CHAPTER XV

Jessie proved by no means averse to "gadding about," as her mother

expressed it. She and Mrs. Sartin turned up punctually at Aston House,

though laden with an air of desperate resolve. On their way they had

both cheerfully concealed some tremulous qualms and neither had

ventured to express a dormant wish that Mr. Christopher had chosen

some other spot for lunch than the lordly, sombre, half-opened house.

It was not until they stood beneath the great portico that their vague

discomfort got the upper hand, and Mrs. Sartin agreed without demur to

Jessie's suggestion that they should seek a smaller entrance. As they

were turning away the great door swung open and Christopher came out.

"How jolly of you to be so punctual," he cried, greeting them warmly.

"Where were you off to? Did you think I wasn't at home because the

blinds were down? They don't open all the house for me," he added,

leading the way through the great hall. "I live on the garden side."

Mrs. Sartin had no mind to hurry: she wanted to take in the solid

beauties as she passed. Jessie plucked her nervously by the sleeve

seeing Christopher was outpacing them, and terrified of being left in

that labyrinth of corridor without a guide. However, once within the

sunny little room with its homely comforts and Christopher's kindly

self for host, they regained their wonted composure.

The smallness of the staff left in charge at Aston House gave

Christopher an excuse for dispensing with the services of Burton, the

footman, and the meal was a great success. It never occurred to the

host to think these good kind friends of his in any way out of place

here. His sense of humour was quite unruffled, nay, he was even

genuinely pleased to see the good, ample Martha, the strings of her

black bonnet untied, her face wreathed in smiles, vigorously clearing

out a tart dish, and Jessie's homely features lit up with passive

enjoyment, her brown eyes shining beneath the ridiculous curls.

They had chosen the Hippodrome for their afternoon's amusement, and

there was plenty of time after lunch to show them some of the glories

of Aston House. Christopher led them through the shrouded rooms, but

the treasures he displayed to view were not so much those of artistic

merit as those which had pleased his own boyish fancy years before.

Passing down a corridor he stopped by a remote closed door. Jessie was

examining some Wedgewood plaques a little way off. Christopher looked

at Mrs. Sartin with a queer little smile.

"When I was a kid," he said rather shamefacedly, "I used to play that

my mother was going about the place with me. You see there were no

women-folk, and the pretence seemed to help things. I used to make it

seem more real by always starting here, and pretending that was her

room. It was the only door that was always locked."

"Lor', what a queer idea!" ejaculated Mrs. Sartin, gazing suspiciously

at the closed door.

Christopher laughed. "Oh, I've been in since; there's nothing there

but newspapers, quite a dull little room. But it was an odd fancy. My

feeling was so strong I used to take her round and show her things

I've shown you to-day. I always wanted to show them to someone instead

of the real treasures, which are rather dull, you know."

Mrs. Sartin said again it was very queer. She followed Jessie and

Christopher reluctantly with backward glances towards the door, full

of puzzled suspicion. When they were again in the hall it was time to

start for the Hippodrome, and there was a great deal of patting of

hats and tying of strings before a Venetian mirror.

But Aymer Aston's room, with its world-famed pictures, was unvisited.

When the Hippodrome performance was over and he had seen his guests

safely homeward, Christopher called on Constantia Wyatt and found her

in. She seemed in no wise surprised to see him, but asked him promptly

when he was going down to Marden.

"I don't know," he said slowly, his eyes on the fire, "I don't think I

shall go back yet."

Constantia rang the bell and told the footman she was not at home, and

then drew her chair up to the fire and made Christopher some fresh

tea.

"Is London proving so very attractive?" she inquired.

"I shan't stay in town. I think I shall go abroad again. I want to

think."

"Dear, dear. Is Marden such a bad atmosphere for the intelligence?"

He coloured up boy-like and then laughed.

"There are too many clever people to help one think there. Also there

is a man in Belgium trying some private road experiments. I want to

help him."

"What will Aymer say to it?"

"He thinks I've been idle long enough."

"And the man in Belgium will help you to think?"

"I'm afraid that's my own job."

Constantia rose and wandered round the room, vaguely touching a flower

here and there and presently came to stand behind her visitor's chair.

She was thinking how young he was, and how strong, and that Patricia

was a fortunate girl. Her eyes were very soft and kind as she bent

over his chair and touched his shoulder with her fingers.

"Christopher, you are in love!"

Very young indeed, was her inward comment on his startled wondering

face turned to her.

"How do you know?" he asked, making no denial of the fact. Denial

would have savoured of disloyalty to his new kingdom.

She laughed gently. "Don't you even know that? What a lot I could

teach you if Aymer would hand you over. Listen, Master Christopher,

love is the only thing men want to think about alone, just as it's the

only thing a woman never wants to keep to herself. You could think to

much better advantage at Marden but it's no use telling you so. You

won't believe it."

"I do believe it, only it's not a question of _my_ advantage, you

see."

"There spoke Aymer's pupil. Remember roads take a good deal of making

and short cuts were made for--lovers."

She returned to the fire and stood there looking at him with an

interest that surprised herself: a tall, gracious presence whose

knowledge of his secret hurt not one bit, so clearly did it lie within

the realms wherein all gracious, tender women reign.

Then she changed the subject quite abruptly, thrust it back into those

hazy regions of speculation from which Christopher had so hardly and

impatiently dragged it the previous night.

"I wonder if your mother were alive, if she would be satisfied with

you, Christopher, and if she would still want to make a socialist of

you."

"My mother?" he echoed dully.

For a while he struggled with a strange inability to lay hold on the

shadowy form he knew so well. He looked round the beautiful room that

was but a setting to a lovely woman and then back at her. Why had she

spoken of his mother? He again attempted to crystallise the thought of

the dearly loved, defeated woman in the presence of her to whom the

world denied nothing.

"I can't do it," he said aloud with a quick breath.

"Do what?" she queried swiftly, but got no answer.

"Was my mother a socialist?" he asked presently with difficulty.

"So I have always understood."

"Who told you so?"

"My father. I thought you knew that, Christopher, or I should not have

mentioned it. All I know is, she chose to be poor rather than expose

you to the dangers of wealth. I know nothing else."

Christopher stood up. "Thank you," he said, "I believe I did know

that, but I have never been reminded of it. I do not know her story: I

suppose she did not wish me to know it, but I do know whatever she

chose, whatever she did, it was chosen and done because it seemed to

her the right course and therefore the only one she could take."

Constantia nodded, still gazing at the fire.

"Aymer's training on the top of that," she mused, "I suppose you are

accounted for."

He grew red and looked a boy again. "I should have much to account for

if I failed them."

"Them?" She swung round.

"Cæsar and my mother."

There was a pause.

"And so you will go to Belgium and think?" she said lightly.

"No, I shall go to Belgium and work."

"You said _think_," she insisted.

"I have thought here. I was not sure when I came, but I am now."

"May I know what you have thought?"

For a moment the strangeness of speaking to her like this held him

dumb. How did it happen she should know so much and must know more,

she who had been barely a real individual to him before? It bewildered

and confused him. He did not understand that the unspoken passionate

claim he made on one woman had broken the barriers between him and

woman-kind, that because he loved Patricia Connell he could speak to

Constantia Wyatt, for they stood together on holy ground.

"You have every right. You helped me after all," he said doubtfully,

but smiling "I ought not to have hesitated. Cæsar is waiting for me to

make roads, not to take short cuts."

"You think love can better afford to wait than Cæsar?"

"I have my life before me."

"And if you lose her?"

"It is settled," he said simply.

She drew in her breath. By every law of man he was right, and yet all

the woman in her cried out against this decision as falseness to some

other law imperfectly understood, but clamorous for recognition.

Nevertheless how her heart went out to him for the quiet finality of

that refusal to yield to a law not of his own making! She was proud he

was so much the handiwork of Aymer, while she recognised the very

weakness of his strength.

"He will lose her," she mused as she sat alone when he had gone, "and

it would break Aymer's heart if he knew, but he won't know. He has

succeeded in making a man of him, but, oh, what a nice boy he would

have been!"

So Christopher turned his back on the great discovery and went to

Belgium. Whereupon Patricia complained bitterly, but her golf

improved, and Geoffry Leverson, who knew nothing of road-making,

started on a very short cut indeed.

The Roadmaker remained in Belgium longer than he expected and in the

laboratory of a great man stumbled on the key of the discovery that in

a few years was to make him famous from one end of Europe to the

other.

When the apple blossoms were again blushing pink across the land and

the blue sky was piled high with dreams of love castles, Christopher

remembered the short cut and abruptly announced his intention of

returning home. He sent no warning of his coming, but arrived one day

at Aston House with his beloved car. It was in his heart to continue

his journey straight away, but thinking what pleasure it would give

Aymer to watch the practical working of his experiment, he put aside

the dictates of his desires and spent the day purchasing materials.

Also he called on Constantia and found himself incomprehensibly making

excuses for the delay. "I shall go down early to-morrow," he said; "it

can make no difference, since they do not know I am in England."

"No, I don't suppose it can," said Constantia thoughtfully.

Christopher Hibbault, Roadmaker · 第 6 / 28 章