Spring again, dancing backwards from summer's hot grasp. Light winds
whispering wantonly as they caressed the waking earth. Soft sunlight,
and everywhere the scent of narcissi, the blaze of golden daffodils.
The brown drawing-room had known no change during the passing months.
It was as stiffly hideous as ever. The _Church Times_ and _Sunday
Herald_ lay on the same table; the winter fires had been ordered away,
and a vase of daffodils glowed yellow in the grate.
"It would be good in Devonshire to-day." Bertie Carteret looked out at
the dull, prim square, where the sooty trees were trying to grow green.
"Lord! think of the great clean air there blowing in over the sea, and
the flowers in the old spring garden; and here with spring there is
dust, and there are always pieces of paper blowing round corners."
Through a weary winter he had drawn the veil of friendship across love.
Estelle's gentle face had brightened the world for him, a world which
had grown very dark.
"Poor boy," she said softly now; and there was no friendship in her
voice. Spring called. She was a woman, weary of watching the game she
might not join. The wanton voice of London was in her ears to-day--the
sooty, dark square, the prim room stifled her. Your being of transient
emotions has frittered so many thrills, so many little mockeries of
passion, that one a little deeper matters little; but the hard-held
nature frets at barriers, tears at its self-made bit as its longing
eyes look at the wide fields it must not go into. To give nature the
rein for once, to know the glory of loving. Man and woman, one giving,
one possessing, both tasting the joys of the gods.
"And it is always the same?" Estelle's strong, slim hands were pressed
together as though she held something in them that she would not let go.
"It is always the same," he said bitterly. "The world--what Esme calls
the world--has dropped us. Somewhere--Heaven knows where--she finds the
money to make another for herself. Is always with Cissie de Burgh--a
woman glad to know anyone--with her friends the Henley leaders, and
Frank Dravelling. Bridge parties, dinners, bitter tempers. I had to go
to supper at the Savoy last night to find one table a mass of flowers
and fruit, to see Esme sweeping past her old friends, to hear her
laughing too loud, talking for effect, so that they should see she did
not care. It was a pretty party, with neither Tommy nor Lord Francis
Dravelling quite sober."
As Sir Cyril Blakeney believed Esme to be a thief, so her husband
believed firmly now that some man must pay, and that she was too clever
to let him find out.
Their roads lay apart; they were frigidly friendly, and the depth of
Esme's hurt prevented her asking for an explanation.
She did not know why her London turned its head away from her; never
guessed that Denise had let her fall under such a vile suspicion--to
save herself. Never guessed either why Bertie grew suddenly cold, told
her one day that for the future she would still hold his name but no
more.
Brooding, sore, Esme's brilliant beauty faded; she lived, clawing at
the spiked door which closes the room called right. It was bitter to
see her book empty of engagements, to hear the cold "Not at home" of
well-drilled butlers, to be left out of bridge at the club. For a time
she went there, sitting alone, then it hurt too much; she went no more.
As Cain she was tempted to cry out that her punishment was greater than
she could bear.
"Leave London. Come to Cliff End," Bertie pleaded once.
"No! Someone has lied, and I must find out who. No, Bertie, I can find
other friends."
They were found. Esme spent money recklessly. Smiled now on people she
would not have bowed to. Went to houses whose reputation had endured
one of the many smudgings. Played high, and lost and won. Ate grilled
bones at six o'clock in the morning, and tried to make it pleasure. Her
tongue could trip lightly over well-known names. She was welcome in the
new set, which called folly, smartness, and weak vice, life.
What was it? A cloak may hide a sore, but the very manner of the
concealing chafes the thing it covers.
Unpitied, wrongly suspected, Esme's heart broke as she tore at the
locked door. If one could find the backward road--if the Great Powers
would give us back the years, seeing as we see now. Lie and scream and
bleed, little human, the way is always onward--there are no scissors to
cut the false stitches we have made.
If she could go back to that careless springtime and do right. Take
motherhood as woman's right and joy and pain; guess how she would love
the child which then she had dreaded.
"I was mad--mad," Esme would groan, and yet blame circumstance and
opportunity and Denise, rather than her own selfish weakness.
If Denise had not come to her she must have gone through with it, and
gained peace and happiness.
Selfishness and greed and fear had stood for her boy's sponsor, had
marred both these women's lives. And Justice, smiling grimly, saw one
floating on a flood-tide of prosperity, made happy and successful by
her scheming. The other an outcast, broken in health and spirit.
Justice sat quiet. To some the whip is administered at once; to all the
punishment, the payment of the fine. Interest grows in the black ledger
of our sins.
Two women had schemed successfully, and other lives were drawn now into
the mesh.
"I am very tired of it all, Estelle." Bertie got up restlessly. "Very
tired. My home is no home. My old friends look at me with a pity which
is worse than enmity. I went to Denise Blakeney once. I asked if she
knew what was amiss, and she turned red and white and stammered, and
'Oh, no, of course not--unless there might be some scandal, something
foolish.' I came away, knowing she would not tell me the truth she knew
of."
Estelle's head turned away; she knew; she had heard the black
suspicion, but she could not tell Bertie Carteret that the world held
his wife to be a thief. Better let him suspect the other, which was not
true.
"Well, little companion?" He stopped his restless pacing, looked down
at the sunny brown hair, and at the girl's sweet, glowing face. "How is
it all to end?"
"When I go back to--to Cape Town," she said.
The words were as knives slashing at self-control, cold steel carving
finely at an open raw.
"No," he slipped out. "By Heaven! you shall not go."
"But I must." Then Estelle's voice faltered; she knew what it would be
to part, with nothing known of love save imagining, save a few
hand-clasps--friends must not kiss; save the sweetness of nearness
driving home from theatres.
"No," he said again. He caught her hands suddenly, held them closely.
"You would take my only comfort," he muttered. "Estelle--don't go."
Man does not see sometimes his supreme selfishness. That this girl
should eat her life out to keep him from his sorrows.
"I ... let us go out," she said.
Outside spring rioted, danced, kissing men and maids to madness and to
merriment. His breath passion, his light touch a thrill.
"Come from this sooty sarcophagus," Bertie said.
They drove to the Park, and on to Kensington Gardens, where London
plays at being the countryside. There the big trees were really green;
one could look through the tracery at the blue sky, and forget the
great city roaring at right and left, at back and front. Toy lap-dogs,
belled and netted, and larger dogs held on leash, by well-dressed men
and women, bereft of liberty, told that this was a mere painted scene,
and no true piece of country.
But it was fresh. Spring danced there gleefully. Summer would gather
the harvest; spring was the sower of love thoughts.
Estelle strolled across the grass, sat down at length on a wooden
bench, where a great beech above her made green fretwork against a sea
of tender blue.
They were silent. Everyday words were out of tune to spring's music;
and they feared to say the others.
"You cannot go, Estelle. You will not really." Bertie harked back to
the fear of parting.
"And if I stayed," she said, suddenly mutinous, alluring.
"If you stayed," he whispered, then grew grave. "Could two people not
make a world for themselves, Estelle, and be happy in it alone?"
She held sweet fruit to her aching mind, then broke through to the hard
kernel of the truth.
"No, for we are never alone," she said gently. "That is the weariness
of it. There are no two who strive to make this world who do not draw
others inside the hedge of their secret orchard."
His hand fell on hers softly.
"Then, since there is no future, I'll have to-day," he said sharply.
"We'll dine and do a theatre, Estelle, and sup recklessly in some quiet
place."
What theatre? Bertie had a paper in his pocket; they bent over it.
"This new thing--Spring," he said.
"It's advanced, isn't it?" she asked.
"It's very much so, they say. Miss Prude! But I am not in the mood for
flounced virtue set in Scotch, nor for all the solid worth which the
fashion follows. The music's lovely. I hear the piece floats through a
pale green wood, and over primroses and daffodils, away to a sapphire
sea."
"Let it be Spring then," she said. "This day is yours, my friend."
Friend! whose hand lay hot on hers, when their eyes met half joyously,
half despairingly. Joy that fate should have allowed them to meet;
despair that since man and woman are created for each other they could
not know the fullness of happiness.
A cord long strained will snap at last. The cord of self-restraint
which they had tied up the hands of nature with had come to its last
strand, and they knew it.
The spring day slipped away to the hour when the curtain rose on the
new musical play. Well-named, for it was light and sweet as spring
himself, full of tenderly passionate music, of waking love, of budding
youth. Tame blood which would not run a little faster as the south and
west winds, the sunshine and the showers, came creeping to wake the
spring earth maidens. Girls veiled in tender green, their limbs and
faces seen through a mist of some transparency. The wild winds blew the
draperies aside; a mock gale blowing from the wings; sunshine turned
the green to a glow of gold; the showers came, mistily green, with
light behind them, but to each the maidens turned, trembled, and gave
themselves to the wooing arms.
The whole piece was full of suggestion and of fantasy.
Quiet Estelle, watching, felt the longing in her blood grow stronger;
was youth to pass and leave her unwoken by a lover? Was she never to
know the madness of hot kisses, the restful heaven of the afterwards?
"I dreamt once that I had found Spring"--Bertie's voice sounded far
away to her--"and it was a mocking wraith. Estelle, if we might find it
together--you and I."
"If!" She moved her hands to the time of a haunting dance.
The house was full. People who had been the Carterets' friends were
here and there. Dollie Gresham, with the Blakeneys; the Holbrooks in a
box, often looking sadly at a pair in the stalls--the Marquis and
Marchioness of Boredom.
One big box at the left, empty until the middle of the second act, was
suddenly filled by a noisy crowd. Three women came to the front,
throwing back rich cloaks, showing over-bare necks and arms, flashing
with jewels; the background was filled in with the black-and-white
uniform of dining mankind.
"Esme," Bertie whispered, "with those people."
Poor Esme, glaring defiance at the friends who had cut her, her cheeks
scarlet, her lips crimson, dazzlingly handsome still, but haggard, bad
style, laughing too gaily, talking too loudly, holding up her careless
happiness too openly. And straight opposite, Denise, quietly dressed,
placidly happy, avoiding Esme's challenging looks.
The parts had been played and gone strangely for the players.
"My wife," said Carteret, bitterly, "with a crowd of fourth-rate
impossibilities--and looking...." He paused, expressively. "Estelle, do
you think a man likes to see his wife look like that? I hope she may
not see us."
A vain hope. Esme's restless eyes looked everywhere. She started,
turned laughingly to Lord Francis Dravelling.
"See my immaculate spouse and his flame," she said, "there, in the
stalls. I used to like the girl once, but I leave her to Bertie now."
"Hot stuff, eh?" said the boy, his eyes devouring Esme. Then he
whispered to her eagerly.
Esme's eyes grew hard, her face set bitterly.
Bertie, the man she had once loved dearly, was sitting with another
woman, and she was listening, without anger, to a bold suggestion. And
all, everything, had come from that one rebellion against nature and
custom.
"I am not taking you among the world to-night," Bertie said to Estelle.
"I've ordered a quiet supper in a quiet place."
It had turned cold; they drove to a hotel, went to a warm room, its
stiffness tempered by huge bowls of flowers, supper laid on the table.
The waiter discreetly presumed that they would ring if he was required;
he left them with a faintly un-waiter-like grin.
Estelle was not hungry; she pecked at aspic and foie gras, but drank
champagne; glad as the sparkling wine banished care, did its allotted
work.
It was peaceful in there; the scent of the flowers filled the room; the
fire burnt brightly.
They left the half-eaten meal and came to the glow of the blazing coals.
"Estelle!" The last strand snapped. Bertie's arms closed round the
girl, crushed her supple body to his, kissed her with the reverence of
great passion. "Estelle!" he said. "You are spring--turn to me."
The lips that answered his, the arms that clung about his neck told him
she loved him.
Forgetting the barrier of custom and law, they snatched bliss from the
greedy gods. Yet, even as he held her, Bertie knew this was no creature
of light intrigues; she might come to him in a glory of sacrifice, to
be his for all time; she would not sink to the furtiveness of secret
meetings, to the sharing of her man with another home.
He put Estelle in a big chair, knelt before her, told her all the folly
which is never old, which the great master Passion can tune anew each
time. And what were they to do? Part--and let the world rob them of
their joy, or....
"It must be all or nothing now," he said hoarsely. "We could meet so
often, little sweetheart--be so happy."
"Living a lie," she said bravely, though with all her nature yearning
for him. "No, Bertie, no."
He pleaded on--pleaded with lips which touched her hotly and yet
reverently, with soft whispers of what life might mean. "Estelle--then
come to me. Let us go away altogether. Take some house in the country,
and live for each other. People would forget in time."
"And Esme?" Estelle asked simply. "How would she live?"
"I would give her money, what I could spare; then she has someone who
supports her; there is no doubt of that, Estelle, or I would not be
here now. I would have buried my love for you, taken her away to Cliff
End if she had been faithful to me."
"You do not know," Estelle faltered.
"I know she can pay bills, do as she chooses. It comes from someone."
Estelle sat silent. People said it came from stolen jewels, and she did
not tell him. She knew him so well; she feared his burst of wrath, his
going straight to Cyril Blakeney and demanding proof or retraction.
"It is time to go," Estelle said. "Bertie, I'll tell you to-morrow.
Come to me about four. I'll be alone. I'll tell you then."
With a sudden thrill of fear and joy she knew that in her own sultry
room she might be less strong.
"For if I lose you, I shall go to the Devil without you," Bertie said
recklessly.
The heart of woman delights in self-sacrifice. Estelle knew that she
would lose the world gladly to make her man happy. She was pure enough
to look passion in the face and not hide hers; to joy in the thought of
giving herself and to realize what it would mean.
"I will come to-morrow," Bertie said, his hands heavy on her bare
shoulders, his eyes more eloquent than words.
The discreet waiter came padding noiselessly, took his bill and tip.
"But not our sort," he muttered, as Estelle went out.
Bertie Carteret walked home alone. Estelle would not let him drive with
her. Far up the stars blinked in a violet sky, the cool spring wind
blew against his flushed face. Having been, up to the present, a mere
ordinary honourable man, he was miserable. Gloss it over as he might he
knew what he was asking for.
The tall mass of the mansions towered high above him; he hated the
place, its comfortless show.
"Mr and Mrs Rabbit, who live in a warren," he said, as he let himself
in.
The little sitting-room was dusty, neglected, but he sat in it smoking
until the stars went out and grey dawn came sickly pale to oust the
night.
A motor siren bleated below. After a little he heard the swish of silk.
Esme, haggard and flushed, came into the room.
How she had changed. The childish look had gone for ever, replaced by a
hard bitterness, by mirthless smiles.
"You!" she said carelessly. "You've made a night of it, my friend."
"I have been home for hours," he said coldly.
"Tiens! Who knows!" She went to a table, poured out brandy and opened a
bottle of Perrier. "Who knows, my Bertie. I saw you with Her at the
theatre."
He sprang up, white, angry, to find the words wither on his lips. How
could he deny, refute, with to-morrow--nay, to-day--before him? He sat
down again, wearily, as a man does who is very tired.
"Look here, Bertie." Esme lighted the gas fire, flung off her cloak;
her hair was tossed, her thin arms and neck bared to the bounds of
decency, her dress was a sheath outlining each slender limb. "Look
here!" she said. "You're sick of me. Let's have done with it. I'll meet
you half-way."
"What do you mean?" he stammered.
"Mean?" She lighted a cigarette, then took a little tablet from a box
and dropped one into her glass. "This is Nervine--Steadier--what you
like," she mocked, "and really morphia. My nerves have gone to pieces.
I mean--go away; refuse to come back; amuse yourself with the fair
Estelle, and I'll divorce you. Frank Dravelling would marry me," she
said eagerly.
Bertie gave no answer.
"And I'm sick of this. He's a bleating, mawkish calf, but he's got
fifteen thousand a year for me to spend, and if I don't, a dozen other
women will."
Cold disgust gagged him. Had she no sense of decent feeling, to talk
like this? Was the girl he had married dead?
"He is at the age when he admires rouge and paint," mocked Esme. "He'll
make me My Lady, and Society will be glad to know me again. I'm sick of
being no one, of seeing glum looks and tracking round with fifth-rate
women. Come, Bertie! It's easily arranged."
As swift hands rub blurred glass, so that one can see clearly through
what was dim, Esme's words let the man's mental eyes look across the
future.
Estelle, his pure little Estelle! This painted, haggard woman would
make a cat's-paw of her, drag her shamed name into the maw of the
press, and stand aloof herself, an injured wife. And he--he--in his
madness had been about to help her. Hidden by glamour of passion, how
different it had been to this standing naked, showing its distorted
limbs. Let sorrow come or go, he knew that he would not now drag the
woman he loved into sinning. These are the world's laws, men say, yet
surely God's laws also, since to break them means remorse and
punishment. Slight bonds of custom, but holding sane humanity.
"You have a curious mind," he said at last. "My God, have you no sense
of right or wrong, Esme--no shade of decency left?"
"Oh, leave sermons to the Church," she said roughly.
"And supposing"--he got up, stood facing her, man baited, driven to
bay--"I were to divorce you, my wife?"
"You can't," she said coolly. "If I stay out all night it's with
companions. And look here, Bertie, I am sick of it all. I say, let me
divorce you, or I'll take proceedings myself. If you are wise any woman
of the streets will serve your purpose; if you are not, your pure
Estelle's name will be in every paper. See!"
She tossed a photograph across to him. A glimpse of sea and cliff, and
two people asleep, lying close to a bank. Their faces were clear; the
girl, lying back, had one hand outstretched; the man, his face against
the bank, had his upon it.
"Repose," said Esme, coarse meaning in her voice, as every shade of
colour whickered from her husband's face. "Repose by the sea."
The girl's face was Estelle Reynolds; the man's his own.
"Marie's young man is a photographer; he snapped this at the seaside
one day in June, years ago. Marie brought it to me, commenting on the
likeness to you. I kept it. Come, Bertie, give me freedom, or I'll take
it."
Holding the photograph, he saw what its evidence would mean. Idle to
prate of innocence with this before the jury. It might be printed with
a dozen suggestive names below it. His uncle would turn against him;
Estelle would not get over it.
"Well?" she said, watching him.
"No, but ill," he answered. "Yes, it's true. We dropped asleep sitting
looking at the sea. Pah! what use to tell you?... We merely dropped
asleep. But if you show this there shall be counter action, Esme."
"As I said," she flung out defiantly--"if I stay out at night, it's
with companions."
He was ready with his counter-thrust; it darted, swift and true.
"From what companion," he asked slowly, "do you get your money? Do you
think me a fool, Esme, not to have noticed all that you spend and pay?"
The colour ebbed from her face now, leaving the reddened mouth, the
rouged cheeks, standing out unnaturally.
Evidence was so easy to find and trump up; she wanted her freedom, but
with her name untouched--it was her one chance.
"I've known for months or more that there was someone," he went on.
"There is such a thing as common intelligence, Esme."
"You've known for months and years--known that there was someone," Esme
repeated; her red lips drew away from her white teeth as she sat,
stunned. So Bertie had believed her a light woman, untrue to him, a
creature vending her beauty to some man. That, too, the consequence of
her deceiving, of her folly.
She sat still, a stricken thing, her eyes alone alive in her face.
"That, I suppose, was why you changed to me," she whispered, in a
curious metallic voice.
"That was why I ceased to love you--to live with you as your husband,"
he said simply and very sadly.
"That too!" The words rasped from between her white teeth, and suddenly
she laughed--a hopeless, mirthless laugh, coming in noisy gusts;
laughed, sitting there, white and haggard, until the laughter changed
to gulping, sobbing gasps.
"Don't, Esme, don't," he cried. "Don't laugh like that."
She got up, her rich dress trailing round her thin limbs, the fire of
her jewels catching the gleams from the electric light.
"So you won't let me divorce you?" she said. "Well, find my
fellow-sinner if you can, and for the present say good-night to Mrs
Cain."
Still laughing, she moved slowly across the room, and into her own;
shut the door quietly behind her.
"That too!" she said. "Cut by Society; suspected by her husband." Oh,
poor Esme, just because she was a selfish, wicked fool. Poor Esme--who
was once so happy.
"Marie, I ... have you heard me? Marie--come!"
And then, for the first time, Esme fainted; sank into a merciful
blackness, lay cold and still, until Marie found her.
Estelle had decked her room with flowers; had put on a soft gown, when
a messenger brought her a letter.
"Estelle, I will not come. You are not a woman for a selfish man to
drag down. It is good-bye, and not good-bye for me, for I shall never
lose sight of your dear face; but for you, you are a
girl--young--forget me. Marry someone you can like; don't leave your
life empty. Let home and the kiddies be the cloth to wipe my memory out
with. Estelle, I've woken you. I speak from man to woman, plainly. Go
to your mother, and marry, for thwarted nature leads to strange
miseries. Good-bye, Estelle. Last night Esme spoke out, and I saw where
I was taking you to, and I'll not do it. My place is here, to save my
wife, for who am I to prate of morality?"
Estelle read the letter, folded it up; the world was empty, swept clear
of love and hope and tenderness.
Very quietly she went to her writing-table, sat down there.
"I have just got your letter," she wrote. "You are right, but one word.
People believe that Esme took, or got, jewels of Lady Blakeney's and
sold them at Benhusan's and elsewhere. Her money comes from this
source, they say. That is why people have cut her. I could not tell you
before, and I was wrong. I do not believe it, but think that they were
given to her by Denise Blakeney, and that there is some secret between
them. Estelle."
She sent the letter by a cab.
"A thief!" Bertie Carteret turned white to the lips as he read. They
called his wife a thief. He sat for an hour before he moved. Should he
go to Cyril Blakeney, fling the foul slander in his face? What should
he do?
"Move carefully, or I show this."
Esme had the photograph which could brand Estelle before the world. He
feared it, feared his wife. She came in now, dressed to go out.
"Esme," he said hoarsely, "Esme, do you know why people dropped you?"
"I have never known," she answered coldly. "Come, Bertie, are you more
sensible to-day? Get out of my life and I'll let your girl's reputation
be."
She was his wife, bore his name. He told her then, quickly, his brain
reeling.
"They say that!" she cried wildly. "Denise let that lie pass. Denise
knew, and let them say I _stole_."
There was no guilt in Esme's storming, but a madness of rage, of blind,
futile fury.
"Did you sell diamonds?" he asked. "Esme, tell me the truth, and I'll
see the slander buried. You are my wife."
"I did. I sold them," she flung out. "They have the evidence. But
Denise gave them to me; she gave me money to buy silence. So that,
too--that too! all for one thing. A thief to the world--a fallen woman
to you. A thief! Oh, God! a thief!" Her hands were at her throat; she
gasped a little. "Oh! I have borne enough," she raged wildly. "And now
Denise shall suffer. Tell as much truth as will clear me, and give me
back my own. You don't believe it, Bertie?" There was wild appeal in
her tortured eyes.
"Before heaven, no, Esme," he rang out.
"And your belief is as false. Before to-morrow you shall know what I
am, and what I've done, and judge me then. I am going to find Denise.
I'll send for you."
"What is there between you?" he asked. "What?"
"You'll know to-morrow." There were tears now in her eyes; just at the
door she turned, held out her hands. "Forgive a sinner, Boy," she
faltered, "though not the sinner you dream of." In all her bravery and
paint she was very pitiful.
Before Bertie could answer she had slipped away.
She had gone to the Blakeneys; there was something between the two
women.
Then Marie, trim, moving deftly, came in.
"Monsieur," she said.
"Well?" He hated the woman who held the photograph and had shown it.
"Monsieur, I would follow Madame. She was distraught, wild! There is
some secret, Monsieur, between her and Milady Blakeney. Always notes to
the club, and notes by special messenger for Madame, though it is that
they do not speak. And, Monsieur, I leave to-day. I go to be married. I
will speak. Has Monsieur never suspected anything? Before I left
Madame, Madame was enceinte. I know, I could not be mistaken. The two
Madames then disappear--alone. Has Monsieur never seen?"
"What?" almost shouted Bertie. He got his hands on the maid's shoulder,
unconsciously he shook her.
"_How like Milady Blakeney's son is to Madame here_," hissed Marie;
"that when he was ill Madame sat here as one distraught. Ah! gently,
Monsieur."
"You mean?" he gulped out, letting go.
"That Milady Blakeney is not the mother of one of her children," said
the Frenchwoman, softly. "And that sorrow for having parted with her
child has made Madame so miserable as she is now. Follow her, Monsieur.
She is worn out from drugged sleep--from remedies full of the cocaine.
Follow her swiftly."
"Woman, I think you're mad."
With a groan stifled in his throat Bertie ran down the stairs and
hailed a taxi to drive to Grosvenor Square.
The butler was human; distress and gold broke his reserve.
"Her ladyship was out of town. Master Cecil had not been well, and her
ladyship and the children were at Trelawney in Devonshire."
Trelawney was the village close to Cliff End.
"Mrs Carteret was here, sir. She got a time-table and looked out the
trains; she has left for Devonshire, I fancy. There is a fast train
reaching Trelawney at about four, no other now for some time. Mrs
Carteret, sir, said she would get a motor, as it would be much quicker."
"You, Carteret!" Cyril Blakeney had driven up in his big car. "What is
the matter? You look ill."
"Slander's the matter. Mischief's the matter," Bertie burst out. "A
story too strange for credence is the matter."
"A moment! Come in here. The doorstep's no home for confidence."
"With you--who spread this lying tale!" rasped Bertie.
The two men faced each other. One worn from unhappiness; one big,
prosperous, untroubled.
"You've only heard it now then? Now, Carteret? Come in here. You're
ill. Keep the car, Jarvis! Come and hear my side."
There was something dominant in Sir Cyril; his will forced Bertie into
the dining-room, kept him there to listen to the explanation. There,
quietly, without any exaggeration, he told the whole story.
"And you believed this? One side," said Bertie, bitterly. "Sir Cyril,
your wife lied; she gave diamonds to my wife."
"Gave them? Why?" The big man's voice rang in cool contempt. "That's
your wife's story to you."
"As silence money for some secret. Esme told me that. It must have been
when they were away in Italy. Sir Cyril, my wife was not lying to-day.
It was the truth."
"And if mine was?" The big chin stuck out, the heavy brows drew
together. Cyril Blakeney could always think quickly. "As silence
money," he muttered.
Bertie talked on, told how he had spoken to Esme, and what she had
said. "And she was telling the truth," he said proudly. "She's no
thief, Blakeney."
Denise had spent a great deal of money; Cyril knew that; on charity,
she said. He had no thought of what it could be. He believed in his
wife as much as he believed in any woman.
"Come to Trelawney," he said quietly. "My car is at the door. We cannot
catch a train now, and if your wife is hysterical, overwrought, there
may be trouble."
As a man in a dream, Bertie went with Sir Cyril, heard the quiet
questioning, nothing forgotten.
"The tank's fairly full, isn't it? Put out the jack and the levers. We
shall not want you, Anderson. Now, Carteret. Oh, you'll want a
coat--take one of mine. We must run fast for it's a long way."
The big Daimler glided off, threading her decorous, restrained way
through London, gathering speed in the endless dreariness of the
suburbs, shooting past tradesmen's carts, past suburban children herded
by nurses in spotless white, for Suburbia on two hundred a year must
not be surpassed by Belgravia on four thousand. Then the open country,
the hum of warm engines, the glorious rush of the highly-powered car
through the sunlit world, spurning the miles, taking the hills
contemptuously, rushing along the level. Roads showed white ribbons,
and then when that ribbon was gone another was to be ruled off.
Policemen sprang out waving angry hands; the red car was past and away,
and the quiet man who drove did not mean to stop. They stopped once for
petrol and water, drank a whisky and Perrier, and munched some biscuits.
"Not bad." Cyril Blakeney looked at the clock which marked five as they
tore into Trelawney. "We left at eleven. Now we shall know."
He drove to a little red-brick house looking on to the bay. Denise had
brought her Cecil down to grow strong in the soft mild air; the boy had
caught cold and been delicate.
Mrs Stanson was at the door, her face wrapped in a shawl. She came to
meet them.
Her ladyship was out, she said, had taken the children to the bay.
"My face ached, Sir Cyril. Her ladyship said she would go alone without
Ellen."
"Has Mrs Carteret been here?" Sir Cyril asked. "Quickly, nurse, answer!"
Mrs Stanson blushed, faltered. "Yes, Sir Cyril. She came in a motor,
has gone out to her ladyship. Oh! is anything wrong?"
"Yes!" Cyril Blakeney's face was very quiet, but his eyes gleamed
thoughtfully. "Where shall we find them, Mrs Stanson?"
There were two bays, one on each side of the town; two stretches of
firm sands. Mrs Stanson looked dubious.
It appeared that the children had quarrelled as they started. Master
Cyril wanted to go to the bay to the east, where the big rock ran out
into the sea. Master Cecil to the west bay.
"Then it is sure to be this way." Sir Cyril turned to the right--to the
west. "Come, Carteret--we'll walk fast."
Something was making Bertie Carteret afraid. The two men had scarcely
spoken on the way down. Just once Sir Cyril had asked: "You think
you're right, Carteret?" and Bertie had answered: "Yes. My wife's no
thief. She was _given_ those jewels."
"Then there is something," Cyril said. "Something!" and did not speak
again.
"I'll go the other way." Bertie pointed to the cliffs. "One never
knows, and Esme was dreadfully excited. I'll go along the cliffs,
Blakeney; I can see the whole shore, and there are passages leading
down, and the cliff path is quicker walking."
"Very well! It's all rather a fuss about nothing, isn't it, Carteret?"
Bertie hurried away towards the cliffs. An opal evening was falling on
the world. The sea glimmered and sparkled out to the sinking sun. As he
hurried, Bertie could see the woods of Cliff End, and the gables of the
old house. So far he had seen no one on the beach. The tide was coming
in, creaming back softly over the sands, nosing upwards on the rocks.
He was coming close to where he had sat with Estelle and known for the
first time that he loved her. Far below was a stretch of firm sand,
with a curious rock running out, deep water always at its landward
side--a treacherous, slippery rock, not high above the water, but its
sides sheer and steep.
Then he saw Denise Blakeney and his wife. Esme was gesticulating,
speaking loudly. Denise standing with bent head and outstretched,
pleading hands. He saw little Cecil playing with his spade, making a
castle.
The next downward track was some way on. He watched for a minute.
"Bertie!" He swung round, astonished.
Estelle, with lines in her pale face, was on the cliffs.
"You!" he jerked out. "Here--to-day. Why?"
She flushed. "I ... came to say good-bye to the cliff here," she said
gently. "Where I knew for the first time that you were my world,
Bertie. I came down this morning. I was walking back to Trelawney now
to catch a train."
For a minute he forgot everything except that the girl beside him would
understand and sympathize. He stood pouring out his story; there was no
hurry.
Estelle listened, saw suddenly that Marie had not dreamed; looked back
on little incidents.
"Her child!" she muttered. "Poor Esme. Oh, Bertie, listen! we can hear
what they are saying, and it's as well to know."
The voices rang clearly. Esme was flinging out passionate words,
demanding justice.
"You'll not take him," Denise cried. "Esme, it would ruin me."
"Did you think when you allowed me to be ruined?" stormed Esme--"saw me
cut, banned by my friends?"
"You wrote a foolish letter," wailed Denise. "Cyril thought you had
stolen the diamonds. I never told him so."
"No, but to save yourself you left it at that. You acted a cruel lie.
Now give me my boy. I have borne enough."
"You cannot prove it," Denise sobbed piteously. "No, Esme, no."
"I can and will. Because I was weak, and loved ease and pleasure, all
this has come. The world believes me to be a thief--my husband that I
am an adulteress. At least I'll have my boy. Oh, Denise, do you know
how I've longed for him? How my whole life has been one ache of regret?"
"But the scandal. Oh, God! I cannot face Cyril." Denise flung herself
down on the soft sand, gripping it with her hands. "I'll give you more
money, anything."
"Nothing but the truth will give me back my honour. Where is the boy?"
"Cecil wanted some red seaweed for his castle. Cyril is on the rock
getting it," said Cecil, looking up. "Mumsie not let Cecil go."
"On the rock!" Esme sprang round.
The two on the cliff could hear the raised voices. With white, strained
faces they listened, bewildered, almost afraid.
"The boy is hers. It is true," whispered Bertie. "Look, he's out on the
rock, and it's slippery, dangerous. He ought to keep down."
A little figure was toiling along the sharply-cut edge. The tide was
washing at the safe side where the rock merged into the sands, so Cyril
kept high up.
"It's not safe; he may fall. You want to kill him," Esme cried,
beginning to run towards the rock.
It was safe at low tide, because the sands were bare, but no place for
baby feet on the upper side above the deep water.
"You would not have let Cecil go," Esme stormed as she hurried on. "Oh,
Cyril, stop! Keep near the tide."
Perhaps her voice frightened the child as he picked his way. He
started, slipped, and fell over. In a second a little white face could
be seen on the calm, dark water.
"Cyril, oh, Cyril! Oh, my baby!" rose a shrieking cry.
With mad haste Esme tore off her skirt and sprang into the sea,
clutching at the sinking child. She caught him as he came up for the
third time, and swam back holding him. But the black sides towered
sheer and straight four feet above her; the seaweed gave as she caught
it; the child was a dead weight on one arm, and she had hurt the other
jumping in.
"Get help," she cried. "Get help, Denise."
Denise lay on the sands, shrieking, half-unconscious, useless and
helpless.
"They'll drown! Go for help, Estelle. I may get down to them in time."
Bertie swung over the edge of the cliff, beginning a perilous climb.
Another rescuer went hurrying too.
"It's Cyrrie! My Cyrrie, dwownin'."
Baby Cecil left his castle, began to patter out along the rock, sobbing
as he ran. "Wait, Cyrrie, wait! I tumin' to help. Oh, my Cyrrie!"
Half-way down Bertie knew that he ought to have run on to the path.
Sometimes he hung and thought he could go no further, then dropped and
scrambled, and caught some point which saved him. He was still too high
up to jump when he came to a jutting ledge and could see no way on.
There, Esme, clinging, slipping, as she called for help, looked up and
saw him.
"Bertie!" she said. "You followed me."
She stopped calling out, clutched a new piece of seaweed and grew
strangely quiet.
"Bertie, I'm not worth it," she said. "Don't risk anything."
Voices are strangely clear across the water; hers rang plainly.
"I'll come, Esme. I must find a way. I'll save you."
"I'm going to drown, Bertie. I'm so tired, it won't hurt much; but I've
time to talk a little."
As he raged up and down his ledge he heard her voice telling, as
quietly as though they were in some room, safe and sheltered, her story.
"Send for Luigi Frascatelle, he'll identify me as the boy's mother.
Bertie, I sold my birthright, but I've been punished for it, so forgive
me now, and keep my Cyrrie--he's alive."
The pity of it as she clung there--young, pretty, once so happy. Truly,
the punishment had been hard.
"Esme! I see a way. I'll get down in five minutes. Live on and let the
past be."
Twice she had felt the water at her lips, once her boy had almost
slipped from her arms.
"I would have swum round but one arm is hurt," she said weakly.
"Bertie, I think the boy is dying. If he dies let Denise be. Don't tell
if she will clear my name."
A man ran out along the rock, heard the faltering words.
"By the God above us she shall clear it," stormed Bertie, "and give us
back our child. No, Esme, no. Oh, wait! I'm down."
He was in the water now, swimming strongly, too late; the last strand
of weed had parted; weak, tired Esme had slipped to her rest in the
cool, clear water. And as she went, little Cecil, sobbing wildly,
holding out his spade, fell over into the sea.
A clawing, twisted woman rose from the sands, screaming wildly, looking
up as baby Cecil fell over.
Sir Cyril ran past her, kicking off his shoes as he went.
Bertie hesitated for a second, but the struggling, drowning mite had
fallen in coming to try to save Cyril; he turned, swam to Cecil, and
carried the child to the rock, where his father leant over.
"Quickly, man!--we'll dive," Sir Cyril cried.
"I give you back your child," Bertie said. "Mine is gone for ever." He
swam on.
Diving, he brought up Esme, her boy clasped to her.
Estelle had fetched help. They carried the still figures quickly to the
cliff and back to the house.
"You meant?" Cyril Blakeney said as he went with him, carrying his
drenched boy.
"Cyril is Esme's child," Bertie said bitterly. "Your wife bought him
from her. I heard it all as they talked on the sands. She told me where
to find proof."
"Ah!" said Cyril, slowly. "Ah!"
Denise was tottering behind them, wild with fear, grey-faced, all
beauty reft from her.
"God send," said Sir Cyril, reverently, "that both come to, and we live
to repay for the blight we cast on your wife's name, Carteret."
"I cast a worse one," said Bertie, fiercely.
Then long-drawn working, as the living strive with death, as the poor
quiet body is forced to life. But no working brought a quiver to little
Cyril; they left him at last quiet in his cot; the motherless boy was
at peace for ever.
Esme's breath came fluttering. She had closed her eyes on sea and sky,
opened them to see watching, kindly faces.
"Hush, do not speak," they told her.
"Cyril?" she whispered, and knew without an answer.
"Then let it rest," she murmured, and so drifted out again, this time
for ever, into the land of shadows, glad to go and rest.
* * * * *
Denise, half wild, had stumbled in alone, sobbing, shivering,
unnoticed, as the household worked for the two lives.
Cecil had been put to bed; his hip was hurt; he lay still and
exhausted; sometimes asking for "Cyrrie--my Cyrrie."
"Not you, mumsie--Cyrrie," he said fretfully. "I couldn't pull Cyrrie
out--fetch Cyrrie."
Mrs Stanson, weeping for her eldest charge, came in. Seeing her, hope
leapt up suddenly into Denise's heart.
"The boy, milady?" Mrs Stanson sobbed. "No hope. We've laid him to
rest."
"And--Mrs Carteret?"
"Came to, and passed away, milady."
The wave of hope swelled high. For as all the punishment had fallen on
the woman who lay still in the pretty drawing-room, it might lie on her
still. No one else knew.
"She spoke?" Denise faltered.
"Once, milady--to ask for Master Cyril; and again to say, 'Let it
rest.'"
"Ah!" The greyness slipped from Denise's cheeks. The dead cannot speak.
After all, she was to escape.
Then, his big bulk filling the door, her husband came in, Carteret
following.
"Oh! oh!" she cried, and held her hands out, sobbing. "Oh, Cyrrie! the
boy and poor Esme. She died to save him. Oh!"
"You can go, Mrs Stanson." The sick fear crept back to Denise
Blakeney's heart. "Yes, Cyrrie is gone; and now, Denise, you will tell
the truth."
"The truth," she faltered. "I--and I am so miserable."
"You'll tell how you gave those diamonds to Mrs Carteret. You'll
publish it in the big papers. That is one part--and then ... now the
rest of the truth," he thundered. "Oh, you two poor fools."
"But, Cyril--what else?"
"All the rest," came quickly. "Of Italy and Esme Carteret's child."
It was over. Denise tottered to a chair, sat there staring; her
punishment had fallen at last.
Then, faltering, stumbling, yet afraid to lie, Denise Blakeney told the
story. Of Esme's fear of poverty; of her own wish for a child. "And
then it was arranged," she said; "we changed names. The boy was Esme's.
Luigi Frascatelle, the doctor, can tell you."
"The big, splendid boy was yours, Carteret; the poor, puny mite mine,"
said Cyril Blakeney, bitterly. "Well done, Denise! When a foolish girl
was hysterical, foolish, as women are at these times, you advised her
well. Lord! I know what she felt when I've seen her looking, looking at
her own boy, with heartbreak in her eyes. I've wondered, but did not
understand then. It was a pretty plot, milady, to fool me back to an
untrue wife. Carteret, we are no judges to blame these two, but one has
known her punishment, and one has not."
"Cyril!" sobbed Denise, "have pity! It was for you."
"For me? Pardon me, for my name and my position, knowing that I meant
to rid myself of you," he answered coldly. "Carteret, Miss Reynolds is
with your dead wife--go to her."
"Cyril," moaned Denise again. "You'll not expose me, for the boy's
sake."
She was on her knees by Cyril's side, sobbing, entreating.
"That is for Carteret to decide," he answered. "Go to your room; you
will only excite the child."
In the days to come, Denise, fighting for her delicate boy's life, knew
no open disgrace. One poor foolish woman had borne it all and died; but
the other left behind knew the misery of daily fear. She was a cipher,
given no trust or belief; and with her always was the dread that as
Cecil grew older he would be taken from her.
Cyril Blakeney, an embittered man, never forgave her.
Denise came to him the evening of Esme's death to ask what he would do.
He was writing, making arrangements for the funeral.
"You let a woman be disgraced before the world, you let that boy whom
you disliked go into danger where no baby should have gone," he said.
"But you are Cecil's mother--so keep the position you schemed for--and
no more."
The big man went back to his loneliness; he had loved strong Cyril, had
dreamt of a boy who would run and shoot and swim and ride; and now,
Cecil, injured by his fall from the cliff, would be lame for life.
Esme sleeps in a graveyard by the sea; close by her a little grave with
"Cyril, drowned the 21st of April," on it. And on her tombstone is the
inscription: "She gave her life to save a child's."
Estelle and Bertie, living in the quiet country, happy, yet with a
shadow of regret ever with them, guessed, as they came often to the
grave, what the weak girl must have suffered.
"Judge no human being until you know the truth," said Bertie once, "for
misery rode poor Esme with a sharp spur across the thorns of
recklessness. Poor Butterfly, whose day of fluttering in the sunlight
was so short."
Yet, even with the shadow behind them, two of the players are happy,
every-day man and woman with troubles and joys.
THE END
COLSTONS LIMITED, PRINTERS, EDINBURGH
March, 1914
JOHN LONG'S ANNOUNCEMENTS
All JOHN LONG'S Books are published in their Colonial Library as nearly
as possible simultaneously with the English Editions
SIX SHILLING NOVELS
Crown 8vo., Cloth Gilt. Many in Three-Colour Wrappers
+THE GREATER LAW.+ By Victoria Cross, Author of "Anna Lombard," "Five
Nights," "The Life Sentence," "Life of My Heart," etc.
"The Greater Law" is a story that touches the deepest currents of human
feeling, vibrating with power and intensity perhaps even more than
those which have previously emanated from the pen of this intrepid
writer. The many episodes of a brief romance are treated naturally and
sincerely and with masterly ability. It is, indeed, a typical Victoria
Cross novel.
+SUNRISE VALLEY.+ By Marion Hill, Author of "The Lure of Crooning
Water," etc. [Not supplied to Canada.]
"The Lure of Crooning Water," by Marion Hill, was one of the fictional
landmarks of last year, consequently her succeeding book is bound to
evoke more than ordinary interest. "Sunrise Valley" involves a contrast
between the ideals of Town and Country; the wealth of Stanley
Ballantyne, manliest of millionaires, is confronted with the
independence of Blanche Dering, sweetest of heroines. The novel should
set the seal upon a victorious beginning.
+THE WOMAN RUTH.+ By Curtis Yorke, Author of "The Vision of the Years,"
etc.
Readers of Curtis Yorke do not need to be commended to her latest
novel. The secret of her continued success is that she never gives us
less than her best. "The Woman Ruth" epitomises the qualities of head
and heart to which she has accustomed us. An optimistic view of
life--tenderness, humour, human sympathy--these are the main weapons in
this gifted author's bright and shining armoury.
+SYLVIA.+ By Upton Sinclair, Author of "The Jungle," "The
Moneychangers," etc. [Not supplied to Australia or Canada.]
"Sylvia" is the greatest work that has come from the pen of this
brilliant author, surpassing "The Jungle" both in the bigness of its
theme and in its dramatic intensity. Just as the timeliness of "The
Jungle" promoted its great success, so "Sylvia" appears at the
psychological moment when social questions are to the front. It is a
fascinating story, presenting a girl-character more charming, more
powerful, more remarkable in every way than Mr. Sinclair has yet drawn,
while beneath lies a vein of serious purpose, a criticism of
contemporary ethics which ranks it among the profoundest moral forces
of the day.
+DESMOND O'CONNOR.+ By George H. Jessop, Author of "His American Wife,"
etc.
Desmond O'Connor was a good fighter, a brisk wooer, and a breezy
companion on the march or in the bivouac. He was one of the many
wandering Irishmen who drew the sword for France after the siege of
Limerick. It was while in the service of Louis XIV., in Flanders, that
he met the lovely Countess Margaret, and surrendered to her charms. One
will find a no more romantic story of love and war than is contained in
these pages.
+BLESSINGTON'S FOLLY.+ By Theodore Goodridge Roberts, Author of "Love
on Smoky River," etc. [Not supplied to Canada.]
The qualities which made "Love on Smoky River" such an instantaneous
and unqualified success are again brought into play in the present
novel. The author unfolds his theme with skill and power, and fully
maintains the reputation he has gained for telling a good story well.
+AN UNHOLY ALLIANCE+. By Violet Tweedale, Author of "The House of the
Other World," etc.
This is a book of a very unusual type. It is a powerful novel dealing
with Satanism, an evil cult which is making great headway in Europe.
The man who forms the unholy alliance is Canon Gilchrist, who has been
unfairly deprived of a peerage, and hopes to regain his position by the
help of the Powers of Darkness. There is a charming love element, and
the story shows the author at her best.
+A GAMBLE FOR LOVE+. By Nat Gould. (For Complete List of Nat Gould's
Novels see pages 12 and 13).
This novel follows "A Fortune at Stake," the first novel by Nat Gould
to be issued at the outset at 6_s_. The innovation was an immediate
success. The new tale, "A Gamble for Love," should undoubtedly win for
itself many admirers. The hero and heroine have strong dominating
personalities, and the love interest is well sustained. The element of
sport of course prevails, and the book may fairly be said to be as
thrilling as any Mr. Nat Gould has written.
+THE SECRET CALLING.+. By Olivia Ramsey, Author of "Callista in
Revolt," etc.
This is a love story of unusual charm dealing with the fortunes of two
girls. An artist falls in love with one; the other rejects the
brilliant marriage arranged for her by her worldly aunt. Each girl
seeks safety in flight. How both are finally won by the men who love
them is convincingly described by the author. In this book she again
displays her acknowledged skill as a clever novelist.
+THE SNAKE GARDEN.+ By Amy J. Baker, Author of "I Too Have Known," "The
Impenitent Prayer," etc.
As with her two previous successes the scene is laid in South Africa.
Miss Baker writes with a realism that is the outcome of personal
experience. Theo, the heroine, is an unusual type of girl, and how she
straightens out her life is told with rare humour and psychological
insight. The book is remarkable for its clear-cut pictures of Colonial
life.
+THE BELOVED PREMIER.+ By H. Maxwell, Author of "Mary in the Market,"
"The Paramount Shop," etc.
The author imagines what would happen in England were the authorities
to govern with absolute disinterestedness and singleness of purpose.
The picture thus drawn depicts a topsy-turvy world indeed. The story is
told with much humour and many shrewd thrusts at our most cherished
institutions. It is an unusual book replete with good things.
+THREE SUMMERS.+ By Victor L. Whitechurch, Author of "The Canon in
Residence," "Left in Charge," etc.
Here is a book that will appeal to all who love a good plot and plenty
of incident. It runs along fresh and sparkling and true to the end. The
hero and heroine are cleverly depicted in this charming romance, which
teems with lovable characters. It is a novel which enhances the
reputation of this popular author.
+THE RESIDENCY.+ By Henry Bruce, Author of "The Eurasian," "The Native
Wife," etc.
The previous novels by Henry Bruce have secured for him an appreciative
following. Like its predecessors, "The Residency" is a story of life in
India. The heroine is a beautiful Eurasian who, after twenty-two years
of sheltered life in England, rashly returns to India. The novel is an
account of the passionate attachment she forms for a Native of rank.
Mr. Bruce has a power of humour all too rare in these days. He tells
the narrative in a masterly way.
+PAUL MOORHOUSE.+ By George Wouil, Author of "Sowing Clover."
_The Morning Post_ said, in reviewing the author's first novel, "Sowing
Clover": "We shall look for Mr. Wouil's future with every anticipation
of continuous and increasing delight." The second novel is another
Black Country study, but of much greater dramatic power. It depicts the
central character, reared in poverty, without influence or promise; of
the struggles of youth; of artisan life, the prospect of a "little
'ome" and drab respectability; of ambition; of the coming of love; of
the making of a gentleman, and the battle with environment.
+THE WIDOW OF GLOANE.+ By D. H. Dennis, Author of "Crossroads," etc.
Mr. D. H. Dennis is one of the most promising exponents of the modern
school of fiction. His new Work contains a capital idea. Phyllis, the
heroine, who is a charming young widow when the story opens, meets and
marries the playmate of her childhood. The narrative is full of good
things, of wit as well as wisdom, and readers who like their fiction to
be brainy as well as human will thoroughly enjoy its pages.
+THE BARBARIANS.+ By James Blyth, Author of "Rubina," "Amazement," etc.
The marital relationship is the keynote of "The Barbarians" Original,
virile, human, bold and sympathetic, the novel, both in interest and
craftsmanship, is a worthy successor of a sequence of brilliantly
limned portraits of the feminine character. It is the tale that
matters, and as a story teller Mr. Blyth may well challenge comparison.
+UNDER COVER OF NIGHT.+ By R. Murray Gilchrist, Author of "Weird
Wedlock," etc.
A book of vivid atmosphere, probably the best of this author's novels
of incident. Throughout, the strange country background, with its
swiftly moving folk, gentle and simple, reminds one of a weird and
fascinating drama. The contrast between the quiet inn house, and the
dilapidated hall with its guilty secret, is admirably depicted. The
plot is excellently fashioned and the unfolding of the mystery done
with admirable restraint. The author understands to perfection the art
of thrilling his readers.
+MAIDS OF SALEM.+ By K. L. Montgomery, Author of "The Gate-Openers,"
"The Cardinal's Pawn," etc.
The witch-persecution of New England, one of the most dramatic chapters
of American history, is the theme of K. L. Montgomery's new novel. The
scene is Salem, Massachusetts Bay. The story is one of tragedy and
romance, told in the inimitable way with which the author's admirers
have been so charmed by her previous books.
+THE DICE OF LOVE.+ By Edmund Bosanquet Author of "A Society Mother,"
"Mary's Marriage," etc.
Since the days of "A Society Mother," Mr. Edmund Bosanquet has gone
far, and this, his latest romance, will more than satisfy the
expectations of his admirers. The characters are never insipid, and
have the happy knack of getting on the right side of the reader
immediately. There is a sustained brilliance about the book which
augurs well for its success.
+THE MEMOIRS OF PRINCESS ARNULF.+
These reminiscences form the record of the intimate life of the
Princess Arnulf and her royal relatives. Not for many years has a work
of such extraordinary interest been given to the reading public. It is
the mart of news, of scandal, of rumour, of intrigue, of a galaxy of
princes, courtiers, men and women of rank and fashion, of sullied
virtue and invidious attachments.
+WHY SHE LEFT HIM.+ By Florence Warden, Author of "Love's Sentinel,"
etc.
Miss Warden's gypsy heroine forms a very interesting study. It would be
unfair to explain the plot of the story, but behind it is tragedy. The
hero, Lord Tregaron, is a well-drawn personage, and so, indeed, are the
other characters clustered around the charming heroine.
+THE MAZE.+ By A. L. Stewart.
"The Maze" is the love story of a famous operatic singer who marries
her protege, a violinist considerably younger than herself. As is
inevitable, their gifts clash and jealousy ensues. The plot is cleverly
unfolded, and the book reaches a satisfactory conclusion. The scene is
laid in London, Paris, and the West of England.
+THE OYSTER.+ By a Peer, Author of "The Hard Way," "The Decoy Duck,"
etc.
The Novels of a Peer are distinguished among present-day fiction by
their brilliant literary qualities and their deep emotional appeal to
human hearts and sympathies. They are addressed to men and women who
know the world and the significance of life: their keynote is strength.
The _motif_ of this enthralling story is centred upon the maternal
instinct--the profoundest of all human feelings. An idea of consummate
originality is presented in a manner free from reproach or any
suspicion of pruriency.
+A MILLION FOR A SOUL.+ By Mrs. C. E. Phillimore, Author of "Two Women
and a Maharajah."
An Irish patriot bequeaths to his child, as her sole inheritance, his
love for drink. She marries in India and through constant strain
succumbs to the degrading habit. Cast off by her husband, her lover
seeks to regain her and effect her regeneration. The story ends with
this achieved, though the manner of its accomplishment is by way of the
unexpected.
+THE WHITE VAMPIRE.+ By A. M. Judd, Author of "Lot's Wife," etc.
This is a powerful story of love, hate, revolution, and revenge, woven
around the central figure of a beautiful, fascinating, unscrupulous
woman who lures men to ruin and then dooms them to a horrible fate.
Retribution overtakes her at last through the love of one of her
victims. The book contains many thrilling episodes, and the ending is
highly dramatic.
+LAW THE WRECKER.+ By Charles Igglesden, Author of "Clouds," etc.
Is it feasible that a sane man may be sent to a lunatic asylum? This
vital question is answered by Mr. Igglesden in "Law the Wrecker." The
author is especially qualified to deal with the subject, as he has
acted as certifying magistrate for many years and been a governor of a
county lunatic asylum. Life in a lunatic asylum is vividly and
truthfully described. The plot is an exciting one with many dramatic
situations, a young Colonial trying against heavy odds to prove his
sanity to the girl he loves, and she in turn struggling with the doubt
that racks her mind.
+MARY'S MARRIAGE.+ By Edmund Bosanquet, Author of "A Society Mother,"
"Catching a Coronet," etc.
Securing public favour at the first time of asking--such is this
author's almost unique record. That he has come to stay may be gathered
from the progressive successes he has achieved since the days of "A
Society Mother." This novel follows its predecessors in that it makes
the same direct appeal to the average human heart. Readers in their
thousands and tens of thousands will rejoice to know something about
the heroine and her wayward marriage.
+THE ENCHANTING DISTANCE.+ By Lilian Arnold, Author of "The Storm-Dog,"
etc.
This is a love story, in the development of which it becomes apparent
that things are seldom what they seem and that the most passionate
attachments are rarely based on pure reason. The adventures of the
heroine in search of a life of her own in London are told with much
humour.
+A BESPOKEN BRIDE.+ By Fred Whishaw, Author of "Nathalia," etc.
Mr. Fred Whishaw's description in this novel of the gallant little
nation, Finland, fighting to a man and woman against inevitable
absorption by the irresistible giant at the threshold, is moving and
holds the reader. Every Finn is a resister, active or passive. Some
fight wisely, some foolishly, but all fight and all sacrifice self for
the sake of the Motherland and her disappearing rights and privileges.
+SALAD DAYS.+ By the Author of "Improper Prue," "The Price of
Possession," etc.
This amusing novel can well be called a comedy of youth, for it depicts
the invasion of a well-ordered English bachelor by a good-intentioned
humourless Irish girl and twin young men of free and easy disposition.
The bachelors are Mr. Weatherby, most chivalrous of victims, and his
nephew, Richard Torr, an Oxford exquisite, who tries hard to save his
own and his uncle's dignity under the most trying conditions. It is a
book that men and women will laugh at and enjoy.
+FROM PILLAR TO POST.+ By Alice M. Diehl, Author of "Incomparable
Joan," etc.
For the many readers of Mrs. Diehl's novels the present story will be
rather a new departure in female portraiture. The heroine's
aristocratic descent, conflicting with her father's democratic ideas,
is the pivot on which much of the tale turns. Her experiences as a
wife, and yet all the time no wife, go to make up a very fascinating
romance which shows that the author has lost none of her power.
+CALLISTA IN REVOLT.+ By Olivia Ramsey, Author of "A Girl of No
Importance," etc.
This dainty love-story is told with great charm and skill. A beautiful
girl is forced, through adverse circumstances, to lead a monotonous
existence in an isolated village. It is here that she is discovered by
the wealthy Bruce Armadale, whose force of character is powerfully
drawn. A dazzling dancer of London fame is introduced as a dangerous
rival for his affection, and her plot to separate the lovers is
convincingly told.
+THE RANSOM FOR LONDON.+ By J. S. Fletcher, Author of "The Bartenstein
Case," etc.
This is one of the most enthralling conceptions that has yet appeared
in realistic fiction. From the advent of the stranger at the week-end
retreat of the Prime Minister, with his demand for ten millions
sterling as the ransom for London, right through to the end, the
narrative compels attention. Mr. Fletcher has in this story surpassed
himself.
+ANGELS IN WALES.+ By Margam Jones, Author of "The Stars of the
Revival," etc.
A tale of Welsh life in the last century, describing faithfully and
vividly, in the glow of a sympathetic imagination, the joys and sorrows
of the Celtic soul, and having for its central theme the all-important
problem of true life. Here the lover of fiction will be continually
charmed by a mysterious revelation of hidden life clothed in a new
dress of spiritual psychology.
+THE PRICE OF CONQUEST.+ By Ellen Ada Smith, Author of "The Only
Prison," etc.
The story has its setting partly in the west country and partly amidst
the changes and chances of London musical life. As a risen Star,
Sigismund Wirth is happy as only the successful can be. How at last his
weakness is discovered and his final victory over self achieved is
shown in this clever novel.
+FAITH AND UNFAITH.+ By James Blyth, Author of "Rubina," "Amazement,"
etc.
This novel is the study of a woman's love. The theme is developed with
the certainty of touch and the clearness of vision which are the gifts
of experience in life and art. It is as engrossing as the author's
previous works, and a notable addition to his gallery of brilliant pen
portraits of beautiful, frail women.
+THE RED WEDDING.+ By E. Scott Gillies, Author of "A Spark on Steel,"
etc.
The novel deals with one of the stormiest periods of history and of the
fierce feud between two Highland Clans, each so powerful that Queen
Elizabeth sought to gain their friendship for England against the
Scottish Sovereign, James IV. It is a story of love and jealousy and
the gradual success of the true lover in the face of all obstacles.
+ENVIRONMENT.+ By Mrs. A. M. Floyer.
The story illustrates the influence of environment upon character. The
plot consists of episodes, amatory, humorous and otherwise, in the
lives of people who are not always in their proper element. It should
appeal to all who like something out of the beaten track.
RECENT POPULAR NOVELS
SIX SHILLINGS EACH
Several of these novels were the successes of last year. Some reached
the distinction of a Second Edition and even a Third Edition, whilst
with "The Lure of Crooning Water" a Thirteenth Edition was called for.
LOVE ON SMOKY RIVER Theodore G. Roberts
SOWING CLOVER George Wouil
THE PARAMOUNT SHOP H. Maxwell
A FORTUNE AT STAKE Nat Gould
THE EURASIAN Henry Bruce
MAZE OF SCILLY E. J. Tiddy
ETELKA Stanley Ford
A SOCIAL INNOCENT R. St. John Colthurst
GREEN GIRL Mrs. Henry Tippett
THE WISDOM OF THE FOOL By "coronet"
THE ELUSIVE WIFE R. Penley
LOT'S WIFE A. M. Judd
AN OFFICER AND A-- E. D. Henderson
YOUNG EVE AND OLD ADAM Tom Gallon
THE VAUDEVILLIANS Anonymous
A HANDFUL OF DAYS Hal D'arcy
CROSSROADS D. H. Dennis
LIGHT FINGERS AND DARK EYES Vincent Collier
THE MAN IN THE CAR Alan Raleigh
THE LURE OF CROONING WATER Marion Hill
THE DECOY DUCK By a Peer
LEVITY HICKS Tom Gallon
OUR ALTY M. E. Francis
QUEER LITTLE JANE Curtis Yorke
CATCHING A CORONET Edmund Bosanquet
THE HOUSE OF THE OTHER WORLD Violet Tweedale
THE ONLY PRISON Ellen Ada Smith
A GIRL OF NO IMPORTANCE Olivia Ramsey
UNQUENCHED FIRE Alice Gerstenberg
MARY IN THE MARKET H. Maxwell
THE IMPENITENT PRAYER Amy J. Baker
THE LITTLE MAISTER R. H. Forster
LOVE'S SENTINEL Florence Warden
INCOMPARABLE JOAN Alice M. Diehl
THE VISION OF THE YEARS Curtis Yorke
HIS AMERICAN WIFE George H. Jessop
WEIRD WEDLOCK R. Murray Gilchrist
THIN ICE Anne Weaver
A VICTIM OF CIRCUMSTANCE Charles Loewenthal
(Low Lathen)
THE WORLD'S FAVOURITE AUTHOR
ATHENAEUM, June 10th, 1911, says:--"All living writers are headed by Mr.
Nat Gould, and of the great of the past, Dumas only surpasses his
popularity."
TRUTH, Jan. 22nd, 1913, says:--"Who is the most popular of living
novelists? Mr. Nat Gould easily and indisputably takes the first place."
The Novels of Nat Gould
Sales now exceed NINE MILLION Copies!
NAT GOULD'S NEW 6/- NOVEL
A GAMBLE FOR LOVE
[Ready in April, 1914]
All Mr. Nat Gould's NEW Novels will now be issued at the outset at 6s.,
Crown 8vo., in handsome Cloth Gilt, over 300 pages, with Wrapper in
Three Colours. They will also be issued simultaneously in John Long's
Colonial Library at 3s. 6d., Cloth, with Special design, also Wrapper
in Three Colours; and 2s. 6d. with Stiff Paper Covers in Three Colours.
RECENTLY PUBLISHED AND UNIFORM WITH THE ABOVE
A FORTUNE AT STAKE
[Third Edition.]
Remarkable success attended the publication of this, Mr. Nat Gould's
First Novel to be issued at the outset at 6s. The large First Edition
was soon exhausted, and Second and Third Editions have been called for,
thus proving that Mr. Nat Gould has a very big following in the Library
and Colonial form.
N.B.--Messrs. JOHN LONG are the SOLE Publishers of all Mr. Nat Gould's
New Novels and control the output. To ensure a long run with the
Library and Colonial Editions they will not publish the 1s. net Edition
until at least a year, and the 6d. Edition until over two years, after
the publication of the more expensive Edition. But in the meantime
there will be the usual periodical 6d. issues of Novels by Mr. Nat
Gould that have already appeared at 2s. and 1s.
NAT GOULD'S NOVELS at 1s. and 2s.
Crown 8vo. Paper Cover, three colours, 1s. net; cloth gilt, 2s.
THE CHANCE OF A LIFETIME
THE KING'S FAVOURITE
A CAST OFF
*THE PHANTOM HORSE
*LEFT IN THE LURCH
*THE BEST OF THE SEASON
GOOD AT THE GAME
A MEMBER OF TATT'S
THE TRAINER'S TREASURE
THE HEAD LAD
* Nat Gould's Annual, 1911, '12, '13 respectively.
NAT GOULD'S NOVELS at 6d.
In large demy 8vo., thread sewn. Striking cover in three colours
#A GREAT COUP January 21st, 1914
*ONE OF A MOB
*THE SELLING PLATER
A BIT OF A ROGUE
*THE LADY TRAINER
*A STRAIGHT GOER
*A HUNDRED TO ONE CHANCE
*A SPORTING SQUATTER
THE PET OF THE PUBLIC
*CHARGER AND CHASER
THE LOTTERY COLT
A STROKE OF LUCK
*THE TOP WEIGHT
#THE KING'S FAVOURITE April, 1914
*THE DAPPLE GREY
*WHIRLWIND'S YEAR
*THE LITTLE WONDER
A BIRD IN HAND
*THE BUCKJUMPER
*THE JOCKEY'S REVENGE
THE PICK OF THE STABLE
#THE STOLEN RACER
#A RECKLESS OWNER
#THE ROARER
#THE LUCKY SHOE
QUEEN OF THE TURF
#A CAST OFF July, 1914
* Also at 2s. picture boards, and 2s, 6d. cloth gilt.
# Also at 2s. cloth gilt, and 1s. net paper.
NAT GOULD'S ANNUAL, 1914
THE FLYER
(Twelfth Year)
Cleverly illustrated. Cover in three colours. Paper, thread sewn, 1s.
Large demy 8vo.
READY FOR EXPORT END OF AUGUST. ORDER NOW.
THE MAGIC OF SPORT
Being the LIFE STORY OF NAT GOULD, written by himself
With over 50 Illustrations of Notable Sportsmen, Places and Horses and
Photogravure Portrait of the Author. Demy 8vo. 370 pages, handsomely
bound, Gilt Top. Price 12s. 6d. net.
For further List of Nat Gould's Novels see page facing
+JOHN LONG'S FAMOUS 1/- NET SERIES+
N.B.--All the Volumes in this Series are most attractively bound in
three-colour covers, art paper, thread sewn
+NEW VOLUMES FOR 1914+
+LIFE OF MY HEART.+ By VICTORIA CROSS.
_Now first published in 1/- form._
Victoria Cross's immense popularity rests on the fame she achieved with
"Anna Lombard" and "Five Nights," and in "Life of My Heart" we have a
worthy successor. It is a story of intense passion and dramatic
interest.
+THE STORY OF MY LIFE+. By EVELYN THAW. With 8 portraits of the
principal characters. _Now first published._
In this remarkable book Evelyn Thaw unbosoms herself to the world, and
now for the first time gives her full life history in all its vivid
details.
+THE LIFE OF LENA.+ By W. N. WILLIS, ex-M.P.
(Australia), Author of "Why Girls Go Wrong," "The White Slave Market,"
etc. _Now first published._
Few tales within recent years have been so realistic, and the book from
its sincerity should appeal to the hearts of all thinking men and
women. Mr. W. N. Willis is an author whose books sell in tens of
thousands.
+SONNICA.+ By VICENTE BLASCO IBANEZ, Author of "Blood and Sand," "The
Shadow of the Cathedral," etc.
_Now first published._
Vicente Blasco Ibanez is the most brilliant author of the modern school
of Spanish fiction, and in this daring novel he is probably seen at his
best. In "Sonnica" the publishers believe they have discovered a second
"Quo Vadis."
+Volumes already published+
THE LIFE SENTENCE Victoria Cross
FIVE NIGHTS Victoria Cross
ANNA LOMBARD Victoria Cross
A WIFE IMPERATIVE By a Peer
THEO By a Peer
TO JUSTIFY THE MEANS By a Peer
THE HARD WAY By a Peer
THE SPINSTER Hubert Wales
CYNTHIA IN THE WILDERNESS Hubert Wales
MR. AND MRS. VILLIERS Hubert Wales
THE WIFE OF COLONEL HUGHES Hubert Wales
HILARY THORNTON Hubert Wales
A PRIESTESS OF HUMANITY Mrs. Stanley Wrench
A PERFECT PASSION Mrs. Stanley Wrench
BURNT WINGS Mrs. Stanley Wrench
LOVE'S FOOL Mrs. Stanley Wrench
FOLLY'S GATE James Blyth
A COMPLEX LOVE AFFAIR James Blyth
THE MEMBER FOR EASTERBY James Blyth
THORA'S CONVERSION James Blyth
THE PENALTY James Blyth
AMAZEMENT James Blyth
RUBINA James Blyth
CHICANE Oliver Sandys
THE WOMAN IN THE FIRELIGHT Oliver Sandys
DECREE Lady X
THE DIARY OF MY HONEYMOON Lady X
THE STORM OF LONDON F. Dickberry
A SOCIETY MOTHER Edmund Bosanquet
I TOO HAVE KNOWN Amy J. Baker
THE DUPLICATE DEATH A. C. Fox-Davies
A HOUSEHOLD Jerrard Syrett
CONFESSIONS OF CLEODORA Carlton Dawe
SECRET HISTORY OF THE COURT OF BERLIN Henry W. Fischer
MIGHTY MAYFAIR "Coronet"
CONFESSIONS OF A PRINCESS Anonymous
IMPROPER PRUE Anonymous
THE PRICE OF POSSESSION Author of "Improper Prue"
THE PROGRESS OF PAULINE KESSLER Author of "The Adventures
of John Johns"
JOHN LONG'S 1/- NET (CLOTH) NOVELS
_Crown 8vo. Cloth gilt. Wrappers in three colours_
NEW VOLUMES FOR 1914
THE LURE OF CROONING WATER Marion Hill
OFF THE MAIN ROAD Victor L. Whitechurch
THE STORM-DOG Lilian Arnold
THE REALIST E. Temple Thurston
_Volumes already published_
THE GREAT GAY ROAD Tom Gallon
HIS MASTER PURPOSE Harold Bindloss
THE MASK William Le Queux
FOR FAITH AND NAVARRE May Wynne
KISSING CUP THE SECOND Campbell Rae-Brown
THE GREAT NEWMARKET MYSTERY Campbell Rae-Brown
A JILT'S JOURNAL Rita
ADA VERNHAM--ACTRESS Richard Marsh
SWEET "DOLL" OF HADDON HALL J. E. Muddock
THE OLD ALLEGIANCE Hubert Wales
+JOHN LONG'S 7d. NET (CLOTH) NOVELS+
A New Series of copyright Novels which, in more expensive form, have
achieved marked success. They are printed in clear type, newly set, on
good paper, tastefully bound in Red Cloth, full gilt back, with
attractive pictorial wrapper in three colours. Each volume has a
decorative title-page with frontispiece, both on Art paper.
+_NEW VOLUMES FOR 1914_+
19 A BRIDE FROM THE SEA (2nd Feb.) Guy Boothby
33 THE GOLD RAIL (2nd Feb.) Harold Bindloss
23 THE GRASS WIDOW (2nd Mar.) Dorothea Gerard
25 THE GIRL IN GREY (2nd Mar.) Curtis Yorke
24 THRICE ARMED (1st Apr.) Harold Bindloss
38 OUR ALTY (1st Apr.) M. E. Francis
34 MOLLIE DEVERILL (4th May) Curtis Yorke
39 MEMORY CORNER (4th May) Tom Gallon
35 A GLORIOUS LIE (25th May) Dorothea Gerard
40 THE BARTENSTEIN CASE (25th May) J. S. Fletcher
36 ALTON OF SOMASCO (22nd June) Harold Bindloss
37 IRRESPONSIBLE KITTY (22nd June) Curtis Yorke
+_VOLUMES NOW READY_+
1 FATHER ANTHONY Robert Buchanan
2 DELILAH OF THE SNOWS Harold Bindloss
3 ONLY BETTY Curtis Yorke
4 THE GARDEN OF MYSTERY Richard Marsh
5 IN SPITE OF THE CZAR Guy Boothby
6 THE VEILED MAN William le Queux
7 THE SIN OF JASPER STANDISH Rita
8 A BORDER SCOURGE Bertram Mitford
9 WAYWARD ANNE Curtis Yorke
10 THE GREATER POWER Harold Bindloss
11 A CABINET SECRET Guy Boothby
12 THE EYE OF ISTAR William le Queux
13 A WOMAN PERFECTED Richard Marsh
14 HYPOCRITES AND SINNERS Violet Tweedale
15 THE SILENT HOUSE Fergus Hume
16 BY RIGHT OF PURCHASE Harold Bindloss
17 THE OTHER SARA Curtis Yorke
18 LITTLE JOSEPHINE L.T. Meade
20 THE MAGNETIC GIRL Richard Marsh
21 THE MATHESON MONEY Florence Warden
22 CRIMSON LILIES May Crommelin
26 THE LADY OF THE ISLAND Guy Boothby
27 THE WHITE HAND AND THE BLACK Bertram Mitford
28 THE STOLEN EMPEROR Mrs. Hugh Fraser
29 A MAN OF TO-DAY Helen Mathers
30 THE PENNILESS MILLIONAIRE David C. Murray
31 LINKS IN THE CHAIN Headon Hill
32 AN INNOCENT IMPOSTOR Maxwell Gray
+JOHN LONG'S NEW 6d. (PAPER) NOVELS+
The new, up-to-date Cover Designs by leading Artists, printed in three
colours on Art paper, are the most effective that have ever adorned a
Sixpenny Series. This, combined with the established popularity of the
authors, will ensure for JOHN LONG'S 6d. (Paper) Novels first place in
the public esteem. Good paper, clear type. Thread sewn. Size 9 inches
by 6.
Volumes for 1914
1. SOMETHING IN THE CITY Florence Warden
2. THE TURNPIKE HOUSE Fergus Hume
3. MIDSUMMER MADNESS Mrs. Lovett Cameron
4. MRS. MUSGRAVE AND HER HUSBAND Richard Marsh
5. THE SIN OF HAGAR Helen Mathers
6. DELPHINE Curtis Yorke
7. TRAITOR AND TRUE John Bloundelle-burton
8. THE OTHER MRS. JACOBS Mrs. Campbell Praed
9. THE COUNTESS OF MOUNTENOY John Strange Winter
10. THE WOOING OF MONICA L. T. Meade
11. THE WORLD MASTERS George Griffith
12. HIS ITALIAN WIFE Lucas Cleeve
13. No. 3, THE SQUARE Florence Warden
14. MISS ARNOTT'S MARRIAGE Richard Marsh
15. THE THREE DAYS' TERROR J. S. Fletcher
16. THE JUGGLER AND THE SOUL Helen Mathers
17. THE HARVEST OF LOVE C. Ranger Gull
18. BITTER FRUIT Mrs. Lovett Cameron
19. BENEATH THE VEIL Adeline Sergeant
20. THE BRANGWYN MYSTERY David Christie Murray
21. FUGITIVE ANNE Mrs. Campbell Praed
22. IN SUMMER SHADE Mary E. Mann
23. A JILT'S JOURNAL Rita
24. THE SCARLET SEAL Dick Donovan
N.B.--The first Eight will be published March 16th. There will then be
an interval of one month, when, commencing April 20th, the volumes will
appear fortnightly, two at a time, until July 27th.
GENERAL LITERATURE
+OSCAR WILDE AND MYSELF.+ By Lord Alfred Douglas. With rare Portraits
and Illustrations. Demy 8vo. Price 10s. 6_d._ net.
Some of Oscar Wilde's biographers are persons who had only a nodding
acquaintance with him, and others had no acquaintance at all. But in
their writings there is one name which is linked with Wilde's and is
second only in importance to it--the name of Lord Alfred Douglas. After
long years Lord Alfred has decided to break the silence and to give the
real facts about his relations with Wilde from the period when Wilde
was at the top of his fame to the time of his tragedy and death. "Oscar
Wilde and Myself" contains a serious side inasmuch as it deals with the
grave disasters which this friendship has brought upon Lord Alfred. It
possesses another side in the analysis of the purely literary aspect of
Wilde's work; and a large number of anecdotes and sayings of Wilde are
included which have never before been printed. It gives also an account
of the Wilde circle, which included the most prominent persons of the
period. Of Lord Alfred Douglas's literary gifts his worst enemy is in
no doubt, and this work, apart from its great personal import, will
give the quietus to much that is false which has grown round the Oscar
Wilde tradition.
BELGIUM, HER KINGS, KINGDOM, AND PEOPLE. By John de Courcy
Macdonnell. Fully illustrated. Demy 8vo. Price 15_s._ net.
The lives of Leopold I., Leopold II., and King Albert told with a
wealth of intimate detail which up till now has been withheld, the true
story of the Belgian Revolution, untold by any English writer ere this,
and much that is new and interesting about all the leading people in
Belgium, from Royalties to Anarchists. The author describes the Belgian
people, their mode of living, their thrift, their industry--the country
itself, the forests, the mining districts, the crowded cities--and
throws fresh light on many aspects of Belgian politics.
+THE BONDS OF AFRICA.+ By Owen Letcher, F.R.G.S., Author of "Big Game
Hunting in North-Eastern Rhodesia." With 50 Illustrations from
Photographs and a Map. Demy 8vo. Price 12_s._ 6_d._ net.
Mr. Owen Letcher is a young Englishman who has spent the past eleven
years in Africa and has wandered into well-nigh unknown portions of the
Dark Continent to hunt big game and to pry into the lives of the
natives inhabitant of the remotest corners of it. Quite apart from its
value to the traveller, the sportsman, and the student of natural
history, the book possesses a remarkable human interest. Mr. Letcher
knows Africa from Cape Town to the City of the Pharaohs, and, as the
work covers an enormous field of but little known land in Southern,
North-Western and North-Eastern Rhodesia, Nyasaland, British East
Africa, and Uganda, its merits from a geographical point of view are
undoubted.
+MADAME DU BARRY.+ By Edmond and Jules de Goncourt. With Photogravure and
numerous other Portraits. Demy 8vo. Price 12_s_. 6_d_. net.
One of the most marvellously minute and realistic specimens of
biography to be found. No pains have been spared to obtain all the
information available with reference to the extraordinary woman who,
born out of wedlock in the little French town of Vaucouleurs, became
the mistress of Louis XV., and after a career of reckless extravagance,
perished on the guillotine.
+STORIES OF SOCIETY.+ By Charles E. Jerningham ("Marmaduke" of _Truth_).
With numerous Portraits. Demy 8vo. Price 10_s_. 6_d_. net.
In his life spent amongst the clubs and the drawing-rooms of Mayfair
the author (for more than twenty years "Marmaduke" of _Truth_) has
become familiar with the skeletons lurking in the cupboards of Society,
and there is no writer of to-day who is more fully or happily equipped
to fulfil the function of a social satirist.
+THE PURPOSE: Reflections and Digressions.+ By Hubert Wales. With
Portrait. Crown 8vo. Price 5_s_. net.
Mr. Hubert Wales' object in this book is to discuss serious subjects in
a style and within a compass compatible with modern exigencies and
habits. No longer the hidden operator pulling the strings that move his
puppets, he draws aside the curtain, appears in his own person, and
talks familiarly with his readers upon such absorbing and vital topics
as Life and Death, Ethics, Sex and Beauty.
+HOUNDS.+ By Frank Townend Barton, M.R.C.V.S. With 37 Illustrations from
Photographs. Crown 8vo. Price 5_s_. net.
An entirely new and original work dealing with the most important
varieties of hounds. Each variety is exhaustively dealt with, not only
in relation to the conformation, but in matters appertaining to
feeding, breeding, rearing, showing, health and sport, etc., etc.
+ARTEGAL: a Drama; Poems and Ballads.+ By B. C. Hardy, Author of
"Philippa of Hainault and Her Times," "The Princesse de Lamballe," etc.
Crown 8vo. Price 3_s_. 6_d_. net.
+BEQUEATHED MID-OCEAN.+ By Blanche Adelaide Brock, Author of "Fire
Fantasies," etc. Crown 8vo. Price 3_s_, 6_d_. net. A Story in Verse.
+GOLF FOR THE LATE BEGINNER.+ By Henry Hughes (One of Them). With
Thirty-two Illustrations from Photographs specially taken for the Work.
Fcap. 8vo. Price 1_s_. net. Third and Revised Edition.
_World of Golf_ says: "Every stroke and club are carefully explained.
An excellent shillingsworth."
_RECENTLY PUBLISHED_
+EUGENE DE BEAUHARNAIS: the Adopted Son of Napoleon.+ By Violette M.
Montagu, Author of "Sophie Dawes, Queen of Chantilly," "The Scottish
College in Paris," etc. With 24 Portraits and Illustrations. Demy 8vo.
Price 15_s_. net.
+ROBESPIERRE AND THE WOMEN HE LOVED.+ By Hector Fleischmann, English
Version by Dr. A.S. Rappoport. With Photogravure and 19 other
Portraits. Demy 8vo. Price 13_s_. 6_d_. net.
+ROSE BERTIN: the Creator of Fashion at the Court of Marie Antoinette.+
By Emile Langlade. English Version by Dr. A. S. Rappoport. With
Photogravure and 24 Portraits. Demy 8vo. Price 12_s_. 6_d_. net.
+BOHEMIAN DAYS IN FLEET STREET.+ By a Journalist. Demy 8vo. Price 10_s_.
6_d_. net.
+TRAVELS IN THE PYRENEES: including Andorra and the Coast from Barcelona
to Carcassonne.+ By V. C. Scott O'Connor, Author of "The Silken East,"
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[Transcriber's note: italicized text is indicated with _underscores_;
bold text is indicated with +plus signs+.