CHAPTER III.

Unhappy Constantia! At the moment when thy dearest hopes had budded

afresh, when the clouds of insecurity and disquiet had retired from thy

vision, wast thou assailed by the great subverter of human schemes. Thou

sawest nothing in futurity but an eternal variation and succession of

delights. Thou wast hastening to forget dangers and sorrows which thou

fondly imaginedst were never to return. This day was to be the outset of

a new career; existence was henceforth to be embellished with enjoyments

hitherto scarcely within the reach of hope.

Alas! thy predictions of calamity seldom failed to be verified. Not so

thy prognostics of pleasure. These, though fortified by every

calculation of contingencies, were edifices grounded upon nothing. Thy

life was a struggle with malignant destiny,--a contest for happiness in

which thou wast fated to be overcome.

She stooped to kiss the venerable cheek of her father, and, by

whispering, to break his slumber. Her eye was no sooner fixed upon his

countenance, than she started back and shrieked. She had no power to

forbear. Her outcries were piercing and vehement. They ceased only with

the cessation of breath. She sunk upon a chair in a state partaking more

of death than of life, mechanically prompted to give vent to her agonies

in shrieks, but incapable of uttering a sound.

The alarm called her servants to the spot. They beheld her dumb, wildly

gazing, and gesticulating in a way that indicated frenzy. She made no

resistance to their efforts, but permitted them to carry her back to her

own chamber. Sarah called upon her to speak, and to explain the cause

of these appearances; but the shock which she had endured seemed to have

irretrievably destroyed her powers of utterance.

The terrors of the affectionate Sarah were increased. She kneeled by the

bedside of her mistress, and, with streaming eyes, besought the unhappy

lady to compose herself. Perhaps the sight of weeping in another

possessed a sympathetic influence, or nature had made provision for this

salutary change. However that be, a torrent of tears now came to her

succour, and rescued her from a paroxysm of insanity which its longer

continuance might have set beyond the reach of cure.

Meanwhile, a glance at his master's countenance made Fabian fully

acquainted with the nature of the scene. The ghastly visage of Mr.

Dudley showed that he was dead, and that he had died in some terrific

and mysterious manner. As soon as this faithful servant recovered from

surprise, the first expedient which his ingenuity suggested was to fly

with tidings of this event to Mr. Melbourne. That gentleman instantly

obeyed the summons. With the power of weeping, Constantia recovered the

power of reflection. This, for a time, served her only as a medium of

anguish. Melbourne mingled his tears with hers, and endeavoured, by

suitable remonstrances, to revive her fortitude.

The filial passion is perhaps instinctive to man; but its energy is

modified by various circumstances. Every event in the life of Constantia

contributed to heighten this passion beyond customary bounds. In the

habit of perpetual attendance on her father, of deriving from him her

knowledge, and sharing with him the hourly fruits of observation and

reflection, his existence seemed blended with her own. There was no

other whose concurrence and council she could claim, with whom a

domestic and uninterrupted alliance could be maintained. The only bond

of consanguinity was loosened, the only prop of friendship was taken

away.

Others, perhaps, would have observed that her father's existence had

been merely a source of obstruction and perplexity; that she had

hitherto acted by her own wisdom, and would find, hereafter, less

difficulty in her choice of schemes, and fewer impediments to the

execution. These reflections occurred not to her. This disaster had

increased, to an insupportable degree, the vacancy and dreariness of her

existence. The face she was habituated to behold had disappeared

forever; the voice whose mild and affecting tones had so long been

familiar to her ears was hushed into eternal silence. The felicity to

which she clung was ravished away; nothing remained to hinder her from

sinking into utter despair.

The first transports of grief having subsided, a source of consolation

seemed to be opened in the belief that her father had only changed one

form of being for another; that he still lived to be the guardian of her

peace and honour, to enter the recesses of her thought, to forewarn her

of evil and invite her to good. She grasped at these images with

eagerness, and fostered them as the only solaces of her calamity. They

were not adapted to inspire her with cheerfulness, but they sublimed her

sensations, and added an inexplicable fascination to sorrow.

It was unavoidable sometimes to reflect upon the nature of that death

which had occurred. Tokens were sufficiently apparent that outward

violence had been the cause. Who could be the performer of so black a

deed, by what motives he was guided, were topics of fruitless

conjecture. She mused upon this subject, not from the thirst of

vengeance, but from a mournful curiosity. Had the perpetrator stood

before her and challenged retribution, she would not have lifted a

finger to accuse or to punish. The evil already endured left her no

power to concert and execute projects for extending that evil to others.

Her mind was unnerved, and recoiled with loathing from considerations of

abstract justice, or political utility, when they prompted to the

prosecution of the murderer.

Melbourne was actuated by different views, but on this subject he was

painfully bewildered. Mr. Dudley's deportment to his servants and

neighbours was gentle and humane. He had no dealings with the

trafficking or labouring part of mankind. The fund which supplied his

cravings of necessity or habit was his daughter's. His recreations and

employments were harmless and lonely. The evil purpose was limited to

his death, for his chamber was exactly in the same state in which

negligent security had left it. No midnight footstep or voice, no

unbarred door or lifted window, afforded tokens of the presence or

traces of the entrance or flight of the assassin.

The meditations of Constantia, however, could not fail in some of their

circuities to encounter the image of Craig. His agency in the

impoverishment of her father, and in the scheme by which she had like to

have been loaded with the penalties of forgery, was of an impervious and

unprecedented kind. Motives were unveiled by time, in some degree

accounting for his treacherous proceeding; but there was room to suppose

an inborn propensity to mischief. Was he not the author of this new

evil? His motives and his means were equally inscrutable, but their

inscrutability might flow from her own defects in discernment and

knowledge, and time might supply her defects in this as in former

instances.

These images were casual. The causes of the evil were seldom

contemplated. Her mind was rarely at liberty to wander from reflection

on her irremediable loss. Frequently, when confused by distressful

recollections, she would detect herself going to her father's chamber.

Often his well-known accents would ring in her ears, and the momentary

impulse would be to answer his calls. Her reluctance to sit down to her

meals without her usual companion could scarcely be surmounted.

In this state of mind, the image of the only friend who survived, or

whose destiny, at least, was doubtful, occurred to her. She sunk into

fits of deeper abstraction and dissolved away in tears of more agonizing

tenderness. A week after her father's interment, she shut herself up in

her chamber, to torment herself with fruitless remembrances. The name of

Sophia Westwyn was pronounced, and the ditty that solemnized their

parting was sung. Now, more than formerly, she became sensible of the

loss of that portrait which had been deposited in the hands of M'Crea as

a pledge. As soon as her change of fortune had supplied her with the

means of redeeming it, she hastened to M'Crea for that end. To her

unspeakable disappointment, he was absent from the city; he had taken a

long journey, and the exact period of his return could not be

ascertained. His clerks refused to deliver the picture, or even, by

searching, to discover whether it was still in their master's

possession. This application had frequently and lately been repeated,

but without success; M'Crea had not yet returned, and his family were

equally in the dark as to the day on which his return might be expected.

She determined, on this occasion, to renew her visit. Her incessant

disappointments had almost extinguished hope, and she made inquiries at

his door, with a faltering accent and sinking heart. These emotions were

changed into surprise and delight, when answer was made that he had just

arrived. She was instantly conducted into his presence.

The countenance of M'Crea easily denoted that his visitant was by no

means acceptable. There was a mixture of embarrassment and sullenness in

his air, which was far from being diminished when the purpose of this

visit was explained. Constantia reminded him of the offer and acceptance

of this pledge, and of the conditions with which the transaction was

accompanied.

He acknowledged, with some hesitation, that a promise had been given to

retain the pledge until it were in her power to redeem it; but the long

delay, the urgency of his own wants, and particularly the ill treatment

which he conceived himself to have suffered in the transaction

respecting the forged note, had, in his own opinion, absolved him from

this promise. He had therefore sold the picture to a goldsmith, for as

much as the gold about it was worth.

This information produced, in the heart of Constantia, a contest between

indignation and sorrow, that for a time debarred her from speech. She

stifled the anger that was, at length, rising to her lips, and calmly

inquired to whom the picture had been sold.

M'Crea answered that for his part he had little dealings in gold and

silver, but every thing of that kind which fell to his share he

transacted with Mr. D----. This person was one of the most eminent of

his profession. His character and place of abode were universally

known. Tho only expedient that remained was to apply to him, and to

ascertain, forthwith, the destiny of the picture. It was too probable

that, when separated from its case, the portrait was thrown away or

destroyed, as a mere encumbrance, but the truth was too momentous to be

made the sport of mere probability. She left the house of M'Crea, and

hastened to that of the goldsmith.

The circumstance was easily recalled to his remembrance. It was true

that such a picture had been offered for sale, and that he had purchased

it. The workmanship was curious, and he felt unwilling to destroy it. He

therefore hung it up in his shop and indulged the hope that a purchaser

would some time be attracted by the mere beauty of the toy.

Constantia's hopes were revived by these tidings, and she earnestly

inquired if it were still in his possession.

"No. A young gentleman had entered his shop some months before: the

picture had caught his fancy, and he had given a price which the artist

owned he should not have demanded, had he not been encouraged by the

eagerness which the gentleman betrayed to possess it."

"Who was this gentleman? Had there been any previous acquaintance

between them? What was his name, his profession, and where was he to be

found?"

"Really," the goldsmith answered, "he was ignorant respecting all those

particulars. Previously to this purchase, the gentleman had sometimes

visited his shop; but he did not recollect to have since seen him. He

was unacquainted with his name and his residence."

"What appeared to be his motives for purchasing this picture?"

"The customer appeared highly pleased with it. Pleasure, rather than

surprise, seemed to be produced by the sight of it. If I were permitted

to judge," continued the artist, "I should imagine that the young man

was acquainted with the original. To say the truth, I hinted as much at

the time, and I did not see that he discouraged the supposition. Indeed,

I cannot conceive how the picture could otherwise have gained any value

in his eyes."

This only heightened the eagerness of Constantia to trace the footsteps

of the youth. It was obvious to suppose some communication or connection

between her friend and this purchaser. She repeated her inquiries, and

the goldsmith, after some consideration, said, "Why, on second thoughts,

I seem to have some notion of having seen a figure like that of my

customer go into a lodging-house in Front Street, some time before I met

with him at my shop."

The situation of this house being satisfactorily described, and the

artist being able to afford her no further information, except as to

stature and guise, she took her leave. There were two motives impelling

her to prosecute her search after this person,--the desire of regaining

this portrait and of procuring tidings of her friend. Involved as she

was in ignorance, it was impossible to conjecture how far this incident

would be subservient to these inestimable purposes. To procure an

interview with this stranger was the first measure which prudence

suggested.

She knew not his name or his person. He was once seen entering a

lodging-house. Thither she must immediately repair; but how to introduce

herself, how to describe the person of whom she was in search, she knew

not. She was beset with embarrassments and difficulties. While her

attention was entangled by these, she proceeded unconsciously on her

way, and stopped not until she reached the mansion that had been

described. Here she paused to collect her thoughts.

She found no relief in deliberation. Every moment added to her

perplexity and indecision. Irresistibly impelled by her wishes, she at

length, in a mood that partook of desperate, advanced to the door and

knocked. The summons was immediately obeyed by a woman of decent

appearance. A pause ensued, which Constantia at length terminated by a

request to see the mistress of the house.

The lady courteously answered that she was the person, and immediately

ushered her visitant into an apartment. Constantia being seated, the

lady waited for the disclosure of her message. To prolong the silence

was only to multiply embarrassments. She reverted to the state of her

feelings, and saw that they flowed from inconsistency and folly. One

vigorous effort was sufficient to restore her to composure and

self-command.

She began with apologizing for a visit unpreceded by an introduction.

The object of her inquiries was a person with whom it was of the utmost

moment that she should procure a meeting, but whom, by an unfortunate

concurrence of circumstances, she was unable to describe by the usual

incidents of name and profession. Her knowledge was confined to his

external appearance, and to the probability of his being an inmate of

this house at the beginning of the year. She then proceeded to describe

his person and dress.

"It is true," said the lady; "such a one as you describe has boarded in

this house. His name was Martynne. I have good reason to remember him,

for he lived with me three months, and then left the country without

paying for his board."

"He has gone, then?" said Constantia, greatly discouraged by these

tidings.

"Yes. He was a man of specious manners and loud pretensions. He came

from England, bringing with him forged recommendatory letters, and,

after passing from one end of the country to the other, contracting

debts which he never paid and making bargains which he never fulfilled,

he suddenly disappeared. It is likely that he has returned to Europe."

"Had he no kindred, no friends, no companions?"

"He found none here. He made pretences to alliances in England, which

better information has, I believe, since shown to be false."

This was the sum of the information procurable from this source.

Constantia was unable to conceal her chagrin. These symptoms were

observed by the lady, whose curiosity was awakened in turn. Questions

were obliquely started, inviting Constantia to a disclosure of her

thoughts. No advantage would arise from confidence, and the guest, after

a few minutes of abstraction and silence, rose to take her leave.

During this conference, some one appeared to be negligently sporting

with the keys of a harpsichord, in the next apartment. The notes were

too irregular and faint to make a forcible impression on the ear. In the

present state of her mind, Constantia was merely conscious of the sound,

in the intervals of conversation. Having arisen from her seat, her

anxiety to obtain some information that might lead to the point she

wished made her again pause. She endeavoured to invent some new

interrogatory better suited to her purpose than those which had already

been employed. A silence on both sides ensued.

During this interval, the unseen musician suddenly refrained from

rambling, and glided into notes of some refinement and complexity. The

cadence was aerial; but a thunderbolt, falling at her feet, would not

have communicated a more visible shock to the senses of Constantia. A

glance that denoted a tumult of soul bordering on distraction was now

fixed upon the door that led into the room from whence the harmony

proceeded. Instantly the cadence was revived, and some accompanying

voice was heard to warble,--

"Ah! far beyond this world of woes

We meet to part,--to part no more."

Joy and grief, in their sudden onset and their violent extremes,

approach so nearly in their influence on human beings as scarce to be

distinguished. Constantia's frame was still enfeebled by her recent

distresses. The torrent of emotion was too abrupt and too vehement. Her

faculties were overwhelmed, and she sunk upon the floor motionless and

without sense, but not till she had faintly articulated,--

"My God! My God! This is a joy unmerited and too great."

Ormond; Or, The Secret Witness. Volume 3 (of 3) · 第 3 / 10 章