A little before the end of that performance of "Voltaire," Orson Vane
made his way to Arthur Wantage's dressing-room. They had, in their
character of men in some position of eminence in different phases of the
town's life, a slight acquaintance. They met, now and then, at the
Mummers' Club. Vane's position put him above possibility of affront by
Wantage in even the most arrogant and mannerless of the latter's moods.
Vane's invitation to a little supper, a little chat, and a little smoke,
just for the duet of them, brought forth Wantage's most winning smile of
acquiescence.
"Delighted, dear chap," he vowed. He could be, when he chose, the most
winning of mortals. He was, during the drive to Vane's house, an
admirable companion. He told stories, he made polite rejoinders, he was
all glitter and graciousness. But it was when he was seated to an
appetizing little supper that he became most splendid.
"My dear Vane," he said, lifting a glass to the light, "you should write
me a play. I am sure you could do it. These fellows who are in the mere
business of it,--well, they are really impossible. They are so vulgar,
so dreadful to do business with. I hate business, I am a child in such
affairs; everyone cheats me. I mean to have none but gentlemen on my
business staff next season. The others grate on me, Vane, they grate.
And if I could only gather a company of actors who were also
gentlemen--Oh, I assure you, one cannot believe what things I endure.
The stupidity of actors!" He pronounced the word as if it were accented
on the last syllable. He raised his eyes to heaven as he faltered in
description of the stupidities he had to contend with.
"Write a play?" said Orson, "I fear that would be out of my line. I
merely live, you know; I do not describe."
"Oh, I think you would be just the man. You would give me a play that
society would like. You would make no mistakes of taste. And think, my
dear fellow, just think of the prestige my performance would give you.
It would be the making of you. You would be launched. You would need no
other recommendation. When you approach any of these manager fellows all
you have to do is to say, 'Wantage is doing a play of mine.' That is a
hallmark; it means success for a young man."
"Perhaps. But I have no ambitions in that way. How do you like my
Bonnheimer?"
"H'm--not bad, Vane, not bad. But you should taste my St. Innesse. It is
a '74. I got it from the cellars of the Duke of Arran. You know Merrill,
the wine-merchant on Broadway? Shrewd fellow! Always keeps me in mind;
whenever he sees a sale of a good cellar on the other side, he puts in a
bid; knows he can always depend on Wantage taking the bouquet of it off
his hands. You must take dinner with me some night, and try that St.
Innesse. Ex-President Richards told me, the other evening, that it was
the mellowest vintage he had tasted in years. You know Richards? Oh, you
should, you should!"
Vane listened, quietly amused. The vanity, the egoism of this player
were so obvious, so transparent, so blatant. He wondered, more than
ever, what was under that mask of arrogance and conceit. The perfect
frankness of the conceit made it almost admirable.
"You know," Wantage remarked presently, "I'm really playing truant,
taking supper with you. I ought to be studying."
"A new play?"
"No. My curtain speech for to-morrow night. It's the last night of the
season, and they expect it of me, you know. I've vowed, time and again,
I would never make another curtain-speech in my life, but they will have
them, they will have them!" He sighed, in submission to his fate. Then
he returned to a previous thought. "I wish, though," he said, "that I
could persuade you to do a play for me. Think it over! Think of the name
it would give you. Or you might try managing me. Eh, how does that
strike you? Such a relief to me if I could deal with a gentleman. You
have no idea--the cads there are in the theatre! They resent my being a
man who tries to prove a little better educated than themselves. They
hate me because I am college-bred, you know; they prefer actors who
never read. How many books do you think I read before I attempted
_Voltaire_? A little library, I tell you. And then the days I spent in
noting the portraits! I traveled France in my search. For the actor who
takes historic characters there cannot be too many documents.
Imagination alone is not enough. And then the labor of making the play
presentable; I wish you could see the thing as it first came to me! You
would think a man like O'Deigh would have taken into consideration the
actor? But no; the play, as O'Deigh left it, might have been for a stock
company. _Frederick the Great_ was as fine a part as my own. Oh, they
are numbskulls. And the rehearsals! Actors are sheep, simply sheep. The
papers say I am a brute at rehearsals. My dear Vane, I swear to you that
if Nero were in my place he would massacre all the minor actors in the
land. And they expect the salaries of intelligent persons!"
Vane, listening, wondered why Wantage, under such an avalanche of
irritations, continued such life. Gradually it dawned on him that all
this fume and fret was merely part of the man's mummery; it was his
appeal to the sympathy of his audience; his argument against the
reputation his occasional exhibitions of rage and waywardness had given
him.
Vane's desire to penetrate the surface of this conscious imitator, this
fellow who slipped off this character to assume that, grew keener and
keener. Where, under all this crust of alien form and action, was the
individual, human thought and feeling? Or was there any left? Had the
constant corrosion of simulated emotions burnt out all the original
character of the mind?
Vane could not sufficiently hasten the end for which he had invited
Wantage.
"You are," he said presently, as a lull in the other's monologue allowed
him an opening, "something of an amateur of tapestry, of pictures, of
bijouterie. I have a little thing or two, in my dressing-room, that I
wish you would give me an opinion on."
They took their cigarettes into the adjoining dressing-room. Wantage
went, at once, to the mirrors.
"Ah, Florence, I see." He frowned, in critical judgment; he went humming
about the room, singing little German phrases to the pictures, snatches
of chansonettes to the tapestries. He was very enjoyable as a spectacle,
Vane told himself. He tiptoed over the room, now in the mode of his
earliest success, "The King of Dandies," now in the half limping style
of his "Rigoletto."
"You should have seen the Flemish things I had!" he declared. That was
his usual way of noting the belongings of others; they reminded him of
his own superior specimens. "I sold them for a song, at auction. Don't
you think one tires of one's surroundings, after a time? People go to
the hills and the seashore, because they tire of town. I have the same
feeling about pictures, and furniture, and bric-a-brac. After a time,
they tire me. I have to get rid of them. I sell them at auction. People
are always glad to bid for something that has belonged to Arthur
Wantage. But everything goes for a song. Oh, it is ruinous, ruinous." He
peered, and pirouetted about the corners. "Ah," he exclaimed, "and here
is something covered up! A portrait? Something rare?" He posed in front
of it, affecting the most devouring curiosity.
"A sort of portrait," said Vane, touching the cord at back of the
mirror.
"Ah," said Wantage, gazing, "you are right. A sort of portrait." And he
laughed, feebly, feebly. "That Bonnheimer," he muttered, "a deuce of a
wine!" He clutched at a chair, reeling into it.
Vane, passing to the mirror's face, took what image it turned to him,
and then, leisurely, replaced the curtain.
He surveyed the figure in the chair for a moment or so. Then he called
Nevins. "Nevins," he said, "where the devil are you? Never where you're
wanted. What does one pay servants outrageous wages for! They conspire
to cheat one, they all do. Nevins!" Nevins appeared, wide-eyed at this
outburst. He was prepared for many queer exhibitions on the part of his
master, but this--this, to a faithful servant! He stood silent,
expectant, reproachful.
"Nevins," his master commanded, "have this--this actor put to bed. Use
the library; make the two couches serve. He'll stay here for twenty-four
hours; you understand, twenty-four hours. You will take care of him. The
wine was badly corked, to-night, Nevins. You grow worse every day. You
are in league to drive me distracted. It is an outrage. Why do you stand
there, and shake, in that absurd fashion? It makes me quite nervous. Do
go away, Nevins, go away!"