COMMERCIAL ART.

Across the sundering gulf of time

I lift a song to you,

Melodious as a minster chime,

Loud, I expect, as two.

Years have flown swiftly since we met;

Do you, remembered one, forget

The rapturous moment and sublime

When I drew near to you? I bet

A half-a-crown you do.

Your name I never learned--Helene,

Beryl, perhaps Marie,

Phyllis, Estelle, or merely Jane--

It makes no odds to me.

I hymn you, maiden, none the less;

I toil in rhyme and metre; yes,

From noon till eve I bear the pain

Of this prolonged poetic stress

(With half-an-hour for tea).

Carrots your hair was (_i.e._, red;

"Carrots" is just my fun);

Blue were your eyes, and from them sped

A gleam that mocked the sun--

I _think_ that's so, but, as I say,

Time has moved quickly since that day,

And few, too few, the words we said

When languidly, as beauty may,

You handed me a bun.

Calmly you took it from the place

Where it was used to sit,

And I can still recall the grace

With which you dusted it.

I paid you, and we parted; so

Life's rich adventures come and go!

And did that brief glimpse of your face

Set love within me surging? No,

It didn't. Not a bit.

I only sing because I must;

Not mine the fret, the throb

Of fevered passion; verse is just

My livelihood, or job.

Searching for themes, I had a clear,

Swift vision of your dial; queer

How such things happen, but I trust

These lines will bring me in, my dear,

L1 or 30s.

* * * * *

[Illustration: AT THE COSTUMIER'S.

"OH YES, SHE'S SMART, BUT SHE HASN'T AN IDEA IN HER VOCABULARY."]

* * * * *

Punch, or the London Charivari, Vol. 146, April 15, 1914 · 第 35 / 43 题