It seems to be the prerogative of some self-made men not only to boast

of themselves, their wives, their sons, their daughters, their houses,

their horses--everything!--but to decry all methods of achievement not

their own, and all successes not won by their methods. These are the

self-made men who bring into disrepute all the grandeur and glorious

achievement of their kind. Why must they spoil it? I implore them to

assume a virtue if they have it not. I beg them, with all their

getting, to get understanding. And if they will not open their eyes

and see the anguish they are causing, if they cannot detect the fixed

smile of polite endurance on the tired faces of their patient women

friends, there will come a day, and we can already see its faint

glimmering in the East, when we shall not care whether they are

self-made, and we could even live through it if they were not made at

all.

THE DYSPEPTIC

The dyspeptic generally wants to tell you all about it. That is a bore

to begin with; for nobody in the world wants to hear anybody in the

world tell all about anything in the world. Oh, those wearisome,

breathless people, who insist upon giving you the tiresome details of

insipid trivialities! There is no escape from them; they are

everywhere. They are to be found on farms, in mining-camps, in women's

clubs, in churches, jails, and lunatic asylums, and the nearest

approach to a release from them is to be fashionable, for in society

nobody ever is allowed to finish a sentence.

This sort of a bore can only be explained on the microbe theory. None

other can account for its universality. You can carry contagion of it

in your clothes and inoculate a person of weak mental constitution,

who is of a build to take anything, until, in a fortnight, he or she

will be a hopeless slave to the tell-all-about-everything habit. There

is nothing like the pleasing swiftness of some of our modern diseases

about it--such as heart failure, which nips you off painlessly. It is

rather like the old-fashioned New England consumption, which gives you

a hectic flush and an irritating hack, but which you can thrive on for

fifty years and then die of something else.

I never heard of a yacht which did not carry at least one of this

particular breed of bores upon every trip. I never heard of a

private-car party which was free from it. Or, if you do not carry them

with you, you meet them on the way, and they ruin the sunset for the

whole party.

Something ought to be done about it. There ought to be a poll-tax on

bores. Mothers ought to train their children to avoid lying and boring

people with equal earnestness. Infirmaries should be established for

the purpose of making the stupid interesting, or classes organized on

"How to be Brief," or on "The Art of Relating Salient Points," or on

"The Best Method of Skipping the Unessentials in Conversation."

_I_ would go, for one.

I quite envy a man who is an acknowledged bore. He is so free from

responsibility. _He_ does not care that the conversation dies every

time he shows his face. He is used to it. It is nothing to him that

clever men and women ache audibly in his presence. _He_ has no

reputation to lose. The hostess is not a friend of his, for whom he

feels that he must exert himself. A bore _has_ no friends. He is a

social leech.

It implies, first of all, a superb conceit to think anybody wishes one

to tell all about anything, but conceit is a natural attribute--a twin

brother of its sister, vanity--and everybody has it to a greater or

less degree. Indeed, the cleverest man I know--quite the cleverest--is

one who always panders to this particular foible because he recognizes

its universality. He has a country-house, which is always full of

guests, with a great many girls among them. Every afternoon, when he

drives out from town, his first sentence is, "Now come, children, and

tell me all about everything. Who has been here, and what they said,

and what you thought, and everything that has happened, including all

that is going to happen. Don't skip a word."

See the base flattery of that! Is it any wonder that his house is

always full? What bores he would be responsible for making if we were

stupid enough to do as he asks! The chief reason people do not is that

ten people cannot tell all they know about everything, even if they

want to. He is only furnished with two ears.

The dyspeptic is one who makes the most valiant effort to try. His

dyspepsia is the most important issue of the world with him, and he

_will_ talk about it. He cannot keep still and let other people enjoy

their sound digestion and healthful sleep. He will not even let other

people eat in peace. When he refuses a dish at table he must needs

tell you why--just as if you cared!

"Have some coffee, Mr. Bore?"

"No, I thank you, Madame Sans-Gene. I like coffee, but it doesn't like

me!"

Irritating, maddeningly reiterated words--the trade-mark of the

dyspeptic bore! I feel like saying, "I agree with the coffee. _I_

don't like you either!"

A dyspeptic disagrees with me as religiously as if I had eaten him.

No wonder a man is ill who never thinks or talks of anything but the

seat of his ailment, for talk about it he will, and tell you that he

cannot eat hot breads or pastry or griddle-cakes or waffles. And if

any of those adorable things which your soul loves are on the table,

he will sit and watch you eat them, with his hand on his own pulse,

and will entertain you with cheerful statements of how he would be

feeling if _he_ were eating any of the deadly poisons, until it nearly

gives you indigestion to hear him describe it.

I dare say I know plenty of women dyspeptics, as long as dyspepsia is

said to be our national ailment, but if I do I never hear them talk

about it.

Of course every woman knows that a sick man is sicker than a thousand

sick women, each of whom is twice as sick as he is. We all know that

he can groan louder and roll his eyes higher and keep more people

flying about, and all this with just a plain pain, than his wife would

do with seven fatal ailments. Then to hear him tell about it, after he

has recovered, is to imagine that he is Lazarus over again, and that

the day of miracles has returned, that he ever lived to tell the tale.

All this refers to an acute attack. But when his trouble is chronic,

and it has to do, like dyspepsia, with a man's eating!--you cannot

escape. He _will_ tell you all about it.

In the first place, dyspepsia is such a refined and lady-like trouble.

It has no disgusting details. You can refer to it at all times without

fear of nauseating your hearers. In the second place, you can count on

nearly half of your hearers having it too, as dyspepsia is almost as

catching as Christian Science.

Carlyle was the most famous of dyspeptics. But magnificent as he was

in his growling, I fancy it is more bearable to read about it than it

was for that adorable wife of his to hear him talk about it. How well

we can imagine her feelings when she wrote, "The amount of bile that

he brings home is awfully grand."

But one forgives much of his dyspeptic talk, and even allows the

mantle of one's Christian charity to cover the sins of lesser

bile-cursed men to hear how he sums up the subject:

"With stupidity and sound digestion, man may front much. But what, in

these dull, unimaginative days, are the terrors of conscience to the

diseases of the liver? Not on morality, but on cookery, let us build

our stronghold. There, brandishing our frying-pan as censer, let us

offer sweet incense to the devil and live at ease on the fat things he

has provided for his elect."

I really do feel sorry for dyspeptics when I read a thing like that. I

am not heartless. It must be a sad thing not to be able to eat lobster

and ice-cream together, and to have to say "No" to broiled mushrooms,

and not to dare to eat Welsh-rarebits after the theatre, and to have

to lock up your chafing-dish. But I do say this: unless a man can talk

of his trouble as cleverly as Carlyle--and some of the choice

dyspeptics I know can almost do that--I want them not to talk at all.

If they suffer, let them do it in silence. If they die, let them die

entertainingly, or else, I say, don't die in public.

I never see a dyspeptic with his little pair of silver scales on the

table, weighing out two ounces of meat, or one ounce of bread, and

looking like a death's-head at a feast, and talking like a

grave-digger with Yorick's skull for a theme, that I do not think of

this:

"Fantastic tricks enough man has played in his time; has fancied

himself to be most things, even down to an animated heap of glass; but

to fancy himself a dead iron balance for weighing pains and pleasures

on was reserved for this, his latter era."

THE TOO-ACCURATE MAN

Women often complain that men in society will not return measure for

measure in conversation, but stalk about dumb and unanswering, leaving

women gasping from the fatigue of entertaining them.

But I am on the side of the men. I always am. They are a misjudged and

maligned set. I approve of men keeping silence when they have nothing

to say. It shows that they recognize their limitations and refuse to

rush in where angels fear to tread.

Is not a wise silence sometimes to be preferred to the wisest speech?

Is there not often a finer eloquence in an answering silence than the

cleverest words could express?

A man who talks constantly has a thousand ways always at hand in which

to make a fool of himself. A silent man has but one, and even then

there are always those who insist upon thinking that he is silent

because of his wisdom, and not from lack of it, although Eliza Leslie

says, "We cannot help thinking that when a head is full of ideas some

of them must involuntarily ooze out."

But as a stimulus to conversation, an intelligently silent man is as

instantaneous in his effect as music or eating. Men have become famous

as conversationists who only sat and looked admiringly at vivacious

women. It is a rare accomplishment, that of wise silence. It is more

of a delicate compliment, more condensed and boiled-down flattery,

more scent of incense than the most fulsome speech. And if one's

victim is rather a voluble talker, with a reputation for wit, a man

need never rack his brains beforehand, wondering what to say, or how

he can keep up with her. Let him listen to her, with his metaphorical

mouth open in wrapt admiration, and she is his.

Silence is a weapon. It is a powerful corrective when used against a

silent person, who then sees himself as others see him. It is a

defence, used against the indiscreet, and in the hands of wise men it

is a suit of armor. Silence is never dangerous, unless, like a gun, in

the hands of a fool. How, then, can women complain of silent men,

unless they mean fools, and if they do, why not say so, and fortify

their drawing-rooms with music-boxes or magic lanterns?

But anything so negatively unhappy as silence is the least of one's

bores. One is seldom annoyed by the persistence of a silent man, for

silence often means shyness; therefore it is in our power to curtail

his usefulness. But, on the other hand, take a type of the talkative

man, the literal, too-accurate man, who insists upon finishing his

sentences, and who will stop to dot his i's and to cross his t's, and

whose dates are of more moment than his soul's salvation--can anything

be done for _him_?

"Avoid giving invitations to bores," says a clever woman, "they will

come without."

Alas, how true! The too-accurate man is ubiquitous. If you hear of

him, and refuse to meet him, it is only to find that he has married

your best friend, whom worlds could not bribe you to give up. If you

weed him out of your acquaintance, it is only to realize that he was

born into your relationship a generation ago, before you could prevent

it. Sometimes he is your father, sometimes your brother. Both of

these, however, can be lived down. But occasionally you discover that,

in a moment of frenzy, you have married him! Heaven help you then, for

"marriage stays with one like a murder!"

Imagine living all one's life with a man who relates thus the trivial

incident of having walked with a friend up Broadway last Thursday

afternoon, when he met two little boys about ten years old who asked

him to buy a paper:

"Last week--Thursday, I think it was, though perhaps it was Friday,

or, maybe, Saturday. Let me see: when did I leave my office early? It

must have been Thursday, because Friday I stayed later than usual.

Yes, it _was_ Thursday. It was about four o'clock, perhaps a little

later--a quarter after four, or maybe half-past, but I hardly think it

could have been as late as that. I think it was nearer four than

half-past. Anyway, I was walking up Broadway with a man by the name of

Bigelow. Bigelow? Bigelow? Was that his name? It commenced with B, and

had two syllables. Boswell? Blackwell? Blayney? What _was_ that

fellow's name? I never can tell a story unless I get the man's name

right. Bilton? Bashforth? Buckby? No, not Buckby, but that sounds like

it. Buckley? That's it. That was his name! I knew I'd get it. Well, I

was walking up Broadway with Buckley, and at about Thirty-fourth

Street--Wait a moment--_was_ it Thirty-fourth Street? It couldn't have

been that far up. About Thirty-second Street, I think. I don't quite

remember whether we had passed the Imperial or not. But it was within

a block of it, anyway, when we met two little boys about ten years

old--perhaps one was a little older; one looked about ten, and the

other about eleven, or perhaps even twelve, although I think ten would

come nearer to it--and they asked us in a tone between a whine and a

cry--the word whimper more nearly describes it--if we would buy either

a _Sun_ or a _World_--I've forgotten which."

Delectable as honesty is in a bank clerk, or would be in a lawyer, one

yearns for a little less accuracy in the moral makeup of the

too-accurate man; for a little of the celestial leaven of exaggeration

in the dusty dryness of his dead-level garrulousness. What difference

does it make whether the Revolutionary War took place before or after

the discovery of America, as long as you make your war anecdote

interesting? Who cares whether Napoleon or Wellington came out ahead

at Waterloo, as long as your listener is kept awake by your recital?

I related a sprightly incident only last night about a watch which

Francis the Second gave to Mary Stuart, only with my usual airy touch

I said Francis the Second gave it to Marie Antoinette! What difference

does it make? They were both Marys, and they are both dead.

A most unpleasant old party corrected me, and added: "Francis died

about two hundred years before Marie Antoinette was born."

"Then all the more of a compliment that he should have given her the

watch!" I said. And I fancy I had him there.

That is the sort of man who interrupts his wife's dinner-stories all

the way through with, "1812, my dear"; "Ouida, not Emerson"; "Herod,

not Homer"; until _I_ shouldn't be surprised to see her throw a plate

at his head. Oh, isn't it fine that one does not dare to do all the

things one feels like doing in society?

There is only one way to get even with the too-accurate man, and that

is, when he has finished his most exciting story, to say, "And then

what happened next?"

Accuracy is almost fatal to a flow of spirits. If one is obliged to

weigh one's words, one may live to be called a worthy old soul, but

one will not be in demand at dinner-parties.

The too-accurate man need not pride himself upon his honesty above his

fellow-men. Oftenest he is to be found paying lithe of mint, anise,

and cumin, and neglecting the weightier matters of the law--justice,

mercy, and truth. He strains at a gnat and swallows a camel. He is not

more trustworthy than the man whose conversation is embellished with

hyperbole, because he at least has the wit to discriminate, and the

too-accurate man is only stupid.

In essentials, the man who decorates his conversation with mild but

pleasing patterns of that style of statement made famous by one

Ananias, is to be depended upon quite as surely as the man who takes

all the sunshine from the day, and leads one's thoughts to dwell on

high, by spending ten minutes trying to recall whether he dropped that

stone on his foot before or after dinner. He, and not your own evil

nature, should be responsible for your instinctive wish that he had

happened to be toying with a bowlder instead of a small stone which

could only mutilate.

The painful accuracy which makes some men such deadly bores is a form

of monomania. It is the same sort of trouble which afflicts a

kleptomaniac. She will steal the veriest trash, just so she can be

stealing. He hoards the most useless trifles until his mind is nothing

but a garret filled with isolated bits of rubbish that nobody wants to

hear, unless one has an essay to write; and even then it is easier to

consult the encyclopaedia.

I never believe a statement made by a too-accurate man one bit more

quickly than one made by a genial, entertaining diner-out. If it were

on the subject of timetables, just between ourselves, I should take

the trouble to verify both.

THE IRRESISTIBLE MAN

To other men, the irresistible man too often means the man who

publicly ogles women. That is because men can _see_ him. But to women,

what we can see forms but a small portion of our lives. We hear more

than we see, and feel more than we hear. George Eliot says: "The best

of us go about well wadded with stupidity, otherwise we would die of

the roar that lies on the other side of silence."

But most men have to see things, and they can always see the ogling

man, and he always makes them perfectly furious. Queer, isn't it, when

the Simon Tappertits of this life are the least of the men who bore

us? In fact, I never should have thought of him if some man had not

spoken of him. And while I occasionally have been honored by the

exertions of one of these insects to attract my attention, thereby

proving that I am a woman, I can honestly say that I never remember

seeing one. Women who are capable of being really _bored_ never even

see such men; any more than if you were being roasted alive you would

care if a hairpin pulled.

It is a mistake to confound the irresistible man with the fool.

Neither is he stupid. Very often he is a man of no small amount of

brain. He is, of course, always conceited, and generally, though not

always, handsome. I am not describing the soft, sapient, pretty man

who lisps, nor the weak-kneed young gentleman with pink cheeks who

sings tenor. Far worse. The irresistible man, as _we_ know him, is

often a man who is doing a man's work in the world, and doing it well.

He is frequently a man of character, but through that character runs

this strange, irritating thread of conceit, which blinds our eyes to

whatever of real worth may be within, because of his exasperatingly

confident exterior.

We should brush him aside as carelessly as if he were a fly should

there be nothing to him worth hating. But the maddening part of it to

us is that the irresistible man is worth saving, only he will not be

saved. He thinks he is perfect as he is. If he could get our point of

view and let some woman take a hand at him, she might efface his

irresistibleness and make a man of him. But no, the irresistible man

is in this world to give points--not take them.

A queer thing about this particular type of the irresistible man is

that he nearly always has grown up in a small town and has only come

to the city because his village got too small for his talents. That of

itself explains his whole attitude towards the world. Having probably

been the "show pupil" at school, having taken prizes and ranked first

among his fellows until he was twenty-one, he brings that confident

attitude with him and plants himself in the heart of the great city,

like Ajax defying the lightning, without the thought that changed

environments might demand change of conduct as well as change in

clothes.

Doubtless the whole town helped to spoil him. Doubtless he has heard

all his life that the town was too small for him, and that a man like

himself ought to go to the city, where there would be a market for his

talents. Doubtless he has conquered the hearts of all the village

maidens; therefore he expects the same arts to win among city girls.

This system of easy victory and of yearning for other worlds to

conquer, instead of making him fit himself capably for a larger field,

has, on account of this absurd fault of irresistibleness, only made

him superficial. His crudeness is, to the uninitiated, almost pitiful.

Having never been obliged to work for pre-eminence, he descries

exertion, and never admits that he has to try hard to win anything.

His cheap little accomplishments of singing--badly--possibly even of

reciting dialect with realistic effects, he is accustomed to say he

"just picked up." I often have thought that he must have picked them

up after somebody else had thrown them away. But they have been

efficacious in his town, and in a larger field, with foemen more

worthy of his steel, they are intended to enslave.

The irresistible man is too pitiful to laugh at with any degree of

comfort. The pathos of the situation is almost too apparent. That is

one reason why he is allowed to go on as he is. It is why no one has

the heart to try to correct him. What _can_ you say to a man whose

confidence in his power to please you is such that at parting he says:

"I cannot spare you another evening this week, but I'll come next

Thursday if I can. Don't expect me, however, until I let you know, and

don't be disappointed if you find that I can't come, after all."

To be sure, you have not asked him to repeat his visit at all. To be

sure, you have nearly died during this call which is just over. But

what are you going to do? We have a white bulldog whose confident

attitude towards the world is quite like that of the irresistible man.

Jack blunders in where nobody wants him, and puts his great, heavy paw

on our best gowns, and scratches at the door when we want to sleep,

and gets under our feet when we are trying to catch a train, and makes

a nuisance of himself generally. But he is so sure that we love him

that we haven't the heart to turn him out-of-doors. We simply endure

him, because he is a dumb brute who is so used to being petted that

everybody tolerates him, and nobody tries to improve him or teach him

better manners.

Confidence is a beautiful thing. But it is also one of the most

delicate of attributes, and requires the daintiest handling. The man

who is confident with women must be very sure of a personal magnetism,

or of sufficient merit to insure success, otherwise his confidence

will prove the flattest of failures. The only difference between the

irresistible man who bores us to death and the successful man who is

so fascinating that he cannot come too often, is that one has

confidence with nothing to base it on, and the other bases his

confidence on fact.

Women are not looking for flaws in men. They are only too anxious to

make the best of sorry specimens, and shut their eyes to faults, and

to coax virtues into prominence. Men have nothing to complain of in

the way women in society treat them. They get better than they deserve

and much better than they give. So all they will have to do to win a

better opinion will be to deserve it, and, if they make never so

slight an advance, they will see that they are met more than half-way

by even the most captious critics of their acquaintance.

Adaptability is a heaven-sent gift. It is like the straw used in

packing china. It not only saves jarring, but it prevents worse

disasters, and without it a man is only safe when he is alone. The

moment he comes into smart contact with his fellow-beings there is a

crash, and the assembled company have a vision of broken fragments of

humanity, which might have remained whole and suffered no more injury

than a possible nick had the combatants been padded with adaptability.

The irresistible man is the man who thinks he can get through the

world without it. The irresistible man is the one who is so perfect in

his own estimation that he needs no change. He is beyond human help.

THE STUPID MAN

His opposite, the clever man, said to me yesterday: "You know, to be

actually interested is as likely to make one grateful as anything in

this world, unless it be a realization of the kindness of Fate in

sparing us the perpetual society of fools."

The perpetual society of fools! Think of it, and then revel, you

women, in the thought that we are only bored occasionally--once a

week, say, or once a day, or once every two hours, taking our bores as

we do ill-flavored medicine. It never occurred to me before I heard

that phrase that life held anything more wearisome than to be bored

occasionally.

From a Girl's Point of View · 第 5 / 7 段