Mrs Spencer Crichton was as like her son Hugh as a stout,

cheerful-looking lady of eight-and-forty can be to a grave young man of

eight-and-twenty. She was pale and handsome and fair, and hardly looked

her age, so smooth was her brow, so contented her mouth, so ready the

smiles that came with equal kindliness for all the young ones who had

grown up under her easy sway. It was said that the young people at

Redhurst were sadly spoiled--spoiled, that is to say, not by being the

objects of devoted affection or too partial admiration, but by being

allowed their own way to an extent incredible to more idealistic

mothers. Whether from the absence of any very marked individual

affections, or from something of the same cast of mind that produced in

her eldest son such even-handed justice, she not only treated all her

young kinsfolk with the same kindness, but, so far as they knew, felt

for them much the same amount of interest. She did not think it

incredible that Arthur should surpass James; or that, in the few

contentions that crossed their sunshiny life, Hugh should sometimes be

mistaken. All were sure of a kind judgment, and often of a sense of the

rights of their story: none of them made a demand for an exclusive or

individual tenderness; for their bringing-up had made them independent.

Mrs Crichton did not trouble herself much as to whether their

idiosyncrasies were suitable or desirable or likely to lead to any one

result. It was all right that Hugh should keep to his business; she did

not wish that James was as fond of books as Arthur, since he preferred

Art and a great deal of conversation. George preferred rats and rabbits

to either. "Well, poor George did not like his lessons." Mysie liked

needlework, and flowers, and Sunday schools--"so good of little Mysie."

Frederica thought happiness consisted in a day's hunting. "She was

growing up quite a different sort of girl." But Mrs Crichton was not

at all surprised when George got flogged at school for not knowing the

lessons, observing "that George was so stupid he was always in scrapes;"

and when Frederica pouted, sobbed, and scowled when some special friend

called her a Tom-boy she only heard: "But you are a Tom-boy, my dear,"

as consolation. And when in young enthusiasm, anyone brought his or her

special hobby into notice, he or she well knew that, though that hobby

might prance unrebuked through the family circle, it was regarded as

nothing but "so-and-so's hobby," whether it concerned the destinies of

the human race or the best way of laying-out flower-beds. There are two

sides to everything. It is very pleasant never to be scolded; but when

Hugh had laid down some law in a way that bore heavily on his juniors,

it was not always quite pleasant to hear his mother placidly say: "My

dear, don't resist, it's Hugh's way to be particular"--as if Hugh's way,

and not the thing itself, were all that mattered. Still, light hearts

and good tempers had resulted from the kindly, peaceable rule, and the

young Spencers lived their own lives and took each other for granted.

Hugh might hope that his little Italian song-bird might be accepted as

"Hugh's way," and Arthur and Mysie need fear no opposition, either

tyrannical or conscientious, little as the necessity of each to the

other's life might be realised.

"Ah, Flossy," said Mrs Crichton, "I thought we should see you to-night.

I suppose Miss Venning told you of what she saw?"

"Yes," returned Flossy, rather shyly; "so I came to see Mysie."

"Mysie is somewhere. I have told them they must wait in secrecy and

silence till Hugh comes home, or he will never forgive us."

"Then you don't object, Mrs Crichton?" said Flossy, eagerly.

"No. Mysie might do better, perhaps, but there is no use in making her

miserable if she does not think so herself. Surely people _must_ choose

for themselves in these matters," said Mrs Crichton, uttering this

sentiment--so often practically ignored--as if it were such a truism

that Flossy felt as if life was really so easy as to be quite flat.

"I am sure Arthur will get on," she said.

"Oh, yes; and I don't know a nicer fellow anywhere. Dear children, how

surprised Hugh will be! I wish he would follow their example. But,

dear me! I cannot expect him to see with my eyes. There is Arthur!"

Arthur came up and exchanged a hearty squeeze of the hand and delighted

smile with Flossy.

"Mysie is in the garden," he said; "do come and find her."

"Oh, Arthur, I am so glad," cried Flossy, impulsively, as she walked

away with him. "I am so glad that Mrs Crichton--"

"Aunt Lily? I prepared several irresistible arguments, and felt as if--

well, as if I might have kept them for Hugh. How kind she is! But,

now, Flossy, you are unprejudiced; don't you think I shall make Mysie as

happy as that swell in the air who is supposed to loom in the future?"

"Now, how angry you would be if I did not say yes! How can you expect

me to sacrifice your friendship to a disinterested regard for truth?"

"I want somebody to convince! I feel as if I had been reading hard and

the examiners had asked me to decline `Dominus.'"

"Oh, Arthur, anyone may see where you have been lately. How ungrateful

you are!"

"No, I am not, Flossy," said Arthur; "but I really feel as if I ought to

object to myself as a duty to the family."

"Do wait for your cousin," said Flossy; "he will do that duty for you,

no doubt. No, I am _very_ glad."

"Thank you--thank you," said Arthur, pleased at the hearty sympathy in

her voice. "Ah, there's Mysie, picking roses."

"Now, Arthur, do stay away for five minutes. How can we talk with you

there to listen?"

"Well--make haste."

Flossy ran away from him and seized Mysie in a warm, and--considering

their respective sizes--somewhat overwhelming embrace.

"My little darling, it's delightful. I always meant you to have a fairy

prince, and to think it should be Arthur!"

"I am very glad he is not a fairy prince," said Mysie, smiling.

"What is he, then?" cried Flossy.

"Why, Flossy," said Mysie, "I think he's only what old Miss Rogers used

to call `Mr Right.'"

PART TWO, CHAPTER TWELVE.

PROS AND CONS.

"Go back, my lord, across the moor!"

Signor Mattei was coming out from a rehearsal. He often told Violante

that her work was nothing to his; and, indeed, his violin was always in

its place in the orchestra. His work was his life, he would have been

miserable without it; and yet, with a not uncommon inconsistency, he

liked to pity himself for having got it to do. He was a man with an

ideal, with a dream that was very difficult of fulfilment; and, perhaps,

did not need sympathy less than the girl who suffered so much and

disappointed him so sorely. Whatever may have been Signor Mattei's

youthful hopes, in the days when he had thrown away the chance of a more

eligible profession to follow the art he so loved, he had long been

forced to limit them to making a fair livelihood by it. Aspirations are

not always capabilities; and, spite of self-devotion and enthusiasm and

much technical skill, he was not destined to rise to the top of the

tree. He was not, indeed, great enough to do as he liked; and his

temper and touchiness often brought good engagements to a premature end;

and, though he had never hitherto failed in obtaining fresh ones, there

was an element of uncertainty in his fortunes. However different things

might be with him from what he had once desired, Signor Mattei had not

been a discontented man. Small successes which he would once have

despised were much pleasanter than small failures; and he had grown to

limit his desires to such as were possible of fulfilment; when ambition,

desire of gain, and burning enthusiasm were all reawakened by the

discovery of Violante's wonderful voice. Here was his chance again.

His daughter's name should be heard in every capital in Europe: the

fortunes of the whole family should be assured. What sacrifices were

too great, what toil too arduous by which the possessor of this glorious

gift could turn it to account! If such a voice had belonged to

Violante's father how he would have gloried and rejoiced, how he would

have worked early and late, how intoxicating would have been the success

that crowned his efforts! People bear much harder on each other by the

inevitable workings of their alien natures than by wilful selfishness or

cruelty. Violante and her father made each other miserable; yet he was

anxious to give her what would have been to himself the greatest good,

and she wore herself out in trying to obey and to please him. It is not

easy for a bystander to judge between distaste and incapacity; it is

difficult to say which is the most provoking. No amount of idleness on

Violante's part would have so provoked her father as did her

unenthusiastic performance of the amount of study required of her, her

tears and terror when she achieved a success. Such folly _must_ be

curable by a sufficient amount of scolding and argument. A person

_must_ enjoy what is enjoyable when the advantage is pointed out to them

with sufficient strength. And Violante had been just successful enough

to make her father believe that it entirely depended on herself to

succeed better still. Violante thought this belief cruel; and Rosa,

standing between both, while she prevented either from feeling the very

sharpest edge of the other's opinion, if she pitied her little sister

the most, to a certain extent sympathised with Signor Mattei.

So much for sentiment. Violante was unworthy of her gift, but she

possessed it, and it brought substantial gains, much needed; for in a

life with so many ups and downs Signor Mattei had not held himself free

from debt. Besides, no engagement had ever suited him so well as his

present one, and was not that confirmed to him by Signor Vasari's

interest in his young _prima donna_? If Violante married the manager

_her_ success was certain, and the fortunes of the whole family were

assured; but if Vasari were offended there was an end of everything.

Her gains for her present engagement would belong to her father; and he

felt, though he would not own, that there was enough uncertainty about

her future to make the solid good of her marriage most desirable. And

Signor Vasari had just made the flattering suggestion that Mdlle.

Mattei's timidity and reluctance might be in part owing to a maidenly

coyness and consciousness towards himself. Once acknowledged as his

_promessa sposa_ she would gain courage and self-confidence. Signor

Mattei joyously pledged himself to do everything in his power to favour

the manager's views. Art, fame, and fortune all smiled upon him; and no

experience could make Signor Mattei believe that Violante was so unlike

other girls as not to view such a proposal with rapture. Full of this

pleasing prospect he was walking hastily home from the theatre to his

own dwelling, when he was accosted by Hugh Crichton, who begged the

favour of a few words with him.

Hugh was courteous and deferential, but he had no expectation that his

proposal would not be received with pleasure; and was desirous, since he

must speak to Signor Mattei, to have so far committed himself before he

again encountered his brother, whose co-operation when he reached home

he felt that he could not altogether afford to despise. Spite, however,

of his not unnatural confidence in the result, he felt very hot and shy;

blundered through a few unintelligible sentences; tried Italian, with a

view of being polite; forgot the Italian for "daughter," "proposal," for

every thing; and finally, with startling abruptness, hoped in plain

English that Signor Mattei would consent to his engagement to his

daughter. Signor Mattei stopped short in the street, struck an attitude

of astonishment, and loudly exclaimed:

"Signor Hugo! Do my ears deceive me?"

"No, sir, assuredly not," said Hugh, much discomposed at the sudden

standstill. "I have long admired la signorina Violante, and to-day I

have ventured to tell her so."

"Tell her so! tell her so!" ejaculated Signor Mattei. "Tell her so, in

her father's absence! Signor, is this the conduct I could expect?"

"If I have acted in ignorance of Italian customs," said Hugh, "your long

residence in England must have informed you that in coming to you at

once I have done all that is required by our own. If you will walk on,

sir," for Signor Mattei was still figuring about on the pavement in a

way that worried all the sense out of Hugh's head, "I will explain

myself further."

Signor Mattei, who had really been taken utterly by surprise by Hugh's

application, and was not undesirous to gain a little time for

consideration, bowed profoundly and walked on by Hugh's side; while the

latter, who, with all his desire to make a good impression, felt

irritated by his companion's way, began stiffly:

"I should tell you, Signor Mattei, that I am in all respects my own

master, and quite independent of everyone. I am not afraid that my

mother will not give Mdlle. Mattei a welcome; and of my own feelings, I

assure you, sir, they are most--most strong. I love her, and I hope I

shall make her happy--happier than she can be in a profession to which

she is so unsuited."

Hugh was a good speaker, and generally said what he had to say on all

public and private occasions with perfect fluency and distinctness; but

his eloquence foiled him now, and he coloured up and looked entreatingly

at Signor Mattei as he made this false step.

"Unsuited to her profession, signor! unsuited to her profession! Do you

mean to insult my daughter?"

"I mean that the profession is unsuited to her," said Hugh, not mending

matters.

"Signor, she has been dedicated to my beloved art from her earliest

years. Music is her vocation, as in a lesser--I am proud to say in a

lesser--degree it is mine."

Hugh was not naturally conciliatory; and to listen patiently to what he

considered such nonsense, uttered with a flash of the eyes that proved

its sincerity, jarred upon him so much that there was as much annoyance

as entreaty in his voice as he answered:

"I venture to set myself up as a rival to your art, and I ask you for--

Violante. Indeed, I don't think she will regret the fame she gives up."

Hugh was so sure that it was better for Violante to marry him, an

English gentleman, than to sing at all the operas in Europe, he felt

that he was making so good an offer, and yet he wanted her so much, that

the humility born of passionate desire conquered his sense of his own

merits, and he finished pleadingly:

"If I can help it she never shall."

"Signor, my daughter is already promised, and the arrangements for her

marriage will shortly be begun."

"That is impossible," exclaimed Hugh; "she has given her promise to me."

"Her promise?" cried Signor Mattei; "the promise of a little, foolish,

most foolish, girl! No, sir, she knows what my views are, and she is

Signor Vasari's promised wife."

"She knows!" She--the loving, trustful child whom he had seen kiss his

white flowers, who had given herself to him without one word of

misgiving. Impossible, indeed.

"She shall not be sacrificed," cried Hugh, in his turn stopping short.

"She has told me that she loves me. Whatever you may have intended her

to do is without her will or knowledge."

Now, in thus asserting Violante's individuality Hugh made a great

mistake. The Italian father did not think that it made much difference

if Violante had told Hugh that she loved him twenty times. It was his

part to arrange a marriage for her; and her little wishes, her foolish

tongue, went for nothing.

"I do not believe Mademoiselle Mattei is aware of your wishes," said

Hugh again, hotly.

Now this was an assertion which Signor Mattei could fairly face.

Violante _was_ well aware of her father's wishes. That she was involved

in any positive promise she could not know, insomuch as the promise had

been made for her at the very time when she had been making a far

different one for herself. Nor had she fully known her danger, since

Rosa, for the sake of peace and composure, had carefully kept the

subject out of sight.

"Nevertheless, she is aware of them," said Signor Mattei; and while Hugh

paused, silenced for the moment, he went on, not without dignity:

"Signor, I thank you. Your proposal honours my little girl, and honours

you, since you mean to sacrifice much to win her. But I know your

country and your manners, and I will not give up my daughter. Your

noble ladies will not receive her well."

"There is nothing of the sort--we have no rank at all," interposed Hugh,

"and I will answer for my mother."

"My daughter, sir, has a great future before her; she shall not

sacrifice it. She shall not marry out of her class and away from her

country and give up what Fortune has laid at her feet. Your fancy,

Signor, will pass as it came, and hers--pshaw--she has nothing strong in

her but her voice, her voice of an angel."

Signor Mattei was a single-minded man, though he had not dealt singly

with Hugh. The good match for his daughter shrank to nothing compared

to the career from which it would shut her out. That underneath lurked

some consciousness of the advantage to himself is true; but never would

he have dreamed of claiming any like advantages from this other suitor.

Hugh walked on by his side pale and bewildered, a horrible doubt of

Violante weakening his arguments and chilling his entreaties. At last

he said, desperately, "Signor Mattei, after what has passed I cannot

take my answer from you. She told me nothing of a former promise. She

must tell me that she has made none, and then I swear to you her life

shall have none of the trials you dread. I will either go home and

bring you my mother's words of welcome--my mother herself," he

continued, rashly, "or I will seek no consent at all--none is needed. I

would marry her to-morrow if you care for such a test."

"You in England, Signor, may marry spite of a parent's curse."

"Curse! nonsense," said Hugh, impatiently.

"But here a father's word is enough. She _can_ give you no answer but

mine."

"I will have an answer from her," said Hugh; "and if she can tell me she

is not promised to that fellow I will never give her up till--till I

have persuaded you to take a different view of this."

"But she is promised, sir, and I refuse to entertain your proposals for

her."

"She never told me so!"

"She is timid," said Signor Mattei, with a shrug, "timid, and, like all

girls, a fool. Enough; I can say no more, Signor. I have the honour to

wish you good evening." And, with a rapidity for which Hugh was

unprepared, Signor Mattei darted down a side street, and left him to

himself.

Baffled as he was, Hugh did not mean to rest satisfied with his answer.

He could not believe that the opposition would hold out after he had

proved himself to be thoroughly in earnest. If only the horrible doubt

of Violante's own fair dealing could be removed!--and removed it should

be the first time he had the chance of a word with her. For Hugh was

not a suspicious person, and it would have been hard indeed to doubt the

shy yet passionate tenderness of Violante's voice and face. He did not

understand the entanglement, but he was not going to convict her without

a trial. Still, this later interview had effectually brought him down

to earth; and he went back to the Consulate with the arguments which

were to bring James over to his side by no means in such order as he had

hoped. He found the ladies drinking coffee and James discoursing on the

delights of his afternoon ramble.

"I assure you, Miss Tollemache, she had eyes like a gazelle, and her

smile--there was intelligence and intellect in it; you could see by the

way that she smiled that she had a mind, you know."

"But flower-girls always do smile, Mr Crichton."

"Ah, but how different this was from the made-up smiles you see in

England--such a sense of art, too, in her white handkerchief--no hats

and feathers. She only said, `Grazie, signor!' but there was a sort of

recognition, you know, of one's interest in her."

"I shall go and look at her," said Emily.

"Now, if one lived in a simpler state of society," pursued Jem, "what

curious intercourse one might have with such a being--how much she might

add to one's knowledge of existence! How one can imagine the great men

of old--Raphael in search of the Beautiful--dancing in the evening! Oh,

Hugh, I didn't see you! Where have you been?"

"Where have _you_ been would be more to the point," retorted Hugh. "In

one of Bulwer's novels?"

"He has fallen in love with a flower-girl," said Emily.

"Emily, my dear," said her mother, "Mr Crichton was only describing an

artistic effect. It is very desirable to cultivate a love of nature."

"Very," said Jem. His enthusiasm had been perfectly genuine, though he

had not been without a desire to interest his audience; and he could not

resist a side glance at Hugh, who looked hot and cross.

"Have you seen any flower-girls, Mr Crichton?" said Emily, wickedly.

"No, Miss Tollemache, nothing so interesting;" and then a sudden sense

of the extreme falsity of his words came over him; and he blushed in a

violent, foolish way, which completed his annoyance with things in

general.

James saw the blush and knew that something had happened. He did not,

how ever, quite like to question his brother; and when the ladies left

them they went out on the balcony and for some time smoked in silence.

At last Hugh knocked the ashes out of his pipe, and said, in a formal,

uncomfortable tone:

"James, I have made a proposal to Mdlle. Mattei."

"The deuce you have!" ejaculated Jem.

"And what did she say?"

"She accepted it. But, Jem, you may entirely disabuse your mind of the

idea that there has been any attempt to--to catch me; for her father has

just given me to understand that he will not consent to it."

"What! he prefers the manager!"

"So he says."

"And she doesn't?"

"No," very shortly. "But I cannot suppose that if he was fully aware of

the genuineness of my intentions and knew that my mother would receive

her--In short, Jem, another person's words--"

"Another person? Do you mean me? Answer for mamma? I declare, Hugh,

that's a little too much. You're going to raise such a row at home as

was never heard of, and you want me to help you!"

Hugh said nothing, and James's momentary perturbation subsided.

"This is good!" he said. "_You_ wanting help! Did you ever live in

Oxley, Hugh, or is it all a mistake? `Jones at the opera abroad' _is_

so _very_ unlike `Jones at the opera at home.'"

"I am in earnest, Jem," said Hugh, as James did all the laughing at his

own joke.

"It's a great mistake being in earnest," said Jem. "Here have you

spoilt all your fun by it."

"I don't understand you."

"Why," said Jem, mischievously. "Of course, Violante was intended to

amuse you during your holiday. A little sentiment--study of life."

"I have asked Mdlle. Mattei to be my wife," interrupted Hugh, in a tone

of high offence.

"I beg your pardon," said Jem, after a moment's pause. "I'll be

serious. So Signor Mattei is the difficulty? H'm! How far do you

suppose he is involved with this dangerous rival?"

"That is what I cannot make out. He says that she, Violante, is engaged

to him but she never mentioned his name."

"Told you nothing about him?"

"No. So the question is," said Hugh, in a voice that he tried hard to

keep at an even level, "the question is, who is deceiving me?"

"Both and neither," returned Jem. "What?"

"I dare say she likes you best, and thinks she will try to get out of

her previous entanglement."

"She should have spoken the truth," said Hugh, frowning.

"Come, Hugh, that's expecting a great deal of a poor little frightened

thing like that, and an Italian, too. What would you have?"

"You did not see her?" said Hugh.

James looked at him, and saw that his hand shook as he put his pipe back

into its case while he kept his face turned away.

"What shall you do?" he said.

"Find out," returned Hugh, "and act accordingly."

He walked away as he spoke. James did not suppose it likely that

Violante would come out of the ordeal with such flying colours as to

satisfy his brother; and, though he was very little inclined to judge

the poor child harshly, he could not help hoping that here was a way of

escape for Hugh from a most unlucky prepossession, though, as he was

forced to acknowledge, at the cost of considerable pain.

PART TWO, CHAPTER THIRTEEN.

CONTRARY WINDS.

"Oh, well for him whose will is strong!"

Hugh Crichton's Romance · 第 5 / 27 段