CHAPTER XVIII.

CLUB LIFE AT SOLARIS.

In the work of building up in the minds of the co-operators, an abiding

faith in Solaris Farm and its future success, Fillmore Flagg had the

able support of George and Gertrude Gerrish. They had proved themselves

the right people in the right place! In the schools and nursery Gertrude

had become invaluable. Her genial temperament, her fondness for

children, the kindly influence of her great mother-heart, with its never

failing store of sympathy, patience, tact and skill, all attested that

she was a natural teacher whose presence among the children was a

perpetual benefaction, while the wonderful store of her personal

magnetism brought her the love, respect and obedience of both the old

and the young. They instinctively felt her power to make them wiser,

better and happier. This was a well merited tribute of praise, worth a

king's ransom in gold!

George Gerrish soon became very popular on account of the extraordinary

ability he displayed in organizing the members of the farm company into

the numerous clubs devised to promote the interests of education,

science and amusement. The description which follows will serve to

illustrate his skill as an organizer in carrying out the general plan

prepared by Fillmore Flagg. In addition they will give a clear idea of

the scope and variety of the talent developed, together with a proper

conception of the splendid equipment of the farm for the social,

educational, ethical and scientific development of its people.

First in order came the Press Club. To it was assigned the duty of

editing and publishing the "SOLARIS SENTINEL," a weekly paper devoted to

the interests of the farm. It was filled with topics of general interest

to the community; themes, essays, poems, personals and social notices

contributed by the club members, suggestions and ideas leading to better

methods for the care and culture of the farm stock and crops, also as to

preparing, the same for market. The range of topics included hints

regarding any of the allied manufacturing industries which were carried

forward by the farm company. In addition the paper gave full weekly

reports from the officers of the different clubs. The literary budget

for each week was completed by selections from the general contribution

box, a very large one, which was fastened to the outer door of the rooms

of the club. Into this box every man, woman and child was invited to

drop such written scraps, signed or unsigned, brief or lengthy, as they

might be moved to offer for publication. The selections from this box

were eagerly read. They often proved surprisingly brilliant, novel or

suggestive, frequently disclosing rare literary merit,--altogether

constituting the most popular department of the paper. The editorials

were carefully prepared and well written. They were usually along lines

of co-operative work; its desirability as an encouragement to

unselfishness, and also to show how the work might best improve social,

industrial and political conditions. The volume and excellence of the

reading matter thus produced, was marked by general comment as a matter

of astonishment. The unstinted praise which it elicited reflected much

credit on the club: therefore to be chosen a member was a coveted honor

which was reserved for the meritorious few.

The Dancing Club, in point of popularity, was the most successful of

all, and deservedly so. Its membership embraced the entire colony, both

old and young who, one and all, seemed to enter into the spirit of the

movement with a zealous abandon, a united joyousness, most delightful to

behold. The social ties which bound them together, grew and strengthened

with the recurrence of each meeting. On two afternoons of each week, the

club teachers gave two-hour lessons or drills to all who might desire

them. On three evenings of each week, in the large hall of education and

amusement, two and one-half hours were devoted to dancing, in which all

the members took part. These evening dances proved so fascinating that

as a rule very few members were ever noted as being absent. An attack of

illness which prevented the attendance of a member, must be desperate

indeed. In the matter of general improvement the results were most

excellent. To bestow perfect deportment, dignified control of the body

and limbs, with an easy, graceful movement on all occasions, there is

nothing like dancing. To eliminate the depressing effects of grief,

mental or business cares, harassing trials of temper, physical

exhaustion, or disturbed spiritual equilibrium, dancing is a remedy of

marvelous potency. For the key to the reason why this is true, we are

indebted to the wonderful discoveries in psychology and psychurgy made

by that able scientist, renowned thinker and brilliant writer, Professor

Elmer Gates. The following is a very brief statement of his reasons as

to how and why the emotions of the individual affect the vital forces of

life:

"The human body is a collection of co-operative cells, more or less

intelligent and responsive, therefore an important part of the

thinking machine which is acted upon by the superior mind of the

brain. The superior mind is in turn reacted upon by the automatic

metabolism set up in the cells. Automatic metabolism of the cell,

is its ability to carry on within itself the various processes of

life that may be necessary to best fit it for the performance of

special functions, as a particular part of the co-operative body.

Violent emotions of anger, hate, despair and grief, are katabolic,

poisonous and harmful; they tear down and destroy life. The

poisonous deposits left in the cells by these emotions are called

'katastates.' Laughter and merriment, with all the emotions of

pleasure, adoration, worship, love, affection, hope, beauty, etc.,

are 'anabolic,' or life-preserving. The vital, health-giving

deposits left in the cells by these emotions are called

'anastates.' Nature accomplishes her perfect work by beautiful

methods. The cells are fed and sustained by the circulation of the

blood; they are reached from the smaller branching arteries by a

network of minute, thread-like channels, sometimes called

'arterioles.' These arterioles are accompanied by the equally fine

wires of the nervous system, closely connected with the brain

centers. These wires are electrified by the emotions; they expand

the arterioles, and the cells are flooded with an unusual supply of

blood; thus they are correspondingly vitalized or poisoned,

according to the kind of the dominant emotion, its duration and its

intensity."

From the foregoing we readily perceive that the joyful emotions stirred

by that poetical trinity, the melody, the rythm and motion of dancing,

arouses the circulation so potently that every cell in the body tingles

with its superabundance of vitality; both the heart and the brain

respond to the invigorating tide, while its precious freight of

anastates is vivifying and thrilling every cell. These happifying

emotions soon become permanently dominant, the depressing emotions grow

weaker, fade away and disappear. The individual is vitalized and

rejuvenated! We begin to understand that when properly indulged in,

dancing is the most fascinating, healthful and helpful of all the

amusements. The Solaris Farm people were both fascinated and benefited

by the dancing exercises so generously provided by the club; the growing

interest and enthusiasm aroused was a matter of astonishment even to

themselves. With the continuation of the club dances, the intensity of

the enjoyment and the capacity for it, seemed to increase; this,

together with the pleasing memories of bygone dances, seemed to bind

them yet more closely to the destinies of Solaris Farm. Strong,

straight, lithe figures, happy faces, and eyes shining with the fires

of perfect health, gave testimony to the efficacy of music and motion as

applied to physical development. With grateful hearts, these happy

people realized that this pure font of happiness came to them as the

result of unselfish, harmonious co-operation.

The effect on Gilbert Gerrish of this universal spirit of gaiety, was as

marked as it was beneficial. On the raised platform at the head of the

dancing hall, violin in hand, and surrounded by a chosen few of his

friends in the musical club, he seemed to grow in stature as he breathed

in the pervading merriment; living a new life, in which his deformity no

longer marred his pleasure. Through the association of many months he

had grown accustomed to the personal magnetism of the farm people. They

were very proud of him and of his many brilliant accomplishments. This

all-pervading sentiment of loving pride came to him as a benediction,

which his refined, sensitive nature graciously absorbed. His shyness and

reticence disappeared; his face glowed with the flush of happiness; his

beautiful eyes shone with the fires of a new inspiration. With the hand

of a master he swept the strings with a bow of magic; new strains of

sweet, thrilling music stirred the dancers and moved them as one mass to

the throbbing rythm of the intoxicating melody: a melody so charming

that none could resist. Filled with the power of a new grace and dignity

at such moments, Gilbert Gerrish felt a keen triumph in his ability to

stir the emotional natures of these people whom he loved; to inspire

them to better deeds and to nobler lives. They, in turn, recognized and

paid willing homage to a noble soul, a great genius, whose power to sway

and control them was not in the least deflected or dimmed by a thought

of his deformed body. Under the mystic spell of divine music, which

appeals to the highest aspirations of the human heart; which calls forth

the hidden forces of the soul: they came in such perfect rapport with

him in his inner life, that they sensed with soulful eyes the strong,

radiant, symmetrical spirit shining through the defects and barriers of

a fleshly prison. Thus transfigured, they saw him, not as he appeared to

ordinary mortals, but as he really was. To these people of Solaris, this

transfiguration was lasting. Very soon they came to regard him as a

talisman of good fortune--the mascot of the farm.

The Photographic Club, organized by George Gerrish soon after the press

club with the intention of making it the nucleus of a future art club,

proved a surprising success at an early stage of its existence. Very

soon after active work began, fifty members had been enrolled. In

discussing with the executive committee a general plan of formation,

Fillmore Flagg remarked that he felt very sure the club would soon prove

a valuable aid to the farm in the direction of furnishing attractive

illustrations of the farm itself, its products, stock, fruits and

flowers, to be used as advertisements. With this in view, he made

arrangements to provide suitable rooms, large, well lighted and fitted

for the work, in connection with the construction of an isolated

building, made as nearly fire-proof as possible which, when finished,

was to be devoted mainly to the needs of farm experiments in the

department of agricultural chemistry. The completed rooms, with a large

lot of cameras of various sizes, together with an abundant supply of

photographic material, were placed at the disposal of the working

members of the club. These things were rightly considered a necessary

part of an educational outfit. Fillmore Flagg and George Gerrish both

were skillful photographers: with the wise guidance of two such able

teachers, the class soon began to produce creditable work. After the

expiration of a fixed period, in compliance with an imperative club

rule, each member was obliged to complete all work from start to finish

without assistance. This would give scope and opportunity for

expressions of spontaneity and inventive genius in the individual

treatment of the work, which might tend to the evolution of superior

methods. It was clearly an advantage for the members to be able to say

truthfully that photographs produced under such requirements were

actually the results of their own individual handiwork; from focusing

the object, timing the exposure of the plate, on through the various

stages of developing, toning, printing and mounting, up to the final

process of polishing the finished picture. At the end of each month the

members individually were required to submit twelve finished photographs

to the inspection of a committee of five. This committee was composed of

two ladies and two gentlemen in addition to Fillmore Flagg, who was the

chairman. From this collection of twelve lot pictures, representing the

finest work of the club, the committee selected four photographs from

each lot, which were chosen to become a part of the farm exhibit to be

displayed on the walls of the library, hall of education and the

school-rooms. This monthly award for meritorious work acted as a

wonderful stimulus to all the club members, so increasing their

ambition, industry and artistic invention, that an ever increasing

number of delightful surprises followed each monthly examination. In

considering the selections as a class, the extent and variety of the

subjects treated covered a wide range. Among them we may name the

general and special views of the farm, its buildings, fields of grain,

corn, cotton and broom corn; bits of forest, meadow or brookside

landscapes; specimens of the different vegetables and garden products;

interior views of the different buildings; photographs of groups and of

individual members of the company; pictures of manufactured articles,

tableware, ornamental brick and tile work, and general pottery; a great

variety of cabinet work, furniture and willow ware; splendid photographs

of horses, mules, cattle, sheep, hogs and poultry, also wild animals and

birds, singly and in groups; views of trees, streams, roads, bridges and

railroad trains; enlarged photographs of the insect enemies of farm

products; others of the birds which prey upon such insects; artistic

views of seed beds, nursery rows, potting sheds, brick and pottery

works--in fact, pictures of every possible aspect of the agricultural

and manufacturing industries on the farm. Taken together, this

collection presented a most interesting series for the school rooms,

which proved an object lesson of great value to both pupil and teacher.

The landscapes were especially excellent in giving correct ideas of

distance values in perspective drawing.

As time passed, the inventive genius of the club members began to crop

out in the repair shop, where they not infrequently, and sometimes much

to their surprise, found themselves able to construct better and cheaper

instruments, lenses and attachments than they were able to buy. With

these improvements they soon achieved success in color photography.

Later this led to making magnificently colored slides for stereopticon,

kinetescope and biograph exhibits, which soon attracted wide attention

and were in such demand that a large trade resulted. In this way another

exceedingly profitable allied industry was added to the now famous

Solaris Farm.

Solaris Farm: A Story of the Twentieth Century · 第 18 / 44 章