"I know that well enough, Pulaski," Miss Fanny assented, "and I have

sometimes had an idea that you thought too much about her for your own

good."

"That is true," he replied. He was a merciless critic of himself in

matters both great and small, and he had no concealments to make. He was

open as the day, except where openness might render others unhappy or

uncomfortable. "Yes, you are right," he insisted; "I have thought too

much about her happiness for my own good, and now I see myself on the

verge of great trouble."

"If Margaret understood the situation," said Miss Fanny, "I think she

would feel differently."

"On the contrary, I think she understands the situation perfectly well;

that is the only explanation of her troubles which she has not sought to

conceal."

At that moment Margaret came to the door. Her face was very pale, almost

ghastly, indeed, but whatever trouble may have looked from her eyes

before, they were clear now. She came into the room with a little smile

hovering around her mouth. She had no eyes for any one but Pulaski

Tomlin, and to him she spoke.

"My father has come," she said. "He is not such a father as I would have

selected; still, he is my father. I knew him the moment I opened the

door. He wants me to go with him; he says he is able to provide for me.

He has claims on me."

"Have we none?" Miss Fanny asked.

"More than anybody in the world," replied Margaret, turning to her;

"more than all the rest of the world put together. But I have always

said to myself," she addressed Neighbour Tomlin again, "that if it

should ever happen that I found myself unable to carry out your wishes,

sir, it would be best for me to leave your roof, where all my happiness

has come to me." She was very humble, both in speech and demeanour.

Neighbour Tomlin looked at her with a puzzled and a grieved expression.

"Why, I don't understand you, Margaret," said Neighbour Tomlin. "What

wish of mine have you found yourself unable to carry out?"

"Only one, sir; but that was a very important one; you desired me to

marry Mr. Bethune."

"I? Why, you were never more mistaken in your life," replied Neighbour

Tomlin, with what Miss Fanny thought was unnecessary energy. "I may have

suggested it; I saw you gloomy and unhappy, and I had observed the

devotion of the young man. What more natural than for me to suggest

that--Margaret! you are giving me a terrible wound!" He turned and went

into the library, and Margaret ran after him.

It is probable that Nan knows better than any outsider what occurred

then. It seems that Margaret, in her excitement, forgot to close the

door after her, and Nan was sitting where she could see pretty much

everything that happened; and she had a delicious little tale to tell

her dear Johnny when she went home, a tale so impossible and romantic

that she forgot her own troubles, and fairly glowed with happiness. But

it is best not to depend too much on what Nan saw, though her sight was

fairly good where her interests were enlisted.

Margaret ran after Neighbour Tomlin and seized him by the arm. "Oh, I

never meant to wound you," she cried--"you who have been so kind, and so

good! Oh, if you could only read my heart, you would forgive me,

instantly and forever."

"I can read my own heart," said Neighbour Tomlin, "and it has but one

feeling for you."

"Then kiss me good-bye," she said. "I am going with my father."

"If I kiss you," he replied, "you'll not go."

She looked at him, and he at her, and she found herself in the focus of

a light that enabled her to see everything more clearly. She caught his

secret and he hers, and there was no longer any room for

misunderstanding. Her father, weak as he was, had been strong enough to

provide his daughter with a remedy for the only serious trouble, short

of bereavement, that his daughter was ever to know. She refused to

return to the parlour, where he awaited her.

"Shall I go?" said Neighbour Tomlin.

"If you please, sir," said Margaret, with a faint smile. She could

hardly realise the change that had so suddenly taken place in her hopes

and her plans, so swift and unexpected had it been.

Neighbour Tomlin went into the parlour, and made Bridalbin acquainted

with the facts.

"Margaret has changed her mind," said Neighbour Tomlin. "She thinks it

is best to remain under the care and protection of those whom she knows

better than she knows her father."

"Why, she seemed eager to go a moment ago," said Bridalbin; "and you

must remember that she is my daughter."

"Her friends couldn't forget that under all the circumstances,"

Neighbour Tomlin remarked drily.

"I believe her mind has been poisoned against me," Bridalbin declared.

"That is quite possible," replied Neighbour Tomlin; "and I think you

could easily guess the name of the poisoner."

"May I see my daughter?"

"That rests entirely with her," said Neighbor Tomlin.

But Margaret refused to see him again. Since her own troubles had been

so completely swept away, her memory reverted to all the troubles her

mother had to endure, as the result of Bridalbin's lack of fixed

principles, and she sent him word that she would prefer not to see him

then or ever afterward; and so the man went away, more bent on doing

mischief than ever, though he was compelled to change his field of

operations.

And then, after he was gone, a silence fell on the company. Nan appeared

to be in a dazed condition, while Miss Fanny sat looking out of the

window. Margaret, very much subdued, was clinging to Nan, and Neighbour

Tomlin was pacing up and down in the library in a glow of happiness. All

his early dreams had come back to him, and they were true. The romance

of his youth had been changed into a reality.

Margaret was the first to break the silence. She left Nan, and went

slowly to Miss Fanny, and stood by her chair. "What do you think of me?"

she said, in a low voice.

For answer, Miss Fanny rose and placed her arms around the girl, and

held her tightly for a moment, and then kissed her.

"But I do think, my dear," she said with an effort to laugh, "that the

matter might have been arranged without frightening us to death."

"I had no thought of frightening you. Oh, I am afraid I had no thought

for anything but my own troubles. Did you know? Did you guess?"

"I knew about Pulaski, but I had to go away from home to learn the news

about you. Madame Awtry called my attention to it, and then with my

eyes upon, I could see a great many things that were not visible

before."

"Why, how could she know?" cried Margaret. "I have talked with her not

more than a half dozen times."

"She is a very wise woman," Miss Fanny remarked, by way of explanation.

"Well, when I get in love, I'll not visit Madame Awtry," said Nan.

"My dear, you have been there once too often," Miss Fanny declared.

"Why, what has she been telling you?" inquired Nan, blushing very red.

"I'll not disclose your secrets, Nan," answered Miss Fanny.

"I would thank you kindly, if I had any," said Nan.

And then, suddenly, while Margaret was standing with her arms around

Miss Fanny, she began to blush and show signs of embarrassment.

"Nan," she said, "will you take a boarder for--for--for I don't know how

long?"

"Not for long, Nan. Say a couple of weeks." It was Neighbour Tomlin who

spoke, as he came out of the library.

"Oh, for longer than that," protested Margaret.

"You must remember that I am getting old, child," he said very solemnly.

"So am I, sir," she said archly. "I am quite as old as you are, I

think."

"This is the first quarrel," Nan declared, "and who knows how it will

all end? You are to come and stay as long as you please, and then after

that, you are to stay as long as I please."

"I declare, Nan, you talk like an old woman!" exclaimed Miss Fanny;

whereupon Nan laughed and said she had to be serious sometimes.

And so it was arranged that Margaret was to stay with Nan for an

indefinite period. "I hope you will come to see me occasionally, Mr.

Tomlin, and you too, Aunt Fanny," she said with mock formality. "We

shall have days for receiving company, just as the fine ladies do in the

cities; and you'll have to send in your cards."

The two young women refused to go in the carriage.

"It is so small and stuffy," said Margaret to Neighbour Tomlin, "and

to-day I want to be in the fresh air. If you please, sir, don't look at

me like that, or I can never go." She went close to him. "Oh, is it all

true? Is it really and truly true, or is it a dream?"

"It is true," he said, kissing her. "It is a dream, but it is my dream

come true."

"I didn't think," she said, as she went along with Nan, "that the world

was as beautiful as it seems to be to-day."

"Mr. Sanders says," replied Nan, "that it is the most comfortable world

he has ever found; but somehow--well, you know we can't all be happy the

same way at the same time."

"Your day is still to come," said Margaret, "and when it does, I want to

be there."

"You say that," remarked Nan, "but you know you would have felt better

if you hadn't had so much company. For a wonder Tasma Tid wouldn't go in

the house with me. She said something was happening in there. Now, how

did she know?" Tasma Tid had joined them as they came through the gate,

and now Nan turned to her with the question.

"Huh! we know dem trouble w'en we see um. Dee ain't no trouble now. She

done gone--dem trouble. But yan' come mo'." She pointed to Miss Polly

Gaither, who came toddling along with her work-bag and her turkey-tail

fan.

"Howdy, girls? I'm truly glad to see you. You are looking well both of

you, and health is a great blessing. I have just been to Lucy Lumsden's,

Nan, and she thinks a great deal of you. I could tell you things that

would turn your head. But I'm really sorry for Lucy; she's almost as

lonely as I am. They say Gabriel is sure to be dealt with; I'm told

there is no other way out of it. Have you two heard anything?" Margaret

and Nan shook their heads, but gestures of that kind were not at all

satisfactory to Miss Polly. "They say that little Cephas was sent down

to prepare Gabriel for the worst. But I didn't say a word about that to

Lucy, and if you two girls go there, you must be very careful not to

drop a word about it. Lucy is getting old, and she can't bear up under

trouble as she used to could. She has aged wonderfully in the past few

weeks. Don't you think so, Nan?"

She held up her ear-trumpet as she spoke, and Nan made a great pretence

of yelling into it, though not a sound issued from her lips. Miss Polly

frowned. "Don't talk so loud, my dear; you will make people think I'm a

great deal deafer than I am. But you always would yell at me, though I

have asked you a dozen times to speak only in ordinary tones. Well, I

don't agree with you about Lucy. She has broken terribly since Gabriel

was carried off; she is not the same woman, she takes no interest in

affairs at all. I told her a piece of astonishing news, and she paid no

more attention to it than if she hadn't heard it; and she didn't use to

be that way. Well, we all have our troubles, and you two will have yours

when you grow a little older. That is one thing of which there is always

enough left to go around. The supply is never exhausted."

After delivering this truism, Miss Polly waved her turkey-tail fan as

majestically as she knew how, and went toddling along home. Miss Polly

was a kind-hearted woman, but she couldn't resist the inclination to

gossip and tattle. Her tattle did no harm, for her weakness was well

advertised in that community; but, unfortunately, her deafness had made

her both suspicious and irritable. When in company, for instance, she

insisted on feeling that people were talking about her when the

conversation was not carried on loud enough for her to hear the sound of

the voices, if not the substance of what was said, and she had a way of

turning to the one closest at hand, with the remark, "They should have

better manners than to talk of the afflictions of an old woman, for it

is not at all certain that they will escape." Naturally this would call

out a protest on the part of all present, whereupon Miss Polly would

shake her head, and remark that she was not as deaf as many people

supposed; that, in fact, there were days when she could hear almost as

well as she heard before the affliction overtook her.

"I wonder," said Nan, whose curiosity was always ready to be aroused,

"what piece of astonishing news Miss Polly has been telling Grandmother

Lumsden. Perhaps she has told her of the events of the morning at Mr.

Tomlin's."

"That is absurd, Nan," Margaret declared. "Still, it would make no

difference to me. He was the only person that I ever wanted to hide my

feelings from. I never so much as dreamed that he could care for

me--and, oh, Nan! suppose that he should be pretending simply to please

me!"

"You goose!" cried Nan. "Whoever heard of that man pretending, or trying

to deceive any one? If he was a young man, now, it would be different."

"Not with all young men," Margaret asserted. "There is Gabriel

Tolliver--I don't believe he would deceive any one."

"Oh, Gabriel--but why do you mention Gabriel?"

"Because his eyes are so beautiful and honest," answered Margaret.

But Nan tossed her head; she would never believe anything good about

Gabriel unless she said it herself--or thought it, for she could think

hundreds, yes, thousands, of things about Gabriel that she wouldn't dare

to breathe aloud, even though there was no living soul within a hundred

miles. And that fact needn't make Gabriel feel so awfully proud, for

there were other persons and things she could think about.

Ah, well! love is such a restless, suspicious thing, such an irritating,

foolish, freakish, solemn affair, that it is not surprising the two

young women were somewhat afraid of it when they found themselves in its

clutches.

CHAPTER THIRTY

_Miss Polly Has Some News_

The news which Miss Polly had laid as a social offering at Mrs. Lucy

Lumsden's feet, and which she boasted was very astonishing, had the

appearance of absurdity on the face of it. Miss Polly, with her work-bag

and her turkey-tail fan, had paid a very early visit to the Lumsden

Place. She went in very quietly, greeted her old friend in a subdued

manner, and then sat staring at her with an expression that Mrs. Lumsden

failed to understand. It might have been the result of special and

unmitigated woe, or of physical pain, or of severe fatigue. Whatever the

cause, it was unnatural, and so Gabriel's grandmother made haste to

inquire about it.

"Why, what in the world is the matter, Polly? Are you ill?"

At this Miss Polly acted as if she had been aroused from a dream or a

revery. Her work-bag slid from her lap, and her turkey-tail fan would

have fallen had it not been attached to her wrist by a piece of faded

ribbon. "I declare, Lucy, I don't know that I ought to tell you; and I

wouldn't if I thought you would repeat it to a living soul. It is more

than marvellous; it is, indeed, Lucy"--leaning a little nearer, and

lowering her voice, which was never very loud--"I honestly believe that

Ritta Claiborne is in love with old Silas Tomlin! I certainly do."

"You must have some reason for believing that," said Mrs. Lumsden, with

a benevolent smile, the cause of which the ear-trumpet could not

interpret.

"Reasons! I have any number, Lucy. I'm certain you won't believe me, but

it has come to that pass that old Silas calls on her every night, and

they sit in the parlour there and talk by the hour, sometimes with

Eugenia, and sometimes without her. It would be no exaggeration at all

if I were to tell you that they are talking together in that parlour

five nights out of the seven. Now, what do they mean by that?"

"Why, there's nothing in that, Polly. I have heard that they are old

acquaintances. Surely old acquaintances can talk together, and be

interested in one another, without being in love. Why, very frequently

of late Meriwether Clopton comes here. I hope you don't think I'm in

love with him."

"Certainly not, Lucy, most certainly not. But do you have Meriwether's

portrait hanging in your parlour? And do you go and sit before it, and

study it, and sometimes shake your finger at it playfully? I tell you,

Lucy, there are some queer people in this world, and Ritta Claiborne is

one of them."

"She is excellent company," said Mrs. Lumsden.

"She is, she is," Miss Polly assented. "She is full of life and fun; she

sees the ridiculous side of everything; and that is why I can't

understand her fondness for old Silas. It is away beyond me. Why, Lucy,

she treats that portrait as if it were alive. What she says to it, I

can't tell you, for my hearing is not as good now as it was before my

ears were affected. But she says something, for I can see her lips move,

and I can see her smile. My eyesight is as good now as ever it was. I'm

telling you what I saw, not what I heard. The way she went on over that

portrait was what first attracted my attention; but for that I would

never have had a suspicion. Now, what do you think of it, Lucy?"

"Nothing in particular. If it is true, it would be a good thing for

Silas. He is not as mean as a great many people think he is."

"He may not be, Lucy," responded Miss Polly, "but he brings a bad taste

in my mouth every time I see him."

"Well, directly after Sherman passed through," said Mrs. Lumsden, "and

when few of us had anything left, Silas came to me, and asked if I

needed anything, and he was ready to supply me with sufficient funds for

my needs."

"Well, he didn't come to me," Miss Polly declared with emphasis, "and if

anybody in this world had needs, I did. You remember Robert Gaither?

Well, Silas loaned him some money during the war, and although Robert

was in a bad way, old Silas collected every cent down to the very last,

and Robert had to go to Texas. Oh, I could tell you of numberless

instances where he took advantage of those who had borrowed from him."

"I suppose that Mr. Lumsden had been kind to Silas when he was sowing

his wild oats; indeed, I think my husband advanced him money when he had

exhausted the supply allowed him by the executors of the Tomlin estate."

"And just think of it, Lucy--Ritta Claiborne sits there and plays the

piano for old Silas, and sometimes Eugenia goes in and sings, and she

has a beautiful voice; I'm not too deaf to know that."

It was then that Mrs. Lumsden leaned over and gave the ear-trumpet some

very good advice. "If I were in your place, Polly, I wouldn't tell this

to any one else. Mrs. Claiborne is an excellent woman; she comes of a

good family, and she is cultured and refined. No doubt she is sensitive,

and if she heard that you were spreading your suspicions abroad, she

would hardly feel like staying in a house where----" Mrs. Lumsden

paused. She had it on her tongue's-end to say, "in a house where she is

spied upon," but she had no desire in the world to offend that

simple-minded old soul, who, behind all her peculiarities and

afflictions, had a very tender heart.

"I know what you mean, Lucy," said Miss Polly, "and your advice is good;

but I can't help seeing what goes on under my eyes, and I thought there

could be no harm in telling you about it. I am very fond of Ritta

Claiborne, and as for Eugenia, why she is simply angelic. I love that

child as well as if she were my own. If there's a flaw in her character,

I have never found it. I'll say that much."

The explanation of Miss Polly's suspicions is not as simple as her

recital of them. No one can account for some of the impulses of the

human heart, or the vagaries of the human mind. It is easy to say that

after Silas Tomlin had his last interview with Mrs. Claiborne, he

permitted his mind to dwell on her personality and surroundings, and so

fell gradually under a spell. Such an explanation is not only easy to

imagine, but it is plausible; nevertheless, it would not be true. There

is a sort of tradition among the brethren who deal with character in

fiction that it must be consistent with itself. This may be necessary in

books, for it sweeps away at one stroke ten thousand mysteries and

problems that play around the actions of every individual, no matter how

high, no matter how humble. How often do we hear it remarked in real

life that the actions of such and such an individual are a source of

surprise and regret to his friends; and how often in our own experience

have we been shocked by the unexpected as it crops out in the actions of

our friends and acquaintances!

For this and other reasons this chronicler does not propose to explain

Silas's motives and movements and try to show that they are all

consistent with his character, and that, therefore, they were all to be

predicated from the beginning. What is certainly true is that Silas was

one day stopped in the street by Eugenia, who inquired about Paul. He

looked at the girl very gloomily at first, but when he began to talk

about the troubles of his son, he thawed out considerably. In this case

Eugenia's sympathies abounded, in fact were unlimited, and she listened

with dewy eyes to everything Silas would tell her about Paul.

"You mustn't think too much about Paul," remarked Silas grimly, as they

were about to part.

"Thank you, sir," replied Eugenia, with a smile, "I'll think just enough

and no more. But it was my mother that told me to ask about him if I saw

you. She is very fond of him. You never come to see us now," the sly

creature suggested.

Silas stared at her before replying, and tried to find the gleam of

mockery in her eyes, or in her smile. He failed, and his glances became

shifty again. "Why, I reckon she'd kick me down the steps if I called

without having some business with her. If you were to ask her who her

worst enemy is, she'd tell you that I am the man."

"Well, sir," replied Eugenia archly, "I have been knowing mother a good

many years, but I've never seen her put any one out of the house yet. We

were talking about you to-day, and she said you must be very lonely, now

that Paul is away, and I know she sympathises with those who are lonely;

I've heard her say so many a time."

"Yes; that may be true," remarked Silas, "but she has special reasons

for not sympathising with me. She knows me a great deal better than you

do."

"I'm afraid you misjudge us both," said Eugenia demurely. "If you knew

us better, you'd like us better. I'm sure of that."

"Humph!" grunted Silas. Then looking hard at the girl, he bluntly asked,

"Is there anything between you and Paul?"

"A good many miles, sir, just now," she answered, making one of those

retorts that Paul thought so fine.

"H-m-m; yes, you are right, a good many miles. Well, there can't be too

many."

"I think you are cruel, sir. Is Paul not to come home any more? Paul is

a very good friend of mine, and I could wish him well wherever he might

be; but how would you feel, sir, if he were never to return?"

"Well, I must go," said Silas somewhat bluntly. When Beauty has a glib

tongue, abler men than Silas find themselves without weapons to cope

with it.

"Shall I tell mother that you have given your promise to call soon?"

Eugenia asked.

"Now, I hope you are not making fun of me," cried Silas with some

irritation.

"How could that be, sir? Don't you think it would be extremely pert in a

young girl to make fun of a gentleman old enough to be her father?"

Silas winced at the comparison. "Well, I have seen some very pert ones,"

he insisted, and with that he bade her good-day with a very ill grace,

and went on about his business, of which he had a good deal of one kind

and another.

"Mother," said Eugenia, after she had given an account of her encounter

with Silas, "I believe the man has a good heart and is ashamed of it."

"Why, I think the same may be said of most of the grand rascals that we

read about in history; and the pity of it is that they would have all

been good men if they had had the right kind of women to deal with them

and direct their careers."

"Do you really think so, mother?" the daughter inquired.

"I'm sure of it," said the lady.

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