SIX-ARMED AVALOKITEŚVARA WITH ATTENDANT BODHISATTVAS

The large silk painting (Ch. xxvi. 001) of which this Plate is a

half-size reproduction was in its original condition a very fine

composition, but has suffered much damage. The lower end has been

destroyed by fire, the right edge is lost, and several large holes show

where dark green paint has corroded the silk. Much of the colouring is

gone; yet in spite of all these vicissitudes enough remains to prove

the refined design of the whole and the sureness of the drawing.

The picture shows a six-armed Avalokiteśvara seated on a large white

lotus in the attitude known as that of ‘royal ease’, with the right

knee raised and the head inclined over the right shoulder. This

characteristically ‘Indian’ pose corresponds to the slim-waisted body

and the dress of ‘Indian’ Bodhisattva type. It is only in figures of

the latter that we find the flower-ornamented caps over the knees here

seen. The upper hands with gracefully curved fingers are raised towards

the head; of the middle ones the right is raised before the breast in

the _vitarka-mudrā_, while the left is held below palm up; the lower

hands hang down below the knees. No emblems are displayed, except the

Dhyāni-buddha in the front of the tiara, which appears as a high solid

cone of chased bronze.

The ornamentation of the circular halo and nimbus is very elaborate and

effective. Vandyke and flower patterns fill the former, waving rays

the nimbus. One continuous flame border outlines the free edges of

both, while a broad band of white surrounds them and encloses the whole

figure in a circle of light. A string of small flowers seen in profile

defines the outer edge of this circle.

Above it is seen a canopy set with flaming jewels. On either side of

this appears a small Bodhisattva seated on a lotus which grows on a

twining stem. Two corresponding figures occupying the bottom corners

are all but destroyed.

In the colouring different shades of red and green prevailed, together

with white; but the last, as well as the yellow on Avalokiteśvara’s

flesh, has been rubbed off in most places.

The Thousand Buddhas Ancient Buddhist Paintings from the Cave-Temples of Tun-huang on the Western Frontier of China · 第 57 / 110 题