As he stood in his boat and look'd toward the coming sun,
I saw something different from capitulation.
_Terminus._
Enough, the Centenarian's story ends,
The two, the past and present, have interchanged,
I myself as connecter, as chansonnier of a great future, am now
speaking.
And is this the ground Washington trod?
And these waters I listlessly daily cross, are these the waters he
cross'd,
As resolute in defeat as other generals in their proudest triumphs?
I must copy the story, and send it eastward and westward,
I must preserve that look as it beam'd on you rivers of Brooklyn.
See--as the annual round returns the phantoms return,
It is the 27th of August and the British have landed,
The battle begins and goes against us, behold through the smoke
Washington's face,
The brigade of Virginia and Maryland have march'd forth to intercept
the enemy,
They are cut off, murderous artillery from the hills plays upon them,
Rank after rank falls, while over them silently droops the flag,
Baptized that day in many a young man's bloody wounds,
In death, defeat, and sisters', mothers' tears.
Ah, hills and slopes of Brooklyn! I perceive you are more valuable
than your owners supposed;
In the midst of you stands an encampment very old,
Stands forever the camp of that dead brigade.
CAVALRY CROSSING A FORD.
A line in long array where they wind betwixt green islands,
They take a serpentine course, their arms flash in the sun--hark to
the musical clank,
Behold the silvery river, in it the splashing horses loitering stop
to drink,
Behold the brown-faced men, each group, each person a picture, the
negligent rest on the saddles,
Some emerge on the opposite bank, others are just entering the
ford--while
Scarlet and blue and snowy white,
The guidon flags flutter gayly in the wind.
BIVOUAC ON A MOUNTAIN SIDE.
I see before me now a traveling army halting,
Below a fertile valley spread, with barns and the orchards of summer,
Behind, the terraced sides of a mountain, abrupt, in places rising
high,
Broken, with rocks, with clinging cedars, with tall shapes dingily
seen,
The numerous camp-fires scatter'd near and far, some away up on the
mountain,
The shadowy forms of men and horses, looming, large-sized,
flickering,
And over all the sky--the sky! far, far out of reach, studded,
breaking out, the eternal stars.
AN ARMY CORPS ON THE MARCH.
With its cloud of skirmishers in advance,
With now the sound of a single shot snapping like a whip, and now an
irregular volley,
The swarming ranks press on and on, the dense brigades press on,
Glittering dimly, toiling under the sun--the dust-cover'd men,
In columns rise and fall to the undulations of the ground,
With artillery interspers'd--the wheels rumble, the horses sweat,
As the army corps advances.
BY THE BIVOUAC'S FITFUL FLAME.
By the bivouac's fitful flame,
A procession winding around me, solemn and sweet and slow--but first
I note,
The tents of the sleeping army, the fields' and woods' dim out-line,
The darkness lit by spots of kindled fire, the silence,
Like a phantom far or near an occasional figure moving,
The shrubs and trees, (as I lift my eyes they seem to be stealthily
watching me,)
While wind in procession thoughts, O tender and wondrous thoughts,
Of life and death, of home and the past and loved, and of those that
are far away;
A solemn and slow procession there as I sit on the ground,
By the bivouac's fitful flame.
COME UP FROM THE FIELDS FATHER.
Come up from the fields father, here's a letter from our Pete,
And come to the front door mother, here's a letter from thy dear son.
Lo, 'tis autumn,
Lo, where the trees, deeper green, yellower and redder,
Cool and sweeten Ohio's villages with leaves fluttering in the
moderate wind,
Where apples ripe in the orchards hang and grapes on the trellis'd
vines,
(Smell you the smell of the grapes on the vines?
Smell you the buckwheat where the bees were lately buzzing?)
Above all, lo, the sky so calm, so transparent after the rain, and
with wondrous clouds,
Below too, all calm, all vital and beautiful, and the farm prospers
well.
Down in the fields all prospers well,
But now from the fields come father, come at the daughter's call,
And come to the entry mother, to the front door come right away.
Fast as she can she hurries, something ominous, her steps trembling,
She does not tarry to smooth her hair nor adjust her cap.
Open the envelope quickly,
O this is not our son's writing, yet his name is sign'd,
O a strange hand writes for our dear son, O stricken mother's soul!
All swims before her eyes, flashes with black, she catches the main
words only,
Sentences broken, _gunshot wound in the breast, cavalry skirmish,
taken to hospital,
At present low, but will soon be better._
Ah now the single figure to me,
Amid all teeming and wealthy Ohio with all its cities and farms,
Sickly white in the face and dull in the head, very faint,
By the jamb of a door leans.
_Grieve not so, dear mother_, (the just-grown daughter speaks through
her sobs,
The little sisters huddle around speechless and dismay'd,)
_See, dearest mother, the letter says Pete will soon be better._
Alas poor boy, he will never be better, (nor may-be needs to be
better, that brave and simple soul,)
While they stand at home at the door he is dead already,
The only son is dead.
But the mother needs to be better,
She with thin form presently drest in black,
By day her meals untouch'd, then at night fitfully sleeping, often
waking,
In the midnight waking, weeping, longing with one deep longing,
O that she might withdraw unnoticed, silent from life escape and
withdraw,
To follow, to seek, to be with her dear dead son.
VIGIL STRANGE I KEPT ON THE FIELD ONE NIGHT.
Vigil strange I kept on the field one night;
When you my son and my comrade dropt at my side that day,
One look I but gave which your dear eyes return'd with a look I shall
never forget,
One touch of your hand to mine O boy, reach'd up as you lay on the
ground,
Then onward I sped in the battle, the even-contested battle,
Till late in the night reliev'd to the place at last again I made my
way,
Found you in death so cold dear comrade, found your body son of
responding kisses, (never again on earth responding,)
Bared your face in the starlight, curious the scene, cool blew the
moderate night-wind,
Long there and then in vigil I stood, dimly around me the
battle-field spreading,
Vigil wondrous and vigil sweet there in the fragrant silent night,
But not a tear fell, not even a long-drawn sigh, long, long I gazed,
Then on the earth partially reclining sat by your side leaning my
chin in my hands,
Passing sweet hours, immortal and mystic hours with you dearest
comrade--not a tear, not a word,
Vigil of silence, love and death, vigil for you my son and my
soldier,
As onward silently stars aloft, eastward new ones upward stole,
Vigil final for you brave boy, (I could not save you, swift was your
death,
I faithfully loved you and cared for you living, I think we shall
surely meet again,)
Till at latest lingering of the night, indeed just as the dawn
appear'd,
My comrade I wrapt in his blanket, envelop'd well his form,
Folded the blanket well, tucking it carefully over head and carefully
under feet,
And there and then and bathed by the rising sun, my son in his grave,
in his rude-dug grave I deposited,
Ending my vigil strange with that, vigil of night and battle-field
dim,
Vigil for boy of responding kisses, (never again on earth
responding,)
Vigil for comrade swiftly slain, vigil I never forget, how as day
brighten'd,
I rose from the chill ground and folded my soldier well in his
blanket,
And buried him where he fell.
A MARCH IN THE RANKS HARD-PREST, AND THE ROAD UNKNOWN.
A march in the ranks hard-prest, and the road unknown,
A route through a heavy wood with muffled steps in the darkness,
Our army foil'd with loss severe, and the sullen remnant retreating,
Till after midnight glimmer upon us the lights of a dim-lighted
building,
We come to an open space in the woods, and halt by the dim-lighted
building,
'Tis a large old church at the crossing roads, now an impromptu
hospital,
Entering but for a minute I see a sight beyond all the pictures and
poems ever made,
Shadows of deepest, deepest black, just lit by moving candles and
lamps,
And by one great pitchy torch stationary with wild red flame and
clouds of smoke,
By these, crowds, groups of forms vaguely I see on the floor, some in
the pews laid down,
At my feet more distinctly a soldier, a mere lad, in danger of
bleeding to death, (he is shot in the abdomen,)
I staunch the blood temporarily, (the youngster's face is white as a
lily,)
Then before I depart I sweep my eyes o'er the scene fain to absorb it
all,
Faces, varieties, postures beyond description, most in obscurity,
some of them dead,
Surgeons operating, attendants holding lights, the smell of ether,
the odor of blood,
The crowd, O the crowd of the bloody forms, the yard outside also
fill'd,
Some on the bare ground, some on planks or stretchers, some in the
death-spasm sweating,
An occasional scream or cry, the doctor's shouted orders or calls,
The glisten of the little steel instruments catching the glint of the
torches,
These I resume as I chant, I see again the forms, I smell the odor,
Then hear outside the orders given, _Fall in, my men, fall in_;
But first I bend to the dying lad, his eyes open, a half-smile gives
he me,
Then the eyes close, calmly close, and I speed forth to the darkness,
Resuming, marching, ever in darkness marching, on in the ranks,
The unknown road still marching.
A SIGHT IN CAMP IN THE DAYBREAK GRAY AND DIM.
A sight in camp in the daybreak gray and dim,
As from my tent I emerge so early sleepless,
As slow I walk in the cool fresh air the path near by the hospital
tent,
Three forms I see on stretchers lying, brought out there untended
lying,
Over each the blanket spread, ample brownish woollen blanket,
Gray and heavy blanket, folding, covering all.
Curious I halt and silent stand,
Then with light fingers I from the face of the nearest the first just
lift the blanket;
Who are you elderly man so gaunt and grim, with well-gray'd hair, and
flesh all sunken about the eyes?
Who are you my dear comrade?
Then to the second I step-and who are you my child and darling?
Who are you sweet boy with cheeks yet blooming?
Then to the third--a face nor child nor old, very calm, as of
beautiful yellow-white ivory;
Young man I think I know you--I think this face is the face of the
Christ himself,
Dead and divine and brother of all, and here again he lies.
AS TOILSOME I WANDER'D VIRGINIA'S WOODS.
As toilsome I wander'd Virginia's woods,
To the music of rustling leaves kick'd by my feet, (for 'twas autumn,)
I mark'd at the foot of a tree the grave of a soldier;
Mortally wounded he and buried on the retreat, (easily all could I
understand,)
The halt of a mid-day hour, when up! no time to lose-yet this sign
left,
On a tablet scrawl'd and nail'd on the tree by the grave,
_Bold, cautious, true, and my loving comrade._
Long, long I muse, then on my way go wandering,
Many a changeful season to follow, and many a scene of life,
Yet at times through changeful season and scene, abrupt, alone, or in
the crowded street,
Comes before me the unknown soldier's grave, comes the inscription
rude in Virginia's woods,
_Bold, cautious, true, and my loving comrade._
NOT THE PILOT.
Not the pilot has charged himself to bring his ship into port,
though beaten back and many times baffled;
Not the pathfinder penetrating inland weary and long,
By deserts parch'd, snows chill'd, rivers wet, perseveres till he
reaches his destination,
More than I have charged myself, heeded or unheeded, to compose a
march for these States,
For a battle-call, rousing to arms if need be, years, centuries
hence.
YEAR THAT TREMBLED AND REEL'D BENEATH ME.
Year that trembled and reel'd beneath me!
Your summer wind was warm enough, yet the air I breathed froze me,
A thick gloom fell through the sunshine and darken'd me,
Must I change my triumphant songs? said I to myself,
Must I indeed learn to chant the cold dirges of the baffled?
And sullen hymns of defeat?
THE WOUND-DRESSER.
1
An old man bending I come among new faces,
Years looking backward resuming in answer to children,
Come tell us old man, as from young men and maidens that love me,
(Arous'd and angry, I'd thought to beat the alarum, and urge
relentless war,
But soon my fingers fail'd me, my face droop'd and I resign'd myself,
To sit by the wounded and soothe them, or silently watch the dead;)
Years hence of these scenes, of these furious passions, these
chances,
Of unsurpass'd heroes, (was one side so brave? the other was equally
brave;)
Now be witness again, paint the mightiest armies of earth,
Of those armies so rapid so wondrous what saw you to tell us?
What stays with you latest and deepest? of curious panics,
Of hard-fought engagements or sieges tremendous what deepest remains?
2
O maidens and young men I love and that love me,
What you ask of my days those the strangest and sudden your talking
recalls,
Soldier alert I arrive after a long march cover'd with sweat and
dust,
In the nick of time I come, plunge in the fight, loudly shout in the
rush of successful charge,
Enter the captur'd works--yet lo, like a swift-running river they
fade,
Pass and are gone they fade--I dwell not on soldiers' perils or
soldiers' joys,
(Both I remember well-many the hardships, few the joys, yet I was
content.)
But in silence, in dreams' projections,
While the world of gain and appearance and mirth goes on,
So soon what is over forgotten, and waves wash the imprints off the
sand,
With hinged knees returning I enter the doors, (while for you up
there,
Whoever you are, follow without noise and be of strong heart.)
Bearing the bandages, water and sponge,
Straight and swift to my wounded I go,
Where they lie on the ground after the battle brought in,
Where their priceless blood reddens the grass the ground,
Or to the rows of the hospital tent, or under the roof'd hospital,
To the long rows of cots up and down each side I return,
To each and all one after another I drawn near, not one do I miss,
An attendant follows holding a tray, he carries a refuse pail,
Soon to be fill'd with clotted rags and blood, emptied, and fill'd
again.
I onward go, I stop,
With hinged knees and steady hand to dress wounds,
I am firm with each, the pangs are sharp yet unavoidable,
One turns to me his appealing eyes-poor boy! I never knew you,
Yet I think I could not refuse this moment to die for you, if that
would save you.
3
On, on I go, (open doors of time! open hospital doors!)
The crush'd head I dress, (poor crazed hand tear not the bandage
away,)
The neck of the cavalry-man with the bullet through and through I
examine,
Hard the breathing rattles, quite glazed already the eye, yet life
struggles hard,
(Come sweet death! be persuaded O beautiful death!
In mercy come quickly.)
From the stump of the arm, the amputated hand,
I undo the clotted lint, remove the slough, wash off the matter and
blood,
Back on his pillow the soldier bends with curv'd neck and
side-falling head,
His eyes are closed, his face is pale, he dares not look on the
bloody stump,
And has not yet look'd on it.
I dress a wound in the side, deep, deep,
But a day or two more, for see the frame all wasted and sinking,
And the yellow-blue countenance see.
I dress the perforated shoulder, the foot with the bullet-wound,
Cleanse the one with a gnawing and putrid gangrene, so sickening, so
offensive,
While the attendant stands behind aside me holding the tray and pail.
I am faithful, I do not give out,
The fractur'd thigh, the knee, the wound in the abdomen,
These and more I dress with impassive hand, (yet deep in my breast a
fire, a burning flame.)
4
Thus in silence in dreams' projections,
Returning, resuming, I thread my way through the hospitals,
The hurt and wounded I pacify with soothing hand,
I sit by the restless all the dark night, some are so young,
Some suffer so much, I recall the experience sweet and sad,
(Many a soldier's loving arms about this neck have cross'd and
rested,
Many a soldier's kiss dwells on these bearded lips.)
LONG, TOO LONG AMERICA.
Long, too long America,
Traveling roads all even and peaceful you learn'd from joys and
prosperity only,
But now, ah now, to learn from crises of anguish, advancing,
grappling with direst fate and recoiling not,
And now to conceive and show to the world what your children en-masse
really are,
(For who except myself has yet conceiv'd what your children en-masse
really are?)
GIVE ME THE SPLENDID SILENT SUN.
1
Give me the splendid silent sun with all his beams full-dazzling,
Give me juicy autumnal fruit ripe and red from the orchard,
Give me a field where the unmow'd grass grows,
Give me an arbor, give me the trellis'd grape,
Give me fresh corn and wheat, give me serene-moving animals teaching
content,
Give me nights perfectly quiet as on high plateaus west of the
Mississippi, and I looking up at the stars,
Give me odorous at sunrise a garden of beautiful flowers where I can
walk undisturb'd,
Give me for marriage a sweet-breath'd woman of whom I should never
tire,
Give me a perfect child, give me away aside from the noise of the
world a rural domestic life,
Give me to warble spontaneous songs recluse by myself, for my own
ears only,
Give me solitude, give me Nature, give me again O Nature your primal
sanities!
These demanding to have them, (tired with ceaseless excitement, and
rack'd by the war-strife,)
These to procure incessantly asking, rising in cries from my heart,
While yet incessantly asking still I adhere to my city,
Day upon day and year upon year O city, walking your streets,
Where you hold me enchain'd a certain time refusing to give me up,
Yet giving to make me glutted, enrich'd of soul, you give me forever
faces;
(O I see what I sought to escape, confronting, reversing my cries,
I see my own soul trampling down what it ask'd for.)
2
Keep your splendid silent sun,
Keep your woods O Nature, and the quiet places by the woods,
Keep your fields of clover and timothy, and your corn-fields and
orchards,
Keep the blossoming buckwheat fields where the Ninth-month bees hum;
Give me faces and streets--give me these phantoms incessant and
endless along the trottoirs!
Give me interminable eyes--give me women--give me comrades and lovers
by the thousand!
Let me see new ones every day--let me hold new ones by the hand every
day!
Give me such shows--give me the streets of Manhattan!
Give me Broadway, with the soldiers marching--give me the sound of
the trumpets and drums!
(The soldiers in companies or regiments--some starting away, flush'd
and reckless,
Some, their time up, returning with thinn'd ranks, young, yet very
old, worn, marching, noticing nothing;)
Give me the shores and wharves heavy-fringed with black ships!
O such for me! O an intense life, full to repletion and varied!
The life of the theatre, bar-room, huge hotel, for me!
The saloon of the steamer! the crowded excursion for me! the
torchlight procession!
The dense brigade bound for the war, with high piled military wagons
following;
People, endless, streaming, with strong voices, passions, pageants,
Manhattan streets with their powerful throbs, with beating drums as
now,
The endless and noisy chorus, the rustle and clank of muskets, (even
the sight of the wounded,)
Manhattan crowds, with their turbulent musical chorus!
Manhattan faces and eyes forever for me.
DIRGE FOR TWO VETERANS.
The last sunbeam
Lightly falls from the finish'd Sabbath,
On the pavement here, and there beyond it is looking,
Down a new-made double grave.
Lo, the moon ascending,
Up from the east the silvery round moon,
Beautiful over the house-tops, ghastly, phantom moon,
Immense and silent moon.
I see a sad procession,
And I hear the sound of coming full-key'd bugles,
All the channels of the city streets they're flooding,
As with voices and with tears.
I hear the great drums pounding,
And the small drums steady whirring,
And every blow of the great convulsive drums,
Strikes me through and through.
For the son is brought with the father,
(In the foremost ranks of the fierce assault they fell,
Two veterans son and father dropt together,
And the double grave awaits them.)
Now nearer blow the bugles,
And the drums strike more convulsive,
And the daylight o'er the pavement quite has faded,
And the strong dead-march enwraps me.
In the eastern sky up-buoying,
The sorrowful vast phantom moves illumin'd,
('Tis some mother's large transparent face,
In heaven brighter growing.)
O strong dead-march you please me!
O moon immense with your silvery face you soothe me!
O my soldiers twain! O my veterans passing to burial!
What I have I also give you.
The moon gives you light,
And the bugles and the drums give you music,
And my heart, O my soldiers, my veterans,
My heart gives you love.
OVER THE CARNAGE ROSE PROPHETIC A VOICE.
Over the carnage rose prophetic a voice,
Be not dishearten'd, affection shall solve the problems of freedom
yet,
Those who love each other shall become invincible,
They shall yet make Columbia victorious.
Sons of the Mother of All, you shall yet be victorious,
You shall yet laugh to scorn the attacks of all the remainder of the
earth.
No danger shall balk Columbia's lovers,
If need be a thousand shall sternly immolate themselves for one.
One from Massachusetts shall be a Missourian's comrade,
From Maine and from hot Carolina, and another an Oregonese, shall be
friends triune,
More precious to each other than all the riches of the earth.
To Michigan, Florida perfumes shall tenderly come,
Not the perfumes of flowers, but sweeter, and wafted beyond death.
It shall be customary in the houses and streets to see manly
affection,
The most dauntless and rude shall touch face to face lightly,
The dependence of Liberty shall be lovers,
The continuance of equality shall be comrades.
These shall tie you and band you stronger than hoops of iron,
I, ecstatic, O partners! O lands! with the love of lovers tie you.
(Were you looking to be held together by lawyers?
Or by an agreement on a paper? or by arms?
Nay, nor the world, nor any living thing, will so cohere.)
I SAW OLD GENERAL AT BAY.
I saw old General at bay,
(Old as he was, his gray eyes yet shone out in battle like stars,)
His small force was now completely hemm'd in, in his works,
He call'd for volunteers to run the enemy's lines, a desperate
emergency,
I saw a hundred and more step forth from the ranks, but two or three
were selected,
I saw them receive their orders aside, they listen'd with care, the
adjutant was very grave,
I saw them depart with cheerfulness, freely risking their lives.
THE ARTILLERYMAN'S VISION.