ON BEING IN A HURRY

New York is a perplexing city to loaf in. (Walt Whitman if he came back

to Mannahatta would soon get brain fever.) During the middle hours of

the day, at any rate, it is almost impossible to idle with the proper

spirit and completeness. There is a prevailing bustle and skirmish that

"exerts a compulsion," as President Wilson would say. The air is

electric and nervous. We have often tried to dawdle gently about the

neighbourhood of the City Hall in the lunch hour, to let the general

form and spirit of that clearing among the cliffs sink into our mind, so

that we could get some picture of it. We have sat under a big brown

umbrella, to have our shoes shined, when we had nothing more important

to do than go to the doughnut foundry on Park Row and try some of those

delectable combinations of foods they have there, such as sponge cake

with whipped cream and chocolate fudge. And in a few seconds we have

found ourself getting all stirred up and crying loudly to the artist

that we only wanted a once-over, as we had an important appointment. You

have to put a very heavy brake on your spirit in downtown New York or

you find yourself dashing about in a prickle of excitement, gloriously

happy just to be in a hurry, without particularly caring whither you are

hastening, or why.

[Illustration]

One of the odd things about being in a hurry is that it seems so

fiercely important when you yourself are the hurrier and so comically

ludicrous when it is someone else. We see our friend Artaxerxes

scorching up Church Street and we scream with laughter at him, because

we know perfectly well that there is absolutely not one of his affairs

important enough to cause him to buzz along like that. We look after him

with a sort of mild and affectionate pity for a deluded creature who

thinks that his concerns are of such glorious magnitude. And then, a few

hours later, we find ourself on a subway car with only ten minutes to

catch the train for Salamis at Atlantic Avenue. And what is our state of

mind? We stand, gritting our teeth (we are too excited to sit, even if

there were a seat) and holding our watch. The whole train, it seems to

us, is occupied by invalids, tottering souls and lumbago cripples, who

creep off at the stations as though five seconds made not the slightest

difference. We glare and fume and could gladly see them all maced in

sunder with battle-axes. Nothing, it seems to us, could soothe our

bitter hunger for haste but to have a brilliant Lexington Avenue express

draw up at the platform with not a soul in it. Out would step a polite

guard, looking at his watch. "You want to catch a train at 5:27?" he

asks. "Yes, sir, yes, sir; step aboard." All the other competitors are

beaten back with knotted thongs and we are ushered to a seat. The bells

go chiming in quick sequence up the length of the train and we are off

at top speed, flying wildly past massed platforms of indignant people.

We draw up at Atlantic Avenue, and the solitary passenger, somewhat

appeased, steps off. "Compliments of the Interborough, sir," says the

guard.

The commuter, urgently posting toward the 5:27, misses the finest

flavour of the city's life, for it is in the two or three hours after

office work is over that the town is at her best. What a spry and

smiling mood is shown along the pavements, particularly on these clear,

warm evenings when the dropping sun pours a glowing tide of soft rosy

light along the cross-town streets. There is a cool lightness in the

air; restaurants are not yet crowded (it is, let us say, a little after

six) and beside snowy tablecloths the waiters stand indulgently with

folded arms. Everybody seems in a blithe and spirited humour. Work is

over for the day, and now what shall we do for amusement? This is the

very peak of living, it seems to us, as we sally cheerily along the

street. It is like the beginning of an O. Henry story. The streets are

fluttering with beautiful women; light summer frocks are twinkling in

the busy frolic air. Oh, to be turned loose at the corner of Broadway

and Thirty-second Street at 6:15 o'clock of a June evening, with nothing

to do but follow the smile of adventure to the utmost! Thirty-second, we

might add, is our favourite street in New York. It saddens us to think

that the old boarding house on the corner of Madison Avenue is vanished

now and all those quaint and humorous persons dispersed. We can still

remember the creak of the long stairs and the clink of a broken slab in

the tiled flooring of the hall as one walked down to the dining room.

Affection for any particular street largely depends on the associations

it has accumulated in one's mind. For several years most of our

adventures in New York centred round Thirty-second Street; but its

physique has changed so much lately that it has lost some of its appeal.

We remember an old stone-yard that used to stand where the Pennsylvania

Hotel is now, a queer jumbled collection of odd carvings and relics. At

the front door there was a bust of Pan on a tall pedestal, which used to

face us with a queer crooked grin twice a day, morning and evening. We

had a great affection for that effigy, and even wrote a little piece

about him in one of the papers, for which we got about $4 at a time

when it was considerably needed. We used to say to ourself that some day

when we had a home in the country we would buy Pan and set him in a Long

Island garden where he would feel more at home than in the dusty winds

of Thirty-second Street. Time went on and we disappeared from our old

haunts, and when we came back Pan had vanished, too. You may imagine our

pleasure when we found him again the other day standing in front of a

chop house on Forty-fourth Street.

But one great addition to the delights of the Thirty-second Street

region is the new and shining white tunnel that leads one from the Penn

Station subway platform right into the heart of what used (we think) to

be called Greeley Square. It is so dazzling and candid in its new tiling

that it seems rather like a vast hospital corridor. One emerges through

the Hudson Tube station and perhaps sets one's course for a little

restaurant on Thirty-fifth Street which always holds first place in our

affection. It is somewhat declined from its former estate, for the upper

floors, where the violent orchestra was and the smiling little

dandruffian used to sing solos when the evening grew glorious, are now

rented to a feather and ostrich plume factory. But the old basement is

still there, much the same in essentials, by which we mean the pickled

beet appetizers, the minestrone soup, the delicious soft bread with its

brittle crust, and the thick slices of rather pale roast beef swimming

in thin, pinkish gravy. And the three old French waiters, hardened in

long experience of the frailties of mortality, smile to see a former

friend. One, grinning upon us rather bashfully, recalls the time when

there was a hilarious Oriental wedding celebrating in a private room

upstairs and two young men insisted on going in to dance with the bride.

He has forgiven various pranks, we can see, though he was wont to be

outraged at the time. "Getting very stout," he says, beaming down at us.

"You weigh a hundred pounds more than you used to." This is not merely

cruel; it is untrue. We refrain from retorting on the growth of his bald

spot.

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