Then "The House," I said, and Lawson replied softly, "The House!"

We rode slowly into the glen in the mulberry gloaming. Our transport

waggons were half an hour behind, so we had time to explore. Lawson

dismounted and plucked handfuls of flowers from the water meadows. He

was singing to himself all the time--an old French catch about Cadet

Rousselle and his Trois maisons.

"Who owns it?" I asked.

"My firm, as like as not. We have miles of land about here. But

whoever the man is, he has got to sell. Here I build my tabernacle,

old man. Here, and nowhere else!"

In the very centre of the glen, in a loop of the stream, was one copse

which even in that half light struck me as different from the others.

It was of tall, slim, fairy-like trees, the kind of wood the monks

painted in old missals. No, I rejected the thought. It was no

Christian wood. It was not a copse, but a "grove,"--one such as

Artemis may have flitted through in the moonlight. It was small, forty

or fifty yards in diameter, and there was a dark something at the heart

of it which for a second I thought was a house.

We turned between the slender trees, and--was it fancy?--an odd tremor

went through me. I felt as if I were penetrating the temenos of some

strange and lovely divinity, the goddess of this pleasant vale. There

was a spell in the air, it seemed, and an odd dead silence.

Suddenly my horse started at a flutter of light wings. A flock of

doves rose from the branches, and I saw the burnished green of their

plumes against the opal sky. Lawson did not seem to notice them. I

saw his keen eyes staring at the centre of the grove and what stood

there.

It was a little conical tower, ancient and lichened, but, so far as I

could judge, quite flawless. You know the famous Conical Temple at

Zimbabwe, of which prints are in every guidebook. This was of the same

type, but a thousandfold more perfect. It stood about thirty feet

high, of solid masonry, without door or window or cranny, as shapely as

when it first came from the hands of the old builders. Again I had the

sense of breaking in on a sanctuary. What right had I, a common vulgar

modern, to be looking at this fair thing, among these delicate trees,

which some white goddess had once taken for her shrine?

Lawson broke in on my absorption. "Let's get out of this," he said

hoarsely and he took my horse's bridle (he had left his own beast at

the edge) and led him back to the open. But I noticed that his eyes

were always turning back and that his hand trembled.

"That settles it," I said after supper. "What do you want with your

mediaeval Venetians and your Chinese pots now? You will have the

finest antique in the world in your garden--a temple as old as time,

and in a land which they say has no history. You had the right

inspiration this time."

I think I have said that Lawson had hungry eyes. In his enthusiasm

they used to glow and brighten; but now, as he sat looking down at the

olive shades of the glen, they seemed ravenous in their fire. He had

hardly spoken a word since we left the wood.

"Where can I read about these things?" he asked, and I gave him the

names of books. Then, an hour later, he asked me who were the

builders. I told him the little I knew about Phoenician and Sabaen

wanderings, and the ritual of Sidon and Tyre. He repeated some names

to himself and went soon to bed.

As I turned in, I had one last look over the glen, which lay ivory and

black in the moon. I seemed to hear a faint echo of wings, and to see

over the little grove a cloud of light visitants. "The Doves of

Ashtaroth have come back," I said to myself. "It is a good omen.

They accept the new tenant." But as I fell asleep I had a sudden

thought that I was saying something rather terrible.

The Moon Endureth: Tales and Fancies · 第 41 / 56 题