Fools, for I also had my hour,

One far fierce hour and sweet,

There was a shout about my ears

And palms before my feet.

_'The Donkey' ('The Wild Knight')._

MAUNDAY THURSDAY

Jesus Christ made wine, not a medicine, but a sacrament. But Omar makes

it, not a sacrament, but a medicine. He feasts because life is not

joyful; he revels because he is not glad. 'Drink,' he says, 'for you

know not whence you come nor why. Drink, for you know not when you go

nor where. Drink, because the stars are cruel and the world as idle as

a humming-top. Drink, because there is nothing worth trusting, nothing

worth fighting for. Drink, because all things are lapsed in a base

equality and an evil peace.' So he stands offering us the cup in his

hands. And in the high altar of Christianity stands another figure in

whose hand also is the cup of the vine. 'Drink,' he says, 'for

the whole world is as red as this wine with the crimson of the love and

wrath of God. Drink, for the trumpets are blowing for battle, and this

is the stirrup cup. Drink, for this is my blood of the New Testament

that is shed for you. Drink, for I know whence you come and why. Drink,

for I know when you go and where.'

_'Heretics.'_

GOOD FRIDAY

And well may God with the serving folk

Cast in His dreadful lot.

Is not He too a servant,

And is not He forgot?

Wherefore was God in Golgotha

Slain as a serf is slain;

And hate He had of prince and peer,

And love He had and made good cheer,

Of them that, like this woman here,

Go powerfully in pain.

_'Ballad of Alfred.'_

HOLY SATURDAY

The Cross cannot be defeated for it is defeat.

_'The Ball and the Cross.'_

EASTER DAY

I said to my companion the Dickensian, 'Do you see that angel over

there? I think it must be meant for the Angel at the Sepulchre.' He saw

that I was somewhat singularly moved, and he raised his eyebrows.

'I daresay,' he said. 'What is there odd about that?'

After a pause I answered, 'Do you remember what the Angel at the

Sepulchre said?'

'Not particularly,' ha replied; 'but where are you off to in such a

hurry?'

'I am going,' I said, 'to put pennies into automatic machines on the

beach. I am going to listen to the niggers. I am going to have my

photograph taken. I will buy some picture postcards. I do want a boat.

I am ready to listen to a concertina, and but for the defects of my

education should be ready to play it. I am willing to ride on a donkey;

that is, if the donkey is willing. For all this was commanded me by the

angel in the stained glass window.'

'I really think,' said the Dickensian, 'that I had better put you in

charge of your relations.'

'Sir,' I answered, 'there are certain writers to whom humanity owes

much, whose talent is yet of so shy and delicate or retrospective a

type that we do well to link it with certain quaint places or certain

perishing associations. It would not be unnatural to look for the

spirit of Horace Walpole at Strawberry Hill, or even for the shade of

Thackeray in old Kensington. But let us have no antiquarianism about

Dickens for Dickens is not an antiquity. Dickens looks not backward but

forward; he might look at our modern mobs with satire, or with fury,

but he would love to look at them. He might lash our democracy, but

it would be because, like a democrat, he asked much from it. We will

not have all his books bound up under the title 'The Old Curiosity

Shop.' Rather we will have them all bound up under the title of 'Great

Expectations.' Wherever humanity is he would have us face it and make

something of it, swallow it with a holy cannibalism and assimilate it

with the digestion of a giant. We must take these trippers as he would

have taken them and tear out of them their tragedy and their farce. Do

you remember now what the Angel said at the Sepulchre? 'Why seek ye the

living among the dead? He is not here; He is risen.'

_'Tremendous Trifles.'_

ASCENSION DAY

What is the difference between Christ and Satan?

It is quite simple. Christ descended into hell; Satan fell into it. One

of them wanted to go up and went down; the other wanted to go down and

went up.

_'The Ball and the Cross.'_

WHITSUNDAY

I have a far more solid and central ground for submitting to

Christianity as a faith, instead of merely picking up hints from it as

a scheme. And that is this; that the Christian Church in its practical

relation to my soul is a living teacher, not a dead one. It not only

certainly taught me yesterday, but will almost certainly teach me

to-morrow. Once I saw suddenly the meaning of the shape of the cross;

some day I may see suddenly the meaning of the shape of the mitre. One

fine morning I saw why windows were pointed; some fine morning I may

see why priests were shaven. Plato has told you a truth; but Plato is

dead. Shakespeare has startled you with an image; but Shakespeare will

not startle you with any more. But imagine what it would be to live

with such men still living. To know that Plato might break out with an

original lecture to-morrow, or that at any moment Shakespeare might

shatter everything with a single song. The man who lives in contact

with what he believes to be a living Church is a man always expecting

to meet Plato and Shakespeare to-morrow at breakfast. He is always

expecting to see some truth that he has never seen before.

_'Orthodoxy.'_

TRINITY SUNDAY

The meanest man in grey fields gone

Behind the set of sun,

Heareth between star and other star,

Through the door of the darkness fallen ajar,

The Council eldest of things that are,

The talk of the Three in One.

_'Ballad of Alfred.'_

CORPUS CHRISTI

All great spiritual Scriptures are full of the invitation not to test

but to taste; not to examine but to eat. Their phrases are full of

living water and heavenly bread, mysterious manna and dreadful wine.

Worldliness and the polite society of the world has despised this

instinct of eating, but religion has never despised it.

_'Daily News.'_

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End of Project Gutenberg's A Chesterton Calendar, by G. K. Chesterton

A Chesterton Calendar Compiled from the writings of 'G.K.C.' both in verse and in prose. With a section apart for the moveable feasts. · 第 9 / 9 段