQUERED BY THE ANGEL, 185

XXIII.--WEATHER PERMITTING, 188

XXIV.--REMINISCENCES--ANXIETIES, 200

XXV.--MARÍA EGYPTIACA DRESSES IN GREY AND DOES

NOT WASH HER HANDS, 211

XXVI.--THE DEVOURING OGRE--CROUP, 222

XXVII.--THE MOTHER, 238

XXVIII.--THE MARQUIS DE FÚCAR ENJOYS THE SPECIAL

FAVOUR OF HEAVEN, 242

XXIX.--ERUNT DUO IN CARNE UNA, 253

XXX.--AN IRRUPTION OF THE BARBARIANS; ALARIC,

ATTILA, AND OMAR, 263

XXXI.--THE CRISIS, 275

XXXII.--REASON _versus_ PASSION, 293

LEON ROCH

LEON ROCH

PART I.

CHAPTER I.

FROM THE SAME TO THE SAME.

“_Ugoibea_, AUGUST 30th.

“DEAR LEON: Think no more of my letter of yesterday; it must have

crossed yours, which I have just received. Vexation, and a fit of

petty jealousy, made me write a great deal of nonsense, and I am

ashamed of having covered my paper with so many dreadful words, mixed

up with such childish prevarications; but no--I am not ashamed; I can

only laugh at myself and my style, and ask you to forgive me. If I

had only had a little patience and waited for your explanations--but

that again is nonsense.--Jealousy and Patience! Who ever saw the

two things combined in one person? You see there is no end to my

absurdities; this proves that after having been a fool, though only

for a day, a woman cannot recover her natural balance of mind all at

once.

“But now I am recovering mine. An end to recrimination; I am

firmly resolved never again to be irritable and suspicious and

inquisitive--as you say I am. Your explanations really and entirely

satisfy me; their frankness and fulness impress me strongly--I hardly

know why--and leave no room in my mind for doubt, but fill my soul

with a conviction--how can I express it? that is in itself a sort

of affection, that is its twin brother and as inseparable from it

as--as--I cannot finish my sentence; but what does it matter?--To

proceed; I was saying that I fully accept your explanation. A denial

would have increased my suspicions; your confession has removed

them. You tell me that you did love--no, that is not the word, that

you had a fancy, a mere fancy, as a boy--as children together--for

Pepa de Fúcar; that you have known her since she was little, and

that you played together--I remember you used to tell me something

about it in Madrid, when we first made your acquaintance. It was

she, no doubt, who used to go with you to pick up the blossoms

fallen from the orange-trees--who was frightened at the rustling

made by the silk-worms when they were feeding, and for whom you

used to make crowns of Marvel of Peru? Yes, you told me many funny

stories of your companion as a child. You and she used to dye your

cheeks with blackberries, and make paper crowns to wear; you loved

to take birds’ nests, and her greatest delight was to pull off her

shoes and stockings and paddle in the streams among the rushes and

water-plants. One day, almost at the same instant, you fell from a

tree and she was bitten by some reptile. That was Pepa de Fúcar, was

it not? You see I remember very well, and could write your history

quite accurately.

“The truth is that I really did not pay much attention to those baby

stories; but when I saw the girl, and when they said you were in love

with her.--It is ten days ago and I still feel as if I were being

suffocated--as I did when I first heard it. Believe me; I felt as if

the world were coming to an end, as if time were standing still--I

cannot express the feeling--or had turned backward and revealed

some horrible spot, some unknown desert where--another unfinished

sentence! To proceed.

“I remember now some more stories of your childish amusements, which

you told me not long ago. How such trifles cling to our memories!

When you were a boy, and were studying that science of stones of

which I can never see the use; when she--for I think that again

it was Pepa de Fúcar--had left off putting her feet in the water

and staining your cheeks with blackberry juice or decking herself

with your paper crowns, that you played at being lovers with less

innocence than before, but still--come, I will allow thus much--still

with perfect innocence. She was at some school where there were a

great number of lilac shrubs, and a porter who undertook to receive

and deliver notes. Are you not astonished at my good memory? I even

remember that porter’s name; it was Escoiquiz.

“Well--enough of ancient history. What you have just told me, what

I did not know till I just now read your letter (and I repeat that I

was not particularly pleased to hear it) was that two years ago you

met again where the orange-trees blow and the silk-worms feed and

the water flows in the brooks; that you suffered a slight illusion,

so to speak, and at that time began to feel a sincere affection for

her, which grew and grew until--and here I come to the story--until

you knew me.--Thank you Sir, and I make you a pretty curtsy, for the

string of compliments, polite hints, protestations, and loving words

which here follow. This shower of praises fills a whole page. Such

pages as these come before us like a face we love, and this one made

me cry with joy. Thanks again, a thousand thanks. It is all charming,

and what you say of me is much too kind and good. You are worth a

hundred of me.--You live for me? Oh Leon! How can I do better than

believe all these romantic speeches? My heart opens wide to accept

them all. I am a good catholic and have been brought up to be a true

believer.

“Yes, I will be so foolish--I have read that blessed page once more.

Oh! it is good to be told that ‘a true, deep, and lofty devotion

has blotted out that fancy and left no trace of it’--very good!

‘the illusions of childhood rarely last into mature years’ of

course; ‘Your sentiments are sincere, and your intentions thoroughly

honest’--yes no doubt; ‘The voice I heard, the words that made me

feel as if the world had come to an end, were simply one of those

wild suppositions thrown out at random, to be taken up by malice

and used by her as terrible weapons’--so it is, so it is; ‘Pepa de

Fúcar is as indifferent to you at this moment as any other woman

living’--that is perfect, exquisite! and finally ‘I and I alone’--me

and no one else.--What joy to press my hand closely to my heart while

I think to myself--me, me alone, and no one in the world but me!

“A potent argument in your favour has just occurred to me; Pepa de

Fúcar is immensely rich and I am almost poor. However, when one

has faith no arguments are needed, and I have faith in you. Every

one who knows you, says you are a model of uprightness and noble

generosity--a rare thing in these days. I am as proud as I am

flattered. How good God has been to me in bestowing on me a gift

which, by all accounts, is so seldom found in this world!

“I cannot avoid telling you--though this letter already seems

interminable--the impression that girl produced on me, even setting

aside the rancour I could not help feeling at first. But now the

storm is over; I can judge her coolly and impartially, and though,

when I heard what you know, I thought she must be perfectly

charming, I see her now in her true light. Every one talks of her

shameful extravagance. It is an insult to Heaven and humanity! Papa

says she spends enough in clothes in a week to support several

families comfortably. She is elegant, no doubt; but sometimes very

affected--as much as to say: ‘Gentlemen, I behave in this way that

you may all see how rich I am.’ Mamma says, no man would ever

think of marrying a girl who thinks of nothing but displaying the

products of industry. Rothschilds are not to be met with at every

turn, and Pepa de Fúcar is enough to frighten away her suitors.

She is recklessly extravagant and wilful, full of whims, and very

badly brought up, and will end by falling into the hands of some

fortune-hunter. So Mamma says, and she knows the world; and I really

believe she is right.

“I do not think her so pleasing even as some people do, nor as I

thought her myself, when I was dying of jealousy. She is too tall and

thin to be graceful. It is impossible to deny that she has a fine

complexion, but one needs a microscope to see her eyes, they are so

small. They say she is very amusing and agreeable, but this I know

nothing about, as I never talked to her, and never wish to. I have

seen her from a distance, on the sands and in the gallery of the

bathing house, and her manners struck me as decidedly free and easy.

I fancied she looked rather particularly at me; and I looked at her,

intending to convey to her that I did not care a straw about her. I

do not know whether I succeeded.

“She was here three days and I would not go out; I never cried more

in my life. At last she went away; but the joy I felt in her absence

is somewhat clouded by the knowledge that you and she are in the same

place. All day yesterday I was wishing that there were some very,

very high tower here, from which I could see what is going on at

Iturburua. I would be at the top with one jump. But indeed I trust

your loyalty--and if you will tell her that you love no one but me,

if she has any affection for you still, and is furious when she hears

it--yes, furious--do let me know; I long to have that satisfaction.

“We expect you on Monday. Papa says that if you do not come, you are

not a man of your word. He is very anxious to see you to discuss

some question of politics, for, by his account, there is a perfect

plague of politicians here who utterly disgust him. If they would but

make him a Senator!--and to tell you the truth, I almost fear for

his reason if he does not attain to that bench of the blessed. He

still suffers from a mania of writing letters to the papers. We have

had some these last few days, and some articles as well. Mamma, of

course, knows them, and they invariably begin with: “It is greatly to

be regretted....”

“He came in to-day quite proud to show me your new book. He praised

it highly and read the opening sentences aloud to Mamma. It was a

most laughable scene; neither he, nor Mamma, nor I understood a

single word of it; but, in spite of that, we had the highest opinion

of the learning displayed in the book. You may fancy how much we

should understand of an ‘Analysis of the Plutonic rocks in the

Columbrete islands,’ and the interest I should take in quartinary

deposits or in metamorphic or azoic strata. Why, I find it hard

enough to spell the words, and have to copy them letter for letter.

However, the mere fact that it was you who wrote this mass of

mysterious learning, is enough to give it a charm in my eyes. I

spent a long time poring over your pages, as though I were trying to

learn Greek, and--you will not believe me, but it is quite true--I

read and read, full of admiration and respect for you who had written

them. Among all those monstrous names too I came on some which

took my fancy in a vague fashion, such as _syenite_, _variolite_,

_amphibolite_. They sound to me like the endearing names of fairies

and cherubs who danced round you while you were studying the works of

God down in the bowels of the earth.

“You see I have become poetical without intending it, a thing which

is past endurance I admit, and yet this villainous letter will not

get itself finished! But Mamma is calling me to go out with her;

she is dreadfully bored here. She says it is the most detestable of

bathing places, and that she would rather stay in Madrid than ever

come here again. There is no casino, no society, no excursions to

make, no shops with pretty things, no company worth looking at--in

fact there is no second Biarritz in the world.

“Leopoldo, too, is bored to death. He says it is a population of

savages, and he cannot understand how any decent person can like to

bathe among the Caffirs--so he calls the poor Castilians who swarm

on the sands. Gustavo is gone to France, to visit that good angelic

creature Luis Gonzaga, who is very ailing. Poor little brother! A

few days since he sent an Italian priest to call on us, Don Paoletti

by name, a charming man who talked delightfully. But I want to tell

you everything and really cannot. My paper is coming to an end, and

Mamma is calling me again. Good-bye, good-bye, good-bye. Do not fail

us on Monday, and we will talk of that--you know what. At night, when

I say my prayers, I pray for you. Now do not put on that disagreeable

face. There is a dark corner in your soul which I do not at all like.

Well, I will say no more for fear of assuming the airs of a preacher,

and for fear too of anticipating a great work--that sentence too

may remain unfinished. Give my love to Syenite, Pegmatite and

Amphibolite, the only fair beings of whom I am not jealous, and

good-bye. I love you with all my heart; nay I am simpleton enough to

believe all you tell me, and I expect you on Monday. So till Monday,

farewell. Beware of failing me. If you do, you will see what you will

see!

MARÍA.”

Leon Roch: A Romance, vol. 1 (of 2) · 第 1 / 32 章