THE ANATOMY OF MANHATTAN

She is the only city whose lovers live always in a mood of wonder and

expectancy. There are others where one may sink peacefully, contentedly

into the life of the town, affectionate and understanding of its ways.

But she, the woman city, who is bold enough to say he understands her?

The secret of her thrilling and inscrutable appeal has never been told.

How could it be? She has always been so much greater than any one who

has lived with her. (Shall we mention Walt Whitman as the only possible

exception? O. Henry came very near to her, but did he not melodramatize

her a little, sometimes cheapen her by his epigrammatic appraisal, fit

her too neatly into his plot? Kipling seemed to see her only as the

brutal, heedless wanton.) Truly the magic of her spell can never be

exacted. She changes too rapidly, day by day. Realism, as they call it,

can never catch the boundaries of her pearly beauty. She needs a mystic.

No city so challenges and debilitates the imagination. Here, where

wonder is a daily companion, desire to tell her our ecstasy becomes at

last only a faint pain in the mind. If you would mute a poet's lyre,

put him on a ferry from Jersey City some silver April morning; or send

him aboard at Liberty Street in an October dusk. Poor soul, his mind

will buzz (for years to come) after adequate speech to tell those cliffs

and scarps, amethyst and lilac in the mingled light; the clear topaz

chequer of window panes; the dull bluish olive of the river, streaked

and crinkled with the churn of the screw! Many a poet has come to her in

the wooing passion. Give him six months, he is merely her Platonist. He

lives content with placid companionship. Where are his adjectives, his

verbs? That inward knot of amazement, what speech can unravel it?

Her air, when it is typical, is light, dry, cool. It is pale, it is

faintly tinctured with pearl and opal. Heaven is unbelievably remote;

the city itself daring so high, heaven lifts in a cautious remove. Light

and shadow are fantastically banded, striped, and patchworked among her

cavern streets; a cool, deep gloom is cut across with fierce jags and

blinks of brightness. She smiles upon man who takes his ease in her

colossal companionship. Her clean soaring perpendiculars call the eye

upward. One wanders as a botanist in a tropical forest. That great

smooth groinery of the Pennsylvania Station train shed: is it not the

arching fronds of iron palm trees? Oh, to be a botanist of this vivid

jungle, spread all about one, anatomist of the ribs and veins that run

from the great backbone of Broadway!

To love her, one thinks, is to love one's fellows; each of them having

some unknown share in her loveliness. Any one of her streets would be

the study and delight of a lifetime. To speak at random, we think of

that little world of brightness and sound bourgeois cheer that spreads

around the homely Verdi statue at Seventy-third Street. We have a

faithful affection for that neighbourhood, for reasons of our own.

Within a radius, thereabouts, of a quarter-mile each way, we could live

a year and learn new matters every day. They call us a hustling folk.

Observe the tranquil afternoon light in those brownstone byways. Pass

along leisurely Amsterdam Avenue, the region of small and genial shops,

Amsterdam Avenue of the many laundries. See the children trooping

upstairs to their own room at the St. Agnes branch of the Public

Library. See the taxi drivers, sitting in their cars alongside the Verdi

grass plot (a rural breath of new-mown turf sweetening the warm, crisp

air) and smoking pipes. Every one of them is to us as fascinating as a

detective story. What a hand they have had in ten thousand romances. At

this very moment, what quaint and many-stranded destinies may hail them

and drive off? But there they sit, placid enough, with a pipe and the

afternoon paper. The light, fluttering dresses of enigmatic fair ones

pass gayly on the pavement. Traffic flows, divides, and flows on, a

sparkling river. Here is that mystery, a human being, buying a cigar.

Here is another mystery asking for a glass of frosted chocolate. Why is

it that we cannot accost that tempting riddle and ask him to give us an

accurate precis of his life to date? And that red-haired burly sage, he

who used to bake the bran muffins in the little lunchroom near by, and

who lent us his Robby Burns one night--what has become of him?

So she teases us, so she allures. Sometimes, on the L, as one passes

along that winding channel where the walls and windows come so close,

there is a felicitous sense of being immersed, surrounded, drowned in a

great, generous ocean of humanity. It is a fine feeling. All life

presses around one, the throb and the problem are close, are close. Who

could be weary, who could be at odds with life, in such an embrace of

destiny? The great tall sides of buildings fly open, the human hive is

there, beautiful and arduous beyond belief. Here is our worship and here

our lasting joy, here is our immortality of encouragement. Yes, perhaps

O. Henry did say the secret after all: "He saw no longer a rabble, but

his brothers seeking the ideal."

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