VI

It was agreed to drive about five miles out of town on the road to

the south, to stop near a _duhan_ at the junction of two streams

--the Black River and the Yellow River--and to cook fish soup.

They started out soon after five. Foremost of the party in a

char-à-banc drove Samoylenko and Laevsky; they were followed by

Marya Konstantinovna, Nadyezhda Fyodorovna, Katya and Kostya, in a

coach with three horses, carrying with them the crockery and a

basket with provisions. In the next carriage came the police captain,

Kirilin, and the young Atchmianov, the son of the shopkeeper to

whom Nadyezhda Fyodorovna owed three hundred roubles; opposite them,

huddled up on the little seat with his feet tucked under him, sat

Nikodim Alexandritch, a neat little man with hair combed on to his

temples. Last of all came Von Koren and the deacon; at the deacon's

feet stood a basket of fish.

"R-r-right!" Samoylenko shouted at the top of his voice when he met

a cart or a mountaineer riding on a donkey.

"In two years' time, when I shall have the means and the people

ready, I shall set off on an expedition," Von Koren was telling the

deacon. "I shall go by the sea-coast from Vladivostok to the Behring

Straits, and then from the Straits to the mouth of the Yenisei. We

shall make the map, study the fauna and the flora, and make detailed

geological, anthropological, and ethnographical researches. It

depends upon you to go with me or not."

"It's impossible," said the deacon.

"Why?"

"I'm a man with ties and a family."

"Your wife will let you go; we will provide for her. Better still

if you were to persuade her for the public benefit to go into a

nunnery; that would make it possible for you to become a monk, too,

and join the expedition as a priest. I can arrange it for you."

The deacon was silent.

"Do you know your theology well?" asked the zoologist.

"No, rather badly."

"H'm! . . . I can't give you any advice on that score, because I

don't know much about theology myself. You give me a list of books

you need, and I will send them to you from Petersburg in the winter.

It will be necessary for you to read the notes of religious travellers,

too; among them are some good ethnologists and Oriental scholars.

When you are familiar with their methods, it will be easier for you

to set to work. And you needn't waste your time till you get the

books; come to me, and we will study the compass and go through a

course of meteorology. All that's indispensable."

"To be sure . . ." muttered the deacon, and he laughed. "I was

trying to get a place in Central Russia, and my uncle, the head

priest, promised to help me. If I go with you I shall have troubled

them for nothing."

"I don't understand your hesitation. If you go on being an ordinary

deacon, who is only obliged to hold a service on holidays, and on

the other days can rest from work, you will be exactly the same as

you are now in ten years' time, and will have gained nothing but a

beard and moustache; while on returning from this expedition in ten

years' time you will be a different man, you will be enriched by

the consciousness that something has been done by you."

From the ladies' carriage came shrieks of terror and delight. The

carriages were driving along a road hollowed in a literally overhanging

precipitous cliff, and it seemed to every one that they were galloping

along a shelf on a steep wall, and that in a moment the carriages

would drop into the abyss. On the right stretched the sea; on the

left was a rough brown wall with black blotches and red veins and

with climbing roots; while on the summit stood shaggy fir-trees

bent over, as though looking down in terror and curiosity. A minute

later there were shrieks and laughter again: they had to drive under

a huge overhanging rock.

"I don't know why the devil I'm coming with you," said Laevsky.

"How stupid and vulgar it is! I want to go to the North, to run

away, to escape; but here I am, for some reason, going to this

stupid picnic."

"But look, what a view!" said Samoylenko as the horses turned to

the left, and the valley of the Yellow River came into sight and

the stream itself gleamed in the sunlight, yellow, turbid, frantic.

"I see nothing fine in that, Sasha," answered Laevsky. "To be in

continual ecstasies over nature shows poverty of imagination. In

comparison with what my imagination can give me, all these streams

and rocks are trash, and nothing else."

The carriages now were by the banks of the stream. The high mountain

banks gradually grew closer, the valley shrank together and ended

in a gorge; the rocky mountain round which they were driving had

been piled together by nature out of huge rocks, pressing upon each

other with such terrible weight, that Samoylenko could not help

gasping every time he looked at them. The dark and beautiful mountain

was cleft in places by narrow fissures and gorges from which came

a breath of dewy moisture and mystery; through the gorges could be

seen other mountains, brown, pink, lilac, smoky, or bathed in vivid

sunlight. From time to time as they passed a gorge they caught the

sound of water falling from the heights and splashing on the stones.

"Ach, the damned mountains!" sighed Laevsky. "How sick I am of

them!"

At the place where the Black River falls into the Yellow, and the

water black as ink stains the yellow and struggles with it, stood

the Tatar Kerbalay's _duhan_, with the Russian flag on the roof and

with an inscription written in chalk: "The Pleasant _duhan_." Near

it was a little garden, enclosed in a hurdle fence, with tables and

chairs set out in it, and in the midst of a thicket of wretched

thornbushes stood a single solitary cypress, dark and beautiful.

Kerbalay, a nimble little Tatar in a blue shirt and a white apron,

was standing in the road, and, holding his stomach, he bowed low

to welcome the carriages, and smiled, showing his glistening white

teeth.

"Good-evening, Kerbalay," shouted Samoylenko. "We are driving on a

little further, and you take along the samovar and chairs! Look

sharp!"

Kerbalay nodded his shaven head and muttered something, and only

those sitting in the last carriage could hear: "We've got trout,

your Excellency."

"Bring them, bring them!" said Von Koren.

Five hundred paces from the _duhan_ the carriages stopped. Samoylenko

selected a small meadow round which there were scattered stones

convenient for sitting on, and a fallen tree blown down by the storm

with roots overgrown by moss and dry yellow needles. Here there was

a fragile wooden bridge over the stream, and just opposite on the

other bank there was a little barn for drying maize, standing on

four low piles, and looking like the hut on hen's legs in the fairy

tale; a little ladder sloped from its door.

The first impression in all was a feeling that they would never get

out of that place again. On all sides wherever they looked, the

mountains rose up and towered above them, and the shadows of evening

were stealing rapidly, rapidly from the _duhan_ and dark cypress,

making the narrow winding valley of the Black River narrower and

the mountains higher. They could hear the river murmuring and the

unceasing chirrup of the grasshoppers.

"Enchanting!" said Marya Konstantinovna, heaving deep sighs of

ecstasy. "Children, look how fine! What peace!"

"Yes, it really is fine," assented Laevsky, who liked the view, and

for some reason felt sad as he looked at the sky and then at the

blue smoke rising from the chimney of the _duhan_. "Yes, it is

fine," he repeated.

"Ivan Andreitch, describe this view," Marya Konstantinovna said

tearfully.

"Why?" asked Laevsky. "The impression is better than any description.

The wealth of sights and sounds which every one receives from nature

by direct impression is ranted about by authors in a hideous and

unrecognisable way."

"Really?" Von Koren asked coldly, choosing the biggest stone by the

side of the water, and trying to clamber up and sit upon it. "Really?"

he repeated, looking directly at Laevsky. "What of 'Romeo and

Juliet'? Or, for instance, Pushkin's 'Night in the Ukraine'? Nature

ought to come and bow down at their feet."

"Perhaps," said Laevsky, who was too lazy to think and oppose him.

"Though what is 'Romeo and Juliet' after all?" he added after a

short pause. "The beauty of poetry and holiness of love are simply

the roses under which they try to hide its rottenness. Romeo is

just the same sort of animal as all the rest of us."

"Whatever one talks to you about, you always bring it round to

. . ." Von Koren glanced round at Katya and broke off.

"What do I bring it round to?" asked Laevsky.

"One tells you, for instance, how beautiful a bunch of grapes is,

and you answer: 'Yes, but how ugly it is when it is chewed and

digested in one's stomach!' Why say that? It's not new, and . . .

altogether it is a queer habit."

Laevsky knew that Von Koren did not like him, and so was afraid of

him, and felt in his presence as though every one were constrained

and some one were standing behind his back. He made no answer and

walked away, feeling sorry he had come.

"Gentlemen, quick march for brushwood for the fire!" commanded

Samoylenko.

They all wandered off in different directions, and no one was left

but Kirilin, Atchmianov, and Nikodim Alexandritch. Kerbalay brought

chairs, spread a rug on the ground, and set a few bottles of wine.

The police captain, Kirilin, a tall, good-looking man, who in all

weathers wore his great-coat over his tunic, with his haughty

deportment, stately carriage, and thick, rather hoarse voice, looked

like a young provincial chief of police; his expression was mournful

and sleepy, as though he had just been waked against his will.

"What have you brought this for, you brute?" he asked Kerbalay,

deliberately articulating each word. "I ordered you to give us

_kvarel_, and what have you brought, you ugly Tatar? Eh? What?"

"We have plenty of wine of our own, Yegor Alekseitch," Nikodim

Alexandritch observed, timidly and politely.

"What? But I want us to have my wine, too; I'm taking part in the

picnic and I imagine I have full right to contribute my share. I

im-ma-gine so! Bring ten bottles of _kvarel_."

"Why so many?" asked Nikodim Alexandritch, in wonder, knowing Kirilin

had no money.

"Twenty bottles! Thirty!" shouted Kirilin.

"Never mind, let him," Atchmianov whispered to Nikodim Alexandritch;

"I'll pay."

Nadyezhda Fyodorovna was in a light-hearted, mischievous mood; she

wanted to skip and jump, to laugh, to shout, to tease, to flirt.

In her cheap cotton dress with blue pansies on it, in her red shoes

and the same straw hat, she seemed to herself, little, simple,

light, ethereal as a butterfly. She ran over the rickety bridge and

looked for a minute into the water, in order to feel giddy; then,

shrieking and laughing, ran to the other side to the drying-shed,

and she fancied that all the men were admiring her, even Kerbalay.

When in the rapidly falling darkness the trees began to melt into

the mountains and the horses into the carriages, and a light gleamed

in the windows of the _duhan_, she climbed up the mountain by the

little path which zigzagged between stones and thorn-bushes and sat

on a stone. Down below, the camp-fire was burning. Near the fire,

with his sleeves tucked up, the deacon was moving to and fro, and

his long black shadow kept describing a circle round it; he put on

wood, and with a spoon tied to a long stick he stirred the cauldron.

Samoylenko, with a copper-red face, was fussing round the fire just

as though he were in his own kitchen, shouting furiously:

"Where's the salt, gentlemen? I bet you've forgotten it. Why are

you all sitting about like lords while I do the work?"

Laevsky and Nikodim Alexandritch were sitting side by side on the

fallen tree looking pensively at the fire. Marya Konstantinovna,

Katya, and Kostya were taking the cups, saucers, and plates out of

the baskets. Von Koren, with his arms folded and one foot on a

stone, was standing on a bank at the very edge of the water, thinking

about something. Patches of red light from the fire moved together

with the shadows over the ground near the dark human figures, and

quivered on the mountain, on the trees, on the bridge, on the

drying-shed; on the other side the steep, scooped-out bank was all

lighted up and glimmering in the stream, and the rushing turbid

water broke its reflection into little bits.

The deacon went for the fish which Kerbalay was cleaning and washing

on the bank, but he stood still half-way and looked about him.

"My God, how nice it is!" he thought. "People, rocks, the fire, the

twilight, a monstrous tree--nothing more, and yet how fine it

is!"

On the further bank some unknown persons made their appearance near

the drying-shed. The flickering light and the smoke from the camp-fire

puffing in that direction made it impossible to get a full view of

them all at once, but glimpses were caught now of a shaggy hat and

a grey beard, now of a blue shirt, now of a figure, ragged from

shoulder to knee, with a dagger across the body; then a swarthy

young face with black eyebrows, as thick and bold as though they

had been drawn in charcoal. Five of them sat in a circle on the

ground, and the other five went into the drying-shed. One was

standing at the door with his back to the fire, and with his hands

behind his back was telling something, which must have been very

interesting, for when Samoylenko threw on twigs and the fire flared

up, and scattered sparks and threw a glaring light on the shed, two

calm countenances with an expression on them of deep attention could

be seen, looking out of the door, while those who were sitting in

a circle turned round and began listening to the speaker. Soon

after, those sitting in a circle began softly singing something

slow and melodious, that sounded like Lenten Church music. . . .

Listening to them, the deacon imagined how it would be with him in

ten years' time, when he would come back from the expedition: he

would be a young priest and monk, an author with a name and a

splendid past; he would be consecrated an archimandrite, then a

bishop; and he would serve mass in the cathedral; in a golden mitre

he would come out into the body of the church with the ikon on his

breast, and blessing the mass of the people with the triple and the

double candelabra, would proclaim: "Look down from Heaven, O God,

behold and visit this vineyard which Thy Hand has planted," and the

children with their angel voices would sing in response: "Holy

God. . ."

"Deacon, where is that fish?" he heard Samoylenko's voice.

As he went back to the fire, the deacon imagined the Church procession

going along a dusty road on a hot July day; in front the peasants

carrying the banners and the women and children the ikons, then the

boy choristers and the sacristan with his face tied up and a straw

in his hair, then in due order himself, the deacon, and behind him

the priest wearing his _calotte_ and carrying a cross, and behind

them, tramping in the dust, a crowd of peasants--men, women, and

children; in the crowd his wife and the priest's wife with kerchiefs

on their heads. The choristers sing, the babies cry, the corncrakes

call, the lark carols. . . . Then they make a stand and sprinkle

the herd with holy water. . . . They go on again, and then kneeling

pray for rain. Then lunch and talk. . . .

"And that's nice too . . ." thought the deacon.

The Duel and Other Stories · 第 9 / 34 题