Measure 10 mm. from the top of the highest ray of the left star towards

the top of "P" of "POSTAGE." This measurement assists in the

identification of varieties 1 and 3. Another measurement may be taken

from the left end of the horizontal cross stroke of "N" of "CENTS"

towards the "E" of "THREE," and reveals the different spacings between

the latter and "CENTS."

BACK OF BUST POINTS AT "G."

[Illustration]

Variety 1:--"PO" close. "AGE" widely spaced. Note that the

distance between "T" and the left star is further in Var. 1

than in Var. 2 or 3. "C" of "CENTS" near "E." Width of "U.

S." at top 4-1/2 mm.

Variety 2:--An additional period close to the upper end of

"S." "O" further from "P." "S" nearer "T" than in Var. 1.

"U. S." wider than in Var. 1, measuring 5 mm. across the

top. "CE" of "CENTS" wide.

Variety 3:--"PO" spaced as in Var. 2, and "U. S." as in Var.

1; but "PO" and "TA" are spaced wider than in Var. 1.

[Illustration]

Variety 4:--"O" far from "P." "S" of "POSTAGE" almost

touches inner frame line. "AGE" near.

Variety 5:--"PO" close, but "OS" very wide. "AGE" wide.

[Illustration]

Variety 6:--"ST" very widely spaced; "OS" wide; "AGE" near.

Variety 7:--"A" of "POSTAGE" has no bar; "PO" near; "OS" wide.

BACK OF BUST BETWEEN "G" AND "E."

[Illustration]

Variety 8:--This is the largest die of the series. Its

vertical measurement is 24-1/2 mm. "PO" close; "ST" close;

"AGE" widely spaced.

BACK OF BUST POINTS ALMOST AT "E."

Variety 9:--"POSTAGE" short and lettering very close. 10 mm.

measured from the top of "P," reaches "E."

PROOF SET.

It may be of interest to collectors of entire envelopes to mention that

a set of envelopes has been catalogued under the supposition that they

were regularly issued, but they are now generally believed to be

proofs. They are all buff paper and are Var. 8. The following knives

and sizes exist:[D]

S. 3, Knife 3, 221 × 97 mm. Official.

S. 7, " 13, 224 × 96 mm. "

S. 8, " 14, 241 × 100 mm. Extra Official.

S. 8, " 15, 249 × 104 mm. " "

S. 8, " 16, 260 × 110 mm. " "

S. 8, " 17. 271 × 118 mm. " "

Letter sheets on blue and white paper with this die are essays or trial

printings.

FOUR CENTS.

ONE CENT BLUE (FRANKLIN) AND THREE CENTS RED (WASHINGTON).

The reason for the issue of this, the only compound stamp of the U. S.

Post Office, has already been stated in the introduction to the one

cent. The two stamps were impressed side by side, the one cent to the

left and the three cents to the right. The Department issued two sizes

of these rather scarce compounds, officially called size 2 and 3. Of

the first there exists but one knife, i.e. knife 8 (137 × 77 mm), and

of the second two knives, i.e. knives 2 and 9, both measuring 139 × 83

mm. All envelopes exist on white and buff paper, except perhaps variety

5. There are five different combinations of these compounds, which are

as follows:

ONE CENT. THREE CENTS.

Variety 1. 3 × 8

Variety 2. 4 × 4

Variety 3. 6 × 8

Variety 4. 8 × 1

Variety 5. 10 × 8

It will be noted that the same variety of the three cents is used with

three different combinations of the one cent. By far the rarest of the

entire series is variety 5 which represents the Franklin die, in which

the back and front of the bust cut into the inner frame line. The

writer has seen a few copies of this variety on white paper but none on

buff.

From the reports of the Postmaster-General it has been ascertained that

the compound stamp was issued only during fifteen months, ending June

30, 1863. On account of the short time that these envelopes remained on

sale but 127,250 were issued. This explains their rarity.

SIX CENTS: RED.

HEAD OF WASHINGTON: SIX RAYED STARS FOR SIDE ORNAMENTS.

OVAL 20 × 24 MM.

This die, which was in use from October, 1860, to August 15, 1861,

presents us with a new head, which was retained for the next higher

denomination, the ten cents, green. Why the head used for the three

cents was abandoned by the die maker we do not know. The principal new

feature is a very short heavy front-lock which ends far from the

ear-lobe. In addition to the front-lock there are three long clusters

of hair in the front and four in the rear, of which the two lowest

reach into the queue. From the middle of the side-lock extends the

wedge-shaped lowest front-lock. It slants but a little distance across

the ear-lobe. A long straight lock, made up of three strands, runs from

the ear-lobe into the queue. The size of this envelope is "Official" or

No. 7, measuring 221 × 98 mm. It is found both on white and buff paper

and is very rare.

TEN CENTS: GREEN.

HEAD OF WASHINGTON; SIX RAYED STARS FOR SIDE ORNAMENTS.

OVAL 20 × 24 MM.

Envelopes bearing the ten cent die were issued from October, 1860, to

August 15, 1861. As has already been stated the head is the same as

that of the preceding die, but the envelope is different. It is the

common knife 2, or "Full Letter," measuring 139 × 83 mm. The paper is

white or buff. Of the two, the former is the rarer.

Before taking up the next issue it may be well to remind the collector

that the three cents, six cents and ten cents have been reprinted, not

on entire envelopes, but on pieces of paper vertically laid, while the

originals are on diagonally laid paper.

A REFERENCE LIST OF ENTIRE ENVELOPES AND WRAPPERS OF THE SERIES OF

1860.

ENVELOPES.

ONE CENT, BLUE.

No. Paper. Knife. Size. Dimensions. Gum. Remarks.

VAR. 1.

157 B 2 3 139 × 83 U

158 B 2 3 " " G

VAR. 2.

159 B 2 3 139 × 83 U

160 B 2 3 " " G

VAR. 3.

161 B 2 3 139 × 83 U

162 B 2 3 " " G

163 B 5 3 " " G

VAR. 4.

164 B 2 3 139 × 83 U

165 B 5 3 " " U

166 B 5 3 " " G

VAR. 5.

167 B 2 3 139 × 83 U

168 B 2 3 " " G

169 B 5 3 " " G

VAR. 6.

170 B 2 3 139 × 83 U

171 B 2 3 " " G

172 B 5 3 " " U

173 B 5 3 " " G

174 B 9 3 " " U

175 B 9 3 " " G

VAR. 7.

175a B 2 3 139 × 83 U

176 B 5 3 " " U

177 B 5 3 " " G

VAR. 8.

178 B 2 3 139 × 83 U

VAR. 9.

179 B 2 3 139 × 83 U

180 B 5 3 " " U

181 Y.B. 5 3 " " U

182 Or 2 3 " " U Wove paper, no wmk.

183 L.Or 5 3 " " U " " "

VAR. 10.

184 Or 11 3 139 × 83 G

VAR. 11.

185 B 11 3 139 × 83 G

VAR. 12.

186 B 11 3 139 × 83 G

THREE CENTS, RED.

VAR. 1.

187 W 7 2 137 × 77 G

188 W 8 2 " " G

189 B 8 2 " " G

190 W 2 3 139 × 83 G

191 B 2 3 " " G

VAR. 2.

192 W 7 2 137 × 77 G

193 B 7 2 " " G

194 W 8 2 " " G

195 B 8 2 " " G

196 W 2 3 139 × 83 G

197 B 2 3 " " G

VAR. 3.

198 W 6 1 118 × 65 G

199 W 1 1 120 × 73 G

200 W 2 3 139 × 83 G

201 B 2 3 " " G

VAR. 4.

202 B 7 2 137 × 77 G

203 W 8 2 " " G

204 B 8 2 " " G

205 W 2 3 139 × 83 G

206 B 2 3 " " G

VAR. 5.

207 W 2 3 139 × 83 G

208 B 2 3 " " G

VAR. 6.

209 W 2 3 139 × 83 G

210 B 2 3 " " G

VAR. 7.

211 W 6 1 118 × 65 G

212 W 1 1 120 × 73 G

213 W 7 2 137 × 77 G

214 B 7 2 " " G

215 W 2 3 139 × 83 G

216 B 2 3 " " G

VAR. 8.

217 W 7 2 137 × 77 G

218 B 7 2 " " G

219 W 8 2 " " G

220 B 8 2 " " G

221 W 2 3 139 × 83 G

222 B 2 3 " " G

VAR. 9.

223 W 7 2 137 × 77 G

224 B 7 2 " " G

225 W 8 2 " " G

226 B 8 2 " " G

227 W 2 3 139 × 83 G

228 B 2 3 " " G

FOUR CENTS, RED AND BLUE.

VAR. 1.

229 W 9 3 139 × 83 G Var. 3 of 1c. and 8 of 3c.

230 B 9 3 " " G " " "

VAR. 2.

231 W 2 3 139 × 83 G Var. 4 of 1c. and 4 of 3c.

232 B 2 3 " " G " " "

VAR. 3.

233 W 2 3 139 × 83 G Var. 6 of 1c. and 8 of 3c.

234 B 2 3 " " G " " "

VAR. 4.

235 W 8 2 137 × 77 G Var. 8 of 1c. and 1 of 3c

236 B 8 2 " " G " " "

VAR. 5.

237 W 8 2 137 × 77 G Var. 10 of 1c. and 8 of 3c.

238 B 2 3 139 × 83 G " " "

SIX CENTS, RED.

239 W 3 7 221 × 98 G

240 B 3 7 " " G

TEN CENTS, GREEN.

241 W 2 3 139 × 83 G

242 B 2 3 " " G

WRAPPERS.

ONE CENT, BLUE.

Horizon'ly Dist'ce of

or Vertic'ly st'p from

No. Paper.[E] Dimensions. Laid. Edge. Remarks.

VAR. 3.

243 S.B. 148 × 225 H 35

244 S.B. " " V 35

245 S.B. " " H 35 Unwatermarked.

246 A.B. 151 × 257 H 35 "

247 Y.B. 148 × 225 H 35

248 Y.B. " " V 35

249 Or 151 × 257 H 36 Unwatermarked.

250 Or " " V 36 "

251 Or " " Wove 36 "

VAR. 4.

252 B 148 × 232 V 38

253 Y.B. 152 × 257 V 120

253a C.M. " " V 120

VAR. 5.

254 B 148 × 227 H 39

VAR. 6.

255 B 148 × 227 H 39

256 B " " V 39

257 C.M. " " H 68-71

258 Y.B. " " H 33-37

259 Y.B. " " V 33

260 W " " V 38 Very rare. But

one copy known.

VAR. 7.

261 Y.B. 151 × 227 H 35

262 Y.B. " " V 35

263 C.M. " " H 71

VAR. 8.

264 B 148 × 227 H 39

VAR. 9.

265 C.M. 148 × 225 H 68-71

266 C.M. " " Wove 71 Unwatermarked.

267 B " " H 39

268 B " " V 39

269 B " " V 70

270 Or 180 × 260 44 Unwatermarked.

270a Or 180 × 260 H 48 "

VAR. 10.

271 C.M. 148 × 225

VAR. 12.

272 B 148 × 225

FOOTNOTES:

[Footnote D: The Knives, Nos. 13, 14, 15, 16 and 17 are those of the

list in the CATALOGUE FOR ADVANCED COLLECTORS and are not referred to

in the National Society's list.]

[Footnote E: The abbreviations used to designate the papers are:

W--white; B--buff; A.B--Amber-buff; S.B--salmon-buff; Y.B--yellow-buff;

Or.--orange and C.M--coarse manila.]

THIRD ISSUE: 1861.

In the report of the Postmaster-General for the fiscal year 1861, it is

stated that the three, six and ten cent dies would be changed, and the

new ones were issued August 15th, 1861. They remained in use till

September, 1864. Another important change was the abolishing of the

former ten cents, or California, rate which took place shortly after

July 1st, 1863.

In addition to these new dies, the Post Office introduced the following

new denominations: i.e. 12, 20, 24 and 40 cents. These latter appear on

large sized envelopes, known to the cataloguers as Knives 14--Size 7,

"Official," 19--Size 8, "Extra Official," and 20--Size 8, "Extra

Official." The 1861 report says that the large envelopes were intended

for the purpose of mailing large packages and for foreign

correspondence. The total issue amounted to 20,000.

THREE CENTS, ROSE.

Head of Washington facing to left. Inscriptions in outline, block

letters. "United States" above: "Three Cents" below, separated on each

side by a small circle containing a colorless numeral of value.

The die is an oval measuring in

Die A:--23 mm. or less in width.

Die B:--23 1/2 mm. or more in width.

Die A includes varieties 1 to 7.

Die B includes varieties 8 to 17.

As in former issues, the engraver has presented the collector with

various heads which differ in the arrangement of the hair but, as in

addition to these minor details the lettering of the various dies is a

far more essential feature, it has not been thought necessary to

reproduce the heads.

To find the main varieties the following system, based on line

prolongation, has been adopted:

Draw a straight line along the outer vertical stroke of the final "E"

of "THREE" and note its position with regard to letters "D," "S" and

"T" of " UNITED STATES." This establishes four main groups or classes.

Class I.--The line runs to the left of "S" of STATES.

Class II.--The line passes through "S."

Class III.--The line touches the upper bar of "T" to left.

Class IV.--The line runs through centre of "T" or beyond it.

[Illustration: I, II, III, IV]

The varieties of this die are, furthermore, plainly differentiated by

the size of the letters used for the inscription. There are three

sizes:--very tall letters, medium size, and decidedly small letters.

Even a cursory observation reveals various shapes of the letter "C" of

"CENTS," and "D" of "UNITED." Likewise, the spacing between the words

and the distance from the words to the circles containing the numerals

of value vary considerably.

Formerly the existence of a broken circle at the side was chronicled as

one of the most noteworthy varieties, but this feature is of little

value. The philatelist may, however, be interested to hear the opinion

of Messrs. Tiffany, Bogert and Rechert: "We have concluded that only

two varieties are worthy of a place in our list. The others, though

existing, are too minute to interest the average collector."

The above statement only proves that Horace is right when he assures us

"_Quandoque bonus dormitat Homerus_." Now and then the best experts are

asleep! In the writer's opinion all the varieties of the three cents

rose cannot fail to interest the collector, and no two can be singled

out as being of more or less importance.

By using a 10 mm. unit distance measurement, we detect numerous other

varieties, of which some are shown in the subjoined diagram.

[Illustration]

We are now prepared to study the several varieties of Dies A and B.

DIE A.

CLASS II.

[Illustration]

Variety 1:--Elongated "C" without dot in centre. The

lettering is large. Wide, open "U." "NITE" widely spaced,

especially "TE." "ED" near. "U" far from "3." "DS" near. "S"

of "STATES" near "3." "T" of "THREE" far from "3." "HR"

wide. "RE" wide at top. "NT" wide at base. "S" large and far

from "3." Uncommon on white, very rare on buff.

Variety 2:--Open, short "U." Large, wide open "C." Small

lettering. Wide, open "U," and far from "3." "NITE" widely

spaced. "TAT" well spaced at top. "S" near "3." "T" of

"THREE" near "3." "EC" wide. "C" of "CENTS" is tall, well

rounded, and its ends are far apart. "S" of "CENTS" far from

"3." Found on white and buff paper, quite rare.

CLASS III.

Variety 3:--Smallest letters; "S" of "CENTS" not so near as

in Var. 4. "U" very small, contracted at top, and far from

"3." "UNITE" evenly spaced; "ED" wide at top and "D" in an

almost vertical position. "DS" wide. "TA" of "STATES" wide

at top. "T" of "THREE" near "3." "EC" wide. "C" small and

wide open. "C" far from "E." "TS" close at top. Common on

both papers.

[Illustration]

Variety 4:--Similar to variety 3. "S" of "STATES" nearer

circle. The lettering of this variety is like that of

Variety 3, but "U" of "UNITED" is nearer "3" and "S" of

"CENTS" close to "3." Note also that the top stroke of the

"T" of "THREE" is shorter on the left than on the right.

Found only on buff, but quite common.

CLASS IV.

Variety 5:--"U" very near circle. Rather small letters.

Space between bars of "U" narrow. "NI" wide at top. "DS"

near. Final "S" of "STATES" near "3." "T" of "THREE" very

far from "3." "C" small, open and end poorly rounded. "EC"

wide. "S" of "CENTS" far from "3." Perhaps the rarest of all

the varieties.

Variety 6:--"C" large, well formed, and far from "E."

Similar to Variety 5. "U" further from "3," more open, and

larger than in Variety 5. "C" well rounded and large. "S" of

"STATES" large.

[Illustration]

Variety 7:--Elongated "C" with dot in centre. Large

lettering. "U" nearly horizontal and near "3." This variety

has several characteristic features. 1st:--"TS" of "CENTS"

is very widely spaced at base; 2nd:--"C" of "CENTS" is tall,

straight and oval shaped. 3rd:--The left cross stroke of "T"

of "THREE" is very short, and the letter is out of

proportion to those of the rest of the inscription. "EE" of

"THREE" widely spaced. "D" is large and slants decidedly to

the left. "DS" close. Final "S" of "STATES" near "3." "EC"

wide. "S" of "CENTS" far from "3."

DIE B.

Excepting perhaps numbers 9 and 14, the lettering of the varieties of

this class is generally large.

CLASS I.

[Illustration]

Variety 8:--Widest space between "S" of "CENTS" and circle.

"U" narrow and tall, and in a nearly horizontal position;

first bar much thicker than the second. "D" of "UNITED" well

rounded at top. "DS" near. "S" in vertical position. Wide

distance at base of letters "TE" of "STATES." "ES" close,

and "S" near "3." "T" of "THREE" has a long crossbar and is

far from "3." "HR" widely spaced, but "R" and "E," as well

as "T" and "S" almost touch at top. "EC" near. "C" of

"CENTS" is large, oval and open.

CLASS II.

[Illustration]

Variety 9:--Circular "C." Smallest lettering in Die B, "U"

near circle. "U" small, short and near "3." "TE" almost

joined at top. "DS" close. "STATES" spaced closely, and

final "S" far from "3." "T" of "THREE" slender and far from

"3." "HR" wide. "EC" near. "C" of "CENTS" small, almost

circular, and its end-curves close together. "S" far from

"3." There is often a white dot over the centre of "R" of

"THREE."

Variety 10:--"U" nearly touches circle. Medium large

lettering. "U" very close to "3;" it is long and wide open.

"NT" widely spaced. "DS" wide at top. "T" of "THREE" far

from "3." "RE" widely spaced. "EC" near. "C" of "CENTS"

round with a wide space between the end-curves. Wide space

between "C" and "E." "S" far from "3." "ENTS" appear smaller

than the other letters.

[Illustration]

Variety 11:--"EC" very wide; "U" rather small. Large

lettering. "U" narrow and far from "3." "D" of "UNITED"

large and rounded, and "ED" close. "DS" close. Note in

"STATES" wide space between "T" and "E." "ES" close at base.

"S" far from "3." "T" of "THREE" near "3." "HRE" well

spaced. "C" of "CENTS" round; top curve, short. "S" near

"3."

Variety 12:--"U" far from circle. Large, round "C" close to

"E." Large lettering. Second bar of "U" thinner than first.

"UNIT" closely spaced; "ED" wide at top. "DS" near. "ST" of

"STATES" close. The entire word "STATES" is very closely

spaced. "S" far from "3." "T" of "THREE" near "3." Note that

"RE" are close at top. "EE" close. "N" is unusually broad.

"TS" almost touch. "S" far from "3."

[Illustration]

Variety 13:--There is generally a dot under right circle.

Large lettering. "U" near "3" "UNITED" closely spaced. "DS"

near. "STATES" is also closely spaced. "S" near "3." "T" of

"THREE" short and near "3," and "TH" wide at base. "REE"

well spaced. "EC" near. "C" of "CENTS" elongated, tipped to

the left, and its end curves wide apart. "CE" well spaced,

but "ENTS" close. "S" near "3." There is frequently a dot

after "S" of "CENTS." Found on white and buff.

CLASS III.

[Illustration]

Variety 14:--"U" very far from circle. Small letters. "U" of

"UNITED" small and contracted. "UNITED" is closely spaced,

but "ED" is wide at top. "DS" near. Excepting "ST" the rest

of "STATES" is also closely spaced. "S" near "3." "T" of

"THREE" close to "3." "TH" near. "HREE" well spaced. "C" of

"CENTS" is small and its curves short. "S" far from "3."

CLASS IV.

[Illustration]

Variety 15:--"S" of "STATES" very far from circle. "U" near

circle. "UNI" close. "T" has a long top stroke and "TED"

wide at top. "DS" near. "S" large; "AT" spaced, and base of

"E" short. "T" of "THREE" small and near "3." "TH" wide.

"RE" close at top, "EC" near. "C" of "CENTS" is tall and its

end-curves wide apart. "CE" wide. "S" near "3."

[Illustration]

Variety 16:--Largest "C." "RE" and "TS" joined. Large

lettering. This variety has a wide color margin both above

the upper inscription and below the lower one. "UNITED"

close. "DS" near. "STATES" close. "S" close to "3." "T" near

"3." "RE" nearly joined at top. "EC" near. "C" large, broad

and the lower curve considerably longer than the upper one.

"CE" close. "TS" touch at top. "S" far from "3."

Variety 17:--Large square "D." "C" far from "E." "U" is

close to "3," "U" contracted. "UNITED" close and "TE" touch

at top. Note that "D" is nearly square. "DS" near. "STATES"

close. "T" near "3." "HR" well spaced. "C" rather small and

far from "E." "NTS" close; "TS" touch. "S" near.

The subjoined tables are added merely to aid the collector in

recognizing the different varieties:

LETTERING.

Very small:--Varieties 3, 4.

Medium:--Varieties 5, 6, 9, 14.

Large:--Varieties 2, 7, 8, 10, 11, 13, 15, 17.

Very large:--Varieties 1, 12, 16.

DISTANCE FROM "U" TO LEFT CIRCLE.

1) Close:--Varieties 5, 10.

2) Medium:--Varieties 4, 6, 7, 8, 9, 11, 13, 15, 16, 17.

3) Far:-- Varieties 1, 2, 3, 12, 14.

Varieties 2, 3, 4, 5, 6, 7 and 17 are found on Knife 2 only.

SIX CENTS, Rose.

The design of the SIX CENTS is very similar to the last one, but the

numerals at sides are in ovals. The lettering is also in outline block

capitals. No varieties of this die exist.

In the beginning of the year 1861, Nesbitt produced new dies of the 12,

20, 24 and 40 cents values, and later, in August, the 10 cents. No

varieties of these dies exist. The design consists of an horizontal

oval, 27-1/2 × 25 mm. showing the bust of Washington in an upright,

colored oval, surrounded by a broad, colorless band 3-1/2 mm. wide,

inscribed in colored block capitals, with the value above and "U. S.

POSTAGE" below. At each side is a circle with colored numerals. The

ornaments above and below the circles consist of branches with seven

leaves each.

With the exception of the Ten Cents, the new stamps are bi-colored:

i.e.

12 cents: brown and red.

20 " blue and red.

24 " green and red.

40 " black and red.

A REFERENCE LIST OF THE ENTIRE ENVELOPES AND LETTER SHEETS OF THE

SERIES OF 1861.

ENVELOPES.

THREE CENTS, ROSE.

No. Class. Die. Paper. Knife. Size. Dimensions. Remarks.

VAR. 1.

273 2 A B 7 2 137 × 77

274 " " W 2 3 139 × 83

275 " " " 11 3 "

276 " " B 11 3 "

VAR. 2.

277 2 A W 2 3 139 × 83

277a 2 A B 2 3 "

VAR. 3.

278 3 A W 1 1 120 × 73

279 " " W 2 3 139 × 83

280 " " B 2 3 "

VAR. 4.

281 3 A B 2 3 139 × 83

VAR. 5.

282 4 A W 2 3 139 × 83

283 " " B 2 3 "

VAR. 6.

284 4 A W 2 3 139 × 83

285 " " B 2 3 "

VAR. 7.

286 4 A W 2 3 139 × 83

287 " " B 2 3 "

VAR. 8.

288 1 B W 1 1 120 × 73

289 " " W 1 1 " Wove paper, no wmk.

290 " " W 10 1 122 × 76

291 " " B 7 2 137 × 77

292 " " W 2 3 139 × 83

293 " " W 2 3 " No wmk.

294 " " B 2 3 "

295 " " Or. 2 3 "

296 " " W 5 3 "

297 " " B 5 3 "

298 " " W 9 3 "

299 " " B 9 3 "

300 " " W 12 5 160 × 90

301 " " W 12 5 " No wmk.

302 " " B 12 5 "

303 " " B 12 5 " No wmk.

304 " " Or. 12 5 " " "

VAR. 9.

305 2 B W 2 3 139 × 83

306 " " B 2 3 "

307 " " W 9 3 "

VAR. 10.

308 2 B W 6 1 118 × 65

309 " " W 1 1 120 × 73

310 " " W 7 2 137 × 77

311 " " B 7 2 "

312 " " W 2 3 139 × 83

313 " " B 2 3 "

314 " " W 5 3 "

315 " " B 5 3 "

316 " " B 12 5 160 × 90

VAR. 11.

317 2 B W 2 3 139 × 83

318 " " B 2 3 "

319 " " B 9 3 "

320 " " W 12 5 160 × 90

321 " " B 12 5 "

VAR. 12.

322 2 B W 6 1 118 × 65

323 " " W 1 1 120 × 73

324 " " W 10 1 122 × 76

325 " " W 2 3 139 × 83

326 " " B 2 3 "

326a " " W 5 3 "

VAR. 13.

327 2 B B 3 [HW: 3] 137 × 77

327a " " W 2 [HW: 3] 139 × 83

328 " " B 2 3 "

329 " " B 9 3 "

VAR. 14.

330 3 B W 6 1 118 × 65

331 " " W 1 1 120 × 73

332 " " W 7 2 137 × 77

333 " " W 2 3 139 × 83

334 " " B 2 3 "

VAR. 15.

335 4 B B 2 3 139 × 83

336 " " W 9 3 "

337 " " B 9 3 "

VAR. 16.

338 4 B W 7 2 137 × 77

339 " " W 2 3 139 × 83

340 " " B 2 3 "

341 " " W 9 3 "

342 " " B 9 3 "

VAR. 17.

343 4 B W 2 3 139 × 83

344 " " B 2 3 "

SIX CENTS, ROSE.

No. Paper. Knife. Size. Dimensions. Remarks.

345 W 3 7 221 × 98

346 W 3 7 " No wmk.

347 B 3 7 " Also left over right flap.

348 B 3 7 " No wmk.

349 W 21 7 225 × 98

350 B 21 7 " Also horizontally laid.

TEN CENTS, GREEN.[F]

351 W 2 3 139 × 83

352 B 2 3 "

353 W 11 3 "

354 B 11 3 "

355 A 11 3 "

356 W 5 3 "

357 B 5 3 "

358 W 9 3 "

359 B 9 3 "

TWELVE CENTS, BROWN AND RED.

360 A 19 7 226 × 97

TWENTY CENTS, BLUE AND RED.

361 A 14 8 241 × 100

TWENTY-FOUR CENTS, GREEN AND RED.

362 A 20 8 249 × 104

363 S.B. 20 8 "

FORTY CENTS, BLACK AND RED.

364 A 20 8 249 × 104

365 S.B. 20 8 "

* * * * *

LETTER SHEETS.

THREE CENTS, ROSE.

No. Class. Die. Paper. Dimensions. Remarks.

VAR. 8.

366 1 B Blue 256 × 205 Letter size.

367 " " " 205 × 171 Note "

VAR. 10.

368 2 B Blue 256 × 205 Letter size.

369 " " " 205 × 171 Note "

FOOTNOTES:

[Footnote F: The shade of green varies greatly in these envelopes.]

FOURTH ISSUE: 1863 AND 1864.

The Act of March 3rd, 1863, establishing a two cent rate for drop

letters and abolishing the carrier's fee, made the issue of a two cent

stamped envelope and wrapper imperative. The new die appeared about the

middle of 1863, and is a miserable caricature of Jackson, facing the

left. The inscriptions are "U. S. POSTAGE" above, and "TWO CENTS"

below, in colorless, block letters. We may as well state at once that

in the next year (1864), the design, though retaining Jackson's bust,

was altered, and the upper inscription changed to read "U. S. POST."

Both of these issues have a number of varieties, but of the two the

design inscribed "U. S. POST" is by far the most interesting, and any

philatelist who devotes some study to this, the "spoiled child" of the

Post Office, will quickly be fascinated with it. Indeed, a fine

collection of these die varieties must be a revelation to those

philatelists who have, so far, kept aloof from collecting them under

the specious plea that such collection required too much study and

labor, and the differences were mere gossamer threads woven by the

overwrought imagination of some wild enthusiast. It is undeniable that

until recently the multitude of Jackson varieties--unclassified and

jumbled together as they were--did not present an inviting field for

the general collector. But that difficulty has now been overcome, and

we have the various designs grouped into distinct classes, which even

an untrained person can recognize at a glance.

The Die Varieties of the Nesbitt Series of United States Envelopes · 第 3 / 6 段