Geneva.
I am not surprised that your inquiries of late entirely regard the
philosopher of Ferney. This extraordinary person has contrived to excite
more curiosity, and to retain the attention of Europe for a longer space
of time, than any other man this age has produced, monarchs and heroes
included.—Even the most trivial anecdote relating to him seems, in some
degree, to interest the Public.
Since I have been in this country, I have had frequent opportunities of
conversing with him, and still more with those who have lived in intimacy
with him for many years; so that, whatever remarks I may send you on
this subject, are founded either on my own observation, or on that of the
most candid and intelligent of his acquaintance.
He has enemies and admirers here, as he has every where else; and not
unfrequently both united in the same person.
The first idea which has presented itself to all who have attempted a
description of his person, is that of a skeleton. In as far as this
implies excessive leanness, it is just; but it must be remembered, that
this skeleton, this mere composition of skin and bone, has a look of
more spirit and vivacity, than is generally produced by flesh and blood,
however blooming and youthful.
The most piercing eyes I ever beheld are those of Voltaire, now in
his eightieth year. His whole countenance is expressive of genius,
observation, and extreme sensibility.
In the morning he has a look of anxiety and discontent; but this
gradually wears off, and after dinner he seems cheerful:—yet an air
of irony never entirely forsakes his face, but may always be observed
lurking in his features, whether he frowns or smiles.
When the weather is favourable, he takes an airing in his coach, with his
niece, or with some of his guests, of whom there is always a sufficient
number at Ferney. Sometimes he saunters in his garden; or if the weather
does not permit him to go abroad, he employs his leisure-hours in playing
at chess with Pere Adam; or in receiving the visits of strangers, a
continual succession of whom attend at Ferney to catch an opportunity of
seeing him; or in dictating and reading letters; for he still retains
correspondents in all the countries of Europe, who inform him of every
remarkable occurrence, and send him every new literary production as soon
as it appears.
By far the greater part of his time is spent in his study; and whether he
reads himself, or listens to another, he always has a pen in his hand, to
take notes, or make remarks.
Composition is his principal amusement. No author who writes for daily
bread, no young poet ardent for distinction, is more assiduous with his
pen, or more anxious for fresh fame, than the wealthy and applauded
Seigneur of Ferney.
He lives in a very hospitable manner, and takes care always to keep a
good cook. He has generally two or three visitors from Paris, who stay
with him a month or six weeks at a time. When they go, their places are
soon supplied; so that there is a constant rotation of society at Ferney.
These, with Voltaire’s own family, and his visitors from Geneva, compose
a company of twelve or fourteen people, who dine daily at his table,
whether he appears or not. For when engaged preparing some new production
for the press, indisposed or in bad spirits, he does not dine with the
company; but satisfies himself with seeing them for a few minutes, either
before or after dinner.
All who bring recommendations from his friends, may depend upon being
received, if he be not really indisposed.—He often presents himself to
the strangers, who assemble almost every afternoon in his anti-chamber,
although they bring no particular recommendation. But sometimes they are
obliged to retire without having their curiosity gratified.
As often as this happens, he is sure of being accused of peevishness;
and a thousand ill-natured stories are related, perhaps invented, out
of revenge, because he is not in the humour of being exhibited like a
dancing bear on a holiday. It is much less surprising that he sometimes
refuses, than that he should comply so often. In him, this complaisance
must proceed solely from a desire to oblige; for Voltaire has been so
long accustomed to admiration, that the stare of a few strangers cannot
be supposed to afford him much pleasure.
His niece, Madame Denis, does the honours of the table, and entertains
the company, when her uncle is not able, or does not choose to appear.
She is a well-disposed woman, who behaves with good-humour to every body,
and with unremitting attention and tenderness to her uncle.
The forenoon is not a proper time to visit Voltaire. He cannot bear to
have his hours of study interrupted. This alone is sufficient to put
him out of humour; besides, he is then apt to be querulous, whether
he suffers by the infirmities of age or from some accidental cause of
chagrin. Whatever is the reason, he is less an optimist at that part
of the day than at any other.—It was in the morning, probably, that he
remarked,—que c’étoit dommage que le quinquina se trouvoit en Amérique,
et la fièvre en nos climats.
Those who are invited to supper, have an opportunity of seeing him in
the most advantageous point of view. He then exerts himself to entertain
the company, and seems as fond of saying, what are called good things,
as ever:—and when any lively remark or bon mot comes from another, he is
equally delighted, and pays the fullest tribute of applause.—The spirit
of mirth gains upon him by indulgence.—When surrounded by his friends,
and animated by the presence of women, he seems to enjoy life with all
the sensibility of youth. His genius then surmounts the restraints of
age and infirmity, and flows along in a fine strain of pleasing, spirited
observation, and delicate irony.
He has an excellent talent of adapting his conversation to his
company.—The first time the D—— of H—— waited on him, he turned the
discourse on the ancient alliance between the French and Scotch
nations.—Reciting the circumstance of one of his Grace’s predecessors
having accompanied Mary Queen of Scots, whose heir he at that time
was, to the court of France,—he spoke of the heroic characters of his
ancestors, the ancient Earls of Douglas—of the great literary reputation
of some of his countrymen, then living; and mentioned the names of Hume
and Robertson in terms of high approbation.
A short time afterwards, he was visited by two Russian Noblemen, who are
now at Geneva. Voltaire talked to them a great deal of their Empress,
and the flourishing state of their country.—Formerly, said he, your
countrymen were guided by ignorant priests,—the arts were unknown, and
your lands lay waste;—but now the arts flourish, and the lands are
cultivated.—One of the young men replied, That there was still a great
proportion of barren land in Russia.—At least, said Voltaire, you must
admit, that of late your country has been very _fertile in laurels_.
His dislike to the clergy is well known.—This leads him to join in a very
trite topic of abuse with people who have no pretension to that degree
of wit which alone could make their railings tolerable.—The conversation
happening to turn into this channel, one person said, If you substract
pride from priests, nothing will remain.—Vous comptez donc, Monsieur, la
gourmandise, pour rien, said Voltaire.
He approves much more of Marmontel’s Art of Poetry, than of any poems of
that author’s composition. Speaking of these, he said that Marmontel,
like Moses, could guide others to the Holy Land, though he was not
allowed to enter it himself[3].
Voltaire’s unbecoming allusions to the Sacred Writings, and his attempts
to turn into ridicule some of the most venerable characters mentioned in
them, are notorious.
A certain person, who stammered very much, found means to get himself
introduced at Ferney.—He had no other recommendation than the praises he
very liberally bestowed on himself.—When he left the room Voltaire said,
he supposed him to be an avanturier, un imposteur.—Madame Denis said,
Impostors never stammer:—To which Voltaire replied—Moïse, ne begayoit-il
pas?
You must have heard of the animosity which has long subsisted between
Voltaire and Freron the Journalist at Paris. The former was walking one
day in his garden with a gentleman from Geneva. A toad crawled across the
road before them:—The gentleman, to please Voltaire, said, pointing at
the toad,—There is a Freron.—What can that poor animal have done to you,
replied the Wit, to deserve such a name?
He compared the British nation to a hogshead of their own strong beer;
the top of which is froth, the bottom dregs, the middle excellent.
A friend of Voltaire’s having recommended to his perusal, a particular
system of metaphysics, supported by a train of reasonings, by which the
author displayed his own ingenuity and address, without convincing the
mind of the reader, or proving any thing besides his own eloquence
and sophistry, asked, some time after, the critic’s opinion of this
performance?
Metaphysical writers, replied Voltaire, are like minuet-dancers; who
being dressed to the greatest advantage, make a couple of bows, move
through the room in the finest attitudes, display all their graces, are
in continual motion without advancing a step, and finish at the identical
point from which they set out. Perhaps he borrowed this thought from the
following lines in Pope’s Dunciad:
Or set on metaphysic ground to prance,
Show all his paces, not a step advance.
This, I hope, will satisfy you for the present; in my next, I shall send
you what farther particulars I think worth your notice concerning this
singular man.—Mean while, I am, &c.
[3] The same allusion, though probably Voltaire did not know
it, was long since made by Cowley—
Bacon like Moses led us forth at last
The barren wilderness he past,
Did on the very border stand
Of the blest promised land,
And from the mountain top of his exalted wit
Saw it himself, and shewed us it.