Susanna was like a New England anemone. Her face was oval in

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SUSANNA AND SUE

Kate Douglas Wiggin

Books by Kate Douglas Wiggin

_Susanna and Sue._ Illustrated by ALICE BARBER STEPHENS.

_The Old Peabody Pew._ Illustrated by ALICE BARBER STEPHENS.

_Rebecca of Sunnybrook Farm._

_New Chronicles of Rebecca._ Illustrated by F. C. YOHN.

_Rose o' the River._ Illustrated by GEORGE WRIGHT.

_The Affair at the Inn._ Illustrated by MARTIN JUSTICE.

_The Birds' Christmas Carol._ Illustrated.

_The Story of Patsy._ Illustrated.

_The Diary of a Goose Girl._ Illustrated by C. A. SHEPPERSON.

_A Cathedral Courtship and Penelope's English Experiences._ Illustrated

by CLIFFORD CARLETON.

_A Cathedral Courtship. Holiday Edition._ Enlarged, and with

illustrations by CHARLES E. BROCK.

_Penelope's Progress._ Experiences in Scotland.

_Penelope's Irish Experiences._

_Penelope's Experiences. Holiday Edition._ In three volumes. Illustrated

by CHARLES E. BROCK. I. England; II. Scotland; III. Ireland.

_Marm Lisa._

_The Village Watch-Tower._ Short Stories.

_Polly Oliver's Problem._ A Story for Girls. Illustrated.

_Timothy's Quest._ A Story for Anybody, Young or Old, who cares to read

it.

_Timothy's Quest. Holiday Edition._ Illustrated by OLIVER HERFORD.

_A Summer in a Canyon._ A California Story. Illustrated by FRANK T.

MERRILL.

_Nine Love Songs and a Carol._ Poems set to music by MRS. WIGGIN.

Houghton Mifflin Company, Publishers

BOSTON AND NEW YORK

SUSANNA AND SUE

[Illustration]

SUSANNA AND SUE

By KATE DOUGLAS WIGGIN

WITH ILLUSTRATIONS BY

ALICE BARBER STEPHENS

AND N. C. WYETH

[Illustration]

HOUGHTON MIFFLIN COMPANY

BOSTON AND NEW YORK

THE RIVERSIDE PRESS

CAMBRIDGE: MDCCCCIX

COPYRIGHT, 1909, BY KATE DOUGLAS RIGGS

ALL RIGHTS RESERVED

_Published October 1909_

CONTENTS

I. Mother Ann's Children 1

II. A Son of Adam 23

III. Divers Doctrines 43

IV. Louisa's Mind 67

V. The Little Quail Bird 87

VI. Susanna speaks in Meeting 107

VII. "The Lower Plane" 121

VIII. Concerning Backsliders 141

IX. Love Manifold 163

X. Brother and Sister 177

XI. "The Open Door" 195

XII. The Hills of Home 211

ILLUSTRATIONS

Looking up into her mother's face expectantly

(page 102) _Frontispiece_

Do you remember the little Nelson girl and her

mother? 12

Susanna sat in her corner beside the aged Tabitha 112

Hetty looking at the lad with all her heart in her

eyes 130

I

MOTHER ANN'S CHILDREN

[Illustration]

It was the end of May, when "spring goeth all in white." The apple trees

were scattering their delicate petals on the ground, dropping them over

the stone walls to the roadsides, where in the moist places of the

shadows they fell on beds of snowy innocence. Here and there a single

tree was tinged with pink, but so faintly, it was as if the white were

blushing. Now and then a tiny white butterfly danced in the sun and

pearly clouds strayed across the sky in fleecy flocks.

Everywhere the grass was of ethereal greenness, a greenness drenched

with the pale yellow of spring sunshine. Looking from earth to sky and

from blossom to blossom, the little world of the apple orchards,

shedding its falling petals like fair-weather snow, seemed made of

alabaster and porcelain, ivory and mother-of-pearl, all shimmering on a

background of tender green.

After you pass Albion village, with its streets shaded by elms and

maples and its outskirts embowered in blossoming orchards, you wind

along a hilly country road that runs between grassy fields. Here the

whiteweed is already budding, and there are pleasant pastures dotted

with rocks and fringed with spruce and fir; stretches of woodland, too,

where the road is lined with giant pines and you lift your face

gratefully to catch the cool balsam breath of the forest. Coming from

out this splendid shade, this silence too deep to be disturbed by light

breezes or vagrant winds, you find yourself on the brow of a descending

hill. The first thing that strikes the eye is a lake that might be a

great blue sapphire dropped into the verdant hollow where it lies. When

the eye reluctantly leaves the lake on the left, it turns to rest upon

the little Shaker Settlement on the right--a dozen or so large

comfortable white barns, sheds, and houses, standing in the wide orderly

spaces of their own spreading acres of farm and timber land. There again

the spring goeth all in white, for there is no spot to fleck the

dazzling quality of Shaker paint, and their apple, plum, and pear trees

are so well cared for that the snowy blossoms are fairly hiding the

branches.

The place is very still, although there are signs of labor in all

directions. From a window of the girls' building a quaint little

gray-clad figure is beating a braided rug; a boy in homespun, with his

hair slightly long in the back and cut in a straight line across the

forehead, is carrying milk-cans from the dairy to one of the Sisters'

Houses. Men in broad-brimmed hats, with clean-shaven, ascetic faces, are

ploughing or harrowing here and there in the fields, while a group of

Sisters is busy setting out plants and vines in some beds near a cluster

of noble trees. That cluster of trees, did the eye of the stranger

realize it, was the very starting-point of this Shaker Community, for in

the year 1785, the valiant Father James Whittaker, one of Mother Ann

Lee's earliest English converts, stopped near the village of Albion on

his first visit to Maine. As he and his Elders alighted from their

horses, they stuck into the ground the willow withes they had used as

whips, and now, a hundred years later, the trees that had grown from

these slender branches were nearly three feet in diameter.

From whatever angle you look upon the Settlement, the first and

strongest impression is of quiet order, harmony, and a kind of austere

plenty. Nowhere is the purity of the spring so apparent. Nothing is out

of place; nowhere is any confusion, or appearance of loose ends, or

neglected tasks. As you come nearer, you feel the more surely that here

there has never been undue haste nor waste; no shirking, no putting off

till the morrow what should have been done to-day. Whenever a shingle or

a clapboard was needed it was put on, where paint was required it was

used,--that is evident; and a look at the great barns stored with hay

shows how the fields have been conscientiously educated into giving a

full crop.

To such a spot as this might any tired or sinful heart come for rest;

hoping somehow, in the midst of such frugality and thrift, such

self-denying labor, such temperate use of God's good gifts, such shining

cleanliness of outward things, to regain and wear "the white flower of a

blameless life." The very air of the place breathed peace, so thought

Susanna Hathaway; and little Sue, who skipped by her side, thought

nothing at all save that she was with mother in the country; that it had

been rather a sad journey, with mother so quiet and pale, and that she

would be very glad to see supper, should it rise like a fairy banquet

in the midst of these strange surroundings.

It was only a mile and a half from the railway station to the Shaker

Settlement, and Susanna knew the road well, for she had driven over it

more than once as child and girl. A boy would bring the little trunk

that contained their simple necessities later on in the evening, so she

and Sue would knock at the door of the house where visitors were

admitted, and be undisturbed by any gossiping company while they were

pleading their case.

"Are we most there, Mardie?" asked Sue for the twentieth time. "Look at

me! I'm being a butterfly, or perhaps a white pigeon. No, I'd rather be

a butterfly, and then I can skim along faster and move my wings!"

The airy little figure, all lightness and brightness, danced along the

road, the white cotton dress rising and falling, the white-stockinged

legs much in evidence, the arms outstretched as if in flight, straw hat

falling off yellow hair, and a little wisp of swansdown scarf floating

out behind like the drapery of a baby Mercury.

"We are almost there," her mother answered. "You can see the buildings

now, if you will stop being a butterfly. Don't you like them?"

"Yes, I 'specially like them all so white. Is it a town, Mardie?"

"It is a village, but not quite like other villages. I have told you

often about the Shaker Settlement, where your grandmother brought me

once when I was just your age. There was a thunder-storm; they kept us

all night, and were so kind that I never forgot them. Then your

grandmother and I stopped off once when we were going to Boston. I was

ten then, and I remember more about it. The same sweet Eldress was there

both times."

"What is an El-der-ess, Mardie?"

"A kind of everybody's mother, she seemed to be," Susanna responded,

with a catch in her breath.

"I'd 'specially like her; will she be there now, Mardie?"

"I'm hoping so, but it is eighteen years ago. I was ten and she was

about forty, I should think."

"Then o' course she'll be dead," said Sue, cheerfully, "or either she'll

have no teeth or hair."

"People don't always die before they are sixty, Sue."

"Do they die when they want to, or when they must?"

"Always when they must; never, never when they want to," answered Sue's

mother.

"But o' course they wouldn't ever _want_ to if they had any little girls

to be togedder with, like you and me, Mardie?" And Sue looked up with

eyes that were always like two interrogation points, eager by turns and

by turns wistful, but never satisfied.

"No," Susanna replied brokenly, "of course they wouldn't, unless

sometimes they were wicked for a minute or two and forgot."

"Do the Shakers shake all the time, Mardie, or just once in a while? And

shall I see them do it?"

"Sue, dear, I can't explain everything in the world to you while you are

so little; you really must wait until you're more grown up. The Shakers

don't shake and the Quakers don't quake, and when you're older, I'll try

to make you understand why they were called so and why they kept the

name."

"Maybe the El-der-ess can make me understand right off now; I'd

'specially like it." And Sue ran breathlessly along to the gate where

the North Family House stood in its stately, white-and-green austerity.

Susanna followed, and as she caught up with the impetuous Sue, the front

door of the house opened and a figure appeared on the threshold. Mother

and child quickened their pace and went up the steps, Susanna with a

hopeless burden of fear and embarrassment clogging her tongue and

dragging at her feet; Sue so expectant of new disclosures and fresh

experiences that her face beamed like a full moon.

Eldress Abby (for it was Eldress Abby) had indeed survived the heavy

weight of her fifty-five or sixty summers, and looked as if she might

reach a yet greater age. She wore the simple Shaker afternoon dress of

drab alpaca; an irreproachable muslin surplice encircled her straight,

spare shoulders, while her hair was almost entirely concealed by the

stiffly wired, transparent white-net cap that served as a frame to the

tranquil face. The face itself was a network of delicate, fine wrinkles;

but every wrinkle must have been as lovely in God's sight as it was in

poor unhappy Susanna Hathaway's. Some of them were graven by self-denial

and hard work; others perhaps meant the giving up of home, of parents

and brothers or sisters; perhaps some worldly love, the love that Father

Adam bequeathed to the human family, had been slain in Abby's youth,

and the scars still remained to show the body's suffering and the

spirit's triumph. At all events, whatever foes had menaced her purity or

her tranquillity had been conquered, and she exhaled serenity as the

rose sheds fragrance.

"Do you remember the little Nelson girl and her mother that stayed here

all night, years ago?" asked Susanna, putting out her hand timidly.

[Illustration: DO YOU REMEMBER THE LITTLE NELSON GIRL AND HER MOTHER?]

"Why, seems to me I do," assented Eldress Abby, genially. "So many comes

and goes it's hard to remember all. Didn't you come once in a

thunder-storm?"

"Yes, one of your barns was struck by lightning and we sat up all

night."

"Yee, yee.[1] I remember well! Your mother was a beautiful spirit. I

couldn't forget her."

"And we came once again, mother and I, and spent the afternoon with you,

and went strawberrying in the pasture."

"Yee, yee, so we did; I hope your mother continues in health."

"She died the very next year," Susanna answered in a trembling voice,

for the time of explanation was near at hand and her heart failed her.

"Won't you come into the sitting-room and rest awhile? You must be tired

walking from the deepot."

"No, thank you, not just yet. I'll step into the front entry a

minute.--Sue, run and sit in that rocking-chair on the porch and watch

the cows going into the big barn.--Do you remember, Eldress Abby, the

second time I came, how you sat me down in the kitchen with a bowl of

wild strawberries to hull for supper? They were very small and ripe; I

did my best, for I never meant to be careless, but the bowl slipped and

fell,--my legs were too short to reach the floor, and I couldn't make a

lap,--so in trying to pick up the berries I spilled juice on my dress,

and on the white apron you had tied on for me. Then my fingers were

stained and wet and the hulls kept falling in with the soft berries, and

when you came in and saw me you held up your hands and said, 'Dear,

dear! you _have_ made a mess of your work!' Oh, Eldress Abby, they've

come back to me all day, those words. I've tried hard to be good, but

somehow I've made just such a mess of my life as I made of hulling the

berries. The bowl is broken, I haven't much fruit to show, and I am all

stained and draggled. I shouldn't have come to Albion on the

five-o'clock train--that was an accident; I meant to come at noon, when

you could turn me away if you wanted to."

"Nay, that is not the Shaker habit," remonstrated Abby. "You and the

child can sleep in one of the spare chambers at the Office Building and

be welcome."

"But I want much more than that," said Susanna, tearfully. "I want to

come and live here, where there is no marrying nor giving in marriage.

I am so tired with my disappointments and discouragements and failures

that it is no use to try any longer. I am Mrs. Hathaway, and Sue is my

child, but I have left my husband for good and all, and I only want to

spend the rest of my days here in peace and bring up Sue to a more

tranquil life than I have ever had. I have a little money, so that I

shall not be a burden to you, and I will work from morning to night at

any task you set me."

"I will talk to the Family," said Eldress Abby, gravely; "but there are

a good many things to settle before we can say yee to all you ask."

"Let me confess everything freely and fully," pleaded Susanna, "and if

you think I'm to blame, I will go away at once."

"Nay, this is no time for that. It is our duty to receive all and try

all; then if you should be gathered in, you would unburden your heart to

God through the Sister appointed to receive your confession."

"Will Sue have to sleep in the children's building away from me?"

"Nay, not now; you are company, not a Shaker, and anyway you could keep

the child with you till she is a little older; that's not forbidden at

first, though there comes a time when the ties of the flesh must be

broken! All you've got to do now's to be 'pure and peaceable, gentle,

easy to be entreated, and without hypocrisy.' That's about all there is

to the Shaker creed, and that's enough to keep us all busy."

Sue ran in from the porch excitedly and caught her mother's hand.

"The cows have all gone into the barn," she chattered; "and the Shaker

gentlemen are milking them, and not one of them is shaking the least

bit, for I 'specially noticed; and I looked in through the porch window,

and there is nice supper on a table--bread and butter and milk and

dried-apple sauce and gingerbread and cottage cheese. Is it for us,

Mardie?"

Susanna's lip was trembling and her face was pale. She lifted her

swimming eyes to the Sister's and asked, "Is it for us, Eldress Abby?"

"Yee, it's for you," she answered; "there's always a Shaker supper on

the table for all who want to leave the husks and share the feast. Come

right in and help yourselves. I will sit down with you."

* * * * *

Supper was over, and Susanna and Sue were lying in a little upper

chamber under the stars. It was the very one that Susanna had slept in

as a child, or that she had been put to bed in, for there was little

sleep that night for any one. She had leaned on the window-sill with her

mother and watched the pillar of flame and smoke ascend from the burning

barn; and once in the early morning she had stolen out of bed, and,

kneeling by the open window, had watched the two silent Shaker brothers

who were guarding the smoldering ruins, fearful lest the wind should

rise and bear any spark to the roofs of the precious buildings they had

labored so hard to save.

The chamber was spotless and devoid of ornament. The paint was robin's

egg blue and of a satin gloss. The shining floor was of the same color,

and neat braided rugs covered exposed places near the bureau, washstand,

and bed. Various useful articles of Shaker manufacture interested Sue

greatly: the exquisite straw-work that covered the whisk-broom; the

mending-basket, pincushion, needle-book, spool and watch cases,

hair-receivers, pin-trays, might all have been put together by fairy

fingers.

Sue's prayers had been fervent, but a trifle disjointed, covering all

subjects from Jack and Fardie, to Grandma in heaven and Aunt Louisa at

the farm, with special references to El-der-ess Abby and the Shaker

cows, and petitions that the next day be fair so that she could see them

milked. Excitement at her strange, unaccustomed surroundings had put the

child's mind in a very whirl, and she had astonished her mother with a

very new and disturbing version of the Lord's prayer, ending: "God give

us our debts and help us to forget our debtors and theirs shall be the

glory, Amen." Now she lay quietly on the wall side of the clean, narrow

bed, while her mother listened to hear the regular breathing that would

mean that she was off for the land of dreams. The child's sleep would

leave the mother free to slip out of bed and look at the stars; free to

pray and long and wonder and suffer and repent,--not wholly, but in

part, for she was really at peace in all but the innermost citadel of

her conscience. She had left her husband, and for the moment, at all

events, she was fiercely glad; but she had left her boy, and Jack was

only ten. Jack was not the helpless, clinging sort; he was a little

piece of his father, and his favorite. Aunt Louisa would surely take

him, and Jack would scarcely feel the difference, for he had never shown

any special affection for anybody. Still he was her child, nobody could

possibly get around that fact, and it was a stumbling-block in the way

of forgetfulness or ease of mind. Oh, but for that, what unspeakable

content she could feel in this quiet haven, this self-respecting

solitude! To have her thoughts, her emotions, her words, her _self_, to

herself once more, as she had had them before she was married at

seventeen. To go to sleep in peace, without listening for a step she had

once heard with gladness, but that now sometimes stumbled unsteadily on

the stair; or to dream as happy women dreamed, without being roused by

the voice of the present John, a voice so different from that of the

past John that it made the heart ache to listen to it.

Sue's voice broke the stillness: "How long are we going to stay here,

Mardie?"

"I don't know, Sue; I think perhaps as long as they'll let us."

"Will Fardie come and see us?"

"I don't expect him."

"Who'll take care of Jack, Mardie?"

"Your Aunt Louisa."

"She'll scold him awfully, but he never cries; he just says, 'Pooh! what

do I care?' Oh, I forgot to pray for that very nicest Shaker gentleman

that said he'd let me help him feed the calves! Hadn't I better get out

of bed and do it? I'd 'specially like to."

"Very well, Sue; and then go to sleep."

Safely in bed again, there was a long pause, and then the eager little

voice began, "Who'll take care of Fardie now?"

"He's a big man; he doesn't need anybody."

"What if he's sick?"

"We must go back to him, I suppose."

"To-morrow's Sunday; what if he needs us to-morrow, Mardie?"

"I don't know, I don't know! Oh, Sue, Sue, don't ask your wretched

mother any more questions, for she cannot bear them to-night. Cuddle up

close to her; love her and forgive her and help her to know what's

right."

[1] "Yea" is always thus pronounced by the Shakers.

II

A SON OF ADAM

[Illustration]

When Susanna Nelson at seventeen married John Hathaway, she had the

usual cogent reasons for so doing, with some rather more unusual ones

added thereto. She was alone in the world, and her life with an uncle,

her mother's only relative, was an unhappy one. No assistance in the

household tasks that she had ever been able to render made her a welcome

member of the family or kept her from feeling a burden, and she belonged

no more to the little circle at seventeen, than she did when she became

a part of it at twelve. The hope of being independent and earning her

own living had sustained her through the last year; but it was a very

timid, self-distrustful, love-starved little heart that John Hathaway

stormed and carried by assault. Her girl's life in a country school and

her uncle's very rigid and orthodox home had been devoid of emotion or

experience; still, her mother had early sown seeds in her mind and

spirit that even in the most arid soil were certain to flower into

beauty when the time for flowering came; and intellectually Susanna was

the clever daughter of clever parents. She was very immature, because,

after early childhood, her environment had not been favorable to her

development. At seventeen she began to dream of a future as bright as

the past had been dreary and uneventful. Visions of happiness, of

goodness, and of service haunted her, and sometimes, gleaming through

the mists of dawning womanhood, the figure, all luminous, of The Man!

When John Hathaway appeared on the horizon, she promptly clothed him in

all the beautiful garments of her dreams; they were a grotesque misfit,

but when we intimate that women have confused the dream and the reality

before, and may even do so again, we make the only possible excuse for

poor little Susanna Nelson.

John Hathaway was the very image of the outer world that lay beyond

Susanna's village. He was a fairly prosperous, genial, handsome young

merchant, who looked upon life as a place furnished by Providence in

which to have "a good time." His parents had frequently told him that it

was expedient for him to "settle down," and he supposed that he might

finally do so, if he should ever find a girl who would tempt him to

relinquish his liberty. (The line that divides liberty and license was a

little vague to John Hathaway!) It is curious that he should not have

chosen for his life-partner some thoughtless, rosy, romping young

person, whose highest conception of connubial happiness would have been

to drive twenty miles to the seashore on a Sunday, and having partaken

of all the season's delicacies, solid and liquid, to come home hilarious

by moonlight. That, however, is not the way the little love-imps do

their work in the world; or is it possible that they are not imps at all

who provoke and stimulate and arrange these strange marriages--not imps,

but honest, chastening little character-builders? In any event, the

moment that John Hathaway first beheld Susanna Nelson was the moment of

his surrender; yet the wooing was as incomprehensible as that of a

fragile, dainty little hummingbird by a pompous, greedy, big-breasted

robin.

Susanna was like a New England anemone. Her face was oval in shape and

as smooth and pale as a pearl. Her hair was dark, not very heavy, and as

soft as a child's. Her lips were delicate and sensitive, her eyes a cool

gray,--clear, steady, and shaded by darker lashes. When John Hathaway

met her shy, maidenly glance and heard her pretty, dovelike voice, it is

strange he did not see that there was a bit too much saint in her to

make her a willing comrade of his gay, roistering life. But as a matter

of fact, John Hathaway saw nothing at all; nothing but that Susanna

Nelson was a lovely girl and he wanted her for his own. The type was one

he had never met before, one that allured him by its mysteries and

piqued him by its shy aloofness.

John had a "way with him,"--a way that speedily won Susanna; and after

all there was a best to him as well as a worst. He had a twinkling eye,

an infectious laugh, a sweet disposition, and while he was

over-susceptible to the charm of a pretty face, he had a chivalrous

admiration for all women, coupled, it must be confessed, with a decided

lack of discrimination in values. His boyish light-heartedness had a

charm for everybody, including Susanna; a charm that lasted until she

discovered that his heart was light not only when it ought to be light,

but when it ought to be heavy.

He was very much in love with her, but there was nothing particularly

exclusive, unique, individual, or interesting about his passion at that

time. It was of the every-day sort which carries a well-meaning man to

the altar, and sometimes, in cases of exceptional fervor and duration,

even a little farther. Stock sizes of this article are common and

inexpensive, and John Hathaway's love when he married Susanna was,

judged by the highest standards, about as trivial an affair as Cupid

ever put upon the market or a man ever offered to a woman. Susanna on

the same day offered John, or the wooden idol she was worshiping as

John, her whole self--mind, body, heart, and spirit. So the couple were

united, and smilingly signed the marriage-register, a rite by which

their love for each other was supposed to be made eternal.

"Will you love me?" said he.

"Will you love me?" said she.

Then they answered together:--

"Through foul and fair weather,

From sunrise to moonrise,

From moonrise to sunrise,

By heath and by harbour,

In orchard or arbour,

In the time of the rose,

In the time of the snows,

Through smoke and through smother

We'll love one another!"

Cinderella, when the lover-prince discovers her and fits the crystal

slipper to her foot, makes short work of flinging away her rags; and in

some such pretty, airy, unthinking way did Susanna fling aside the

dullness, inhospitality, and ugliness of her uncle's home and depart in

a cloud of glory on her wedding journey. She had been lonely, now she

would have companionship. She had been of no consequence, now she would

be queen of her own small domain. She had been last with everybody, now

she would be first with one, at least. She had worked hard and received

neither compensation nor gratitude; henceforward her service would be

gladly rendered at an altar where votive offerings would not be taken as

a matter of course. She was only a slip of a girl now; marriage and

housewifely cares would make her a woman. Some time perhaps the last

great experience of life would come to her, and then what a crown of

joys would be hers,--love, husband, home, children! What a vision it

was, and how soon the chief glory of it faded!

Never were two beings more hopelessly unlike than John Hathaway single

and John Hathaway married, but the bliss lasted a few years,

nevertheless: partly because Susanna's charm was deep and penetrating,

the sort to hold a false man for a time and a true man forever; partly

because she tried, as a girl or woman has seldom tried before, to do her

duty and to keep her own ideal unshattered.

John had always been convivial, but Susanna at seventeen had been at

once too innocent and too ignorant to judge a man's tendencies truly, or

to rate his character at its real worth. As time went on, his earlier

leanings grew more definite; he spent on pleasure far more than he could

afford, and his conduct became a byword in the neighborhood. His boy he

loved. He felt on a level with Jack, could understand him, play with

him, punish him, and make friends with him; but little Sue was

different. She always seemed to him the concentrated essence of her

mother's soul, and when unhappy days came, he never looked in her

radiant, searching eyes without a consciousness of inferiority. The

little creature had loved her jolly, handsome, careless father at first,

even though she feared him; but of late she had grown shy, silent, and

timid, for his indifference chilled her and she flung herself upon her

mother's love with an almost unchildlike intensity. This unhappy

relation between the child and the father gave Susanna's heart new

pangs. She still loved her husband,--not dearly, but a good deal; and

over and above that remnant of the old love which still endured she

gave him unstinted care and hopeful maternal tenderness.

The crash came in course of time. John transcended the bounds of his

wife's patience more and more. She made her last protests; then she took

one passionate day to make up her mind,--a day when John and the boy

were away together; a day of complete revolt against everything she was

facing in the present, and, so far as she could see, everything that she

had to face in the future. Prayer for light left her in darkness, and

she had no human creature to advise her. Conscience was overthrown; she

could see no duty save to her own outraged personality. Often and often

during the year just past she had thought of the peace, the grateful

solitude and shelter of that Shaker Settlement hidden among New England

orchards; that quiet haven where there was neither marrying nor giving

in marriage. Now her bruised heart longed for such a life of nun-like

simplicity and consecration, where men and women met only as brothers

and sisters, where they worked side by side with no thought of personal

passion or personal gain, but only for the common good of the community.

Albion village was less than three hours distant by train. She hastily

gathered her plainest clothes and Sue's, packed them in a small trunk,

took her mother's watch, her own little store of money and the

twenty-dollar gold piece John's senior partner had given Sue on her last

birthday, wrote a letter of good-by to John, and went out of her cottage

gate in a storm of feeling so tumultuous that there was no room for

reflection. Besides, she had reflected, and reflected, for months and

months, so she would have said, and the time had come for action.

Susanna was not unlettered, but she certainly had never read Meredith or

she would have learned that "love is an affair of two, and only for two

that can be as quick, as constant in intercommunication as are sun and

earth, through the cloud, or face to face. They take their breath of

life from each other in signs of affection, proofs of faithfulness,

incentives to admiration. But a solitary soul dragging a log must make

the log a God to rejoice in the burden." The demigod that poor, blind

Susanna married had vanished, and she could drag the log no longer, but

she made one mistake in judging her husband, in that she regarded him,

at thirty-two, as a finished product, a man who was finally this and

that, and behaved thus and so, and would never be any different.

The "age of discretion" is a movable feast of extraordinary uncertainty,

and John Hathaway was a little behindhand in overtaking it. As a matter

of fact, he had never for an instant looked life squarely in the face.

He took a casual glance at it now and then, after he was married, but it

presented no very distinguishable features, nothing to make him stop and

think, nothing to arouse in him any special sense of responsibility.

Boys have a way of "growing up," however, sooner or later, at least most

of them have, and that possibility was not sufficiently in the

foreground of Susanna's mind when she finished what she considered an

exhaustive study of her husband's character.

"I am leaving you, John [she wrote], to see if I can keep the little

love I have left for you as the father of my children. I seem to have

lost all the rest of it living with you. I am not perfectly sure that I

am right in going, for everybody seems to think that women, mothers

especially, should bear anything rather than desert the home. I could

not take Jack away, for you love him and he will be a comfort to you. A

comfort to you, yes, but what will you be to him now that he is growing

older? That is the thought that troubles me, yet I dare not take him

with me when he is half yours. You will not miss me, nor will the loss

of Sue make any difference. Oh, John! how can you help loving that

blessed little creature, so much better and so much more gifted than

either of us that we can only wonder how we came to be her father and

mother? Your sin against her is greater than that against me, for at

least you are not responsible for bringing _me_ into the world. I know

Louisa will take care of Jack, and she lives so near that you can see

him as often as you wish. I shall let her know my address, which I have

asked her to keep to herself. She will write to me if you or Jack should

be seriously ill, but not for any other reason.

"As for you, there is nothing more that I can say except to confess

freely that I was not the right wife for you and that mine was not the

only mistake. I have tried my very best to meet you in everything that

was not absolutely wrong, and I have used all the arguments I could

think of, but it only made matters worse. I thought I knew you, John, in

the old days. How comes it that we have traveled so far apart, we who

began together? It seems to me that some time you must come to your

senses and take up your life seriously, for this is not life, the sorry

thing you have lived lately, but I cannot wait any longer! I am tired,

tired, tired of waiting and hoping, too tired to do anything but drag

myself away from the sight of your folly. You have wasted our children's

substance, indulged your appetites until you have lost the respect of

your best friends, and you have made me--who was your choice, your wife,

the head of your house, the woman who brought your children into the

world--you have made me an object of pity; a poor, neglected thing who

could not meet her neighbors' eyes without blushing."

When Jack and his father returned from their outing at eight o'clock in

the evening, having had supper at a wayside hotel, the boy went to bed

philosophically, lighting his lamp for himself, the conclusion being

that the two other members of the household were a little late, but

would be in presently.

The next morning was bright and fair. Jack waked at cockcrow, and after

calling to his mother and Sue, jumped out of bed, ran into their rooms

to find them empty, then bounced down the stairs two at a time, going

through the sitting-room on his way to find Ellen in the kitchen. His

father was sitting at the table with the still-lighted student lamp on

it; the table where lessons had been learned, books read, stories told,

mending done, checkers and dominoes played; the big, round walnut table

that was the focus of the family life--but mother's table, not father's.

John Hathaway had never left his chair nor taken off his hat. His cane

leaned against his knee, his gloves were in his left hand, while the

right held Susanna's letter.

He was asleep, although his lips twitched and he stirred uneasily. His

face was haggard, and behind his closed lids, somewhere in the centre of

thought and memory, a train of fiery words burned in an ever-widening

circle, round and round and round, ploughing, searing their way through

some obscure part of him that had heretofore been without feeling, but

was now all quick and alive with sensation.

"_You have made me--who was your choice, your wife, the head of your

house, the woman who brought your children into the world--you have made

me an object of pity; a poor, neglected thing who could not meet her

neighbors' eyes without blushing._"

Any one who wished to pierce John Hathaway's armor at that period of his

life would have had to use a very sharp and pointed arrow, for he was

well wadded with the belief that a man has a right to do what he likes.

Susanna's shaft was tipped with truth and dipped in the blood of her

outraged heart. The stored-up force of silent years went into the

speeding of it. She had never shot an arrow before, and her skill was

instinctive rather than scientific, but the powers were on her side and

she aimed better than she knew--those who took note of John Hathaway's

behavior that summer would have testified willingly to that. It was the

summer in which his boyish irresponsibility slipped away from him once

and for all; a summer in which the face of life ceased to be an

indistinguishable mass of meaningless events and disclosed an order, a

reason, a purpose hitherto unseen and undefined. The boy "grew up,"

rather tardily it must be confessed. His soul had not added a cubit to

its stature in sunshine, gayety, and prosperity; it took the shock of

grief, hurt pride, solitude, and remorse to make a man of John

Hathaway.

III

DIVERS DOCTRINES

[Illustration]

It was a radiant July morning in Albion village, and when Sue first

beheld it from the bedroom window at the Shaker Settlement, she had

wished ardently that it might never, never grow dark, and that Jack and

Fardie might be having the very same sunshine in Farnham. It was not

noon yet, but experience had in some way tempered the completeness of

her joy, for the marks of tears were on her pretty little face. She had

neither been scolded nor punished, but she had been dragged away from a

delicious play without any adequate reason. She had disappeared after

breakfast, while Susanna was helping Sister Tabitha with the beds and

the dishes, but as she was the most docile of children, her mother never

thought of anxiety. At nine o'clock Eldress Abby took Susanna to the

laundry house, and there under a spreading maple were Sue and the two

youngest little Shakeresses, children of seven and eight respectively.

Sue was directing the plays: chattering, planning, ordering, and

suggesting expedients to her slower-minded and less-experienced

companions. They had dragged a large box from one of the sheds and set

it up under the tree. The interior had been quickly converted into a

commodious residence, one not in the least of a Shaker type. Small

bluing-boxes served for bedstead and dining-table, bits of broken china

for the dishes, while tiny flat stones were the seats, and four

clothes-pins, tastefully clad in handkerchiefs, surrounded the table.

"Do they kneel in prayer before they eat, as all Believers do?" asked

Shaker Mary.

"I don't believe Adam and Eve was Believers, 'cause who would have

taught them to be?" replied Sue; "still we might let them pray, anyway,

though clothes-pins don't kneel nicely."

"I've got another one all dressed," said little Shaker Jane.

"We can't have any more; Adam and Eve didn't have only two children in

my Sunday-school lesson,--Cain and Abel," objected Sue.

"Can't this one be a company?" pleaded Mary, anxious not to waste the

clothes-pin.

"But where could comp'ny come from?" queried Sue. "There wasn't any more

people anywheres but just Adam and Eve and Cain and Abel. Put the

clothes-pin in your apron-pocket, Jane, and bimeby we'll let Eve have a

little new baby, and I'll get Mardie to name it right out of the Bible.

Now let's begin. Adam is awfully tired this morning; he says, 'Eve, I've

been workin' all night and I can't eat my breakfuss.' Now, Mary, you be

Cain, he's a little boy, and you must say, 'Fardie, play a little with

me, please!' and Fardie will say, 'Child'en shouldn't talk at the--'"

What subjects of conversation would have been aired at the Adamic family

board before breakfast was finished will never be known, for Eldress

Abby, with a firm but not unkind grasp, took Shaker Jane and Mary by

their little hands and said, "Morning's not the time for play; run over

to Sister Martha and help her shell the peas; then there'll be your

seams to oversew."

Sue watched the disappearing children and saw the fabric of her dream

fade into thin air; but she was a person of considerable individuality

for her years. Her lip quivered, tears rushed to her eyes and flowed

silently down her cheeks, but without a glance at Eldress Abby or a word

of comment she walked slowly away from the laundry, her chin high.

"Sue meant all right, she was only playing the plays of the world," said

Eldress Abby, "but you can well understand, Susanna, that we can't let

our Shaker children play that way and get wrong ideas into their heads

at the beginning. We don't condemn an honest, orderly marriage as a

worldly institution, but we claim it has no place in Christ's kingdom;

therefore we leave it to the world, where it belongs. The world's people

live on the lower plane of Adam; the Shakers try to live on the Christ

plane, in virgin purity, long-suffering, meekness, and patience."

"I see, I know," Susanna answered slowly, with a little glance at

injured Sue walking toward the house, "but we needn't leave the children

unhappy this morning, for I can think of a play that will comfort them

and please you.--Come back, Sue! Wait a minute, Mary and Jane, before

you go to Sister Martha! We will play the story that Sister Tabitha told

us last week. Do you remember about Mother Ann Lee in the English

prison? The soap-box will be her cell, for it was so small she could

not lie down in it. Take some of the shingles, Jane, and close up the

open side of the box. Do you see the large brown spot in one of them,

Mary? Push that very hard with a clothes-pin and there'll be a hole

through the shingle;--that's right! Now, Sister Tabitha said that Mother

Ann was kept for days without food, for people thought she was a wicked,

dangerous woman, and they would have been willing to let her die of

starvation. But there was a great key-hole in the door, and James

Whittaker, a boy of nineteen, who loved Mother Ann and believed in her,

put the stem of a clay pipe in the hole and poured a mixture of wine and

milk through it. He managed to do this day after day, so that when the

jailer opened the cell door, expecting to find Mother Ann dying for lack

of food, she walked out looking almost as strong and well as when she

entered. You can play it all out, and afterwards you can make the ship

that brought Mother Ann and the other Shakers from Liverpool to New

York. The clothes-pins can be--who will they be, Jane?"

"William Lee, Nancy Lee, James Whittaker, and I forget the others,"

recited Jane, like an obedient parrot.

"And it will be splendid to have James Whittaker, for he really came to

Albion," said Mary.

"Perhaps he stood on this very spot more than once," mused Abby. "It was

Mother Ann's vision that brought them to this land,--a vision of a large

tree with outstretching branches, every leaf of which shone with the

brightness of a burning torch! Oh! if the vision would only come true!

If Believers would only come to us as many as the leaves on the tree,"

she sighed, as she and Susanna moved away from the group of chattering

children, all as eager to play the history of Shakerism as they had been

to dramatize the family life of Adam and Eve.

"There must be so many men and women without ties, living useless

lives, with no aim or object in them," Susanna said, "I wonder that more

of them do not find their way here. The peace and goodness and

helpfulness of the life sink straight into my heart. The Brothers and

Sisters are so friendly and cheery with one another; there is neither

gossip nor hard words; there is pleasant work, and your thoughts seem to

be all so concentrated upon right living that it is like heaven below,

only I feel that the cross is there, bravely as you all bear it."

"There are roses on my cross most beautiful to see,

As I turn from all the dross from which it sets me free,"

quoted Eldress Abby, devoutly.

"It is easy enough for me," continued Susanna, "for it was no cross for

me to give up my husband at the time; but oh, if a woman had a

considerate, loving man to live with, one who would strengthen her and

help her to be good, one who would protect and cherish her, one who

would be an example to his children and bring them up in the fear of

the Lord--that would be heaven below, too; and how could she bear to

give it all up when it seems so good, so true, so right? Mightn't two

people walk together to God if both chose the same path?"

"It's my belief that one can find the road better alone than when

somebody else is going alongside to distract them. Not that the Lord is

going to turn anybody away, not even when they bring Him a lot of

burned-out trash for a gift," said Eldress Abby, bluntly. "But don't you

believe He sees the difference between a person that comes to Him when

there is nowhere else to turn--a person that's tried all and found it

wanting--and one that gives up freely pleasure, and gain, and husband,

and home, to follow the Christ life?"

"Yes, He must, He must," Susanna answered faintly. "But the children,

Eldress Abby! If you hadn't any, you could perhaps keep yourself from

wanting them; but if you had, how could you give them up? Jesus was the

great Saviour of mankind, but next to Him it seems as if the children

had been the little saviours, from the time the first one was born until

this very day!"

"Yee, I've no doubt they keep the worst of the world's people, those

that are living in carnal marriage without a thought of godliness,--I've

no doubt children keep that sort from going to the lowest perdition,"

allowed Eldress Abby; "and those we bring up in the Community make the

best converts; but to a Shaker, the greater the sacrifice, the greater

the glory. I wish you was gathered in, Susanna, for your hands and feet

are quick to serve, your face is turned toward the truth, and your heart

is all ready to receive the revelation."

"I wish I needn't turn my back on one set of duties to take up another,"

murmured Susanna, timidly.

"Yee; no doubt you do. Your business is to find out which are the higher

duties, and then do _those_. Just make up your mind whether you'd

rather replenish earth, as you've been doing, or replenish heaven, as

we're trying to do.--But I must go to my work; ten o'clock in the

morning's a poor time to be discussing doctrine! You're for weeding,

Susanna, I suppose?"

Brother Ansel was seated at a grindstone under the apple trees, teaching

(intermittently) a couple of boys to grind a scythe, when Susanna came

to her work in the herb-garden, Sue walking discreetly at her heels.

Ansel was a slow-moving, humorously-inclined, easy-going Brother, who

was drifting into the kingdom of heaven without any special effort on

his part.

"I'd 'bout as lives be a Shaker as anything else," had been his rather

dubious statement of faith when he requested admittance into the band of

Believers. "No more crosses, accordin' to my notion, an' consid'able

more chance o' crowns!"

His experience of life "on the Adamic plane," the holy estate of

matrimony, being the chief sin of this way of thought, had disposed him

to regard woman as an apparently necessary, but not especially

desirable, being. The theory of holding property in common had no

terrors for him. He was generous, unambitious, frugal-minded, somewhat

lacking in energy, and just as actively interested in his brother's

welfare as in his own, which is perhaps not saying much. Shakerism was

to him not a craving of the spirit, not a longing of the soul, but a

simple, prudent theory of existence, lessening the various risks that

man is exposed to in his journey through this vale of tears.

"Women-folks makes splendid Shakers," he was wont to say. "They're all

right as Sisters, 'cause their belief makes 'em safe. It kind o' shears

'em o' their strength; tames their sperits; takes the sting out of 'em

an' keeps 'em from bein' sassy an' domineerin'. Jest as long as they

think marriage is _right_, they'll marry ye spite of anything ye can do

or say--four of 'em married my father one after another, though he fit

'em off as hard as he knew how. But if ye can once get the faith o'

Mother Ann into 'em, they're as good afterwards as they was wicked

afore. There's no stoppin' women-folks once ye get 'em started; they

don't keer whether it's heaven or the other place, so long as they get

where they want to go!"

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