Sometimes it was another ring that he saw in a green field, where

red and white beasts went slowly droning round. The auctioneer’s

voice, with incredible speed, hammered and coaxed and demanded over

his head. There was a ring of backs all around the rope, broad

or narrow, and straight or crippled and bent. There were rich

and poor backs, feeble and strong, shy and aggressive and hopeful

and depressed, and nearly all of them were somehow rather sad.

There was every sort of jacket upon the backs, and every kind of

collar about the necks. The gulf of the generations yawned between

the wideawake and the Trilby hat; shades of degree were marked by

the bowler and the cap. There were faces, of course, as well as

backs, weather-beaten and shut, with unrevealing mouths. The voice

swept over their still indifference like a storm of rain over

empty sands. Only their eyes, weighing as they stared, followed

the animals turning in the ring.... The voice beat at them and

pressed and begged, calling a possible bidder by his name, and

picking up bids without checking in its stride. By a chain of almost

invisible signs the prices shaped themselves and mounted and grew.

Even when competition was keenest, the faces rarely changed, and

always after a spurt of laughter they set in the old lines. But

all the time the backs were speaking aloud, the patient, pressing,

fervently-interested backs. The hours passed, and clouds went over

the sun, and the bored and scornful-eyed cattle turned and turned....

Furniture sales, too, had always been one of his old joys. There was

something dramatic about household goods, torn from their setting

into the uncovered day. Bow-fronted chests of drawers, and china

and candlesticks, and old arm-chairs ... there seemed to be folks

still sitting in those chairs. At least, it was queer how chairs,

like clothes and hats, kept the look of the people who had used them

most. Perhaps it was never quite safe to sit in a chair that hadn’t

always been your own; he had often thought about that when the chairs

went up at the sales. Sometimes, against the leather or the oak, he

was certain he saw a shadowy old form, which even a burying of the

highest class had not been able to carry quite away.

Once he had bought a chest of drawers with a still mahogany face

and rounded knobs of glass. They looked like eight little pools in

a shining wood, and he bought it because it made him think of that.

The drawers pulled in and out on a grain of silk—his missis had tried

them without looking at the knobs—and things that were put away in

them came out again sweet and clean. It was a queer collection that

found home in them at last, but he seemed to remember everything and

its place. There were the clothes that the two of them had worn when

they were wed ... Grandfather’s silk handkerchief and grandmother’s

silk shawl. Funeral cards and a jubilee mug, and corals from over

the sea. An old bow with a cracked back, and an umbrella that was a

present from some squire. Rings of hair, still glossy and bright, too

lovely in colour and texture to have come from any but a baby’s head.

Horn spectacles in a carved box, and old knitting-pins with carved

hafts; and fiddle strings, coil upon coil, that he had never had the

courage to burn.... There were things of his wife’s, too, that he had

put away when she was dead, though he had never succeeded in putting

away the shoes. They gave the lie to her death merely by being about,

and saying contentedly that she would be coming in. Old shoes, he

thought to himself, like hats and chairs, had the secret of keeping

what lovers seemed to lose.

He felt much the same about mirrors as he did about old chairs. Who

knew how much they had kept of what they had seen, or how much of

it they might suddenly reveal? Layer upon layer of pictures must be

sunken in their depths, rosy and white faces, mad eyes and cloudy

hair. The depth of a mirror was the height of the firmament itself;

you had only to turn it up to the sky to notice that. There was room

in it to make hiding-place for countless tragedies of lives. Each

time a blind was drawn it took something from the day, and at night

who knew what it saw beyond the immediate circle of the lamp? Nobody

could look into it without adding something new. A figure, crossing

the room, passed through its magic water and emerged, yet surely left

a ghost of itself behind. Those that looked long enough saw strange

old things, it was said, but who could tell that any saw the truth?

Minds and mirrors together could make magic enough to frighten half a

world. And there were times when most folk, if it came to that, found

even their own faces rather strange. Behind the presentment that they

called themselves, eyes that were dead looked at them through their

own, and smiles that belonged to others came to their lips.

There was a different set of backs at the furniture sales, less

patient and more excitable, though not less keen. Mostly they wore

bead mantles and cloth jackets and fur ruffs, and were topped by

side-away bonnets and hats that wouldn’t let you by. They twitched

and argued a good deal, and let their faces say more than the faces

of other crowds. But they were speaking backs, all the same, under

mantle or jacket or plaid blouse. They, too, told the tale of youth

or age, and the hope that hangs on gold in a stocking foot.

Then, at the dances, there had been other backs again. The faces

went by him under the lamps, but each was turned away from him

towards another face. They swam in his gaze like faces drifting in a

stream, and became one face of earnest, glowing youth. It was only

the backs he remembered when all was done, the necks and the shining

hair of the lasses, and the broad, strong shoulders of the lads.

Weddings and clippings, of course, meant crowds as well; hot-pot

suppers and Primrose gatherings ... whist-drives ... annual fairs.

Election crowds, when folk gathered in the streets, and broke one

another’s heads or other people’s glass. Church, where folks knelt

in long, straight shafts of sun, or looked through the cool windows

and thought of the waiting hay. Then there were buryings, buryings

without end, at which he had walked in crowds with uncovered head

or lent a shoulder to the coffins of innumerable squires. Some day,

sooner or later, everybody walked in that particular crowd.... And

once he had even seen a London crowd, but that was very long ago. A

lawsuit over some foreshore rights was making a stir, and Kit had

been called as a witness in the case. The crowd up there was past all

knowledge and sense, and nobody knew each other or jerked a head. A

policeman found him at a pavement edge, waiting, he said, for people

to “get by.”

The last crowd of all had been Marget’s cottage crowd, where there

had been no room for him and little breath, but now he was coming

back from it as he had come from all the rest, from press and

clamour and hurry into unpeopled peace. He had escaped on to the

edge of the sand, where always the hunted stag turns to safety and

the sea. Now he could look along the flat which rested the eye, and

breathe the far-travelled air which only the west wind had breathed

before. There were evening and sun and shadows, and fields, and

deep-rooted mountains, and slow beasts. There was a breeze stirring

the shore-grasses that in all their lives never know what it is to be

really still, and on the top of the bank others quivered and bent,

and straightened and bent and quivered again. Bending, they looked

like delicate strokes of a slanting pen, slashed on the golden page

of the open west. The railway arches over the sand looked like great

black doors shut between him and the coloured park that lay behind.

Only the one through which they had come stood open wide, showing

the ribbon of road laid flatly through. Beyond, where it fled away

from the open marsh, it coiled into shadow by wall and stooping tree.

When night came, that door, too, would close, so that Marget, however

she tried, could never pass. He would remember that when he went

upstairs to bed, and sleep steadily unafraid in the house at the

sand’s edge. If the moon chose to look in, he would not care for the

moon. It would have none of the terror of Marget’s peering eye, that

had sometimes awakened him as he lay and dreamed.

Yes, he was coming back as he had come before, and not even in dreams

would he come like this again. Into this last, long, beautiful

journey he had gathered his life, and men—old men—were not allowed

to do that twice. Now in the house on the edge of the sands he would

stay quietly until he died. Thomas and Agnes would want to take him

out—to market and church and Milthrop Cattle Fair, but however they

urged he did not mean to go. He had the fairs and the rest of them in

his mind, and did not need to go looking for them afield. Besides,

if he went, he would only find them strange, a confusion of strange

faces and still stranger backs. Thomas and Agnes would fret and think

he was getting moped, but after a bit they would let him have his

way. He would watch them trundle away and wave his stick, and they

would stop and call to know if he had changed his mind. But he would

never change his mind or leave his recovered inheritance for an hour.

Somewhere there was a point where the mind never changed again, but

stayed as still as the earth in a new-dropped wind. And the point

where he would stay in that poised stillness would surely be the home

of all his dreams.

They would go, and he would see to the house, and when there were

barns to see to, he would see to the barns as well. He had always

been a rare hand at keeping them happy and good, and if he had failed

with Marget’s brood, that had been only an accident by the way.

Marget’s children, after the first, had seldom been children to his

mind. They had been enemies, torturers, mockers, and trained spies.

Only once, in the Little Game, had they ever been part of the company

he loved, and very soon afterwards he had cast them out. But no child

born on the marsh would ever be such as they; the house would prevent

it—the peaceful, noble house. They would be friends all right, he

and those real children bred to the sound of the sea. Thomas and

Agnes could trust them to him all right. All day he and the fiddle

would hear their feet, pattering after them on the garden path, and

climbing laboriously up the uncarpeted stair. All day the little

shrill voices would follow the curlews out to sea, and at night the

house would be filled with the hush of a house where children sleep.

And on that last early morning, when he came to die, he would hear a

little child waking close at hand....

No, he would never be lonely again in all his life, or dull and moped

because he was left behind. There were so many things waiting for him

to find them again that he would need another life to seek them all.

Every inch of the land and stone of the house would have something to

say to him when he got back. How many places he had loved would pull

at his heart until he had looked on them with his bodily eyes? There

were hedges, twists of the road, lights over hill and bay—things that

in all his life had not failed in enchantment yet. No other magic

ever held but that; no other spell grew stronger with the years.

Nature kept hold of her worshippers until they died. With a branch

of cherry or a robin’s song, the smell of hay or the fall of June

shadows pretending to be night, she could bring them back their youth

to the very last. This, out of all the treasures in the world, was

the only one that was golden to the end.

Perhaps he would never do half of what he wished, in the little

breath of time that he had left. Perhaps he would find his legs too

weak to carry him very far. They had grown cramped and shaky in

Marget’s prison-house. Perhaps his eyes, when wanted, would drop

their lids and sleep. They had slept so little at Marget’s that they

were tired.

Yet somehow he must gather his treasure again, if only between the

limits of a year. He must wait for the hoar-frost over the fields

and the yellow of winter sun through a black-limbed beech. There

were growing things, too, that he must see again—daffodils, foals,

and the plums on the south wall. The purple of Michaelmas daisies in

a mist, light on a yacht’s sails and the mysterious glimmer of hard

ice. Sea-mist that was the ghost of the sea, with the blue-topped

mountains rocks in a snowy surf; primrose evening over the sands and

the islands of desire. The smell of things, too—warm hay, wet earth,

and salt, lilac, syringa, the chill smell of coming snow. The feel of

things—turf and sand ... and, rough to the elbows, the stone of the

garden wall. The sound of things—bees in the wallflower; plover and

gull; the lone owl wheeling round the barn; the roar of the river in

flood and the swish of a little tide; the trains in the night where

they hung above the sea. And always there were the sounds about the

house—the separate voices of door and window and stair, of furniture

that never speaks until it is night, of winds in the house that go

not in or out, but sleep in dark corners until they stir again....

Perhaps the losing of well-known sounds was the loneliest loss of

all, and none so lonely and blank as the loss of a well-known step.

Then there were other sounds, as familiar as a voice, that yet in

years and years were never traced....

There were doors he wanted to open again, suddenly and alone, and,

standing on the threshold, feel all that the empty room contained.

That sudden opening of a door was one of the beautiful happenings of

life. Even outside you heard the memories speak, creeping through

chinks and slipping along the floor. Outside, they seemed to catch

you by the throat; but, once the knob was turned, they kissed your

cheek. Folks such as he could go blindfold to their homes, and

know where they were as soon as they stepped inside. They knew by

the feel and smell and sound of things, and by a warm, familiar

presence in the air. That was really why he was going home—to open

the doors again, and stand, and feel. Afterwards he would go round

and handle things ... absorbing them tranquilly, drawing the place

in. Satisfied—that was the word he wanted for it all; satisfied,

fulfilled ... at rest ... _come back_....

It was surely this great content that helped men to die when it

came to the last. After all, it only meant going a little closer to

one’s earth. No one need mind if he wasn’t carried away and laid in

some foreign spot he had never seen. It wouldn’t seem right to see

strange names round you when you awoke, and strange folk rising up

at the sound of the Trump. Why, there were some he knew who would be

so put about, they would likely never stir their coffin-lids! They’d

stick in their graves and say they hadn’t heard, before they’d go

cheek-by-jowl with off-comers to the Throne.

Would there be folk in Heaven as set on a spot as so many of them

were on earth? There were plenty who wouldn’t know how to put on time

without their own little village and its feuds. As for those who

had really loved a place, they couldn’t do anything but break their

hearts. There were folks you could never mix—not even in Heaven;

folks from places that fought like biting steggs. You couldn’t just

set them alongside in their crowns, and take it for granted things

would come out right....

They wouldn’t get far with their singing, anyhow, he thought, because

you couldn’t make real music with people who didn’t suit. He had

joined a choral society when he was young, but left it because he

could only sing with those he liked. If somebody sat beside him who

wasn’t a friend, he hated to hear their voices mingle and touch. The

other man’s voice was an enemy slaying his own, and instead of song

there was murder in his heart. Song was a personal revelation that

only a friend should hear, and if you sang with an enemy you gave

yourself away. He had had the same trouble at the dances, too, with

a concertina played by Darby Gill. The concertina itself was a real

joy, because of its big chords and its depth and swing. It gave an

actual physical push to the crowd, so that you could see the couples

swaying as it swayed, but he never played his best when it was there,

because he and the fiddle hated Darby Gill. He hoped he wouldn’t have

Darby next to him in Heaven. Anyhow, if he had, he would never touch

a string....

“Tide’ll be turning soon,” Bob said, and though Kit had forgotten

him long since, he did not start, because the sea is always at the

back of the marsh-dweller’s mind. Even the village-folk had known the

tides by wind and sky, though some of them never went down to the bay

in years. Kit and his son, of course, knew them as they knew their

meals. They could have told you, every day, what time the returning

water drew itself from the deep....

It came to him suddenly that for two years he had never seen the

sea, not even heard it except through the sound-carriers of the

wind. The thought of it set his heart leaping, and to his shame

and astonishment he found that he was afraid. He seemed to himself

to be quite defenceless on the open road, with only the bank to

stop what was coming out of the west. His terror degraded him in

his own eyes, and he was as afraid of the fear as of the object of

the fear. Perhaps it was because he was old that he was afraid, or

because he had missed the daily miracle for so long. At all events,

he trembled and gazed, and felt his hands turn cold, and longed to

be at the farm. It was amazing that folk who knew what the sea could

do should drive so slowly in the line of the dormant tide. If there

had been any sign of the tide he would have clutched at the reins,

and frightened Bob to death by shouting at the horse. He looked at

the land and wondered why panic wasn’t abroad, and why the stock,

with its sure sense of coming ill, didn’t stare and cower. Once that

far, smooth water had lifted and turned, there seemed no reason why

it should ever stop. He knew only too well, of course, that it did

not always stop. He himself had seen it under an angry moon, lift and

lift into a huge and white-topped wall, and sweep the marsh into a

tumbling sea....

“We’d best be getting on,” he said in a sharp tone, and Bob heard the

fear in his voice, and glanced at him in surprise. The old man must

be getting tired, he thought; he had seemed so quiet and contented at

the start. He did his best to encourage the slow horse, but they only

jolted a little more, and seemed no nearer to the farm. Presently he

spoke again, as if he had come to some slow conclusion of his own.

“Tide’s low, just now,” he said, as if to himself, and at once felt

his father relax and settle back. “You’ll hear next to nowt on it

to-night. I reckon it’ll gang nigh as soon as it comes....”

The old man gave him no answer to his careful speech; only he sighed

suddenly and then sat still. He told himself that he might have known

as well as Bob, if he hadn’t frightened himself out of his daft wits.

He looked at the west and knew that no tide could come out of it to

his hurt—out of that fragrant stillness and that golden air. And yet,

in spite of his fear, he wanted to see a tide before he died—one of

those splendid surges rollicking up the bay. Each roller seemed to

travel faster than the one in front, and over-rode it in a shower of

spray. The salt in the air was so sharp that it stung the eyes, and

the life in it blew the spirit out of its shell; but he wasn’t strong

enough to face that yet. There was a summer tide that he wanted to

see, too, a full, blue tide with a ripple all over its face, breaking

in long, crisp waves along the sand. This tide was the most human

tide of all, a live, beautiful thing that you could almost clasp....

The waves, where they broke on the sand, were like slender bars of

amethyst crested with snow.... But the tide that was coming out of

that quiet west would never break; it would barely even lip at sand

or wall. Hardly the wisest would know the moment when the deep sea

sent it out. There would be no bull-roar to herald its approach,

topped by the vicious hissing-note of surf. It would not even whisper

when it rounded the point, and scarcely a line would come on the sand

to show that it was there. A sleeping water, shallow and very smooth,

it would steal and spread like the shadow of a cloud. Without fear

and without hurry it would come, like the light that spreads before

the sun has topped the hill. If the moon came up, there would be a

golden glass where there had just been sand; but if there was no

moon, only the river would know about the tide.

“Tide’s low,” Bob said, and the peace of the evening came back.

But, beautiful as the journey had been, he was beginning to wish that

it would come to an end. That sudden shock seemed to have drained

his strength and left him afraid of the fear within a fear. He would

have nothing to say to the house if he was tired, and no number of

perfect after-days could make up for the wonder of that first glad

hour. He might even miss the first sight of it, perhaps, if his eyes

should remember that they were really old. His brain might be numb or

vacant at the first crossing of the door. It might be only a tired

old man that would stagger in, thinking of nothing but supper and

then bed....

He tried to rest his eyes by shutting them for a while, but found

that he suffered more from the jolting of the trap. Every jerk of

the horse seemed to startle his heart and hurt his bones, as well as

stirring again the thought of that sleeping fear. And yet, as soon as

he opened his eyes, his mind was off once more. Even the grass could

not grow, nor the road wind, without setting his memories running out

of the past.

Beautiful end · 第 10 / 14 段