CHAPTER XXI

THE DAY OF RECKONING

The great clock of Saint-Gervais struck one in the morning. It was so

cold that the fine snow, flying through the air, hardened as it fell,

covering the pavements with a slippery, white blanket.

Risler, wrapped in his cloak, was hastening home from the brewery through

the deserted streets of the Marais. He had been celebrating, in company

with his two faithful borrowers, Chebe and Delobelle, his first moment of

leisure, the end of that almost endless period of seclusion during which

he had been superintending the manufacture of his press, with all the

searchings, the joys, and the disappointments of the inventor. It had

been long, very long. At the last moment he had discovered a defect.

The crane did not work well; and he had had to revise his plans and

drawings. At last, on that very day, the new machine had been tried.

Everything had succeeded to his heart's desire. The worthy man was

triumphant. It seemed to him that he had paid a debt, by giving the

house of Fromont the benefit of a new machine, which would lessen the

labor, shorten the hours of the workmen, and at the same time double

the profits and the reputation of the factory. He indulged in beautiful

dreams as he plodded along. His footsteps rang out proudly, emphasized

by the resolute and happy trend of his thoughts.

Quickening his pace, he reached the corner of Rue des Vieilles-

Haudriettes. A long line of carriages was standing in front of the

factory, and the light of their lanterns in the street, the shadows of

the drivers seeking shelter from the snow in the corners and angles that

those old buildings have retained despite the straightening of the

sidewalks, gave an animated aspect to that deserted, silent quarter.

"Yes, yes! to be sure," thought the honest fellow, "we have a ball at

our house." He remembered that Sidonie was giving a grand musical and

dancing party, which she had excused him from attending, by the way,

knowing that he was very busy.

Shadows passed and repassed behind the fluttering veil of the curtains;

the orchestra seemed to follow the movements of those stealthy

apparitions with the rising and falling of its muffled notes. The guests

were dancing. Risler let his eyes rest for a moment on that

phantasmagoria of the ball, and fancied that he recognized Sidonie's

shadow in a small room adjoining the salon.

She was standing erect in her magnificent costume, in the attitude of a

pretty woman before her mirror. A shorter shadow behind her, Madame

Dobson doubtless, was repairing some accident to the costume, retieing

the knot of a ribbon tied about her neck, its long ends floating down to

the flounces of the train. It was all very indistinct, but the woman's

graceful figure was recognizable in those faintly traced outlines, and

Risler tarried long admiring her.

The contrast on the first floor was most striking. There was no light

visible, with the exception of a little lamp shining through the lilac

hangings of the bedroom. Risler noticed that circumstance, and as the

little girl had been ailing a few days before, he felt anxious about her,

remembering Madame Georges's strange agitation when she passed him so

hurriedly in the afternoon; and he retraced his steps as far as Pere

Achille's lodge to inquire.

The lodge was full. Coachmen were warming themselves around the stove,

chatting and laughing amid the smoke from their pipes. When Risler

appeared there was profound silence, a cunning, inquisitive, significant

silence. They had evidently been speaking of him.

"Is the Fromont child still sick?" he asked.

"No, not the child, Monsieur."

"Monsieur Georges sick?"

"Yes, he was taken when he came home to-night. I went right off to get

the doctor. He said that it wouldn't amount to anything--that all

Monsieur needed was rest."

As Risler closed the door Pere Achille added, under his breath, with the

half-fearful, half-audacious insolence of an inferior, who would like to

be listened to and yet not distinctly heard:

"Ah! 'dame', they're not making such a show on the first floor as they

are on the second."

This is what had happened.

Fromont jeune, on returning home during the evening, had found his wife

with such a changed, heartbroken face, that he at once divined a

catastrophe. But he had become so accustomed in the past two years to

sin with impunity that it did not for one moment occur to him that his

wife could have been informed of his conduct. Claire, for her part, to

avoid humiliating him, was generous enough to speak only of Savigny.

"Grandpapa refused," she said.

The miserable man turned frightfully pale.

"I am lost--I am lost!" he muttered two or three times in the wild

accents of fever; and his sleepless nights, a last terrible scene which

he had had with Sidonie, trying to induce her not to give this party on

the eve of his downfall, M. Gardinois' refusal, all these maddening

things which followed so closely on one another's heels and had agitated

him terribly, culminated in a genuine nervous attack. Claire took pity

on him, put him to bed, and established herself by his side; but her

voice had lost that affectionate intonation which soothes and persuades.

There was in her gestures, in the way in which she arranged the pillow

under the patient's head and prepared a quieting draught, a strange

indifference, listlessness.

"But I have ruined you!" Georges said from time to time, as if to rouse

her from that apathy which made him uncomfortable. She replied with a

proud, disdainful gesture. Ah! if he had done only that to her!

At last, however, his nerves became calmer, the fever subsided, and he

fell asleep.

She remained to attend to his wants.

"It is my duty," she said to herself.

Her duty. She had reached that point with the man whom she had adored so

blindly, with the hope of a long and happy life together.

At that moment the ball in Sidonie's apartments began to become very

animated. The ceiling trembled rhythmically, for Madame had had all the

carpets removed from her salons for the greater comfort of the dancers.

Sometimes, too, the sound of voices reached Claire's ears in waves, and

frequent tumultuous applause, from which one could divine the great

number of the guests, the crowded condition of the rooms.

Claire was lost in thought. She did not waste time in regrets, in

fruitless lamentations. She knew that life was inflexible and that all

the arguments in the world will not arrest the cruel logic of its

inevitable progress. She did not ask herself how that man had succeeded

in deceiving her so long--how he could have sacrificed the honor and

happiness of his family for a mere caprice. That was the fact, and all

her reflections could not wipe it out, could not repair the irreparable.

The subject that engrossed her thoughts was the future. A new existence

was unfolding before her eyes, dark, cruel, full of privation and toil;

and, strangely enough, the prospect of ruin, instead of terrifying her,

restored all her courage. The idea of the change of abode made necessary

by the economy they would be obliged to practise, of work made compulsory

for Georges and perhaps for herself, infused an indefinable energy into

the distressing calmness of her despair. What a heavy burden of souls

she would have with her three children: her mother, her child, and her

husband! The feeling of responsibility prevented her giving way too much

to her misfortune, to the wreck of her love; and in proportion as she

forgot herself in the thought of the weak creatures she had to protect

she realized more fully the meaning of the word "sacrifice," so vague on

careless lips, so serious when it becomes a rule of life.

Such were the poor woman's thoughts during that sad vigil, a vigil of

arms and tears, while she was preparing her forces for the great battle.

Such was the scene lighted by the modest little lamp which Risler had

seen from below, like a star fallen from the radiant chandeliers of the

ballroom.

Reassured by Pere Achille's reply, the honest fellow thought of going up

to his bedroom, avoiding the festivities and the guests, for whom he

cared little.

On such occasions he used a small servants' staircase communicating with

the counting-room. So he walked through the many-windowed workshops,

which the moon, reflected by the snow, made as light as at noonday. He

breathed the atmosphere of the day of toil, a hot, stifling atmosphere,

heavy with the odor of boiled talc and varnish. The papers spread out on

the dryers formed long, rustling paths. On all sides tools were lying

about, and blouses hanging here and there ready for the morrow. Risler

never walked through the shops without a feeling of pleasure.

Suddenly he spied a light in Planus's office, at the end of that long

line of deserted rooms. The old cashier was still at work, at one

o'clock in the morning! That was really most extraordinary.

Risler's first impulse was to retrace his steps. In fact, since his

unaccountable falling-out with Sigismond, since the cashier had adopted

that attitude of cold silence toward him, he had avoided meeting him.

His wounded friendship had always led him to shun an explanation; he had

a sort of pride in not asking Planus why he bore him ill-will. But, on

that evening, Risler felt so strongly the need of cordial sympathy, of

pouring out his heart to some one, and then it was such an excellent

opportunity for a tete-a-tete with his former friend, that he did not try

to avoid him but boldly entered the counting-room.

The cashier was sitting there, motionless, among heaps of papers and

great books, which he had been turning over, some of which had fallen to

the floor. At the sound of his employer's footsteps he did not even lift

his eyes. He had recognized Risler's step. The latter, somewhat

abashed, hesitated a moment; then, impelled by one of those secret

springs which we have within us and which guide us, despite ourselves, in

the path of our destiny, he walked straight to the cashier's grating.

"Sigismond," he said in a grave voice.

The old man raised his head and displayed a shrunken face down which two

great tears were rolling, the first perhaps that that animate column of

figures had ever shed in his life.

"You are weeping, old man? What troubles you?"

And honest Risler, deeply touched, held out his hand to his friend, who

hastily withdrew his. That movement of repulsion was so instinctive, so

brutal, that all Risler's emotion changed to indignation.

He drew himself up with stern dignity.

"I offer you my hand, Sigismond Planus!" he said.

"And I refuse to take it," said Planus, rising.

There was a terrible pause, during which they heard the muffled music of

the orchestra upstairs and the noise of the ball, the dull, wearing noise

of floors shaken by the rhythmic movement of the dance.

"Why do you refuse to take my hand?" demanded Risler simply, while the

grating upon which he leaned trembled with a metallic quiver.

Sigismond was facing him, with both hands on his desk, as if to emphasize

and drive home what he was about to say in reply.

"Why? Because you have ruined the house; because in a few hours a

messenger from the Bank will come and stand where you are, to collect a

hundred thousand francs; and because, thanks to you, I haven't a sou in

the cash-box--that's the reason why!"

Risler was stupefied.

"I have ruined the house--I?"

"Worse than that, Monsieur. You have allowed it to be ruined by your

wife, and you have arranged with her to benefit by our ruin and your

dishonor. Oh! I can see your game well enough. The money your wife has

wormed out of the wretched Fromont, the house at Asnieres, the diamonds

and all the rest is invested in her name, of course, out of reach of

disaster; and of course you can retire from business now."

"Oh--oh!" exclaimed Risler in a faint voice, a restrained voice rather,

that was insufficient for the multitude of thoughts it strove to express;

and as he stammered helplessly he drew the grating toward him with such

force that he broke off a piece of it. Then he staggered, fell to the

floor, and lay there motionless, speechless, retaining only, in what

little life was still left in him, the firm determination not to die

until he had justified himself. That determination must have been very

powerful; for while his temples throbbed madly, hammered by the blood

that turned his face purple, while his ears were ringing and his glazed

eyes seemed already turned toward the terrible unknown, the unhappy man

muttered to himself in a thick voice, like the voice of a shipwrecked man

speaking with his mouth full of water in a howling gale: "I must live!

I must live!"

When he recovered consciousness, he was sitting on the cushioned bench on

which the workmen sat huddled together on pay-day, his cloak on the

floor, his cravat untied, his shirt open at the neck, cut by Sigismond's

knife. Luckily for him, he had cut his hands when he tore the grating

apart; the blood had flowed freely, and that accident was enough to avert

an attack of apoplexy. On opening his eyes, he saw on either side old

Sigismond and Madame Georges, whom the cashier had summoned in his

distress. As soon as Risler could speak, he said to her in a choking

voice:

"Is this true, Madame Chorche--is this true that he just told me?"

She had not the courage to deceive him, so she turned her eyes away.

"So," continued the poor fellow, "so the house is ruined, and I--"

"No, Risler, my friend. No, not you."

"My wife, was it not? Oh! it is horrible! This is how I have paid my

debt of gratitude to you. But you, Madame Chorche, you could not have

believed that I was a party to this infamy?"

"No, my friend, no; be calm. I know that you are the most honorable man

on earth."

He looked at her a moment, with trembling lips and clasped hands, for

there was something child-like in all the manifestations of that artless

nature.

"Oh! Madame Chorche, Madame Chorche," he murmured. "When I think that I

am the one who has ruined you."

In the terrible blow which overwhelmed him, and by which his heart,

overflowing with love for Sidonie, was most deeply wounded, he refused to

see anything but the financial disaster to the house of Fromont, caused

by his blind devotion to his wife. Suddenly he stood erect.

"Come," he said, "let us not give way to emotion. We must see about

settling our accounts."

Madame Fromont was frightened.

"Risler, Risler--where are you going?"

She thought that he was going up to Georges' room.

Risler understood her and smiled in superb disdain.

"Never fear, Madame. Monsieur Georges can sleep in peace. I have

something more urgent to do than avenge my honor as a husband. Wait for

me here. I will come back."

He darted toward the narrow staircase; and Claire, relying upon his word,

remained with Planus during one of those supreme moments of uncertainty

which seem interminable because of all the conjectures with which they

are thronged.

A few moments later the sound of hurried steps, the rustling of silk

filled the dark and narrow staircase. Sidonie appeared first, in ball

costume, gorgeously arrayed and so pale that the jewels that glistened

everywhere on her dead-white flesh seemed more alive than she, as if they

were scattered over the cold marble of a statue. The breathlessness due

to dancing, the trembling of intense excitement and her rapid descent,

caused her to shake from head to foot, and her floating ribbons, her

ruffles, her flowers, her rich and fashionable attire drooped tragically

about her. Risler followed her, laden with jewel-cases, caskets, and

papers. Upon reaching his apartments he had pounced upon his wife's

desk, seized everything valuable that it contained, jewels, certificates,

title-deeds of the house at Asnieres; then, standing in the doorway, he

had shouted into the ballroom:

"Madame Risler!"

She had run quickly to him, and that brief scene had in no wise disturbed

the guests, then at the height of the evening's enjoyment. When she saw

her husband standing in front of the desk, the drawers broken open and

overturned on the carpet with the multitude of trifles they contained,

she realized that something terrible was taking place.

"Come at once," said Risler; "I know all."

She tried to assume an innocent, dignified attitude; but he seized her by

the arm with such force that Frantz's words came to her mind: "It will

kill him perhaps, but he will kill you first." As she was afraid of

death, she allowed herself to be led away without resistance, and had not

even the strength to lie.

"Where are we going?" she asked, in a low voice.

Risler did not answer. She had only time to throw over her shoulders,

with the care for herself that never failed her, a light tulle veil, and

he dragged her, pushed her, rather, down the stairs leading to the

counting-room, which he descended at the same time, his steps close upon

hers, fearing that his prey would escape.

"There!" he said, as he entered the room. "We have stolen, we make

restitution. Look, Planus, you can raise money with all this stuff."

And he placed on the cashier's desk all the fashionable plunder with

which his arms were filled--feminine trinkets, trivial aids to coquetry,

stamped papers.

Then he turned to his wife:

"Take off your jewels! Come, be quick."

She complied slowly, opened reluctantly the clasps of bracelets and

buckles, and above all the superb fastening of her diamond necklace on

which the initial of her name-a gleaming S-resembled a sleeping serpent,

imprisoned in a circle of gold. Risler, thinking that she was too slow,

ruthlessly broke, the fragile fastenings. Luxury shrieked beneath his

fingers, as if it were being whipped.

"Now it is my turn," he said; "I too must give up everything. Here is my

portfolio. What else have I? What else have I?"

He searched his pockets feverishly.

"Ah! my watch. With the chain it will bring four-thousand francs. My

rings, my wedding-ring. Everything goes into the cash-box, everything.

We have a hundred thousand francs to pay this morning. As soon as it is

daylight we must go to work, sell out and pay our debts. I know some one

who wants the house at Asnieres. That can be settled at once."

He alone spoke and acted. Sigismond and Madame Georges watched him

without speaking. As for Sidonie, she seemed unconscious, lifeless.

The cold air blowing from the garden through the little door, which was

opened at the time of Risler's swoon, made her shiver, and she

mechanically drew the folds of her scarf around her shoulders, her eyes

fixed on vacancy, her thoughts wandering. Did she not hear the violins

of her ball, which reached their ears in the intervals of silence, like

bursts of savage irony, with the heavy thud of the dancers shaking the

floors? An iron hand, falling upon her, aroused her abruptly from her

torpor. Risler had taken her by the arm, and, leading her before his

partner's wife, he said:

"Down on your knees!"

Madame Fromont drew back, remonstrating:

"No, no, Risler, not that."

"It must be," said the implacable Risler. "Restitution, reparation!

Down on your knees then, wretched woman!" And with irresistible force he

threw Sidonie at Claire's feet; then, still holding her arm;

"You will repeat after me, word for word, what I say: Madame--"

Sidonie, half dead with fear, repeated faintly: "Madame--"

"A whole lifetime of humility and submission--"

"A whole lifetime of humil-- No, I can not!" she exclaimed, springing to

her feet with the agility of a deer; and, wresting herself from Risler's

grasp, through that open door which had tempted her from the beginning of

this horrible scene, luring her out into the darkness of the night to the

liberty obtainable by flight, she rushed from the house, braving the

falling snow and the wind that stung her bare shoulders.

"Stop her, stop her!--Risler, Planus, I implore you! In pity's name do

not let her go in this way," cried Claire.

Planus stepped toward the door.

Risler detained him.

"I forbid you to stir! I ask your pardon, Madame, but we have more

important matters than this to consider. Madame Risler concerns us no

longer. We have to save the honor of the house of Fromont, which alone is

at stake, which alone fills my thoughts at this moment."

Sigismond put out his hand.

"You are a noble man, Risler. Forgive me for having suspected you."

Risler pretended not to hear him.

"A hundred thousand francs to pay, you say? How much is there left in

the strong-box?"

He sat bravely down behind the gratin, looking over the books of account,

the certificates of stock in the funds, opening the jewel-cases,

estimating with Planus, whose father had been a jeweller, the value of

all those diamonds, which he had once so admired on his wife, having no

suspicion of their real value.

Meanwhile Claire, trembling from head to foot, looked out through the

window at the little garden, white with snow, where Sidonie's footsteps

were already effaced by the fast-falling flakes, as if to bear witness

that that precipitate departure was without hope of return.

Up-stairs they were still dancing. The mistress of the house was

supposed to be busy with the preparations for supper, while she was

flying, bare-headed, forcing back sobs and shrieks of rage.

Where was she going? She had started off like a mad woman, running

across the garden and the courtyard of the factory, and under the dark

arches, where the cruel, freezing wind blew in eddying circles. Pere

Achille did not recognize her; he had seen so many shadows wrapped in

white pass his lodge that night.

The young woman's first thought was to join the tenor Cazaboni, whom at

the last she had not dared to invite to her ball; but he lived at

Montmartre, and that was very far away for her to go, in that garb; and

then, would he be at home? Her parents would take her in, doubtless; but

she could already hear Madame Chebe's lamentations and the little man's

sermon under three heads. Thereupon she thought of Delobelle, her old

Delobelle. In the downfall of all her splendors she remembered the man

who had first initiated her into fashionable life, who had given her

lessons in dancing and deportment when she was a little girl, laughed at

her pretty ways, and taught her to look upon herself as beautiful before

any one had ever told her that she was so. Something told her that that

fallen star would take her part against all others. She entered one of

the carriages standing at the gate and ordered the driver to take her to

the actor's lodgings on the Boulevard Beaumarchais.

For some time past Mamma Delobelle had been making straw hats for export-

a dismal trade if ever there was one, which brought in barely two francs

fifty for twelve hours' work.

And Delobelle continued to grow fat in the same degree that his "sainted

wife" grew thin. At the very moment when some one knocked hurriedly at

his door he had just discovered a fragrant soup 'au fromage', which had

been kept hot in the ashes on the hearth. The actor, who had been

witnessing at Beaumarchais some dark-browed melodrama drenched with gore

even to the illustrated headlines of its poster, was startled by that

knock at such an advanced hour.

"Who is there?" he asked in some alarm.

"It is I, Sidonie. Open the door quickly."

She entered the room, shivering all over, and, throwing aside her wrap,

went close to the stove where the fire was almost extinct. She began to

talk at once, to pour out the wrath that had been stifling her for an

hour, and while she was describing the scene in the factory, lowering her

voice because of Madame Delobelle, who was asleep close by, the

magnificence of her costume in that poor, bare, fifth floor, the dazzling

whiteness of her disordered finery amid the heaps of coarse hats and the

wisps of straw strewn about the room, all combined to produce the effect

of a veritable drama, of one of those terrible upheavals of life when

rank, feelings, fortunes are suddenly jumbled together.

"Oh! I never shall return home. It is all over. Free--I am free!"

"But who could have betrayed you to your husband?" asked the actor.

"It was Frantz! I am sure it was Frantz. He wouldn't have believed it

from anybody else. Only last evening a letter came from Egypt. Oh! how

he treated me before that woman! To force me to kneel! But I'll be

revenged. Luckily I took something to revenge myself with before I came

away."

And the smile of former days played about the corners of her pale lips.

The old strolling player listened to it all with deep interest.

Notwithstanding his compassion for that poor devil of a Risler, and for

Sidonie herself, for that matter, who seemed to him, in theatrical

parlance, "a beautiful culprit," he could not help viewing the affair

from a purely scenic standpoint, and finally cried out, carried away by

his hobby:

"What a first-class situation for a fifth act!"

She did not bear him. Absorbed by some evil thought, which made her

smile in anticipation, she stretched out to the fire her dainty shoes,

saturated with snow, and her openwork stockings.

"Well, what do you propose to do now?" Delobelle asked after a pause.

"Stay here till daylight and get a little rest. Then I will see."

"I have no bed to offer you, my poor girl. Mamma Delobelle has gone to

bed."

"Don't you worry about me, my dear Delobelle. I'll sleep in that

armchair. I won't be in your way, I tell you!"

The actor heaved a sigh.

"Ah! yes, that armchair. It was our poor Zizi's. She sat up many a

night in it, when work was pressing. Ah, me! those who leave this world

are much the happiest."

He had always at hand such selfish, comforting maxims. He had no sooner

uttered that one than he discovered with dismay that his soup would soon

be stone-cold. Sidonie noticed his movement.

"Why, you were just eating your supper, weren't you? Pray go on."

"'Dame'! yes, what would you have? It's part of the trade, of the hard

existence we fellows have. For you see, my girl, I stand firm. I

haven't given up. I never will give up."

What still remained of Desiree's soul in that wretched household in which

she had lived twenty years must have shuddered at that terrible

declaration. He never would give up!

"No matter what people may say," continued Delobelle, "it's the noblest

profession in the world. You are free; you depend upon nobody. Devoted

to the service of glory and the public! Ah! I know what I would do in

your place. As if you were born to live with all those bourgeois--the

devil! What you need is the artistic life, the fever of success, the

unexpected, intense emotion."

As he spoke he took his seat, tucked his napkin in his neck, and helped

himself to a great plateful of soup.

"To say nothing of the fact that your triumphs as a pretty woman would

in no wise interfere with your triumph as an actress. By the way, do you

know, you must take a few lessons in elocution. With your voice, your

intelligence, your charms, you would have a magnificent prospect."

Then he added abruptly, as if to initiate her into the joys of the

dramatic art:

"But it occurs to me that perhaps you have not supped! Excitement makes

one hungry; sit there, and take this soup. I am sure that you haven't

eaten soup 'au fromage' for a long while."

He turned the closet topsy-turvy to find her a spoon and a napkin; and

she took her seat opposite him, assisting him and laughing a little at

the difficulties attending her entertainment. She was less pale already,

and there was a pretty sparkle in her eyes, composed of the tears of a

moment before and the present gayety.

The strolling actress! All her happiness in life was lost forever:

honor, family, wealth. She was driven from her house, stripped,

dishonored. She had undergone all possible humiliations and disasters.

That did not prevent her supping with a wonderful appetite and joyously

holding her own under Delobelle's jocose remarks concerning her vocation

and her future triumphs. She felt light-hearted and happy, fairly

embarked for the land of Bohemia, her true country. What more would

happen to her? Of how many ups and downs was her new, unforeseen, and

whimsical existence to consist? She thought about that as she fell

asleep in Desiree's great easy-chair; but she thought of her revenge,

too--her cherished revenge which she held in her hand, all ready for use,

and so unerring, so fierce!

Fromont and Risler — Volume 4 · 第 2 / 5 章