THE LORD OF THE ISLES: HUNTING.

Like the preceding example, the present is based on a painting in

Armadale Castle—a life-size representation of the first Lord Macdonald

of the Isles, dating from about 1765. On the evidence of style the

work is ascribed to Allan Ramsay the younger, who about this period

painted many portraits in tartan costumes, in which, fortunately for

our purpose, he displays as a rule the patterns boldly and brilliantly.

Through the kindness of Lord and Lady Macdonald of the Isles the Editor

had last year an excellent opportunity of obtaining reproductions of

the tartans delineated in their family portraits. The painting in

this case was photographed to a large scale, and afterwards coloured

from the original by an experienced artist (a similar plan being

adopted in the case of Plate I.) From these the silks were woven,

carefully compared with the paintings, and so absolute accuracy of

reproduction secured. Traditionally known as the Lord of the Isles

hunting tartan, the pattern here given appears in the coat, vest, and

kilt of the figure portrayed. The statute against the wearing of the

Highland dress, including tartans, passed in 1747, was operative when

the picture was painted. It may be, however, that as the Macdonalds

of Sleat were adherents of the Government, in name at least, special

indulgence was extended to them. During the greater part of the

present century the design was not rendered in textile fabric, but

recently Lord Macdonald of the Isles had it woven for his use. With

characteristic inaccuracy of colouring, _The Costume of the Clans_

represents the tartan with a predominance of red, though the original

contains no trace of that colour.

[Illustration: II. THE LORD OF THE ISLES: HUNTING]

Old and rare Scottish tartans · 第 34 / 81 题