On ten iron-gray horses they enter the ring,

Ten brothers as graceful as swallows on wing.

The crowd shouts and claps, for county and town

Loved their silver-haired mother, Rebecca Brown.

Let others for cattle and horses seek the prize

The boys she had nursed were more dear in her eyes,

Her sons were her jewels like Cornelia of old,

More precious than Solomon’s rubies and gold,

Each son a true citizen honored of men,

Master workmen are all with plow, anvil or pen.

In pairs and platoons they join and divide,

Ever changing the figure in column they ride,

Firm in the stirrup, with regular motion,

Like flights of wild geese or the billows of ocean,

O Mother! far better than rank, fashion, or wealth

Is the toast all spectators now drink to your health.

“Here’s a health to good mothers, the Angels of home,

Write their names in the Temple of Fame--on the dome!”

Smiling through tears gazed the mother that day,

Her eyes followed each son on his fleet iron-gray,

Thrifty, frugal, and upright was each dutiful one,

In the whole decade not a prodigal son

Precious memories ran back o’er the long vista of years,

Faith’s brilliant rainbow arched her fountain of tears,

Love and hope all commingled with doubts and with fears.

O hour mysterious of omnipotent prayer!

When the fireflies’ carnival flashes in air,

When the Evening Star shines and the meteors glide

She counselled them thus as they knelt by her side:--

“Let no plausible white lie, for gain, soil your lips;

Let the dear sun of Truth be undimmed by eclipse.

God’s commandments be yours, for their number is Ten,

Obey them and be honored of God and of Men,

For ’tis better by far to be honest than rich,

And the King who is false finds his grave in a ditch;

His manhood’s secure in the armour of Truth

Who remembers his Creator in the days of his youth.”

Swift round the ring rode the Ten Brothers Brown,

Till the bugle sounds “Halt!” for award of the crown.

By what rule of the Fair shall the Judges decree?

Horsemen, horses, or mother--to which of the three?

There was strewing of flowers, kerchiefs waving _galore_

Acclamations round the vast amphitheatre roar

As waves boom aloud ’gainst the rocks on the shore,

As around the grand stand the brothers rode up

The Judges with one voice cried, “Take, O Mother, this cup,

Far better and higher than wealth, rank or beauty,

Your sons are your jewels--take the high prize of Duty,

For Motherhood’s Excellence is guarded secure

While Truth reigns on high and the heavens endure!”

ECHO RIVER.

Through the unpeopled realms of night

We have reached the Echo River;

And our swinging torches’ light

Over its sunless waters quiver--

Shooting their rays athwart the gloom

Of yonder stern, colossal tomb;

Emblazoning the funeral pall

Of night, that drapes the high-arched hall,

So dense, we almost hear it wave

Over the Titan’s rocky grave--

Once the dread Cyclops of the Cave.

What bold Ulysses, standing by,

Gazed on his dying agony,

When, blind and frenzied, he laid down

His scepter and imperial crown,

And yielded up his struggling breath

In this stern catacomb of death;

And felt the icy shiver

That chilled the fever’s fiery parch,

When took his soul its Stygian march

Adown the dark and stony arch

Of gloomy Echo River?

Lone as the tarn, whose sobbing flood

Sighs in some demon-haunted wood,

Its cheerless waters ever run

Without one welcome from the sun;

Without a smile from one lone star

That trembles in the sky afar;

But wend their solitary way,

Secluded from the light of day.

Kind Genii of the mystic wave,

Who guard the portals of the cave,

Gently along this sable tide

Now let our little shallop glide;

And by these weird and shadowy shores

Direct the dusky boatman’s oars,

Until yon night-enshrouded strand

Receives our wandering pilgrim band

High towering, like the rocky walls

Of the leviathan’s ocean halls,

Rises the overshadowing cliff

Above our frail but daring skiff,

Which skims along this lower deep,

Where angry tempests never sweep

Nor polar star affords its ray

To steer us on our trackless way.

And as we slowly sail along,

The plashing oar, the voice of song,

Caught by the Naiads of the waves

And echoed by the vocal caves,

Enchant the pleased yet startled ear

With strains that ring as loud and clear

As the wild mountain music--born

From the lone Alpine shepherd’s horn,

In peals so loud that they affright

The lammergeyer on dizzy height;

And the bold eagle’s trumpet shriek,

Loud-bugled from his thunder beak

And echoed round from peak to peak,

In hollow cadence dies away

Along the mountain river,

When the first stars of evening gray

On the blue waters quiver.

* * * * *

Boom! rings the flashing pistol’s shot!

The sound, by myriad echoes caught,

Roars down the dark aisles of the grot;

Loud as the earthquake demon’s groan,

Peals the terrific thunder-tone--

As if the shrieking blasts of March,

That wrestle with the mountain larch,

Swept down the dark and stony arch

Of glory’s Echo River.

’Tis gone! and now a sad farewell

Unto the listening waves we tell;

Softer than midnight serenade

Sung to the ears of Spanish maid

By the blue Guadalquiver!

Plaintive and sweet as “Dixie”‘s air

Of sadness which is not despair

And ravishes the enchanted ear

Of home-returning volunteer--

By his dear Bluegrass maiden sung,

To mandolin with silver tongue.

And witching is the fond adieu

The voice of beauty sings to you--

O, music-murmuring river!

For one, whose eyes and flowing locks

Are darker than the raven’s wing

Of midnight, brooding o’er yon rocks,

Touches the plaintive sounding string,

And pours a melancholy song

That floats the vocal stream along,

Sad as the convent’s vesper hymn,

Chanted by nuns, at twilight dim,

Or that strange harp, whose magic tone

So wildly sweet, so sad and lone,

To mortal minstrel never known,

On night winds wafts its hollow moan.

The ravished Genii of the waves

Repeat the story through the caves;

And far along the tuneful flood,

A never-ending multitude

Of echoing Ariels take their flight

Far down the dark aisles of the night.

If, when our throbbing hearts are still,

And pulseless lies the icy hand,

Reality should then fulfill

Our dreamings of a brighter land,

Then may the unfettered spirit’s ear,

In some supernal, sinless sphere,

Hear some immortal song like this

Float through the bowers of Paradise,

That bloom serene forever.

While wafted home to rest, we dream.

By Eden’s clear, ambrosial stream,

That clouds o’ershadow never.

We part! But O, who would not grieve

This world of melody to leave?

For round our hearts a witching spell

Lingers and whispers low, “Farewell!”

Like the low moan of ocean shell.

Or midnight chime of distant bell,

The torches, dancing to and fro,

Cast in long lines their golden glow

Over the inky surge’s flow,

Like arrows from Apollo’s bow

Or Dian’s starry quiver!

And like an anthem from the skies,

The voice of heavenly music dies

Far down the Echo River!

THE ANGEL OF THE HOSPITAL.

’Twas night in Richmond’s hospital. The day

As though its eyes were dimmed by bloody rain

From the red cloud of war, had quenched its light,

And in its stead some pale sepulchral lamps

Shed their dim rays across the halls of pain,

And flaunted mystic shadows on the walls.

Ah! woe is me! No ringing cry of “Charge!”

Stirs the hot, sulphurous air. The parting groan,

The shuddering moan of bitter agony

From white lips quivering as they strive in vain

To smother mortal pain, appall the ear,

And make the warm blood curdle in the heart.

Nor flag, nor plume, nor bayonet, nor lance,

Nor burnished gun, nor bugle-call, nor drum,

Display the pomp of battle; but instead,

The surgeon hard at work with lips compressed;

The tourniquet, the scalpel, and the lance,

The bandage and the splint are scattered round,

Dumb symbols telling more than tongue can speak

The awful presence of the fiend of war.

Lo, there! What gentle form with cautious step

Passes from cot to cot as noiselessly

As the faint shadows flickering on the wall?

She comes to one, a soldier from his youth,

Grown gray in arms, pierced through with mortal wounds;

Beside his cot she kneels and tells of Him

Who wrought redemption on the bitter cross.

The veteran hears with smile of gratitude,

And, like a frozen fount when it is touched

By the sun’s rays, he melts in gushing tears,

And, fixing his last look on her and Heaven,

Passes away in penitential prayer.

She comes to one in sinewy manhood’s prime,

Now prostrate like a lightning-shattered pine.

Death fears he not. His busy thoughts have gone

To his far cottage in the Southern wilds,

Where his young bride and prattling little ones,

Poor helpless lambs! chased by the wolves of war,

Wait for the absent one, and sadly say,

“How long he stays! Where can he be to-night?”

The angel softly whispers in his ear,

“A husband to the widow God will be,

And guard her orphans. Let His will be done.”

The dying man her consolation hears,

And gives the dearest treasure of his soul

In resignation to the will of Heaven.

A fair, pale boy of fifteen summers turns

His wasted form upon the couch of death;

Ah! how unlike the downy nest prepared

By mother’s love, when slept the tender child.

He heard the fife and drum and rushed to arms

Amid the rude companionship of war.

The raging fever burns his brain; he moans

And raves in agony; his laboring breath

Is quick and hot as that of stricken fawn

Stretched by the Indian’s arrow on the plain.

“Mother! dear mother!” oft his faltering tongue

Shrieks to the cold bare walls, which echo back

His wailing in the mockery of despair.

The angel comes, and fondly bending o’er

The boy she cools his throbbing brow and prays

That the Good Shepherd would take home the lamb,

Far wandering from the dear maternal fold,

To the green valleys of eternal rest.

(Nurse lifts her hands in horror, and faints away. Others hasten to her

relief. The dead boy is carried out.)

_Mary_: O, my long-lost dear brother! What an awful moment was that

when, by the dim lamp-light, I recognized in the wan, wasted face of the

dying boy, the child with whom I had sported so often in the meadows and

by the brook, gathering berries or wild flowers, and shouting in the

fullness of mirth till the woods rang with the echoes. With me he grew

up. We studied our tasks together till our aims and sympathies seemed to

be one. The horrid war-bugle sounded; the dismal drum beat; the

beardless boy then rushed from my arms to throw himself into the tumult

of battle. Suddenly, while waiting on the wounded in the house of

torture, I came upon the lost one, mangled and bleeding. He gasps and

dies in my arms without recognition! Mother of Sorrows, whose loving

heart was pierced with woe as with a sword under the cross of thy Son,

give thy divine sympathy to this heart so bereaved, crushed, and

desolate!

_Materna_:

An iron scepter and a brazen crown

The war-god bears; stern, cold, and merciless,

He smites his worshippers with bloody hand.

_Foreman_:

So walks the angel on from scene to scene:

Sweet vision of my dreams! thy light shall shine

Through this dark world, all cloudless, calm, serene.

Pure as the sacred evening star of love,

The brightest planet in the host above!

[Illustration: [TELEGRAM FROM ANDREW JOHNSON, MILITARY GOVERNOR OF

TENNESSEE, TO S. C. MERCER, EDITOR OF THE “NASHVILLE DAILY UNION.”]]

WASHINGTON, April 28, 1863.

To S. C. MERCER, Editor of the _Nashville Daily Union_:

Private. Your labors are highly appreciated out of Tennessee. Go on as

you have done unfaltering in the work you have commenced. The Union Club

of Nashville is doing much good. Their proceedings are looked to with

much interest. I hope their policy will be sound and their purposes

decided.

I have got things straightened out, I hope for the better. I will be in

Nashville soon.

ANDREW JOHNSON.

THE TWO SINGERS.

Two singers sat on New Year’s eve

By the blaze of a flickering fire.

“The old year is burning out,” said one

“Like the embers of our own life’s fire;

As the fire’s blaze are our passing days,

As the year shall our lives be o’er;

Let us sing a rhyme to the passing year

Ere we shall rhyme no more.”

The elder rhymer, heavy of heart,

Cried “Life is a thankless task.

Its loves and its hate, its Church and State,

Are only a hollow mask.

Honor, and love, and rank and fame,

Are chaff and idle words,

And the schemes of men and the hopes of youth

Are the chatter of silly birds.

“Thus runs my rhyme:--The Ferryman Time

With his ever-waning glass,

Has laid on his bier another year

And sung his Midnight Mass.

From the oak wood dim rose a funeral hymn

As earth bewailed the dead,

And the seas made moan through every zone

As the souls to Judgment fled.

“The Ferryman stands on the sable sands

Of the desolate Stygian stream;

Not a starry eye from the stormy sky

Shoots down one cheerful beam,

But a hopeless wail filled the winter gale

As the phantom guests rushed in,

And fear and despair, and doubt were there,

Hopes baffled, and woe and sin.

“Ambition told how his palace fell

Whose turrets braved the clouds,

His royal guests changed their courtly robes

For pale and ghostly shrouds.

His banquet hall is tenantless,

Unstrung is the minstrel’s viol--

Not a sound to greet but the pendulum’s beat

Of the lone monotonous dial.

“Genius proclaimed how folly’s scorn

Robbed his nights and days of rest,

And the only food of his eagle brood

Was the life-blood of his breast.

Bright were the gleams that lit his dreams,

But ah! when he awoke

His light was dead, his vision fled,

And hope and heart were broke.

“Pale as the light of an Eastern night

Straying through orange bowers,

Comes the love-crazed maid, Ophelia sad,

White-robed and crowned with flowers

The essence she of purity,

Born for love’s pure caress,

But madness quenched her soul’s desire

In utter wretchedness.

“So,” cried the bard, “the whole wide earth

Is a den of baffled souls.

’Mid all its pleasures, joys, and hopes,

The dreary death-bell tolls.”

“Hold,” cried his comrade--“See the whole

And judge not by a part.

The end shall crown the work, and heal

The disappointed heart.

See where the boatman waits to cross

Death’s strange, mysterious stream

The endless Life to Come outlasts

This mortal, transient dream.

“Unworthy of a wise man’s lips

Are the murmurs of despair;

The heavens have never lost one star

And God Himself reigns there,

A faithful God created man--

He ne’er forsakes a friend;

Wait, comrade, on God’s goodness still--

Be patient to the end.

“Through mists of doubt there shines a light

Upon Death’s farther shore--

Where the Lethean draught of peace is quaffed

And the struggle of earth is o’er.

Our feet shall stand on the shining strand

Of Life’s eternal river,

Where the buds of Hope in fullness ope

And Love endures forever.”

BATTLE OF MILL SPRING.

By the banks of the Cumberland echoes the roar

Of the sentinel’s warning--the foe’s on the shore.

Our war-drums are beaten, our bugles are blown,

And our legions advance to their musical tone.

By the banks of the Cumberland, slippery and red

With the death-dew of battle, and strewn with the dead,

Kentucky has routed her arrogant foe,

And victory’s star gilds the night of our woe.

By those banks, that once bloomed like an Eden of joy

The fiend of Disunion stalked forth to destroy,

Our rich teeming harvests he swept in his wrath,

And the blaze of our dwellings illumined his path.

Like an eagle-plumed arrow our Nemesis comes.

Shout, soldiers! sound, bugles! and clamor, oh drums!

Let the land ring aloud in the wildness of joy,

And the bonfires blaze brightly--but not destroy.

For the God of the Union has prospered the right,

And the ranks of Disunion have melted in flight.

Blow, bugles! roll, river! and tell to the sea

That our swords shall not rest ’till Kentucky is free.

THE GREEK SLAVE.

[Power’s Greek Slave was on exhibition in Lexington, Ky., where I

lived when these lines were published in the Lexington _Observer

and Reporter_.]

Soft as the silver songs which breathed

Over the Lesbian Sappho’s shell,

When the white-handed Paphians wreathed

Garlands for her who sang so well,

Is the low murmur of the waves

Which swell along Zacynthus’ caves

And in melodious echoes fall

Within the mermaids’ ocean hall.

There many a grove salutes the sea

With song-birds’ ceaseless harmony

Innumerable blossoms fling

Rich odors on the dewy wing

Of every breeze which wanders free

Over the blue Ægean Sea;

In golden splendor of the day

Reflected from the burnished bay,

Or spangled with the countless lights

Which gem those skies on cloudless nights,

And land and sea and sky above

Breathe only peace and joy and love.

A maiden in her grape-vine bower

Sat sorrowful at twilight’s hour,

And as her fingers sweep the strings

Of her guitar she softly sings,

“O, for the Greeks of olden time

Worthy our blest and sunny clime;

Men who would rather die than brook

That Turkish chain or Persian yoke

Should strangle like a serpent’s coil

One neck on freedom’s native soil.

Never, O never, ye Spartan dead,

Till you arise from your gory bed,

Will the Sultan cease to bear away

The flower of Greece for his harem’s prey.

The sun is up; his rising ray

Shoots brightly o’er the swelling bay,

And richly mottled shells which strew

The beach with many a dazzling hue.

With tapered masts in sunshine gleaming

And pennons in the breezes streaming

And snowy sails yon shallop glides

Gracefully over the heaving tides.

And see a captive maiden stands

Upon its deck with fettered hands.

Her song is changed to a wail of pain

For plundered home and parents slain.

Harsh is the clanging of the chains

Which bind her lithe and shapely limbs

Keen are their deep and cankering pains

But not for this her dark eye swims

In agonizing tears, whose flow

Betokens bitter shame and woe.

Sorer are tears for freedom fled

Than those affection gives the dead.

The sorest pangs that fate can send

Like arrows to the captive’s heart

Are not from outward griefs; these end,

Theirs is a transitory smart;

But musing on her island home,

The home of purity and bliss,

And then the thought of days to come--

The hopeless harem, it is this

Which fills her soul with deeper anguish

Than makes the dying martyr languish.

But Power’s hand shall carve the tale

Of sorrow in that Grecian vale.

His cunning chisel shall relate

The sorrow of a fallen State,

And the incomparable Slave,

Repeat o’er many a distant wave

The legend of the hapless maid

To Turkish lust and shame betrayed.

ODE TO IMPUDENCE

Goddess of Impudence,

Whose tinsel-crowned pretense

And shameless eye and cheek of polished brass

Rule Young America

With all-triumphant sway,

The forward school-boy and precocious lass,

Whose unweaned mouths smell of their nurses’ milk

And others of that ilk--

Inspire my pen,

Queen of the groundlings and the Upper Ten,

For to thy empire both belong

And both deserve a song.

What protean power

Is thy mysterious dower?

Thy wonder-working wand

Transmutes all things to gold like Midas’ hand--

All save the _metal_ of thy followers’ _face_,

And that is _brass_, we know in every place;

Thy favors, where thou dost dispense,

Make up for lack of decency and sense;

Thy harlot tread

Crushes the modest violet in its bed;

Truth, wit, and merit are proclaimed a bore,

And kicked _sans ceremonie_ from the door;

And power, wealth, and fame

Are given unto them who know no shame.

Thy trophies first are seen

In youths and maidens tender, young, and green,

Who stalk the streets about

Before their doting mothers know they’re out;

See how these infant swells

Gallant their baby belles,

Who know much more

Than their mammas found out at twenty-four;

They feel the early flame at seven;

At nine

They languish, sigh, and pine;

Till, dying to be wedded at thirteen,

A moonlight runaway concludes the scene.

The mincing maid,

Let loose from school,

Hooped, bustled, high-heeled, stayed,

Pert as a jay and stubborn as a mule,

Proves to the world that she has learned to faint

To dip, to lily-white, and paint,

And lift her skirts so high

That the unwilling eye

May see the neatness of her garter’s tie

Oh, Impudence; thou hast removed

The childish innocence we loved;

No more we see

The native blush of modesty;

Saucy and malapert,

The girl a coquette and the boy a flirt;

Forward and bold,

They honor not the old--

Not even the sire,

Who sits unhonored by his cheerless fire--

Too fondly dreaming of the sweet repose

Under the grape-vine shadows of Melrose.

Nor her who bore the brood,

The hissing vipers of ingratitude;

But dark and ominous fate

Sits like a raven o’er the gate

Whence modesty has fled,

And Impudence lifts up her brazen head,

For Folly’s breath pollutes the air,

And Wisdom will not linger there,

And all within

Bows to the iron rule of ignorance and sin.

See where the bold imposter plies his trade,

And cheats of every kind are made;

Quack creeds, quack medicines, quack politics,

In wild confusion mix;

And lo; the scribbler who _writes down_

The wisest and the noblest men,

With his envenomed pen,

To please the long-eared rabble of the town,

The darkly hinted calumny,

The vulgar jeer,

The cynic sneer,

The bold unblushing lie,

He scatters round in heedless wrath,

Like firebrands upon a madman’s path,

So when the infernal crew had hunted down

The statesman who deserved a crown,

And shot the empoisoned dart

Deep in his quivering heart,

While, like a stag chased home, at bay he stood,

Facing the clamorous pack athirst for blood;

With awful grandeur beaming in his eye,

Promethean in its agony,

The hireling scribbler all unshamed

By the sad gaze of him he had defamed,

Exulted in his hellish work,

As the assassin when he plies his dirk,

And styled himself apostle sent to teach

Mankind the glories of free thought and speech.

The Sage upon Judea’s Mount

Unsealed the everlasting fount

Of Peace and Truth and Love,

And the Evangel Dove

Came from the skies and nestled to his breast,

And bright-eyed Hope,

From Heaven’s starry slope,

Under his gentle reign,

Beheld the Golden Age return again,

And Earth was blest.

But lo; lean wolves have seized the fold,

And _brass_ supplants the Age of Gold.

Luxurious, profligate, and vile,

With lips of guile,

And Judas’ kiss and smile,

The modern Pharisee,

With broad phylactery,

Converts the temple of his God

Into a mart of crime and fraud.

Inspired by thee, oh, Impudence;

He holds the words of truth and speaks a lie,

Cloaks blackest sins with fair pretense

Of Apostolic piety,

And shears the starving sheep and flays the lambs,

’Mid groans and prayers and penitential psalms.

Oh, Impudence; thy triumph is complete;

Mankind lie prostrate at thy feet,

And every class,

Like bees in swarm,

Are spell-bound by the charm

Of “tinkling cymbals and of sounding brass,”

Genius and modest worth

Starve in the cradle of their birth.

They win the meed of fame

Whose deeds deserve the pillory of shame;

Upon the topmost waves of honor ride,

As scum and froth float on the swollen tide.

So coxcombs in the garden blow,

While fragrant myrtles nestle low;

So hollyhocks uplift their head

In scentless robes of flaunting red,

And gaudy peonies

Attract the passers’ eyes,

Yet from their leaves no fragrant dews

Their cheering influence diffuse

Like that ambrosia and sweet violets shed,

Or fragrant mignonette in its unnoticed bed.

MY BIRTHDAY.

Another milestone meets me, on Time’s weary road of woe,

And onward to the sea of Death, o’er rugged steeps I go;

Far in the West the setting sun in clouds is sinking fast,

And night o’ertakes me with its storms and madly howling blast.

Ah, there were days whose lapse was like the flow of summer waves

When June’s fresh roses stoop to kiss the murmuring stream that laves,

When gentle tones and loving eyes my boyish pastimes blest

And childhood’s every care was soothed upon a mother’s breast.

Sister, sweet sister, oh, could not the fearful spoiler spare

A heart so true and innocent, a form so young and fair!

I saw thy lily hands crossed on thy snowy winding sheet,

But thy soul was by the shining throne, upon the golden street.

But oh, thy gentle voice on earth can make no music now,

And in the tomb the funeral dust is gathered on thy brow.

What now is left to me? To muse upon the past with pain

While the quivering pulse is throbbing like a death knell on my brain.

I am like one shipwrecked upon some bleak and lonely shore,

With not a voice to greet his ear except the billows’ roar;

All that he loved are whelmed far down beneath the briny sea;

Even hope deserts him now--alas! all hope has fled from me!

Dark falls the night--all pitiless the rainy tempests blow--

Earth yields no shelter, and above no friendly beacons glow;

A crown of thorns is piercing through my aching, throbbing brow,

And iron griefs my pallid cheeks with deep run furrows plow.

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