(_They pass on: it is already evening when the Other Wise Ma

Marlborough

and other poems

CAMBRIDGE UNIVERSITY PRESS C. F. CLAY, MANAGER

London: FETTER LANE. E.C. Edinburgh: 100 PRINCES STREET

[Illustration: colophon]

New York: G. P. PUTNAM’S SONS

Bombay, Calcutta and Madras: MACMILLAN AND Co., LTD.

Toronto: J. M. DENT AND SONS, LTD.

Tokyo: THE MARUZEN-KABUSHIKI-KAISHA

_All rights reserved_

[Illustration: Photo of the author]

Marlborough

and other poems

by

CHARLES HAMILTON SORLEY

LATE OF MARLBOROUGH COLLEGE

SOMETIME CAPTAIN IN THE SUFFOLK REGIMENT

_Third edition

with illustrations in prose_

Cambridge:

at the University Press

1916

_Published, January 1916_

_Second edition, slightly enlarged, February 1916_

_Reprinted, February, April, May 1916_

_Third edition, with illustrations in prose, October 1916_

PREFACE

What was said concerning the author in the preface to the first edition

may be repeated here. He was born at Old Aberdeen on 19 May 1895. From

1900 onwards his home was in Cambridge. He was at Marlborough College

from September 1908 till December 1913, when he was elected to a

scholarship at University College, Oxford. After leaving school he spent

a little more than six months in Germany, returning home on the outbreak

of war. He was gazetted Second Lieutenant in the Seventh (Service)

Battalion of the Suffolk Regiment in August 1914, Lieutenant in

November, and Captain in the following August. His battalion was sent to

France on 30 May. He was killed in action near Hulluch on 13 October

1915. “Being made perfect in a little while, he fulfilled long years.”

Many readers have asked for further information about the author or

contributions from his pen. I am not able to give all that is asked for;

but in this edition I have done what I can to meet the wishes of my

correspondents by appending to the poems a certain number of

illustrations in prose. With the exception of a few sentences from an

early essay, these prose passages are all taken from his letters to his

family and friends. They have been selected as illustrating some idea or

subject mentioned in the poems and prominent in his own mind. But the

relevancy is not always very close; the moods of the moment are

sometimes expressed rather than matured judgments; and it has to be

remembered that what was written was not intended for other eyes than

those of the person to whom it was addressed.

With the poems it is different; and, had he lived, he would probably

himself have published a selection of them with such revision as he

deemed advisable. But when a suggestion about printing was made to him,

soon after he had entered upon his life in the trenches of Flanders, he

put the proposal aside as premature, adding “Besides, this is no time

for oliveyards and vineyards, more especially of the small-holdings

type. For three years or the duration of the war, let be.” His warfare

is now accomplished, and his relatives have felt themselves free to

publish.

The original order of the poems is retained in this edition. The first

place is assigned to the title-poem; some early poems are printed at the

end; the other contents are arranged in the order of their composition,

as nearly as that order could be ascertained. When the date given

includes the day of the month, it has been taken from the author’s

manuscript; some of the other dates are approximate. Of the undated

poems, XIII to XVI were received from him in October 1914, XVII to XXIV

in April 1915, XXVII was found in his kit sent back from France, and

XXVIII (which appeared for the first time in the second edition) was

sent to a friend towards the end of July 1915. A single piece of

imaginative prose has been included amongst the poems.

Some further information regarding them has been obtained recently. XVI

was written when he was at the Officers’ Training Camp at Churn early in

September 1914, and XVII a few days later, XV had its origin in his

journey from Churn to join his regiment at Shorncliffe on 18 September.

The first draft of it was sent to a friend soon afterwards with the

words: “enclosed the poem which eventually came out of the first day of

term at Paddington. Not much trace of the origin left; but I think it

should get a prize for being the first poem written since August 4th

that isn’t patriotic.” This draft differs slightly from the final form

of the poem, and instead of the present title (“Whom therefore we

ignorantly worship”), it is preceded by the verse “And these all, having

obtained a good report through faith, received not the promise.” The

poem called “Lost” (XXIV) was sent to the same friend in December 1914.

“I have tried for long,” he wrote, “to express in words the impression

that the land north of Marlborough must leave”; and he added,

“Simplicity, paucity of words, monotony almost, and mystery are

necessary. I think I have got it at last.” The signpost, which figures

here as well as elsewhere in the poems, stands at “the junction of the

grass tracks on the Aldbourne down--to Ogbourne, Marlborough,

Mildenhall, and Aldbourne. It stands up quite alone.”

Three of the poems at least--II, VIII, and XII--were written entirely in

the open air. Concerning one of these he said, “‘Autumn Dawn’ has too

much copy from Meredith in it, but I value it as being (with ‘Return’) a

memento of my walk to Marlborough last September [1913].” Sending his

“occasional budget” in April 1915 he said, “You will notice that most of

what I have written is as hurried and angular as the handwriting:

written out at different times and dirty with my pocket: but I have had

no time for the final touch nor seem likely to have for some time, and

so send them as they are. Nor have I had time to think out (as I usually

do) a rigorous selection as fit for other eyes. So these are my

explanations of the fall in quality. I like ‘Le Revenant’ best, being

very interested in the previous and future experience of the character

concerned: but it sadly needs the file.”

The letter in verse, fragments of which are given on pages 73-78, was

sent anonymously to an older friend whose connexion with Marlborough is

commemorated in the poem entitled “J. B.” J. B. discovered the

authorship of the epistle by sending the envelope to a Marlborough

master, and replied in the words which, by his permission, are printed

on the opposite page.

RIGHT

W. R. S.

_21 September 1916._

From far away there comes a Voice,

Singing its song across the sea--

Song to make man’s heart rejoice--

Of Marlborough and the Odyssey.

A voice that sings of Now and Then,

Of minstrel joys and tiny towns,

Of flowering thyme and fighting men,

Of Sparta’s sands and Marlborough’s Downs.

God grant, dear Voice, one day again

We see those Downs in April weather,

And snuff the breeze, and smell the rain,

And stand in C House Porch together!

CONTENTS

PAGE

I Marlborough 1

II Barbury Camp 5

III What you will 9

IV Rooks 12

V Rooks (II) 13

VI Stones 16

VII East Kennet Church at Evening 18

VIII Autumn Dawn 21

IX Return 25

X Richard Jefferies 27

XI J. B. 29

XII The Other Wise Man 31

XIII The Song of the Ungirt Runners 40

XIV German Rain 42

XV Whom therefore we ignorantly worship 43

XVI To Poets 44

XVII “A hundred thousand million mites we go” 46

XVIII Deus loquitur 48

XIX Two Songs from Ibsen’s Dramatic Poems 50

XX “If I have suffered pain” 53

XXI To Germany 56

XXII “All the hills and vales along” 57

XXIII Le Revenant 60

XXIV Lost 64

XXV Expectans expectavi 65

XXVI Two Sonnets 67

XXVII A Sonnet 69

XXVIII “There is such change in all those fields” 70

XXIX “I have not brought my Odyssey” 73

XXX In Memoriam S.C.W., V.C. 79

XXXI Behind the Lines 80

Earlier Poems:

XXXII A Call to Action 87

XXXIII Rain 91

XXXIV A Tale of Two Careers 95

XXXV Peace 100

XXXVI The River 103

XXXVII The Seekers 107

Illustrations in prose 111

I

MARLBOROUGH

I

Crouched where the open upland billows down

Into the valley where the river flows,

She is as any other country town,

That little lives or marks or hears or knows.

And she can teach but little. She has not

The wonder and the surging and the roar

Of striving cities. Only things forgot

That once were beautiful, but now no more,

Has she to give us. Yet to one or two

She first brought knowledge, and it was for her

To open first our eyes, until we knew

How great, immeasurably great, we were.

I, who have walked along her downs in dreams,

And known her tenderness, and felt her might,

And sometimes by her meadows and her streams

Have drunk deep-storied secrets of delight,

Have had my moments there, when I have been

Unwittingly aware of something more.

Some beautiful aspect, that I had seen

With mute unspeculative eyes before;

Have had my times, when, though the earth did wear

Her self-same trees and grasses, I could see

The revelation that is always there,

But somehow is not always clear to me.

II

So, long ago, one halted on his way

And sent his company and cattle on;

His caravans trooped darkling far away

Into the night, and he was left alone.

And he was left alone. And, lo, a man

There wrestled with him till the break of day.

The brook was silent and the night was wan.

And when the dawn was come, he passed away.

The sinew of the hollow of his thigh

Was shrunken, as he wrestled there alone.

The brook was silent, but the dawn was nigh.

The stranger named him Israel and was gone.

And the sun rose on Jacob; and he knew

That he was no more Jacob, but had grown

A more immortal vaster spirit, who

Had seen God face to face, and still lived on.

The plain that seemed to stretch away to God,

The brook that saw and heard and knew no fear,

Were now the self-same soul as he who stood

And waited for his brother to draw near.

For God had wrestled with him, and was gone.

He looked around, and only God remained.

The dawn, the desert, he and God were one.

--And Esau came to meet him, travel-stained.

III

So, there, when sunset made the downs look new

And earth gave up her colours to the sky,

And far away the little city grew

Half into sight, new-visioned was my eye.

I, who have lived, and trod her lovely earth,

Raced with her winds and listened to her birds,

Have cared but little for their worldly worth

Nor sought to put my passion into words.

But now it’s different; and I have no rest

Because my hand must search, dissect and spell

The beauty that is better not expressed,

The thing that all can feel, but none can tell.

_1 March 1914_

II

BARBURY CAMP

We burrowed night and day with tools of lead,

Heaped the bank up and cast it in a ring

And hurled the earth above. And Caesar said,

“Why, it is excellent. I like the thing.”

We, who are dead,

Made it, and wrought, and Caesar liked the thing.

And here we strove, and here we felt each vein

Ice-bound, each limb fast-frozen, all night long.

And here we held communion with the rain

That lashed us into manhood with its thong,

Cleansing through pain.

And the wind visited us and made us strong.

Up from around us, numbers without name,

Strong men and naked, vast, on either hand

Pressing us in, they came. And the wind came

And bitter rain, turning grey all the land.

That was our game,

To fight with men and storms, and it was grand.

For many days we fought them, and our sweat

Watered the grass, making it spring up green,

Blooming for us. And, if the wind was wet,

Our blood wetted the wind, making it keen

With the hatred

And wrath and courage that our blood had been.

So, fighting men and winds and tempests, hot

With joy and hate and battle-lust, we fell

Where we fought. And God said, “Killed at last then? What?

Ye that are too strong for heaven, too clean for hell,

(God said) stir not.

This be your heaven, or, if ye will, your hell.”

So again we fight and wrestle, and again

Hurl the earth up and cast it in a ring.

But when the wind comes up, driving the rain

(Each rain-drop a fiery steed), and the mists rolling

Up from the plain,

This wild procession, this impetuous thing,

Hold us amazed. We mount the wind-cars, then

Whip up the steeds and drive through all the world.

Searching to find somewhere some brethren.

Sons of the winds and waters of the world.

We, who were men.

Have sought, and found no men in all this world.

Wind, that has blown here always ceaselessly.

Bringing, if any man can understand,

Might to the mighty, freedom to the free;

Wind, that has caught us, cleansed us, made us grand

Wind that is we

(We that were men)--make men in all this land,

That so may live and wrestle and hate that when

They fall at last exultant, as we fell,

And come to God, God may say, “Do you come then

Mildly enquiring, is it heaven or hell?

Why! Ye were men!

Back to your winds and rains. Be these your heaven and hell!”

_24 March 1913_

III

WHAT YOU WILL

O come and see, it’s such a sight,

So many boys all doing right:

To see them underneath the yoke,

Blindfolded by the elder folk,

Move at a most impressive rate

Along the way that is called straight.

O, it is comforting to know

They’re in the way they ought to go.

But don’t you think it’s far more gay

To see them slowly leave the way

And limp and loose themselves and fall?

O, that’s the nicest thing of all.

I love to see this sight, for then

I know they are becoming men,

And they are tiring of the shrine

Where things are really not divine.

I do not know if it seems brave

The youthful spirit to enslave,

And hedge about, lest it should grow.

I don’t know if it’s better so

In the long end. I only know

That when I have a son of mine,

He shan’t be made to droop and pine.

Bound down and forced by rule and rod

To serve a God who is no God.

But I’ll put custom on the shelf

And make him find his God himself.

Perhaps he’ll find him in a tree,

Some hollow trunk, where you can see.

Perhaps the daisies in the sod

Will open out and show him God.

Or will he meet him in the roar

Of breakers as they beat the shore?

Or in the spiky stars that shine?

Or in the rain (where I found mine)?

Or in the city’s giant moan?

--A God who will be all his own,

To whom he can address a prayer

And love him, for he is so fair,

And see with eyes that are not dim

And build a temple meet for him.

_June 1913_

IV

ROOKS

There, where the rusty iron lies,

The rooks are cawing all the day.

Perhaps no man, until he dies,

Will understand them, what they say.

The evening makes the sky like clay.

The slow wind waits for night to rise.

The world is half-content. But they

Still trouble all the trees with cries,

That know, and cannot put away,

The yearning to the soul that flies

From day to night, from night to day.

_21 June 1913_

V

ROOKS (II)

There is such cry in all these birds,

More than can ever be express’d;

If I should put it into words,

You would agree it were not best

To wake such wonder from its rest.

But since to-night the world is still

And only they and I astir,

We are united, will to will,

By bondage tighter, tenderer

Than any lovers ever were.

And if, of too much labouring.

All that I see around should die

(There is such sleep in each green thing,

Such weariness in all the sky),

We would live on, these birds and I.

Yet how? since everything must pass

At evening with the sinking sun,

And Christ is gone, and Barabbas,

Judas and Jesus, gone, clean gone,

Then how shall I live on?

Yet surely, Judas must have heard

Amidst his torments the long cry

Of some lone Israelitish bird,

And on it, ere he went to die,

Thrown all his spirit’s agony.

And that immortal cry which welled

For Judas, ever afterwards

Passion on passion still has swelled

And sweetened, till to-night these birds

Will take my words, will take my words,

And wrapping them in music meet

Will sing their spirit through the sky,

Strange and unsatisfied and sweet--

That, when stock-dead am I, am I,

O, these will never die!

_July 1913_

VI

STONES

This field is almost white with stone

That cumber all its thirsty crust.

And underneath, I know, are bones.

And all around is death and dust.

And if you love a livelier hue--

O, if you love the youth of year,

When all is clean and green and new,

Depart. There is no summer here.

Albeit, to me there lingers yet

In this forbidding stony dress

The impotent and dim regret

For some forgotten restlessness.

Dumb, imperceptibly astir,

These relics of an ancient race,

These men, in whom the dead bones were,

Still fortifying their resting-place.

Their field of life was white with stones;

Good fruit to earth they never brought.

O, in these bleached and buried bones

Was neither love nor faith nor thought.

But like the wind in this bleak place,

Bitter and bleak and sharp they grew.

And bitterly they ran their race,

A brutal, bad, unkindly crew:

Souls like the dry earth, hearts like stone.

Brains like that barren bramble-tree:

Stern, sterile, senseless, mute, unknown--

But bold, O, bolder far than we!

_14 July 1913_

VII

EAST KENNET CHURCH AT EVENING

I stood amongst the corn, and watched

The evening coming down.

The rising vale was like a queen,

And the dim church her crown.

Crown-like it stood against the hills.

Its form was passing fair.

I almost saw the tribes go up

To offer incense there.

And far below the long vale stretched.

As a sleeper she did seem

That after some brief restlessness

Has now begun to dream.

(All day the wakefulness of men,

Their lives and labours brief,

Have broken her long troubled sleep.

Now, evening brings relief.)

There was no motion there, nor sound.

She did not seem to rise.

Yet was she wrapping herself in

Her grey of night-disguise.

For now no church nor tree nor fold

Was visible to me:

Only that fading into one

Which God must sometimes see.

No coloured glory streaked the sky

To mark the sinking sun.

There was no redness in the west

To tell that day was done.

Only, the greyness of the eve

Grew fuller than before.

And, in its fulness, it made one

Of what had once been more.

There was much beauty in that sight

That man must not long see.

God dropped the kindly veil of night

Between its end and me.

_24 July 1913_

VIII

AUTUMN DAWN

And this is morning. Would you think

That this was the morning, when the land

Is full of heavy eyes that blink

Half-opened, and the tall trees stand

Too tired to shake away the drops

Of passing night that cling around

Their branches and weigh down their tops:

And the grey sky leans on the ground?

The thrush sings once or twice, but stops

Affrighted by the silent sound.

The sheep, scarce moving, munches, moans.

The slow herd mumbles, thick with phlegm.

The grey road-mender, hacking stones,

Is now become as one of them.

Old mother Earth has rubbed her eyes

And stayed, so senseless, lying down.

Old mother is too tired to rise

And lay aside her grey nightgown,

And come with singing and with strength

In loud exuberance of day,

Swift-darting. She is tired at length,

Done up, past bearing, you would say.

She’ll come no more in lust of strife,

In hedges’ leap, and wild birds’ cries,

In winds that cut you like a knife,

In days of laughter and swift skies,

That palpably pulsate with life,

With life that kills, with life that dies.

But in a morning such as this

Is neither life nor death to see,

Only that state which some call bliss,

Grey hopeless immortality.

Earth is at length bedrid. She is

Supinest of the things that be:

And stilly, heavy with long years,

Brings forth such days in dumb regret,

Immortal days, that rise in tears,

And cannot, though they strive to, set.

* * * * *

The mists do move. The wind takes breath.

The sun appeareth over there,

And with red fingers hasteneth

From Earth’s grey bed the clothes to tear,

And strike the heavy mist’s dank tent.

And Earth uprises with a sigh.

She is astir. She is not spent.

And yet she lives and yet can die.

The grey road-mender from the ditch

Looks up. He has not looked before.

The stunted tree sways like the witch

It was: ’tis living witch once more.

The winds are washen. In the deep

Dew of the morn they’ve washed. The skies

Are changing dress. The clumsy sheep

Bound, and earth’s many bosoms rise,

And earth’s green tresses spring and leap

About her brow. The earth has eyes,

The earth has voice, the earth has breath,

As o’er the land and through the air,

With wingéd sandals, Life and Death

Speed hand in hand--that winsome pair!

_16 September 1913_

IX

RETURN

Still stand the downs so wise and wide?

Still shake the trees their tresses grey?

I thought their beauty might have died

Since I had been away.

I might have known the things I love,

The winds, the flocking birds’ full cry,

The trees that toss, the downs that move,

Were longer things than I.

Lo, earth that bows before the wind,

With wild green children overgrown,

And all her bosoms, many-whinned,

Receive me as their own.

The birds are hushed and fled: the cows

Have ceased at last to make long moan.

They only think to browse and browse

Until the night is grown.

The wind is stiller than it was,

And dumbness holds the closing day.

The earth says not a word, because

It has no word to say.

The dear soft grasses under foot

Are silent to the listening ear.

Yet beauty never can be mute,

And some will always hear.

_18 September 1913_

X

RICHARD JEFFERIES

(LIDDINGTON CASTLE)

I see the vision of the Vale

Rise teeming to the rampart Down,

The fields and, far below, the pale

Red-roofédness of Swindon town.

But though I see all things remote,

I cannot see them with the eyes

With which ere now the man from Coate

Looked down and wondered and was wise.

He knew the healing balm of night,

The strong and sweeping joy of day,

The sensible and dear delight

Of life, the pity of decay.

And many wondrous words he wrote,

And something good to man he showed,

About the entering in of Coate,

There, on the dusty Swindon road.

_19 September 1913_

XI

J. B.

There’s still a horse on Granham hill,

And still the Kennet moves, and still

Four Miler sways and is not still.

But where is her interpreter?

The downs are blown into dismay,

The stunted trees seem all astray,

Looking for someone clad in grey

And carrying a golf-club thing;

Who, them when he had lived among,

Gave them what they desired, a tongue.

Their words he gave them to be sung

Perhaps were few, but they were true.

The trees, the downs, on either hand,

Still stand, as he said they would stand.

But look, the rain in all the land

Makes all things dim with tears of him.

And recently the Kennet croons,

And winds are playing widowed tunes.

--He has not left our “toun o’ touns,”

But taken it away with him!

_October 1913_

XII

THE OTHER WISE MAN

(SCENE: _A valley with a wood on one side and a road running up to

a distant hill: as it might be, the valley to the east of West

Woods, that runs up to Oare Hill, only much larger._ TIME: _Autumn.

Four wise men are marching hillward along the road._)

ONE WISE MAN

I wonder where the valley ends?

On, comrades, on.

ANOTHER WISE MAN

The rain-red road,

Still shining sinuously, bends

Leagues upwards.

A THIRD WISE MAN

To the hill, O friends,

To seek the star that once has glowed

Before us; turning not to right

Nor left, nor backward once looking.

Till we have clomb--and with the night

We see the King.

ALL THE WISE MEN

The King! The King!

THE THIRD WISE MAN

Long is the road but--

A FOURTH WISE MAN

Brother, see,

There, to the left, a very aisle

Composed of every sort of tree--

THE FIRST WISE MAN

Still onward--

THE FOURTH WISE MAN

Oak and beech and birch,

Like a church, but homelier than church,

The black trunks for its walls of tile;

Its roof, old leaves; its floor, beech nuts;

The squirrels its congregation--

THE SECOND WISE MAN

Tuts!

For still we journey--

THE FOURTH WISE MAN

But the sun weaves

A water-web across the grass,

Binding their tops. You must not pass

The water cobweb.

THE THIRD WISE MAN

Hush! I say.

Onward and upward till the day--

THE FOURTH WISE MAN

Brother, that tree has crimson leaves.

You’ll never see its like again.

Don’t miss it. Look, it’s bright with rain--

THE FIRST WISE MAN

O prating tongue. On, on.

THE FOURTH WISE MAN

And there

A toad-stool, nay, a goblin stool.

No toad sat on a thing so fair.

Wait, while I pluck--and there’s--and here’s

A whole ring ... what?... berries?

(_The Fourth Wise Man drops behind, botanizing._)

THE WISEST OF THE REMAINING THREE WISE MEN

O fool!

Fool, fallen in this vale of tears

His hand had touched the plough: his eyes

Looked back: no more with us, his peers,

He’ll climb the hill and front the skies

And see the Star, the King, the Prize.

But we, the seekers, we who see

Beyond the mists of transiency--

Our feet down in the valley still

Are set, our eyes are on the hill.

Last night the star of God has shone,

And so we journey, up and on,

With courage clad, with swiftness shod,

All thoughts of earth behind us cast,

Until we see the lights of God,

--And what will be the crown at last?

ALL THREE WISE MEN

On, on.

(_They pass on: it is already evening when the Other Wise Man limps

along the road, still botanizing._)

THE OTHER WISE MAN

A vale of tears, they said!

A valley made of woes and fears,

To be passed by with muffled head

Quickly. I have not seen the tears,

Unless they take the rain for tears,

And certainly the place is wet.

Rain laden leaves are ever licking

Your cheeks and hands ... I can’t get on.

There’s a toad-stool that wants picking.

There, just there, a little up,

What strange things to look upon

With pink hood and orange cup!

And there are acorns, yellow--green ...

They said the King was at the end.

They must have been

Wrong. For here, here, I intend

To search for him, for surely here

Are all the wares of the old year,

And all the beauty and bright prize,

And all God’s colours meetly showed,

Green for the grass, blue for the skies,

Red for the rain upon the road;

And anything you like for trees,

But chiefly yellow brown and gold,

Because the year is growing old

And loves to paint her children these.

I tried to follow ... but, what do you think?

The mushrooms here are pink!

And there’s old clover with black polls

Black-headed clover, black as coals,

And toad-stools, sleek as ink!

And there are such heaps of little turns

Off the road, wet with old rain:

Each little vegetable lane

Of moss and old decaying ferns,

Beautiful in decay,

Snatching a beauty from whatever may

Be their lot, dark-red and luscious: till there pass’d

Over the many-coloured earth a grey

Film. It was evening coming down at last.

And all things hid their faces, covering up

Their peak or hood or bonnet or bright cup

In greyness, and the beauty faded fast,

With all the many-coloured coat of day.

Then I looked up, and lo! the sunset sky

Had taken the beauty from the autumn earth.

Such colour, O such colour, could not die.

The trees stood black against such revelry

Of lemon-gold and purple and crimson dye.

And even as the trees, so I

Stood still and worshipped, though by evening’s birth

I should have capped the hills and seen the King.

The King? The King?

I must be miles away from my journey’s end;

The others must be now nearing

The summit, glad. By now they wend

Their way far, far, ahead, no doubt.

I wonder if they’ve reached the end.

If they have, I have not heard them shout.

_1 December 1913_

XIII

THE SONG OF THE UNGIRT RUNNERS

We swing ungirded hips,

And lightened are our eyes,

The rain is on our lips,

We do not run for prize.

We know not whom we trust

Nor whitherward we fare,

But we run because we must

Through the great wide air.

The waters of the seas

Are troubled as by storm.

The tempest strips the trees

And does not leave them warm.

Does the tearing tempest pause?

Do the tree-tops ask it why?

So we run without a cause

’Neath the big bare sky.

The rain is on our lips,

We do not run for prize.

But the storm the water whips

And the wave howls to the skies.

The winds arise and strike it

And scatter it like sand,

And we run because we like it

Through the broad bright land.

XIV

GERMAN RAIN

The heat came down and sapped away my powers.

The laden heat came down and drowned my brain,

Till through the weight of overcoming hours

I felt the rain.

Then suddenly I saw what more to see

I never thought: old things renewed, retrieved.

The rain that fell in England fell on me,

And I believed.

XV

WHOM THEREFORE WE IGNORANTLY WORSHIP

These things are silent. Though it may be told

Of luminous deeds that lighten land and sea,

Strong sounding actions with broad minstrelsy

Of praise, strange hazards and adventures bold,

We hold to the old things that grow not old:

Blind, patient, hungry, hopeless (without fee

Of all our hunger and unhope are we),

To the first ultimate instinct, to God we hold.

They flicker, glitter, flicker. But we bide,

We, the blind weavers of an intense fate,

Asking but this--that we may be denied:

Desiring only desire insatiate,

Unheard, unnamed, unnoticed, crucified

To our unutterable faith, we wait.

XVI

TO POETS

We are the homeless, even as you,

Who hope and never can begin.

Our hearts are wounded through and through

Like yours, but our hearts bleed within.

We too make music, but our tones

’Scape not the barrier of our bones.

We have no comeliness like you.

We toil, unlovely, and we spin.

We start, return: we wind, undo:

We hope, we err, we strive, we sin,

We love: your love’s not greater, but

The lips of our love’s might stay shut.

We have the evil spirits too

That shake our soul with battle-din.

But we have an eviller spirit than you

We have a dumb spirit within:

The exceeding bitter agony

But not the exceeding bitter cry.

XVII

A hundred thousand million mites we go

Wheeling and tacking o’er the eternal plain,

Some black with death--and some are white with woe.

Who sent us forth? Who takes us home again?

And there is sound of hymns of praise--to whom?

And curses--on whom curses?--snap the air.

And there is hope goes hand in hand with gloom.

And blood and indignation and despair.

And there is murmuring of the multitude

And blindness and great blindness, until some

Step forth and challenge blind Vicissitude

Who tramples on them: so that fewer come.

And nations, ankle-deep in love or hate,

Throw darts or kisses all the unwitting hour

Beside the ominous unseen tide of fate;

And there is emptiness and drink and power.

And some are mounted on swift steeds of thought

And some drag sluggish feet of stable toil.

Yet all, as though they furiously sought,

Twist turn and tussle, close and cling and coil.

A hundred thousand million mites we sway

Writhing and tossing on the eternal plain,

Some black with death--but most are bright with Day!

Who sent us forth? Who brings us home again?

XVIII

DEUS LOQUITUR

That’s what I am: a thing of no desire,

With no path to discover and no plea

To offer up, so be my altar fire

May burn before the hearth continuously,

To be

For wayward men a steadfast light to see.

They know me in the morning of their days,

But ere noontide forsake me, to discern

New lore and hear new riddles. But moonrays

Bring them back footsore, humble, bent, a-burn

To turn

And warm them by my fire which they did spurn.

They flock together like tired birds. “We sought

Full many stars in many skies to see.

But ever knowledge disappointment brought.

Thy light alone, Lord, burneth steadfastly.”

Ah me!

Then it is I who fain would wayward be.

XIX

TWO SONGS FROM IBSEN’S DRAMATIC POEMS

I BRAND

Thou trod’st the shifting sand path where man’s race is.

The print of thy soft sandals is still clear.

I too have trodden it those prints a-near,

But the sea washes out my tired foot-traces.

And all that thou hast healed and holpen here

I yearned to heal and help and wipe the tear

Away. But still I trod unpeopled spaces.

I had no twelve to follow my pure paces.

For I had thy misgivings and thy fear,

Thy crown of scorn, thy suffering’s sharp spear,

Thy hopes, thy longings--only not thy dear

Love (for my crying love would no man hear),

Thy will to love, but not thy love’s sweet graces,

That deep firm foothold which no sea erases.

I think that thou wast I in bygone places

In an intense eliminated year.

Now born again in days that are more drear

I wander unfulfilled: and see strange faces.

II PEER GYNT

When he was young and beautiful and bold

We hated him, for he was very strong.

But when he came back home again, quite old,

And wounded too, we could not hate him long.

For kingliness and conquest pranced he forth

Like some high-stepping charger bright with foam.

And south he strode and east and west and north

With need of crowns and never need of home.

Enraged we heard high tidings of his strength

And cursed his long forgetfulness. We swore

That should he come back home some eve at length.

We would deny him, we would bar the door!

And then he came. The sound of those tired feet!

And all our home and all our hearts are his,

Where bitterness, grown weary, turns to sweet,

And envy, purged by longing, pity is.

And pillows rest beneath the withering cheek,

And hands are laid the battered brows above,

And he whom we had hated, waxen weak,

First in his weakness learns a little love.

XX

If I have suffered pain

It is because I would.

I willed it. ’Tis no good

To murmur or complain.

I have not served the law

That keeps the earth so fair

And gives her clothes to wear

Raiment of joy and awe.

For all that bow to bless

That law shall sure abide.

But man shall not abide,

And hence his gloriousness.

Lo, evening earth doth lie

All-beauteous and all peace.

Man only does not cease

From striving and from cry.

Sun sets in peace: and soon

The moon will shower her peace.

O law-abiding moon,

You hold your peace in fee!

Man, leastways, will not be

Down-bounden to these laws.

Man’s spirit sees no cause

To serve such laws as these.

There yet are many seas

For man to wander in.

He yet must find out sin,

If aught of pleasance there

Remain for him to store,

His rovings to increase,

In quest of many a shore

Forbidden still to fare.

Peace sleeps the earth upon,

And sweet peace on the hill.

The waves that whimper still

At their long law-serving

(O flowing sad complaint!)

Come on and are back drawn.

Man only owns no king,

Man only is not faint.

You see, the earth is bound.

You see, the man is free.

For glorious liberty

He suffers and would die.

Grudge not then suffering

Or chastisemental cry.

O let his pain abound,

Earth’s truant and earth’s king!

XXI

TO GERMANY

You are blind like us. Your hurt no man designed,

And no man claimed the conquest of your land.

But gropers both through fields of thought confined

We stumble and we do not understand.

You only saw your future bigly planned,

And we, the tapering paths of our own mind,

And in each other’s dearest ways we stand,

And hiss and hate. And the blind fight the blind.

When it is peace, then we may view again

With new-won eyes each other’s truer form

And wonder. Grown more loving-kind and warm

We’ll grasp firm hands and laugh at the old pain,

When it is peace. But until peace, the storm

The darkness and the thunder and the rain.

XXII

All the hills and vales along

Earth is bursting into song,

And the singers are the chaps

Who are going to die perhaps.

O sing, marching men,

Till the valleys ring again.

Give your gladness to earth’s keeping,

So be glad, when you are sleeping.

Cast away regret and rue,

Think what you are marching to.

Little live, great pass.

Jesus Christ and Barabbas

Were found the same day.

This died, that went his way.

So sing with joyful breath.

For why, you are going to death.

Teeming earth will surely store

All the gladness that you pour.

Earth that never doubts nor fears,

Earth that knows of death, not tears,

Earth that bore with joyful ease

Hemlock for Socrates,

Earth that blossomed and was glad

’Neath the cross that Christ had,

Shall rejoice and blossom too

When the bullet reaches you.

Wherefore, men marching

On the road to death, sing!

Pour your gladness on earth’s head,

So be merry, so be dead.

From the hills and valleys earth

Shouts back the sound of mirth,

Tramp of feet and lilt of song

Ringing all the road along.

All the music of their going,

Ringing swinging glad song-throwing,

Earth will echo still, when foot

Lies numb and voice mute.

On, marching men, on

To the gates of death with song,

Sow your gladness for earth’s reaping,

So you may be glad, though sleeping,

Strew your gladness on earth’s bed,

So be merry, so be dead.

XXIII

LE REVENANT

He trod the oft-remembered lane

(Now smaller-seeming than before

When first he left his father’s door

For newer things), but still quite plain

(Though half-benighted now) upstood

Old landmarks, ghosts across the lane

That brought the Bygone back again:

Shorn haystacks and the rooky wood;

The guide post, too, which once he clomb

To read the figures: fourteen miles

To Swindon, four to Clinton Stiles,

And only half a mile to home:

And far away the one homestead, where--

Behind the day now not quite set

So that he saw in silhouette

Its chimneys still stand black and bare--

He noticed that the trees were not

So big as when he journeyed last

That way. For greatly now he passed

Striding above the hedges, hot

With hopings, as he passed by where

A lamp before him glanced and stayed

Across his path, so that his shade

Seemed like a giant’s moving there.

The dullness of the sunken sun

He marked not, nor how dark it grew,

Nor that strange flapping bird that flew

Above: he thought but of the One....

He topped the crest and crossed the fence,

Noticed the garden that it grew

As erst, noticed the hen-house too

(The kennel had been altered since).

It seemed so unchanged and so still.

(Could it but be the past arisen

For one short night from out of prison?)

He reached the big-bowed window-sill,

Lifted the window sash with care,

Then, gaily throwing aside the blind,

Shouted. It was a shock to find

That he was not remembered there.

At once he felt not all his pain,

But murmuringly apologised,

Turned, once more sought the undersized

Blown trees, and the long lanky lane,

Wondering and pondering on, past where

A lamp before him glanced and stayed

Across his path, so that his shade

Seemed like a giant’s moving there.

XXIV

LOST

Across my past imaginings

Has dropped a blindness silent and slow.

My eye is bent on other things

Than those it once did see and know.

I may not think on those dear lands

(O far away and long ago!)

Where the old battered signpost stands

And silently the four roads go

East, west, south and north,

And the cold winter winds do blow.

And what the evening will bring forth

Is not for me nor you to know.

XXV

EXPECTANS EXPECTAVI

From morn to midnight, all day through,

I laugh and play as others do,

I sin and chatter, just the same

As others with a different name.

And all year long upon the stage

I dance and tumble and do rage

So vehemently, I scarcely see

The inner and eternal me.

I have a temple I do not

Visit, a heart I have forgot,

A self that I have never met,

A secret shrine--and yet, and yet

This sanctuary of my soul

Unwitting I keep white and whole

Unlatched and lit, if Thou should’st care

To enter or to tarry there.

With parted lips and outstretched hands

And listening ears Thy servant stands,

Call Thou early, call Thou late,

To Thy great service dedicate.

_May 1915_

XXVI

TWO SONNETS

I

Saints have adored the lofty soul of you.

Poets have whitened at your high renown.

We stand among the many millions who

Do hourly wait to pass your pathway down.

You, so familiar, once were strange: we tried

To live as of your presence unaware.

But now in every road on every side

We see your straight and steadfast signpost there.

I think it like that signpost in my land

Hoary and tall, which pointed me to go

Upward, into the hills, on the right hand,

Where the mists swim and the winds shriek and blow,

A homeless land and friendless, but a land

I did not know and that I wished to know.

II

Such, such is Death: no triumph: no defeat:

Only an empty pail, a slate rubbed clean,

A merciful putting away of what has been.

And this we know: Death is not Life effete,

Life crushed, the broken pail. We who have seen

So marvellous things know well the end not yet.

Victor and vanquished are a-one in death:

Coward and brave: friend, foe. Ghosts do not say

“Come, what was your record when you drew breath?”

But a big blot has hid each yesterday

So poor, so manifestly incomplete.

And your bright Promise, withered long and sped,

Is touched, stirs, rises, opens and grows sweet

And blossoms and is you, when you are dead.

_12 June 1915_

XXVII

When you see millions of the mouthless dead

Across your dreams in pale battalions go,

Say not soft things as other men have said,

That you’ll remember. For you need not so.

Give them not praise. For, deaf, how should they know

It is not curses heaped on each gashed head?

Nor tears. Their blind eyes see not your tears flow.

Nor honour. It is easy to be dead.

Say only this, “They are dead.” Then add thereto,

“Yet many a better one has died before.”

Then, scanning all the o’ercrowded mass, should you

Perceive one face that you loved heretofore,

It is a spook. None wears the face you knew.

Great death has made all his for evermore.

XXVIII

There is such change in all those fields,

Such motion rhythmic, ordered, free,

Where ever-glancing summer yields

Birth, fragrance, sunlight, immanency,

To make us view our rights of birth.

What shall we do? How shall we die?

We, captives of a roaming earth,

Mid shades that life and light deny.

Blank summer’s surfeit heaves in mist;

Dumb earth basks dewy-washed; while still

We whom Intelligence has kissed

Do make us shackles of our will.

And yet I know in each loud brain,

Round-clamped with laws and learning so,

Is madness more and lust of strain

Than earth’s jerked godlings e’er can know.

The false Delilah of our brain

Has set us round the millstone going.

O lust of roving! lust of pain!

Our hair will not be long in growing.

Like blinded Samson round we go.

We hear the grindstone groan and cry.

Yet we are kings, we know, we know.

What shall we do? How shall we die?

Take but our pauper’s gift of birth,

O let us from the grindstone free!

And tread the maddening gladdening earth

In strength close-braced with purity.

The earth is old; we ever new.

Our eyes should see no other sense

Than this, eternally to DO--

Our joy, our task, our recompense;

Up unexploréd mountains move,

Track tireless through great wastes afar,

Nor slumber in the arms of love,

Nor tremble on the brink of war;

Make Beauty and make Rest give place,

Mock Prudence loud--and she is gone,

Smite Satisfaction on the face

And tread the ghost of Ease upon.

Light-lipped and singing press we hard

Over old earth which now is worn,

Triumphant, buffetted and scarred,

By billows howled at, tempest-torn,

Toward blue horizons far away

(Which do not give the rest we need,

But some long strife, more than this play,

Some task that will be stern indeed)--

We ever new, we ever young,

We happy creatures of a day!

What will the gods say, seeing us strung

As nobly and as taut as they?

XXIX

I have not brought my Odyssey

With me here across the sea;

But you’ll remember, when I say

How, when they went down Sparta way,

To sandy Sparta, long ere dawn

Horses were harnessed, rations drawn,

Equipment polished sparkling bright,

And breakfasts swallowed (as the white

Of Eastern heavens turned to gold)--

The dogs barked, swift farewells were told.

The sun springs up, the horses neigh,

Crackles the whip thrice--then away!

From sun-go-up to sun-go-down

All day across the sandy down

The gallant horses galloped, till

The wind across the downs more chill

Blew, the sun sank and all the road

Was darkened, that it only showed

Right at the end the town’s red light

And twilight glimmering into night.

The horses never slackened till

They reached the doorway and stood still.

Then came the knock, the unlading; then

The honey-sweet converse of men,

The splendid bath, the change of dress,

Then--O the grandeur of their Mess,

The henchmen, the prim stewardess!

And O the breaking of old ground,

The tales, after the port went round!

(The wondrous wiles of old Odysseus,

Old Agamemnon and his misuse

Of his command, and that young chit

Paris--who didn’t care a bit

For Helen--only to annoy her

He did it really, κ.τ.λ.)

But soon they led amidst the din

The honey-sweet ἀοιδὸς in,

Whose eyes were blind, whose soul had sight,

Who knew the fame of men in fight--

Bard of white hair and trembling foot,

Who sang whatever God might put

Into his heart.

And there he sung,

Those war-worn veterans among,

Tales of great war and strong hearts wrung,

Of clash of arms, of council’s brawl,

Of beauty that must early fall,

Of battle hate and battle joy

By the old windy walls of Troy.

They felt that they were unreal then,

Visions and shadow-forms, not men.

But those the Bard did sing and say

(Some were their comrades, some were they)

Took shape and loomed and strengthened more

Greatly than they had guessed of yore.

And now the fight begins again,

The old war-joy, the old war-pain.

Sons of one school across the sea

We have no fear to fight--

* * * * *

And soon, O soon, I do not doubt it,

With the body or without it,

We shall all come tumbling down

To our old wrinkled red-capped town.

Perhaps the road up Ilsley way,

The old ridge-track, will be my way.

High up among the sheep and sky,

Look down on Wantage, passing by,

And see the smoke from Swindon town;

And then full left at Liddington,

Where the four winds of heaven meet

The earth-blest traveller to greet.

And then my face is toward the south,

There is a singing on my mouth:

Away to rightward I descry

My Barbury ensconced in sky,

Far underneath the Ogbourne twins,

And at my feet the thyme and whins,

The grasses with their little crowns

Of gold, the lovely Aldbourne downs,

And that old signpost (well I knew

That crazy signpost, arms askew,

Old mother of the four grass ways).

And then my mouth is dumb with praise,

For, past the wood and chalkpit tiny,

A glimpse of Marlborough ἐρατεινή!

So I descend beneath the rail

To warmth and welcome and wassail.

* * * * *

This from the battered trenches--rough,

Jingling and tedious enough.

And so I sign myself to you:

One, who some crooked pathways knew

Round Bedwyn: who could scarcely leave

The Downs on a December eve:

Was at his happiest in shorts,

And got--not many good reports!

Small skill of rhyming in his hand--

But you’ll forgive--you’ll understand.

_12 July 1915_

XXX

IN MEMORIAM

S.C.W., V.C.

There is no fitter end than this.

No need is now to yearn nor sigh.

We know the glory that is his,

A glory that can never die.

Surely we knew it long before,

Knew all along that he was made

For a swift radiant morning, for

A sacrificing swift night-shade.

_8 September 1915_

XXXI

BEHIND THE LINES

We are now at the end of a few days’ rest, a kilometre behind the lines.

Except for the farmyard noises (new style) it might almost be the little

village that first took us to its arms six weeks ago. It has been a fine

day, following on a day’s rain, so that the earth smells like spring. I

have just managed to break off a long conversation with the farmer in

charge, a tall thin stooping man with sad eyes, in trouble about his

land: les Anglais stole his peas, trod down his corn and robbed his

young potatoes: he told it as a father telling of infanticide. There may

have been fifteen francs’ worth of damage done; he will never get

compensation out of those shifty Belgian burgomasters; but it was not

exactly the fifteen francs but the invasion of the soil that had been

his for forty years, in which the weather was his only enemy, that gave

him a kind of Niobe’s dignity to his complaint.

Meanwhile there is the usual evening sluggishness. Close by, a

quickfirer is pounding away its allowance of a dozen shells a day. It is

like a cow coughing. Eastward there begins a sound (all sounds begin at

sundown and continue intermittently till midnight, reaching their zenith

at about 9 p.m. and then dying away as sleepiness claims their

masters)--a sound like a motor-cycle race--thousands of motor-cycles

tearing round and round a track, with cut-outs out: it is really a pair

of machine guns firing. And now one sound awakens another. The old cow

coughing has started the motor-bykes: and now at intervals of a few

minutes come express trains in our direction: you can hear them rushing

toward us; they pass going straight for the town behind us: and you hear

them begin to slow down as they reach the town: they will soon stop: but

no, every time, just before they reach it, is a tremendous railway

accident. At least, it must be a railway accident, there is so much

noise, and you can see the dust that the wreckage scatters. Sometimes

the train behind comes very close, but it too smashes on the wreckage

of its forerunners. A tremendous cloud of dust, and then the groans. So

many trains and accidents start the cow coughing again: only another cow

this time, somewhere behind us, a tremendous-sized cow, θαυμἀσιον ὄσιον,

with awful whooping-cough. It must be a buffalo: this cough must burst

its sides. And now someone starts sliding down the stairs on a tin tray,

to soften the heart of the cow, make it laugh and cure its cough. The

din he makes is appalling. He is beating the tray with a broom now,

every two minutes a stroke: he has certainly stopped the cow by this

time, probably killed it. He will leave off soon (thanks to the “shell

tragedy”): we know he can’t last.

Marlborough, and Other Poems · 第 1 / 4 段