CHAPTER XIV.

MARRIAGE.

Girls and marriage—Young men—The marriage

ceremony—Match-making—Betrothal—The bride’s property—Wedding

decorations—The nuptials—Wedding supper—Congratulations—Post-nuptial

parties—Japanese style of engagement—The advantages of the

go-between system—The go-between as the woman’s deputy—The

go-between as mediator—Marriage a civil contract in Japan—No

honeymoon—The Japanese attitude towards marriage.

Marriage is the turning-point of a woman’s life in Japan in a far

greater degree than it is in western countries, for the simple reason

that she has as yet few openings for earning an independence. Girls

are brought up with a view to marriage and are early taught the duties

of wife and mother. They look upon the wedded state as their lot in

life and are prepared to enter sooner or later into matrimony. There

are not many women who remain single all their lives. Girls of the

poorer classes find employment at factories, if they are strong

enough; others become waitresses at inns, restaurants, tea-houses, and

other places of entertainment, or enter domestic service; but even

these find mates in time. Of women in other callings, such as

hair-dressers, midwives, and seamstresses, the majority are married

or widowed. For girls of the better classes the scope outside of

matrimony is narrow indeed. They may teach in elementary schools,

or take private pupils, if they have the requisite knowledge,

for instruction in needlework, etiquette, flower arrangement,

tea-ceremony, or music, or else they can only be dependent on parents

or relatives. But as the latter alternative which would be the fate of

most girls is irksome, they naturally choose wedlock as the best means

of escape from dependency or precarious livelihood. And that they,

however homely they may be, succeed in finding husbands is due to the

go-between system.

But it is not the girls alone who feel the inevitableness of

marriage. Men are also in a like predicament. Bachelorhood has none

of the ease and comfort which often attach to it in the West. Life in

hotels and lodging-houses is both uncomfortable and insecure; for the

doors, being all sliding-doors, cannot be locked, and consequently one

is always liable to intrusion at any hour of day or night by other

inmates of the house. Flats are, from the very structure of Japanese

houses, impracticable. In some houses there are rooms to let; but

meals are seldom provided. The only way is to rent a house, but then

housekeepers as such are unknown. To leave the house in the care of

ordinary servants is both uneconomical and inconvenient, for they

are not likely to stint themselves or be thrifty; they would, on the

contrary, rather be wasteful so as to be popular with the tradesmen;

and far from keeping the house tidy as all Japanese houses need to be,

they would not sweep or clean more than they could help. Indeed, from

the appearance of the house one can always tell if it has a mistress

or other responsible overseer. A bachelor can have a comfortable

establishment, it is true, by placing it under the management of a

near relative; but a sister would herself wish to marry and would not

therefore be its permanent head, while a mother or aunt would prefer

to put it under a wife and lead a life of greater ease and leisure.

A mother, moreover, would naturally wish to see her grandchildren.

Besides, a bachelor in fair circumstances is as a rule so pestered by

go-betweens that unless he is resolutely set against marriage, he is

often mated before he knows his own mind.

Thus, marriage is looked upon as an inevitable fate by both sexes.

In a country like Japan where ceremony envelops every phase of life,

such an important event as a wedding is, as may be expected, governed

at every step by strict etiquette, and to celebrate it in proper style

one needs to call in a regular professor of etiquette. But though

weddings in high society are still perplexing tangles of formalities,

the tendency to-day among the middle classes is to strip them as much

as possible of unnecessary ceremony. It is, in fact, difficult at the

present moment to give the exact procedure which is followed in

an ordinary wedding as it is frequently modified by mutual agreement

between the parties concerned; but the following may be taken as a

fairly accurate description of the usual procedure in these days.

[Illustration: BETROTHAL PRESENTS. (FROM A PICTURE BY SUKENOBU,

1678–1751)]

A young man in search of a wife, or oftener his parents, would ask

friends to look for a likely girl; or it may be the father of a

marriageable girl who asks his friends to find an eligible young man;

or a man who thinks a match might be made between two young people of

his acquaintance may propose a marriage to their parents. If, in these

cases, the parents think a suitable match may be made, they ask a

mutual friend to act as the go-between; or in the absence of such a

friend, it is almost always possible to find some one who knows the

acquaintances of both parties. The go-between must be a married man,

as the duties of the office at the wedding devolve more heavily upon

the wife than upon the husband. The go-between then brings about a

meeting between the proposed lovers. This takes place at a theatre or

other place of entertainment, or in temple-grounds, a restaurant, or

some public resort, especially where the flowers of the season are in

bloom. Both parties, consisting of the young people and their parents

or relatives, meet there as if by accident, and the go-between

introduces them casually to each other as his friends. Here the

would-be lovers have a good look at each other; and if they are

mutually pleased, they signify that fact afterwards when the

go-between calls at their houses to hear the result of the meeting.

But before the final decision is made, the two families make private

inquiries through their friends in each other’s neighbourhood, usually

of the tradesmen the other deals with, as to its social standing

and repute and the life and character of the young man or girl in

question. They must be quite sure that the information thus obtained

bears out the go-between’s statements; for the go-between so

frequently draws too favourable a picture of the standing of the

families and the ability and accomplishments of the proposed couple

that the expression “the go-between’s fair words” has become

synonymous with gross exaggeration. If the families are not satisfied,

the match is broken off; but if they are pleased with each other, the

go-between is asked to look up a lucky day for the formal

proposal. Nowadays the photographs are first exchanged and if they

are found satisfactory, inquiries are made before the meeting is

arranged.

[Illustration: THE BRIDAL PROCESSION. (FROM A PICTURE BY SUKENOBU)]

On the appointed day a messenger, a trusted friend or servant of the

young man’s family, calls on the girl’s father and makes a formal

proposal, bringing at the same time a present of silk dresses, an

_obi_, fish, and _sake_; the father accepts the present and gives

a receipt for it. This acceptance constitutes the consent to the

marriage. He also makes a present to the other family. Soon after, he

invites his relatives and intimate friends to a dinner, at which he

announces the betrothal of his daughter. Preparations are then made

forthwith for the wedding; and when they are completed, another

gathering of relatives and friends with their wives takes place

and the dresses and other requisite articles for the marriage are

exhibited; and the meeting, especially the female section of it,

criticise and offer advice if necessary on these preparations.

Now all is complete; and an auspicious day has been fixed for the

wedding. The bride’s property is sent on to the bridegroom’s a day or

two previously. It consists of chests of drawers and several boxes

containing her dresses, bedding, toilet articles, various utensils

needed for tea-making and flower arrangement, a _koto_, and

work-boxes, and sometimes even kitchen utensils. In the evening she

leaves her father’s home. Formerly she went in a palanquin; but now

she is conveyed in a jinrikisha or carriage. She is accompanied by

friends and relatives. She is dressed in white or some other light

colour. In the country a bonfire is lighted at the door, and she is

escorted by torchlight; but in the city only lanterns are carried.

On reaching the bridegroom’s house, the bride is led into the

toilet-room to rest herself a while and touch up her toilet. Then she

is shown into the room where the wedding ceremony is to take place.

The arrangement of the room varies with the school of etiquette; but

usually there are offerings to the Gods on the dais of the alcove.

They comprise two round cakes of pounded rice in the middle, with a

stand of consecrated _sake_ a little in front on either side, and at

the back a stand each of fish (a carp or _tai_) and fowl (a

pheasant or snipe). There are, besides, a couple of black-lacquered

cabinets with writing materials, a small wash-basin, and tea-utensils.

There also stands a large flat porcelain dish with legs, on which are

planted a miniature pine, bamboo, and plum-tree, with a tortoise at

the base and a crane flying above. The pine, being an evergreen,

signifies longevity, the bamboo, from its pliancy, gentleness, and the

plum-tree, which blooms while there is yet snow on the ground, denotes

fidelity in adversity. The crane which is supposed to live a thousand

years and the tortoise whose life is said to last ten times as long,

both symbolise longevity. In the foreground are an old couple,

Takasago by name, who are the Darby and Joan of the Japanese legend,

the husband with a rake and the wife with a broomstick. The whole

stand is then emblematic of long life, happiness, and conjugal

fidelity.

[Illustration: THE WEDDING PARTY. (FROM A PICTURE BY SUKENOBU)]

As soon as the bride takes her seat, the bridegroom enters and sits

too, in front of her according to one school of etiquette, or beside

her according to another. They are attended by waiting-women, by

children, or by the go-between and his wife only. Two trays each

are set before the new couple. The plats which have each a special

significance it would take too much space to describe here. But the

most important part of the ceremony takes place after the trays have

been carried in. A set of three flatfish wooden cups are brought, and

the top or smallest cup is filled with the consecrated _sake_ which

has in the meantime been taken down from the dais and poured into a

couple of iron or bronze pots with long handles. It is handed to the

bride who drinks it; the same process is repeated twice, so that she

drinks from the cup three times. Then the bridegroom, too, drinks

three times from it. The second cup is next given to the bridegroom

who again drinks three times and is then handed to the bride who does

the same. Finally, the third and largest cup is set first before the

bride and then before the bridegroom, who each again drinks three

times. Thus, both the bride and the bridegroom have drunk three times

from each of the three cups. This process, which is called “three

times three,” constitutes the essential part of the ceremony and joins

the two in wedlock.

[Illustration: THE EXCHANGE OF CUPS. (FROM A PICTURE BY SUKENOBU)]

When they have exchanged cups, the bride and the bridegroom retire

and change their dresses. They then enter the room where the wedding

guests are being entertained. They receive their congratulations and

sit with them for a while. They are expected to eat and drink with

them; but they retire before long to the bridal chamber. The

go-between and his wife assist them and come down afterwards to report

to the assembled guests that the happy couple have been put to bed.

The guests then take their departure shortly after this announcement.

Next morning the bride is up betimes to send a messenger to her father

to announce that the wedding has taken place without a hitch; and the

father too, before the arrival of the messenger, sends to ask after

the welfare of his daughter and son-in-law. He sends presents to the

members of his daughter’s new home. She receives the congratulations

of her friends.

On the following day the friends and relatives and their wives are

invited to the bridegroom’s house, when the dresses and other articles

brought by the bride are exhibited. The guests are entertained often

till very late at night. The bridegroom sends rice-cakes to his

father-in-law who distributes them among his friends and relatives.

On the fourth day after the marriage, the bride goes to her father’s

house and stays there a day or two. After her return to her husband,

her father invites the young couple and the friends and relatives of

both families to dinner. This gathering is called “the unbending of

the knees,” because the guests are expected to unbend themselves and

stretch their knees and legs which they kept rigidly bent during

the marriage ceremony and subsequent parties. They sing and dance

and enjoy themselves without constraint. This is the last of the

gatherings connected with the marriage. During all these ceremonies

the exchange of presents is interminable so that a marriage in the

regular style is very expensive, and people of moderate means curtail

the proceedings as much as possible. Some even have weddings in a

tea-house, especially if their own houses are not large enough to seat

all the invited guests. It has become the fashion of late to hold the

wedding ceremony in a shrine in imitation of the Christian marriage

service at church.

[Illustration: THE BRIDE’S CABINETS. (FROM A PICTURE BY SUKENOBU)]

It will be seen from the above brief account how much a Japanese

marriage differs from a European. The reader who considers that free

choice is essential to a happy marriage, will naturally wonder at the

employment of a go-between and the comparatively passive part played

by the parties most concerned. It is true that the young couple have

little opportunity of knowing each other before they are joined in

wedlock; for the short time, often half an hour or less, for which

they see each other before making a definite decision can hardly be

said to afford them an opportunity of mutual acquaintance full enough

to inspire them with confidence in the momentous step they are about

to take. The knowledge of each other that meeting is supposed to give

them is of the most superficial kind; for besides the shortness

of time, the consciousness of what is to result from the meeting

naturally puts the two on their best behaviour and prevents their

being caught at unguarded moments, which alone can give any insight

into their character. In their prim and stiff attitude, it is only

their personal appearance that can be considered; but even that is

disguised on the girl’s part by the paint and fine dress she has put

on for the occasion. The intended lovers have in fact to trust blindly

to luck in their bid for conjugal happiness.

But there is, on the other hand, something to be said for the

go-between system. Free choice is certainly most desirable when the

lovers are old enough to have a definite knowledge of their own minds

and may be expected to make a judicious choice; and upon the marriage

of a man over thirty with a woman of more than five and twenty, the

parties would not deserve much sympathy if they subsequently found

that they had mistaken each other’s character. But in Japan we marry

young as a rule, men being under thirty and not unfrequently a little

more than twenty and women at the latter age or less. If they were

left to themselves, they would be as imprudent in their choice as

those of the same age would be in other countries. They would, if

pleased with each other’s looks, be quite content to take their chance

of the other elements that go to make a happy marriage; and only by

bitter experience would they discover that they cannot live on

love alone, but that divers worldly considerations must be taken into

account. Many a life would, as in countries where marriage is freely

contracted, be blasted by an early imprudent marriage, which is with

us obviated in a great degree by the employment of the go-between. The

father of the young man or girl, in looking for a suitable partner for

his child, would naturally have prudential considerations foremost

in view; the one would wish for a girl, well born if possible, but

certainly educated enough to be a worthy ruler of the household, while

the other would be equally anxious to have for his son-in-law a steady

young man who would always be able to maintain his family in comfort.

And the go-between, by looking himself or through his friends for an

eligible partner, would be able to search on a far larger scale than

would be possible to the unaided efforts of the father and his child.

[Illustration: THE FIRST MEETING AND WEDDING AT THE PRESENT TIME.]

This ability to make an extensive search brings out another advantage

of the go-between over the free-choice system. The custom in the West

which requires the woman to wait till she receives a proposal entails

upon her great hardships. Sometimes, as her circle of acquaintances

is generally small, she throws herself after long waiting upon

the least uncongenial of the lot and prepares for herself years

of disappointment, disillusionment, and heart-burnings. Or, where

personal appearance counts for much as it almost always does, a woman

with no pretension to beauty must often suffer many a year to elapse

before the gallant comes to woo her; perhaps he never comes at all,

and the qualities which might have made her a model wife are allowed

to run to waste for being concealed under a homely face; and she who

might have helped a husband to fame and fortune becomes a soured

old maid with bitter hatred of men, or that other and more pathetic

figure, the kindly maiden aunt who lavishes on her little nephews and

nieces that wealth of love which a wise man would have taken to his

heart as an inestimable treasure despite the plain casket in which it

is enclosed. From such compulsory spinsterhood a woman is saved in

Japan by the go-between; she need not set her cap at any one, for

being the deputy for the woman as well as for the man, the go-between

can carry proposals from her as if he were making them on his

own initiative and so can meet with a rebuff without bringing upon her

the shame of a repulse. He can also find for her a suitable husband

even if she is far from pretty or gentle, or has defects which may

make an ordinary man think twice before rushing into her arms. “For

the cracked pot a rotten lid,” as we say in Japan, and for a pot

however cracked or imperfect, we can always find a lid to match. So

with men and women. A woman with imperfections can thus get without

much difficulty a husband with similar defects; but it would be no

easy task to catch such a man without the go-between’s assistance.

[Illustration: A DAIMYO’S WEDDING.]

There is still another benefit accruing from the go-between system.

Upon a squabble taking place between the husband and the wife, they

may in the heat of the moment wish to separate; and if left to

themselves, they would at once get a divorce as it would not be

difficult to bring their own families to take up their cause. But

before they can resort to such an extreme step, they must consult the

go-between, whose duty it is to make arrangements for their separation

in the same way as for their union; and the go-between, bearing in

mind the interests of both parties, will do his best to patch up any

differences that may have arisen, and if he is a man of tact, usually

succeed in restoring peace. In minor matters he is also always

appealed to; he hears the complaints of both the husband and the wife,

and advises them to yield or compromise. He is really even more useful

after the marriage than before: and he is always treated with great

respect by the couple he has joined. But if, in spite of all his

efforts to the contrary, the divorce does take place, his position is

an unenviable one, for not unfrequently he would be thought by either

family to have purposely deceived it by introducing a person whom he

had known from the first to be unsuitable.

[Illustration: A LOWER-CLASS WEDDING.]

With us marriage is a civil contract. All that the authorities require

is that the heads of the two families should report the marriage and

request the girl’s domicile to be transferred from her father’s

house to her husband’s. The registrar of the local office complies

accordingly, and the couple are legally married. There is no

ceremony connected with it. Perhaps this absence of religious sanction

may tend to make a marriage less imposing; but as to its being less

binding on that account as some have alleged, such a contention is

open to question as the divorce court proceedings in the West seldom

appear to be stayed by any considerations of the sanctity imposed upon

marriage by religion. The exchange of cups in our-weddings is a tacit

vow of love and fidelity; and when we have in view the possibility of

a divorce thereafter, it is as well that we do not lay ourselves open

to the charge of perjury by coming up for a second marriage after

having at the first sworn before God that we would “love and cherish

each other until death us do part.”

Finally, the new couple do not go on a honeymoon, but proceed at once

to enter upon their household duties. The honeymoon is undoubtedly an

excellent institution for giving the couple an opportunity of enjoying

themselves unreservedly in each other’s company before taking up the

serious business of life; but at the same time it not unfrequently

happens that they return from it sadly disillusioned and with an

outlook far from rosy upon wedded life. The Japanese bride has an

advantage over her western sister in that respect, for she has no

illusions to be dispelled.

Here, then, is the essential difference in the point of view taken of

wedded life. In the West it is through romance that people enter into

matrimony, and that is apt to melt before the hard facts of life;

whereas in Japan we regard it in a more prosaic light, and the

Japanese bride takes up the burden of married life at the threshold

to lay it down only at the grave. Again, in the West a man may in a

vague way think it time for him to marry and then look for a suitable

partner; but more often it is the sight of the woman with whom he

would willingly share the pleasures and pains of this world that

awakens in him the desire to marry and prompts him to propose to her.

The possession of the woman he has set his heart upon is the immediate

motive of his marriage. In Japan, however, the young man finds life

lonely by himself, or is pressed into marriage by his parents or

friends, or fails to win the confidence of his circle while he remains

single; and accordingly he or his parents ask friends to look

for a suitable wife. The impelling cause is here the desire to have

a well-ordered establishment, and love is something to be aroused

and developed after marriage. As fewer elements of happiness enter

into our method of wife-seeking than into the European, it may be

conjectured that marriage is naturally a more risky venture with us in

respect of domestic felicity. But then, we do not, when we marry, look

so much for the fire and heat of love; we are content if the common

cares and joys of conjugal life induce in the course of time the warm,

equable glow of affection.

Home Life in Tokyo · 第 14 / 22 章