One of the most curious of literary phenomena is this Lamb worship.

Dingy, twittering little London sparrow that he was, diligent digger-up

of Elizabethan archaisms with which to tune his chirpings, he seems

often to have inspired the warmest of personal admiration. As the

"gentle Elia" one finds him always referred to, and a halo of romance

has been thrown about him and his doings to which neither he nor

they can in reality lay much claim. Romance flies abashed before the

picture of Lamb and his sister diluting down the poet of all time in

the _Tales from Shakespeare_: Charles sipping gin between whiles, and

Mary vigorously snuffing. Nor was his wit of the kindly sort readily

associated with the epithet "gentle." It flowed the more readily after

copious libations of gin-and-water, and resolved itself at such times

into the offensive, if humorous, personalities that were the stock

in trade of early nineteenth-century witlings. His famous witticism

at a card-party on one who had hands not of the cleanest ("If dirt

were trumps, what a hand you'd have") must have been bred of the

juniper berry. Stuttering and blue-lipped the next morning, he was

an object of pity or derision, just according to the charity of those

who beheld him. Carlyle, who knew Lamb in his latter days, draws him

as he was, in one of those unmerciful pen-portraits he could create

so well:--"Charles Lamb and his sister came daily once or oftener; a

very sorry pair of phenomena. Insuperable proclivity to gin in poor

old Lamb. His talk contemptibly small, indicating wondrous ignorance

and shallowness, even when it was serious and good-mannered, which it

seldom was, usually ill-mannered (to a degree), screwed into frosty

artificialities, ghastly make-believe of wit, in fact more like

'diluted insanity' (as I defined it) than anything of real jocosity,

humour, or geniality. A most slender fibre of actual worth in that poor

Charles, abundantly recognisable to me as to others, in his better

times and moods; but he was Cockney to the marrow; and Cockneydom,

shouting 'glorious, marvellous, unparalleled in nature!' all his days

had quite bewildered his poor head, and churned nearly all the sense

out of the poor man. He was the leanest of mankind, tiny black breeches

buttoned to the knee-cap, and no further, surmounting spindle-legs

also in black, face and head fineish, black, bony, lean, and of a

Jew type rather; in the eyes a kind of smoky brightness or confused

sharpness; spoke with a stutter; in walking tottered and shuffled;

emblem of imbecility bodily and spiritual (something of real insanity I

have understood), and yet something too of human, ingenuous, pathetic,

sportfully much enduring. Poor Lamb! he was infinitely astonished at

my wife and her quiet encounter of his too ghastly London wit by a

cheerful native ditto. Adieu, poor Lamb!"

Edmonton Church has lain too near London in all these years to have

escaped many interferences, and the body of it was until recently

piteous with the doings of 1772, when red brick walls and windows of

the factory type replaced its ancient architecture. These have now in

their turn been swept away, and good modern Gothic put in their stead,

already densely covered with ivy. The ancient tower still rises grandly

from the west end, looking down upon a great crowded churchyard; a very

forest of tombstones. Near by is the grave of Charles and Mary Lamb,

with a long set of verses inscribed upon their headstone.

There was once in this churchyard of Edmonton a curious epitaph on one

William Newberry, ostler to the Rose and Crown Inn, who died in 1695

from the effects of unsuitable medicine given him by a fellow-servant

acting as an amateur doctor. The stone was removed by some clerical

prude--

"Hic jacet Newberry, Will

Vitam finivet cum Cochiæ Pill

Quis administravit? Bellamy, Sue

Quantum quantitat nescio, scisne tu?

Ne sutor ultra crepidam."

The feelings of Sue Bellamy will not be envied, but Sue, equally with

William, has long reached beyond all such considerations, and the Rose

and Crown of that day is no more. There is still, however, a Rose

and Crown, and a very fine building it is, with eleven windows in

line and wearing a noble and dignified air. It is genuine Queen Anne

architecture; the older house being rebuilt only ten years after the

ostler was cut off untimely, as may be seen by the tablet on its front,

dated not only 1705, but descending to the small particular of actual

month and day of completion.

X

THE tramway line, progressing through Edmonton in single track, goes on

in hesitating fashion some little distance beyond Edmonton Green, and

terminates in a last feeble, expiring effort on the open road, midway

between Edmonton and Ponder's End; like the railhead of some African

desert line halting on the edge of a perilous country. Where it ends

there stands, solitary, a refreshment house, so like the last outpost

of civilisation that the wayfarer whimsically wonders whether he had

not better provision himself liberally before adventuring into the

flats that lie so stark and forbidding before him.

It is indeed an uninviting waste. On it the gipsy caravans halt; here

the sanguine speculative builder projects a street of cheap houses and

generally leaves derelict "carcases" of buildings behind him; here

the brick-maker and the market-gardener contend with one another, and

the shooters of rubbish bring their convoys of dust, dirt, and old

tins from afar. On the skyline ahead are factory chimneys, and to the

east--the only gracious note in the whole scene--the wooded hills of

Essex, across the malodorous Lea.

This desolate tract is bounded by the settlement of Ponder's End, an

old roadside hamlet. "Ponder's End," says Lamb, "emblematic name, how

beautiful!" Sarcasm that, doubtless, for of what it is emblematic, and

where lies the beauty of either place or name, who shall discover? The

name has a heavily ruminative or contemplative sound, a little out of

key with its modern note. For even Ponder's End has been rudely stirred

up by the pitchfork of progress and bidden go forward, and new terraces

of houses and shops--no, not _shops_, nothing so vulgar; "business

premises" if you please--have sprung up, and the oldest inhabitant is

distraught with the changes that have befallen. Where he plodded in

the mud there are pavements; the ditch into whose unsavoury depths he

has fallen many a time when returning late from the old Two Brewers

is filled up, and the Two Brewers itself has changed from a roadside

tavern to something resplendent in plate-glass and brilliant fittings.

Our typical ancient and his friends, the market-gardening folk and

the loutish waggoners, are afraid to enter. Nay, even the name of the

village or hamlet, or urban district, or whatever the exact slang

term of the Local Government Board for its modern status may be, is

not unlikely to see a change, for to the newer inhabitants it sounds

derogatory to be a Ponder's Ender.

To this succeeds another strip of sparsely-settled land, and you think

that here, at last, the country is gained. Vain thought! Enfield

Highway, a populous mile-length, dispels all such ideas, and even

Enfield Wash, where the travellers of old were content to be drenched

in the frequent floods, so long as they actually escaped with their

lives, is suburban and commonplace. The stretch of road between the

Wash and Waltham Cross still goes by the shivery name of Freezywater.

Enfield Highway, like Ponder's End, was until quite recently stodged

in sloughs, and resolutely old-world; almost as old world indeed

as when, in 1755, Mr. Spencer, the Lord Spencer of a few years

later, came up from the shires in great state with his bride. Their

procession consisted of three chariots, each drawn by six horses and

escorted by two hundred horsemen. At sight of this cavalcade the whole

neighbourhood was up in arms. The timid fled, the Jacobites rejoiced

and ran off to ring the church bells in a merry peal, while loyal folks

and brave armed themselves with pitchforks, pokers, and spades; for all

thought the Pretender had come again and was marching on London.

At Waltham Cross, formerly entered through a toll-gate, Middlesex

is left behind and Hertfordshire gained. The name of Waltham Cross

probably does not at this period inspire anyone with dread, but that

was the feeling with which travellers approached it at any time between

1698 and 1780; for this was in all those years a neighbourhood where

highwaymen robbed and slew with impunity. Here was the favourite lurk

of those desperate disbanded soldiers who on the Peace of Ryswick,

finding pay and occupation gone, banded together, and, building huts

in the coverts of Epping Forest, came forth even in broad daylight,

and, to the number of thirty, armed with swords and pistols, held

up the traffic on this and the surrounding roads. Even when that

formidable gang was disposed of by calling out the Dragoon Guards

in a regular campaign against them, there were others, for in 1722

a London morning paper stated that the turnpike-men from Shoreditch

to Cheshunt had been furnished with speaking-trumpets, "as well to

give notice to Passengers as to each other in case any Highwaymen or

footpads are out," and the satisfactory report is added, "we don't find

that any robbery has been committed in that quarter since they have

been furnished with them, which has been these two months." Was it not

hereabouts, too, that Turpin first met Tom King, and, taking him for an

ordinary citizen, proposed to rob him? Ay, and in that self-same Epping

Forest, whose woodlands may even yet be seen, away to the right-hand,

Turpin had his cave. Even so late as 1775 the Norwich stage was

attacked one December morning by seven highwaymen, three of whom the

guard shot dead. He would perhaps have finished the whole of them had

his ammunition not failed and he in turn been shot, when the coach was

robbed at leisure by the surviving desperadoes.

XI

IF the traveller does not know what to expect on approaching Waltham

Cross, then the cross, standing in the centre of the road, must needs

be a pleasant surprise to him, even though he presently discovers

that they have done a great deal in recent times to spoil it; "they"

meaning the usual pastors and masters, the furbishers and titivators

of things ancient and worshipful, applying to such things their own

little nostrums and programmes. But, woefully re-restored though it

be, its crockets and pinnacles and panellings patched with a stone

whose colour does not match with that of the old work, one can still

find it possible to look upon it with reverence, for among the ancient

wayside memorials of our storied land the beautiful Eleanor Crosses

stand foremost, both for their artistic and their historic interest.

More than any others, they hold the sentiment and the imagination of

the wayfarer, and their architecture is more complex. The story that

belongs to them is one long since taken to the warm hearts of the

people, and cherished as among the most touching in all the history of

the realm--a realm rich in stories of a peculiarly heart-compelling

kind.

It is that of Eleanor of Castile, Queen of Edward the First, who

accompanied him to Palestine in 1270, on his Crusade against the

Infidel. History tells how, on the evening of June 17, 1272, the King

was seated alone and unarmed in a tent of the camp before Acre. It was

his birthday, but birthdays find scant celebration in the tented field,

and Edward on that day was engaged in the sterner business of receiving

proposals of surrender from the besieged. He had given audience to a

messenger from the Emir of Jaffa, who, having delivered the letter he

had brought, stood waiting. Bending low, in answering a question the

King had put to him, he suddenly put his hand to his belt, as though to

produce other letters; but, instead, drew a poisoned dagger and struck

at the King with it. Edward endeavoured to shield himself, but received

a deep wound in the arm; then, as the man endeavoured to strike again,

giving him a kick that felled him to the ground, he wrenched away the

would-be assassin's dagger and plunged it into his body. When the

King's attendants came rushing in, the man was dead. Fortunate for

him it was that he died so simply, for the imaginations of those who

dispensed the rough justice of the time were sufficiently fertile to

have devised many novel and exquisitely painful variations of torture

for such an one.

The King's wound was serious, and although all the drugs and balsams

in the limited pharmacopoeia of those times were administered, it grew

worse. Then it was, according to the pretty story universally received,

that the Queen, finding the efforts of physicians vain, sucked the

poison from the wounded arm of her lord to such good purpose that he

recovered, and sat his charger again within fifteen days.

Medical criticism on this recorded action of the poison could scarce

fail of being destructive, and indeed it is not to be expected that

the story of Eleanor of Castile would be left unassailed in these

days, when history is treated scientifically, and when all the old and

gracious stories are being explained away or resolved into something

repellent and utterly commonplace. Modern historians have told us that

William Tell is a myth, and that, consequently, the famous incident

of the apple could never have occurred. Robin Hood, they say, was

equally imaginary, or if any real person existed on whom that figure of

endearing romance was built up, he had more the attributes of a footpad

than those of the chivalrous outlaw those legends have made him. They

would even take from us Dick Whittington and his cat. In fact, all

these romantic people are classed with King Arthur, Jack the Giant

Killer, and Little Red Riding Hood. It is not a little cruel thus to

demolish these glamorous figures, but historians since Macaulay have

been merciless. It is, therefore, not surprising to read that Eleanor,

instead of being heroic was a very woman, and was led "weeping and

wailing" from the scene when the surgeons declared that the King's hurt

was incurable, unless the whole of the poisoned flesh were cut away.

The cure, says an old chronicler, was effected by the surgeons, and the

romantic story has in recent times been declared "utterly unworthy of

credit."

Alas! too, for the gentle and tender character that has ever been

ascribed to Eleanor of Castile; for we read that "though pious and

virtuous, she was rather grasping," causing scandal by taking part

with Jewish usurers in cozening Christians out of their estates.

Ancient records, done on rolls of sheepskin in mediæval dog-Latin,

and preserved in the Record Office for all men to see--and read if

they can--tell how hard a landlord she was, and how Archbishop Peckham

interfered on behalf of her unfortunate tenants, telling her that

reparation for wrongs done must precede absolution.

[Illustration: WALTHAM CROSS A HUNDRED YEARS AGO.]

And yet, although we allow this to be truth, to some she must have

been winsome and gracious. Not to the lower herd, almost certainly,

for people below the rank of knights or dames were never, in those

times, thought worthy the least consideration. To those who more nearly

approached her own rank she may have been the generous personality

she has ever been pictured, although for a true Castilian to be other

than insufferably haughty and arrogant would seem, if traditions do

not lie, to be against nature. To the King she was evidently all in

all, or how explain the existence of so long and elaborate a series

of crosses raised to the memory of his _chère reine_? Eighteen years

after the famous incident of the poisoned wound the Queen died, on

November 28, 1290. She breathed her last on the evening of that day at

the village of Harby, in Nottinghamshire, whither she had accompanied

the King on a royal progress he had been making through the Eastern

Counties during the three preceding months. Parliament in those times

was a perambulating body of lawgivers, following of necessity the

footsteps of the monarch. The King, therefore, having arranged to stay

at his Royal Palace of Clipstone, in Sherwood Forest, at the end of

October, Parliament was summoned to meet there on the twenty-seventh

of that month. Meanwhile, however, the Queen fell ill of a lingering

fever, and for sake of the quiet that could not be obtained in

the neighbourhood of the Court she was housed at Harby, twenty miles

distant. But not all the care that was hers, nor the syrups and other

medicines detailed in the old accounts, procured in haste from the city

of Lincoln, five miles away, availed to avert the fatal conclusion of

that wasting sickness.

[Illustration: WALTHAM CROSS.]

The Queen's body was at once removed to Lincoln Cathedral, and the

funeral procession seems to have set out from Lincoln city for

Westminster on the fourth day of December. London was not reached until

eleven days later, and the entombment at Westminster did not take place

until the seventeenth of the month. Travelling was a slow and tedious

process then, but not necessarily so slow as this. The reasons for the

length of time consumed between Lincoln and Westminster were two, and

are found both in the pompous circumstances of the journey and in the

circuitous route taken. The ordinary route was by Stamford, Huntingdon,

Royston, Puckeridge, and Cheshunt; but it was determined that the

august procession should pass through a more frequented part of the

country, and through districts where the Queen had been better known.

Another object was to take some of the great religious houses on the

way, and thus have suitable places at which to rest. The route chosen,

therefore, included Grantham, Stamford, Geddington, Northampton, Stony

Stratford, Woburn, Dunstable, St. Albans, Waltham Abbey, West Cheap,

and Charing. At each of these places the Queen's body rested, and

at each one was subsequently erected a memorial cross. This is no

place for recounting the almsgiving, the endowments of charities and

monasteries, and the payments for tapers and masses for the repose

of her soul. Let it be understood that all these things were done on

a scale of the greatest magnificence, and that the erection of these

twelve great crosses was but one feature among many in the means

employed to keep her memory alive and her soul in bliss unending.

This last, indeed, was the principal reason of their building. In

these days one regards the three crosses, that the rage of rabid men

and the slower but scarce less sure fury of the elements between them

have alone left us of the twelve, as merely beautiful specimens of the

wedded arts of Sculpture and Architecture; or as affecting memorials of

conjugal love. Those, however, would be erroneous regards. The crosses

were to attract by their beauty, no doubt; but their higher purpose was

to inspire the devotional sentiment; their presence by the wayside was

to implore the passers-by to remember the "Queen of Good Memory," as

documents of the time call her, that they might pray for her. Although

they bore no inscription, they silently bade the traveller "_Orate

pro animâ_," and were, accordingly, consecrated with full religious

ceremonies.

The crosses were not of a uniform pattern, although many of them seem

to have borne strong likenesses to each other. Nine have so utterly

disappeared that not a single stone of them is discoverable at this

day, but old prints serve to show, in conjunction with the still

existing building accounts, their relative size and importance. The

three remaining are those of Geddington, Hardingstone near Northampton,

and this of Waltham. Waltham Cross stands seventy feet in height. It

cost £95, equal to £1000 of our present money, and was originally built

of stone from the quarries of Caen, in Normandy, as the lower stage

of the work still shows. The two upper stages and the spirelet were

restored and reconstructed in 1832 at a cost of £1200, and again, as

recently as 1885-92, at an almost equal expense.

[Illustration: THE "HULL MAIL" AT WALTHAM CROSS.

[_From a Print after J. Pollard._]]

The beautiful old engraving of 1806, reproduced here, proves into

what a dilapidated condition the Cross had at that time fallen. It

would appear to have been even worse in 1720, when Dr. Stukeley was

commissioned by the Society of Antiquaries to see that posts were

placed round for its protection; and in 1757 it was in danger of

falling, for Lord Monson, the then Lord of the Manor of Cheshunt, was

petitioned to build some brickwork round the base and to set up some

other posts. A later Lord of the Manor, a certain Sir George Prescott,

in 1795, with colossal impudence endeavoured to remove it to his park

at Theobalds, and would have done so had not his workmen found the

stone too decayed to be displaced.

In the old print already referred to, and in the coaching print of

some thirty years later, it will be noticed that a portion of that

old coaching hostelry, the Falcon, actually abutted upon the Cross.

The inn, indeed, occupied the site of a chantry chapel adjoining,

where prayers for the soul of the Queen had been said for some two

hundred and fifty years after her death. It may be suspected that those

prayers, endowments notwithstanding, had grown somewhat perfunctory

after that lapse of time, and the Queen herself little more than

a legend; and so, when all Chantries were dissolved under Edward

the Sixth, their revenues seized and the mumbling priests ejected,

the world was well rid of a hoary piece of humbug. The Falcon was

demolished when the latest restoration was brought to a conclusion, and

a portion of its site thrown into the roadway, so that the Cross stands

once more free from surrounding buildings.

In choosing a stone for those parts to be restored, the gross mistake

was made of selecting a brownish-red stone from the Ketton quarries, in

Northants. The reason for making this selection was that Caen stone is

perishable and that of Ketton particularly durable; but in the result

the restored Cross wears to-day a sadly parti-coloured appearance.

XII

THE already named Falcon was not the only hostelry at Waltham Cross.

The Four Swans, whose great gallows sign still straddles across the

highway, with the four swans themselves represented in effigy against

the sky, was the other house. There is always Another in everything,

even in Novelettes and on the Stage, where he or she, as the case may

happen, is generally accorded a capital letter. That there should

always be a rival, that is to say, Another, shows, I suppose, that

competition is a heaven-sent condition of affairs, and incidentally

that "Trusts" and "Combines" are immoral and a direct challenge to

Providence. That, however, is another matter. But, in this case, which

is "the other" it would be difficult, if not impossible, to determine.

Whether the Falcon or the Four Swans was established first cannot be

told with certainty, although if it be true that the Four Swans is

built on the site of the ancient manor-house of Cheshunt, it seems

likely that to this queer rambling old coaching-inn must be given the

honour.

A story used to be told of an adventure here that might have had

unpleasant consequences, had it not been for the ready wit of the

guard attached to the "York Mail." When the Mail reached the village

and drew up in front of the inn, shortly after nine o'clock, a quiet,

gentlemanly-looking man took a vacant seat inside, and remained silent

and inoffensive until the coach started on its way to Ware, when he

suddenly became very talkative. Addressing a lady present with some

absurd remarks, the other gentlemen turned upon him and said, if he

did not cease they would put him in the road. This was no sooner said

than he began to adopt a threatening tone; but no notice was taken of

him, as Ware was being neared, when he could be better dealt with than

by stopping the coach. When it came to a halt, the guard was beckoned

to and told quietly what an odd customer was seated within. The guard

looked inside, and at once recognised the strange person as a gentleman

of that neighbourhood who had been consigned to a lunatic asylum, and

must have escaped. "Ah! Mr. F----," he said, "how are you? Are you

going far down the road?" "I'm going," said Mr. F----, "to Stamford to

catch that rascal C----, who has stolen my estates." "Why," rejoined

the guard, with the well-known promptitude of his class, "you needn't

go any farther, I've just seen him in the back parlour, behind the

bar." "Have you?" shouted the madman. "By Jove! let me find him," and

he leapt out of the coach. "Right away, Bill," sang out the guard, and

the Mail was off. How the people at Ware dealt with the poor wretch is

not recorded.

As this, so far as Royston, was a part of the original great post-road

to Scotland, many royal and noble processions, besides that attendant

on the obsequies of Queen Eleanor, passed of necessity through Waltham

Cross, and the coaching and posting traffic was of huge dimensions, up

to the last days of the road.

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