"I don't blame you, Gus," remarked Mr. Sanders, "you can git more

straight p'ints from Albert Vardeman than you'll find in the books. He's

been at Mrs. Claiborne's all day; I reckon she's gittin' him to ten' to

some law business for her. They's some kinder kinnery betwixt 'em. His

mammy's cat ketched a rat in her gran'mammy's smokehouse, I reckon.

We've got more kinfolks in these diggin's, than they has been sence the

first generation arter Adam."

At the mention of Mrs. Claiborne's name Silas Tomlin opened his eyes and

uncrossed his legs. This movement caused him to lose his balance, and

his chair fell from a leaning position with a sharp bang.

"What sort of a dream did you have, Silas?" Mr. Sanders inquired with

affected solicitude. "You'd better watch out; Dock Dorrin'ton says that

when a man gits bald-headed, it's a sign that his bones is as brittle as

glass. He found that out on one of his furrin trips."

"Don't worry about me, Sanders," replied Silas. He tried to smile.

"Well, I don't reckon you could call it worry, Silas, bekaze when I

ketch a case of the worries, it allers sends me to bed wi' the jimmyjon.

I can be neighbourly wi'out worryin', I hope."

"For a woman with a grown daughter," remarked Mr. Tidwell, speaking his

thoughts aloud, as was his habit, "Mrs. Claiborne is well

preserved--very well preserved." Mr. Tidwell was a widower, of several

years' standing.

"Why, she's not only preserved, she's the preserves an' the preserver,"

Mr. Sanders declared. "To look in her eye an' watch her thoughts

sparklin' like fire, to watch her movements, an' hear her laugh, not

only makes a feller young agin, but makes him glad he's a-livin'. An'

that gal of her'n--well, she's a thoroughbred. Did you ever notice the

way she holds her head? I never see her an' Nan Dorrington together but

what I'm sorry I never got married. I'd put up wi' all the tribulation

for to have a gal like arry one on 'em."

Mr. Sanders paused a moment, and then turned to Silas Tomlin. "Silas, I

think Paul is fixin' for to do you proud. As I come along jest now, him

an' Jinny Claiborne was walkin' mighty close together. They must 'a'

been swappin' some mighty sweet secrets, bekaze they hardly spoke above

a whisper. An' they didn't look like they was in much of a hurry."

While Mr. Sanders was describing the scene he had witnessed,

exaggerating the facts to suit his whimsical humour, Silas Tomlin sat

bold upright in his chair, his eyes half-shut, and his thin lips working

nervously. "Paul knows which side his bread is buttered on," he snapped

out.

"Bread!" exclaimed Mr. Sanders, pretending to become tremendously

excited; "bread! shorely you must mean poun'-cake, Silas. And whoever

heard of putting butter on poun'-cake?"

When the loungers began to disperse, some of them going home, and others

going in to supper in response to the tavern bell, Mr. Silas Tomlin

called to Lawyer Tidwell, and the two walked along together, their homes

lying in the same direction.

"Gus," said Silas, somewhat nervously, "I want to put a case to you.

It's purely imaginary, and has probably never happened in the history of

the world."

"You mean what we lawyers call a hypothetical case," remarked Mr.

Tidwell, in a tone that suggested a spacious and a tolerant mind.

"Precisely," replied Mr. Silas Tomlin, with some eagerness. "I was

readin' a tale in an old copy of _Blackwood's Magazine_ the other day,

an' the whole business turned on just such a case. The sum and substance

of it was about this: A man marries a woman and they get along together

all right for awhile. Then, all of a sudden she takes a mortal dislike

to the man, screams like mad when he goes about her, and kicks up

generally when his name is mentioned. He, being a man of some spirit,

and rather touchy at best, finally leaves her in disgust. Finally her

folks send him word that she is dead. On the strength of that

information, he marries again, after so long a time. All goes well for

eighteen or twenty years, and then suddenly the first wife turns up.

Now what, in law, is the man's status? Where does he stand? Is this

woman really his wife?"

"Why, certainly," replied Mr. Tidwell. "His second marriage is no

marriage at all. The issue of such a marriage is illegitimate."

"That's just what I thought," commented Silas Tomlin. "But in the tale,

when the woman comes back, and puts in her claim, the judge flings her

case out of court."

"That was in England," Mr. Tidwell suggested.

"Or Scotland--I forget which," Silas Tomlin replied.

"Well, it isn't the law over here," Mr. Tidwell declared confidently.

They walked on a little way, when the lawyer suddenly turned to Silas

and said: "Mr. Tomlin, will you fetch that magazine in to-morrow? I want

to see the ground on which the woman's case was thrown out. It's

interesting, even if it is all fiction. Perhaps there was some

technicality."

"All right, Gus; I'll fetch it in to-morrow."

CHAPTER SIXTEEN

_Silas Tomlin Finds Trouble_

When Silas Tomlin reached home, he found his son reading a book. No word

of salutation passed between them; Paul simply changed his position in

the chair, and Silas grunted. They had no confidences, and they seemed

to have nothing in common. As a matter of fact, however, Silas was very

fond of this son, proud of his appearance--the lad was as neat as a pin,

and fairly well-favoured,--and proud of his love for books. Unhappily,

Silas was never able to show his affection and his fair-haired son never

knew to his dying day how large a place he occupied in his father's

heart. Miserly Silas was with money, but his love for his son was

boundless. It destroyed or excluded every other sentiment or emotion

that was in conflict with it. His miserliness was for his son's sake,

and he never put away a dollar without a feeling of exultation; he

rejoiced in the fact that it would enable his son to live more

comfortably than his father had cared to live. Silas loved money, not

for its own sake, but for the sake of his son.

Mrs. Absalom would have laughed at such a statement. The social

structure of the Southern people, and the habits and traditions based

thereon, were of such a character that a great majority could not be

brought to believe that it was possible for parsimony to exist side by

side with any of the finer feelings. All the conditions and

circumstances, the ability to command leisure, the very climate itself,

promoted hospitality, generosity, open-handedness, and that fine spirit

of lavishness that seeks at any cost to give pleasure to others. Popular

opinion, therefore, looked with a cold and suspicious eye on all

manifestations of selfishness.

But Silas Tomlin's parsimony, his stinginess, had no selfish basis. He

was saving not for himself, but for his son, in whom all his affections

and all his ambitions were centered. He had reared Paul tenderly without

displaying any tenderness, and if the son had speculated at all in

regard to the various liberties he had been allowed, or the indulgent

methods that had been employed in his bringing up, he would have traced

them to the carelessness and indifference of his father, rather than to

the ardent affection that burned unseen and unmarked in Silas's bosom.

He had never, by word or act, intentionally wounded the feelings of his

son; he had never thrown himself in the path of Paul's wishes. There was

a feeling in Shady Dale that Silas was permitting his son to go to the

dogs; whereas, as a matter of fact, no detective was ever more alert.

Without seeming to do so, he had kept an eye on all Paul's comings and

goings. When the lad's desires were reasonable, they were promptly

gratified; when they were unreasonable, their gratification was

postponed until they were forgotten. Books Paul had in abundance. Half

of the large library of Meredith Tomlin had fallen to Silas, and the

other half to Pulaski Tomlin, and the lad had free access to all.

Paul was very fond of his Uncle Pulaski and his Aunt Fanny, and he was

far more familiar with these two than he was with his father. His

association with his uncle and aunt was in the nature of a liberal

education. It was Pulaski Tomlin who really formed Paul's character, who

gathered together all the elements of good that are native to the mind

of a sensitive lad, and moulded them until they were strong enough to

outweigh and overwhelm the impulses of evil that are also native to the

growing mind. Thus it fell out that Paul was a young man to be admired

and loved by all who find modest merit pleasing.

When his father arrived at home on that particular evening, as has been

noted, Paul was reading a book. He changed his position, but said

nothing. After awhile, however, he felt something was wrong. His father,

instead of seating himself at the table, and consulting his note-book,

walked up and down the floor.

"What is wrong? Are you ill?" Paul asked after awhile.

"No, son; I am as well in body as ever I was; but I'm greatly troubled.

I wish to heaven I could go back to the beginning, and tell you all

about it; but I can't--I just can't."

Paul also had his troubles, and he regarded his father gloomily enough.

"Why can't you tell me?" he asked, somewhat impatiently. "But I needn't

ask you that; you never tell me anything. I heard something to-day that

made me ashamed."

"Ashamed, Paul?" gasped his father.

"Yes--ashamed. And if it is true, I am going away from here and never

show my face again."

Silas fell, rather than leaned, against the mantel-piece, his face

ghastly white. He tried to say, "What did you hear, Paul?" His lips

moved, but no sound issued from his throat.

"Two or three persons told me to-day," Paul went on, "that they had

heard of your intention to join the radicals, and run for the

legislature. I told each and every one of them that it was an infernal

lie; but I don't know whether it is a lie or not. If it isn't I'll leave

here."

Silas Tomlin's heart had been in his throat, as the saying is, but he

gulped it down again and smiled faintly. If this was all Paul had heard,

well and good. Compared with some other things, it was a mere matter of

moonshine. Paul took up his book again, but he turned the leaves

rapidly, and it was plain that he was impatiently waiting for further

information.

At last Silas spoke: "All the truth in that report, Paul, is this--It

has been suggested to me that it would be better for the whites here if

some one who sympathises with their plans, and understands their

interests, should pretend to become a Republican, and make the race for

the legislature. This is what some of our best men think."

"What do you mean by our best men, father?"

"Why, I don't know that I am at liberty to mention names even to you,

Paul," said Silas, who had no notion of being driven into a corner. "And

then, on the other hand, the white Republicans are not as fond of the

negroes as they pretend to be. And if they can't get some native-born

white man to run, who do you reckon they'll have to put up as a

candidate? Why, old Jerry, Pulaski's man of all work."

"Well, what of it?" Paul asked with rising indignation. "Jerry is a

great deal better than any white man who puts himself on an equality

with him."

"Have you met Mr. Hotchkiss?" asked Silas. "He seems to be a very clever

man."

"No, I haven't met him and I don't want to meet him." Paul rose from his

seat, and stood facing his father. He was a likely-looking young man,

tall and slim, but broad-shouldered. He had the delicate pink complexion

that belongs to fair-haired persons. "This is a question, father, that

can't be discussed between us. You beat about the bush in such a way as

to compel me to believe the reports I have heard are true. Well, you can

do as you like; I'll not presume to dictate to you. You may disgrace

yourself, but you sha'n't disgrace me."

With that, the high-strung young fellow seized his hat, and flung out of

the house, carrying his book with him. He shut the door after him with a

bang, as he went out, demonstrating that he was full of the heroic

indignation that only young blood can kindle.

Silas Tomlin sank into a chair, as he heard the street-door slammed.

"Disgrace him! My God! I've already disgraced him, and when he finds it

out he'll hate me. Oh, Lord!" If the man's fountain of tears had not

been dried up years before, he would have wept scalding ones.

An inner door opened and a negro woman peeped in. Seeing no one but

Silas, she cried out indignantly, "Who dat slammin' dat front do'?

You'll break eve'y glass in de house, an' half de crock'ry-ware in de

dinin'-room, an' den you'll say I done it."

"It was Paul, Rhody; he was angry about something."

The negro woman gave an indignant snort. "I don't blame 'im--I don't

blame 'im; not one bit. Ain't I been tellin' you how 'twould be? Ain't I

been tellin' you dat you'd run 'im off wid yo' scrimpin' an' pinchin'?

But 'tain't dat dat run'd 'im off. It's sump'n wuss'n dat. He ain't

never done dat away befo'. Ef dat boy ain't had de patience er Job, he'd

'a' been gone fum here long ago."

Rhody came into the room where she could look Silas in the eyes. He

regarded her with curiosity, which appeared to be the only emotion left

him. Certainly he had never seen his cook and aforetime slave in such a

tantrum. What would she say and do next?

"Home!" she exclaimed in a loud voice. Then she turned around and

deliberately inspected the room as if she had never seen it before. "An'

so dis is what you call Home--you, wid all yo' money hid away in holes

in de groun'! Dis de kinder place you fix up fer dat boy, an' him de

onliest one you got! Well!" Rhody's indignation could only be accounted

for on the ground that she had overheard the whole conversation between

father and son.

"Why, you never said anything about it before," remarked Silas Tomlin.

"No, I didn't, an' I wouldn't say it now, ef dat boy hadn't 'a' foun'

out fer hisse'f what kinder daddy he got."

"Blast your black hide! I'll knock your brains out if you talk that way

to me!" exclaimed Silas Tomlin, white with anger.

"Well, I bet you nobody don't knock yo' brains out," remarked Rhody

undismayed. "An' while I'm 'bout it, I'll tell you dis: Yo' supper's in

dar in de pots an' pans; ef you want it you go git it an' put on de

table, er set flat on de h'ath an' eat it. Dat chile's gone, an' I'm

gwine."

"You dratted fool!" Silas exclaimed, "you know Paul hasn't gone for

good. He'll come back when he gets hungry, and be glad to come."

"Is you ever seed him do dis away befo' sence he been born?" Rhody

paused and waited for a reply, but none was forthcoming. "No, you ain't!

no, you ain't! You don't know no mo' 'bout dat chile dan ef he want

yone. But I--me--ol' Rhody--I know 'im. I kin look at 'im sideways an'

tell ef he feelin' good er bad er diffunt. What you done done ter dat

chile? Tell me dat."

But Silas Tomlin answered never a word. He sat glowering at Rhody in a

way that would have subdued and frightened a negro unused to his ways.

Rhody started toward the kitchen, but at the door leading to the

dining-room she paused and turned around. "Oh, you got a heap ter answer

fer--a mighty heap; an' de day will come when you'll bar in mind eve'y

word I been tellin' you 'bout dat chile fum de time he could wobble

'roun' an' call me mammy."

With that she went out. Silas heard her moving about in the back part of

the house, but after awhile all was silence. He sat for some time

communing with himself, and trying in vain to map out some consistent

course of action. What a blessing it would be, he thought, if Paul would

make good his threat, and go away! It would be like tearing his father's

heart-strings out, but better that than that he should remain and be a

witness to his own disgrace, and to the bitter humiliation of his

father.

Silas had intended to warn his son that he was throwing away his time by

going with Eugenia Claiborne--that marriage with her was utterly

impossible. But it was a very delicate subject, and, once embarked in

it, he would have been unable to give his son any adequate or

satisfactory reason for the interdiction. Many wild and whirling

thoughts passed through the mind of Silas Tomlin, but at the end, he

asked himself why he should cross the creek before he came to it?

The reflection was soothing enough to bring home to his mind the fact

that he had had no supper. Unconsciously, and through force of habit, he

had been waiting for Rhody to set the small bell to tinkling, as a

signal that the meal was ready, but no sound had come to his ears. He

rose to investigate. A solitary candle was flaring on the dining-table.

He went to the door leading to the kitchen and called Rhody, but he

received no answer.

"Blast your impudent hide!" he exclaimed, "what are you doing out there?

Why don't you put supper on the table?"

He would have had silence for an answer, but for the barking of a nearby

neighbour's dog. He went into the kitchen, and found the fire nearly

out, whereupon he made dire threats against his cook, but, in the end,

he was compelled to fish his supper from the pans as best he could.

When he had finished he looked at the clock, and was surprised to find

that it was only a little after eight. During the course of an hour and

a half, he seemed to have lived and suffered a year and a half. The

early hour gave him an opportunity to display one of his characteristic

traits. It had never been his way to run from trouble. When a small boy,

if his nurse told him the booger-man was behind a bush, he always

insisted on investigating. The same impulse seized him now. If this Mrs.

Claiborne proposed to make any move against him--as he inferred from the

hints which the jovial Mr. Sanders had flung at his head--he would beard

the lioness in her den, and find out what she meant, and what she

wanted.

Silas was prompt to act on the impulse, and as soon as he could make the

house secure, he proceeded to the Gaither Place. His knock, after some

delay, was answered by Eugenia. The girl involuntarily drew back when

she saw who the visitor was. "What is it you wish?" she inquired.

"If your mother is at home, please ask her if she will see Silas Tomlin

on a matter of business."

Eugenia left the door open, and in a moment, from one of the rear rooms

came the sound of merry, unrestrained laughter, which only ceased when

some one uttered a warning "Sh-h!"

Eugenia returned almost immediately, and invited the visitor into the

parlour, saying, "It is rather late for business, mamma says, but she

will see you."

Silas seated himself on a sofa, and had time to look about him before

the lady of the house came in. It was his second visit to Mrs.

Claiborne, and he observed many changes had taken place in the

disposition of the furniture and the draperies. He noted, too, with a

feeling of helpless exasperation, that his own portrait hung on the wall

in close proximity to that of Rita Claiborne. He clenched his hands with

inward rage. "What does this she-devil mean?" he asked himself, and at

that moment, the object of his anger swept into the room. There was

something gracious, as well as graceful, in her movements. She had the

air of a victor who is willing to be magnanimous.

"What is your business with me?" she asked with lifted eyebrows. There

was just the shadow of a smile hovering around her mouth. Silas caught

it, and looking into a swinging mirror opposite, he saw how impossible

it was for a man with a weazened face and a skull-cap to cope with such

a woman as this. However, he had his indignation, his sense of

persecution, to fall back upon.

"I want to know what you intend to do," said Silas. There was a note of

weakness and helplessness in his voice. "I want to know what to expect.

I'm tired of leading a dog's life. I hear you have been colloguing with

lawyers."

"Do you remember your first visit here?" inquired Mrs. Claiborne very

sweetly. If she was an enemy, she certainly knew how to conceal her

feelings. "Do you remember how wildly you talked--how insulting you

were?"

"I declare to you on my honour that I never intended to insult you,"

Silas exclaimed.

"Why, all your insinuations were insulting. You gave me to understand

that my coming here was an outrage--as if you had anything to do with my

movements. But you insisted that my coming here was an attack on you and

your son. When and where and how did I ever do you a wrong?"

"Why didn't you--didn't--" Silas tried hard to formulate his wrongs, but

they were either so many or so few that words failed him.

"Did I desert you when you were ill and delirious? Did I put faith in an

anonymous letter and believe you to be dead?" The lady spoke with a

calmness that seemed to be unnatural and unreal.

For a little while, Silas made no reply, but sat like one dazed, his

eyes fixed on the crayon portrait of himself. "Did you hang that thing

up there for Paul to see it and ask questions about it?" he asked,

after awhile.

"I hung it there because I chose to," she replied. "Judge Vardeman

thinks it is a very good likeness of you, but I don't agree with him. Do

you think it does you justice?" she asked.

"And then there's Paul," said Silas, ignoring her question. "Do you

propose to let him go ahead and fall in love with the girl?"

"Paul is not my son," the lady calmly answered.

"But the girl is your daughter," Silas insisted.

"I shall look after her welfare, never fear," said the lady.

"But suppose they should take a notion to marry; what would you do to

stop 'em?"

"Oh, well, that is a question for the future," replied the lady,

serenely. "It will be time enough to discuss that matter when the

necessity arises."

Her composure, her indifference, caused Silas to writhe and squirm in

his chair, and she, seeing the torture she was inflicting, appeared to

be very well content.

"I didn't come to argue," said Silas presently. "I came for information;

I want to know what you intend to do. I don't ask any favours and I

don't want any; I'm getting my deserts, I reckon. What I sowed that I'm

reaping."

"Ah!" the lady exclaimed softly, and with an air of satisfaction. "Do

you really feel so?" She leaned forward a little, and there was that in

her eyes that denoted something else besides satisfaction; compassion

shone there. Her mood had not been a serious one up to this point, but

she was serious now, and Silas could but observe how beautiful she was.

"Do you really feel that I would be justified if I confirmed the

suspicions you have expressed?"

"So far as I am concerned, you'd be doing exactly right," said Silas

bluntly. "But what about Paul?"

"Well, what about Paul?" Mrs. Claiborne asked.

"Well, for one thing, he's never done you any harm. And there's another

thing," said Silas rising from his seat: "I'd be willing to have my body

pulled to pieces, inch by inch, and my bones broken, piece by piece, to

save that boy one single pang."

He stood towering over the lady. For once he had been taken clean out of

himself, and he seemed to be transfigured. Mrs. Claiborne rose also.

"Paul is a very good young man," she said.

"Yes, he is!" exclaimed Silas. "He never had a mean thought, and he has

never been guilty of a mean action. But that would make no difference in

my feelings. It would be all the same to me if he was a thief and a

scoundrel or if he was deformed, or if he was everything that he is not.

No matter what he was or might be, I would be willing to live in eternal

torment if I could know that he is happy."

His face was not weazened now. It was illuminated with his love for his

son, the one passion of his life, and he was no longer a contemptible

figure. The lady refixed her eyes upon him, and wondered how he could

have changed himself right before her eyes, for certainly, as it seemed

to her, this was not the mean and shabby figure she had found in the

parlour when she first came in. She sighed as she turned her eyes away.

"Do you remember what I told you on the occasion of your first visit?"

she inquired very seriously. "You were both rude and disagreeable, but I

said that I'd not trouble you again, so long as you left me alone."

"Well, haven't I left you alone?" asked Silas.

"What do you call this?" There was just the shadow of a smile on her

face.

"That's a fact," said Silas after a pause. "But I just couldn't help

myself. Honestly I'm sorry I came. I'm no match for you. I must bid you

good-night. I hardly know what's come over me. If I've worried you, I'm

truly sorry."

"One of these days," she said very kindly, as she accompanied him to the

door, "I'll send for you. At the proper time I'll give you some

interesting news."

"Well, I hope it will be good news; if so, it will be the first I have

heard in many a long day. Good-night."

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