To paint Thy Presence, and to feel it too."

The last two lines contain an excellent specimen of Mr. Robert

Montgomery’s Turkey-carpet style of writing. The majestic view of

earth is the mirror of God’s presence; and on this mirror Mr. Robert

Montgomery paints God’s presence. The use of a mirror, we submit, is not

to be painted upon.

A few more lines, as bad as those which we have quoted, bring us to one

of the most amusing instances of literary pilfering which we remember.

It might be of use to plagiarists to know, as a general rule, that what

they steal is, to employ a phrase common in advertisements, of no use to

any but the right owner. We never fell in, however, with any plunderer

who so little understood how to turn his booty to good account as Mr.

Montgomery. Lord Byron, in a passage which every body knows by heart,

has said, addressing the sea,

“Time writes no wrinkle on thine azure brow."

Mr. Robert Montgomery very coolly appropriates the image and reproduces

the stolen goods in the following form:

“And thou, vast Ocean, on whose awful face

Critical, Historical, and Miscellaneous Essays; Vol. 2 With a Memoir and Index · 第 16 / 84 题