VENISON PASTY

[Illustration]

The good old days are gone, we have been frequently and authoritatively

assured; and yet, sitting in an agreeable public on William Street where

the bright eye of our friend Harold Phillips discerned _venison pasty_

on the menu, and listening to a seafaring man describe a recent "blow"

off Hatteras during which he stood four hours up to his waist in the

bilges, and watching our five jocund companions dismiss no less than

twenty-one beakers of cider, we felt no envy whatever for the ancients

of the Mermaid Tavern. After venison pasty, and feeling somewhat in the

mood of Robin Hood and Friar Tuck, we set off with our friend Endymion

for a stroll through the wilderness. The first adventure of note that we

encountered was the curb market on Broad Street, where we stood

entranced at the merry antics of the brokers. This, however, is a

spectacle that no layman can long contemplate and still deem himself

sane. That sea of flickering fingers, the hubbub of hoarse cries, and

the enigmatic gestures of youths framed in the open windows gave an

impression of something fierce and perilous happening. Endymion, still

deeming himself in Sherwood Forest, insisted that this was the abode of

the Sheriff of Nottingham. "Stout deeds are toward!" he cried. "These

villain wights have a damsel imprisoned in yonder keep!" With difficulty

we restrained him from pressing to the rescue of the lady (for indeed we

could see her, comely enough, appearing now and then at one of the

windows; and anon disappearing, abashed at the wild throng). But

gradually we realized that no such dire matter was being transacted, for

the knights, despite occasional spasms of hot gesticulating fury, were

mild and meant her no ill. One, after a sudden flux of business

concerning (it seemed) 85 shares of Arizona Copper, fell suddenly

placid, and was eating chocolate ice cream from a small paper plate.

Young gallants, wearing hats trimmed with variegated brightly coloured

stuffs (the favours of their ladies, we doubted not), were conferring

together, but without passion or rancour.

We have a compact with our friend Endymion that as soon as either of us

spends money for anything not strictly necessary he must straightway

return to the office. After leaving the curb market, we found ourselves

in a basement bookshop on Broadway, and here Endymion fell afoul of a

copy of Thomas Hardy's "Wessex Poems," illustrated by the author.

Piteously he tried to persuade us that it was a matter of professional

advancement to him to have this book; moreover, he said, he had just won

five dollars at faro (or some such hazard) so that he was not really

spending money at all; but we countered all his sophisms with slogging

rhetoric. He bought the book, and so had to return to the office in

disgrace.

We fared further, having a mind to revisit the old Eastern Hotel, down

by the South Ferry, of whose cool and dusky bar-room we had pleasant

memories in times gone by; but we found to our distress that this also,

like many more of our familiar landmarks, is a prey to the

house-wrecker, and is on its way to become an office building. On our

way back up Broadway it occurred to us to revisit what we have long

considered one of the most impressive temples in our acquaintance, the

lobby of the Telephone and Telegraph Building, on Dey Street. Here,

passing by the enticing little terrace with brocaded chairs and soft

lights where two gracious ladies sit to interview aspiring telephone

debutantes, one stands in a dim golden glow, among great fluted pillars

and bowls of softly burning radiance swung (like censers) by long

chains. Occasionally there is an airy flutter, a bell clangs, bronze

doors slide apart, and an elevator appears, in charge of a chastely

uniformed priestess. Lights flash up over this dark little cave which

stands invitingly open: UP, they say, LOCAL 1-13. The door-sill of the

cave shines with a row of golden beads (small lights, to guide the

foot)--it is irresistible. There is an upward impulse about the whole

place: the light blossoms upward from the hanging translucent shells:

people step gently in, the doors close, they are not seen again. It is

the temple of the great American religion, _Going Up_. The shining gold

stars in the ceiling draw the eye aloft. The temptation is too great. We

step into the little bronze crypt, say "Thirteen" at a venture, and are

borne softly and fluently up. Then, of course, we have to come down

again, past the wagons of spring onions on Fulton Street, and back to

the office.

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