But Peppa one fine day said to him,--

"Let your mule have a rest, for I do not wish to get married."

The poor "Candela di Sego" was dumbfounded, and the old mother began

to tear her hair when she heard that her daughter had refused the best

match in the village.

"I am in love with Gramigna," said the girl, "and he is the only one

whom I will marry."

"Ah!" screamed the mamma, and she stormed through the house, with her

gray hair streaming so that she looked like a witch--"Ah! that demon

has been here to bewitch my daughter!"

"No," replied Peppa, with her eyes flashing like a sword--"no, he has

not been here."

"Where did you ever see him?"

"I never saw him. I have only heard him spoken of. But I feel

something here, that burns me."

The report spread through the region, though they tried to keep it a

secret. The women and girls who had envied Peppa the prosperous

farming, the bay mule and the handsome youth who could bear the

standard of Santa Margherita without bending his back, went around

telling all sorts of unkind stories: how Gramigna had been to visit

her one night in the kitchen, and how he had been seen hiding under

the bed. The poor mother burnt a lamp for the souls in purgatory and

even the curato went to Peppa's house to touch her heart with his

stole, so as to drive out that devil of a Gramigna, who had got

possession of it.

But she persisted in her statement that she did not know the fellow by

sight; but that she had seen him one night in a dream, and the

following morning she had got up with her lips dry as if she had

herself suffered from all the thirst which they reported him to be

enduring.

Then the old woman shut her up in the house, so that she might not

hear another word about Gramigna, and she stopped up all the cracks of

the door with images of the saints.

Peppa heard all that was said in the street behind the sacred images,

and she turned red and white, as if the devil had kindled all his

fires in her face.

Finally she heard it said that Gramigna had been located among the

prickly pear-trees of Palagonia.

"They have been firing for two hours," they said. "He has killed one

carabineer and wounded more than three _compagni d'armi_. But they

sent back such a hailstorm of shots that he must have been hit; there

was a pool of blood where he had been."

Then Peppa made the sign of the cross before the old mother's pillow,

and made her escape out of the window.

Gramigna was in the prickly pear-trees of Palagonia, and they were not

able to find him in that stronghold of rabbits. He was ragged and

covered with blood, pale after two days of fasting, burning with

fever, and he had his carbine levelled. When he saw her coming,

resolute, among the prickly pear bushes, in the dim light of the

gloaming, he hesitated a moment whether to shoot or not:--

"What do you want?" he demanded. "What are you coming here for?"

"I am coming to stay with you," said she, looking straight at him.

"Are you Gramigna?"

"Yes, I am Gramigna. If you expect to get those twenty _oncie_[3] of

reward, you are mightily mistaken."

[3] An onza is $2.55.

"No, I have come to stay with you," she replied.

"Go away!" said he. "You can't stay with me, and I don't want anyone

with me. If you are after money, I tell you you have made a mistake.

I haven't any, mind you! For two days I haven't had even a morsel of

bread."

"I can't go back home now," said she; "the place is all full of

soldiers."

"Go away! What is that to me? Each for himself."

As she was turning away like a kicked dog, Gramigna called to her:

"Say, go and get me a jug of water, down yonder in the brook. If you

want to stay with me, you must risk your skin."

Peppa went without saying a word, and when Gramigna heard the gunshots

he began to laugh immoderately, and said to himself: "That was meant

for me!"

But when he saw her coming back a few minutes later with the jug in

her hand, pale and bleeding, he said, before he sprang forward to

snatch the jug from her, and then when he had drunk till it seemed as

if he had no more breath:

"You escaped, did you? How did you do it?"

"The soldiers were on the other side, and there was a thick bush on

this."

"But they put a bullet through your skin. There's blood on your

dress."

"Yes."

"Where were you hit?"

"In the shoulder."

"That's nothing. You can walk."

So he allowed her to stay with him. She followed him, all in rags,

shoeless, suffering from the fever caused by the wound, and yet she

went foraging to procure for him a jug of water or a piece of bread,

and if she came back with empty hands, escaping through the gunshots,

her lover, devoured by hunger and thirst, would beat her. At last one

night when the moon was shining in the prickly pears, Gramigna said to

her,--

"They are on us."

And he obliged her to stand with her back to the rock far in the

crevice; then he fled in another direction. Among the bushes were

heard the frequent reports of the musketry, and the shadows were cut

here and there by quick bright flashes. Suddenly Peppa heard the sound

of steps near her and saw Gramigna coming back, dragging along a

broken leg. He leaned against the prickly pear bushes to reload his

carbine:

"It's all over," he said to her. "Now they'll take me."

And what froze the blood in her veins more than anything else was the

light that shone in his eyes, as if he were a madman.

Then when he fell on the dry branches like a log of wood, the soldiers

were on him in an instant.

The following day they dragged him through the village street on a

cart, all in rags and covered with blood. The people who had crowded

in to look at him began to laugh when they saw how small he was, how

pale and ugly like a punchinello. And it was for him that Peppa had

deserted _compare_ Finu, the "Candela di Sego!"

The poor "Candela di Sego" went and hid from sight, as if it behoved

him to be ashamed, and Peppa was led off, handcuffed by soldiers, as

if she also were a thief,--she who had as much gold as Santa

Margherita! Her poor mother was obliged to sell all the white linen

stored in her trunk, and the gold earrings and the rings for the ten

fingers, so as to pay the lawyers who defended her daughter and bring

the girl home again,--poor, ill, in shame, ugly as Gramigna, and with

Gramigna's child in her arms.

But when at the end of the trial her daughter was restored to her, the

poor old soul recited an "Ave Maria" in the bare and already dark jail

among the soldiers of the guard; it seemed to her that they had given

her back a treasure when she had nothing else in the world, and she

wept like a fountain at this consolation.

Peppa on the other hand seemed to have no tears to shed any more, and

said nothing, and disappeared from sight; yet the two women went out

every day to get their living by their own hands. People declared that

Peppa had taken up "the trade" in the woods, and went on robbing

expeditions at night. The truth of the matter was that she hid herself

in the kitchen like a wild beast in its lair, and it was only when her

old mother was dead of her privations, and the house had to be sold,

that she left it.

"See here!" said "Candela di Sego," who was as much in love with her

as ever, "I could smash your head with two stones for the evil you

have brought on yourself and others."

"It's true," replied Peppa, "I know it. It was God's will."

After her house and those few wretched pieces of furniture that were

left to her were sold, she went away from the town by night, just as

she had done before, without turning round to look at the roof under

which she had slept so long, and she went to do God's will in the

city, with her baby boy, near the prison in which Gramigna was

incarcerated. She could see nothing else besides the black grated

windows along the mighty silent facade, and the sentinels drove her

away if she stopped to look where he might be. At last she was told

that he had not been there for some time, that he had been taken away

to the other side of the sea, manacled, and with a basket fastened

over his shoulder.

She said nothing. She did not go away; for she knew not where to go,

and she had nothing more to expect. She made a shift to live, doing

chores for the soldiers, for the prisoners, as if she herself made a

part of that black and silent building; and she felt for the

carabineers who had taken Gramigna in the thicket of prickly pears,

and who had broken his leg with their shots, a sort of respectful

tenderness, as it were a brute admiration of force.

On holidays, when she saw them with their plumes and their glittering

epaulettes, stiff and erect in their gala uniforms, she devoured them

with her eyes, and she was always at the barracks cleaning the big

rooms and polishing the boots, so that they called her "The

Carabineers' dish-cloth."

Only when she saw them load their guns at nightfall and march out, two

and two, with their trousers turned up, revolver in belt, and when

they mounted horse under the light that made the muskets flash, and

heard the clattering of the horses' feet dying away in the darkness

and the jingling of sabres, she always grew pale, and while she was

closing the door of the stable she shivered; and when her youngster

played with the other urchins on the glacis before the prison, running

among the legs of the soldiers, and the urchins called him "Gramigna's

son, Gramigna's son," she flew into a rage and chased them away with

stones.

Under the Shadow of Etna: Sicilian Stories from the Italian of Giovanni Verga · 第 18 / 34 题