ACT III

In Dubedat's studio. Viewed from the large window the outer door is

in the wall on the left at the near end. The door leading to the inner

rooms is in the opposite wall, at the far end. The facing wall has

neither window nor door. The plaster on all the walls is uncovered and

undecorated, except by scrawlings of charcoal sketches and memoranda.

There is a studio throne (a chair on a dais) a little to the left,

opposite the inner door, and an easel to the right, opposite the outer

door, with a dilapidated chair at it. Near the easel and against the

wall is a bare wooden table with bottles and jars of oil and medium,

paint-smudged rags, tubes of color, brushes, charcoal, a small lay

figure, a kettle and spirit-lamp, and other odds and ends. By the table

is a sofa, littered with drawing blocks, sketch-books, loose sheets of

paper, newspapers, books, and more smudged rags. Next the outer door is

an umbrella and hat stand, occupied partly by Louis' hats and cloak and

muffler, and partly by odds and ends of costumes. There is an old piano

stool on the near side of this door. In the corner near the inner door

is a little tea-table. A lay figure, in a cardinal's robe and hat, with

an hour-glass in one hand and a scythe slung on its back, smiles with

inane malice at Louis, who, in a milkman's smock much smudged with

colors, is painting a piece of brocade which he has draped about his

wife.

She is sitting on the throne, not interested in the painting, and

appealing to him very anxiously about another matter.

MRS DUBEDAT. Promise.

LOUIS [putting on a touch of paint with notable skill and care and

answering quite perfunctorily] I promise, my darling.

MRS DUBEDAT. When you want money, you will always come to me.

LOUIS. But it's so sordid, dearest. I hate money. I cant keep always

bothering you for money, money, money. Thats what drives me sometimes to

ask other people, though I hate doing it.

MRS DUBEDAT. It is far better to ask me, dear. It gives people a wrong

idea of you.

LOUIS. But I want to spare your little fortune, and raise money on my

own work. Dont be unhappy, love: I can easily earn enough to pay it all

back. I shall have a one-man-show next season; and then there will be no

more money troubles. [Putting down his palette] There! I mustnt do any

more on that until it's bone-dry; so you may come down.

MRS DUBEDAT [throwing off the drapery as she steps down, and revealing a

plain frock of tussore silk] But you have promised, remember, seriously

and faithfully, never to borrow again until you have first asked me.

LOUIS. Seriously and faithfully. [Embracing her] Ah, my love, how right

you are! how much it means to me to have you by me to guard me against

living too much in the skies. On my solemn oath, from this moment forth

I will never borrow another penny.

MRS DUBEDAT [delighted] Ah, thats right. Does his wicked worrying wife

torment him and drag him down from the clouds? [She kisses him]. And

now, dear, wont you finish those drawings for Maclean?

LOUIS. Oh, they dont matter. Ive got nearly all the money from him in

advance.

MRS DUBEDAT. But, dearest, that is just the reason why you should finish

them. He asked me the other day whether you really intended to finish

them.

LOUIS. Confound his impudence! What the devil does he take me for? Now

that just destroys all my interest in the beastly job. Ive a good mind

to throw up the commission, and pay him back his money.

MRS DUBEDAT. We cant afford that, dear. You had better finish the

drawings and have done with them. I think it is a mistake to accept

money in advance.

LOUIS. But how are we to live?

MRS DUBEDAT. Well, Louis, it is getting hard enough as it is, now that

they are all refusing to pay except on delivery.

LOUIS. Damn those fellows! they think of nothing and care for nothing

but their wretched money.

MRS DUBEDAT. Still, if they pay us, they ought to have what they pay

for.

LOUIS [coaxing;] There now: thats enough lecturing for to-day. Ive

promised to be good, havnt I?

MRS DUDEBAT [putting her arms round his neck] You know that I hate

lecturing, and that I dont for a moment misunderstand you, dear, dont

you?

LOUIS [fondly] I know. I know. I'm a wretch; and youre an angel. Oh, if

only I were strong enough to work steadily, I'd make my darling's house

a temple, and her shrine a chapel more beautiful than was ever imagined.

I cant pass the shops without wrestling with the temptation to go in and

order all the really good things they have for you.

MRS DUBEDAT. I want nothing but you, dear. [She gives him a caress, to

which he responds so passionately that she disengages herself]. There!

be good now: remember that the doctors are coming this morning. Isnt it

extraordinarily kind of them, Louis, to insist on coming? all of them,

to consult about you?

LOUIS [coolly] Oh, I daresay they think it will be a feather in their

cap to cure a rising artist. They wouldnt come if it didnt amuse them,

anyhow. [Someone knocks at the door]. I say: its not time yet, is it?

MRS DUDEBAT. No, not quite yet.

LOUIS [opening the door and finding Ridgeon there] Hello, Ridgeon.

Delighted to see you. Come in.

MRS DUDEBAT [shaking hands] It's so good of you to come, doctor.

LOUIS. Excuse this place, wont you? Its only a studio, you know: theres

no real convenience for living here. But we pig along somehow, thanks to

Jennifer.

MRS DUBEDAT. Now I'll run away. Perhaps later on, when youre finished

with Louis, I may come in and hear the verdict. [Ridgeon bows rather

constrainedly]. Would you rather I didnt?

RIDGEON. Not at all. Not at all.

Mrs Dubedat looks at him, a little puzzled by his formal manner; then

goes into the inner room.

LOUIS [flippantly] I say: dont look so grave. Theres nothing awful going

to happen, is there?

RIDGEON. No.

LOUIS. Thats all right. Poor Jennifer has been looking forward to

your visit more than you can imagine. Shes taken quite a fancy to you,

Ridgeon. The poor girl has nobody to talk to: I'm always painting.

[Taking up a sketch] Theres a little sketch I made of her yesterday.

RIDGEON. She shewed it to me a fortnight ago when she first called on

me.

LOUIS [quite unabashed] Oh! did she? Good Lord! how time does fly! I

could have sworn I'd only just finished it. It's hard for her here,

seeing me piling up drawings and nothing coming in for them. Of course I

shall sell them next year fast enough, after my one-man-show; but while

the grass grows the steed starves. I hate to have her coming to me for

money, and having none to give her. But what can I do?

RIDGEON. I understood that Mrs Dubedat had some property of her own.

LOUIS. Oh yes, a little; but how could a man with any decency of feeling

touch that? Suppose I did, what would she have to live on if I died? I'm

not insured: cant afford the premiums. [Picking out another drawing] How

do you like that?

RIDGEON [putting it aside] I have not come here to-day to look at your

drawings. I have more serious and pressing business with you.

LOUIS. You want to sound my wretched lung. [With impulsive candor] My

dear Ridgeon: I'll be frank with you. Whats the matter in this house

isnt lungs but bills. It doesnt matter about me; but Jennifer has

actually to economize in the matter of food. Youve made us feel that we

can treat you as a friend. Will you lend us a hundred and fifty pounds?

RIDGEON. No.

LOUIS [surprised] Why not?

RIDGEON. I am not a rich man; and I want every penny I can spare and

more for my researches.

LOUIS. You mean youd want the money back again.

RIDGEON. I presume people sometimes have that in view when they lend

money.

LOUIS [after a moment's reflection] Well, I can manage that for you.

I'll give you a cheque--or see here: theres no reason why you shouldnt

have your bit too: I'll give you a cheque for two hundred.

RIDGEON. Why not cash the cheque at once without troubling me?

LOUIS. Bless you! they wouldnt cash it: I'm overdrawn as it is. No:

the way to work it is this. I'll postdate the cheque next October. In

October Jennifer's dividends come in. Well, you present the cheque. It

will be returned marked "refer to drawer" or some rubbish of that sort.

Then you can take it to Jennifer, and hint that if the cheque isnt taken

up at once I shall be put in prison. She'll pay you like a shot. Youll

clear 50 pounds; and youll do me a real service; for I do want the money

very badly, old chap, I assure you.

RIDGEON [staring at him] You see no objection to the transaction; and

you anticipate none from me!

LOUIS. Well, what objection can there be? It's quite safe. I can

convince you about the dividends.

RIDGEON. I mean on the score of its being--shall I say dishonorable?

LOUIS. Well, of course I shouldnt suggest it if I didnt want the money.

RIDGEON. Indeed! Well, you will have to find some other means of getting

it.

LOUIS. Do you mean that you refuse?

RIDGEON. Do I mean--! [letting his indignation loose] Of course I

refuse, man. What do you take me for? How dare you make such a proposal

to me?

LOUIS. Why not?

RIDGEON. Faugh! You would not understand me if I tried to explain. Now,

once for all, I will not lend you a farthing. I should be glad to help

your wife; but lending you money is no service to her.

LOUIS. Oh well, if youre in earnest about helping her, I'll tell you

what you might do. You might get your patients to buy some of my things,

or to give me a few portrait commissions.

RIDGEON. My patients call me in as a physician, not as a commercial

traveller.

A knock at the door.

Louis goes unconcernedly to open it, pursuing the subject as he goes.

LOUIS. But you must have great influence with them. You must know such

lots of things about them--private things that they wouldnt like to have

known. They wouldnt dare to refuse you.

RIDGEON [exploding] Well, upon my--

Louis opens the door, and admits Sir Patrick, Sir Ralph, and Walpole.

RIDGEON [proceeding furiously] Walpole: Ive been here hardly ten

minutes; and already he's tried to borrow 150 pounds from me. Then he

proposed that I should get the money for him by blackmailing his wife;

and youve just interrupted him in the act of suggesting that I should

blackmail my patients into sitting to him for their portraits.

LOUIS. Well, Ridgeon, if this is what you call being an honorable man! I

spoke to you in confidence.

SIR PATRICK. We're all going to speak to you in confidence, young man.

WALPOLE [hanging his hat on the only peg left vacant on the hat-stand]

We shall make ourselves at home for half an hour, Dubedat. Dont be

alarmed: youre a most fascinating chap; and we love you.

LOUIS. Oh, all right, all right. Sit down--anywhere you can. Take

this chair, Sir Patrick [indicating the one on the throne]. Up-z-z-z!

[helping him up: Sir Patrick grunts and enthrones himself]. Here you

are, B. B. [Sir Ralph glares at the familiarity; but Louis, quite

undisturbed, puts a big book and a sofa cushion on the dais, on Sir

Patrick's right; and B. B. sits down, under protest]. Let me take your

hat. [He takes B. B.'s hat unceremoniously, and substitutes it for

the cardinal's hat on the head of the lay figure, thereby ingeniously

destroying the dignity of the conclave. He then draws the piano stool

from the wall and offers it to Walpole]. You dont mind this, Walpole, do

you? [Walpole accepts the stool, and puts his hand into his pocket for

his cigaret case. Missing it, he is reminded of his loss].

WALPOLE. By the way, I'll trouble you for my cigaret case, if you dont

mind?

LOUIS. What cigaret case?

WALPOLE. The gold one I lent you at the Star and Garter.

LOUIS [surprised] Was that yours?

WALPOLE. Yes.

LOUIS. I'm awfully sorry, old chap. I wondered whose it was. I'm sorry

to say this is all thats left of it. [He hitches up his smock; produces

a card from his waistcoat pocket; and hands it to Walpole].

WALPOLE. A pawn ticket!

LOUIS [reassuringly] It's quite safe: he cant sell it for a year,

you know. I say, my dear Walpole, I am sorry. [He places his hand

ingenuously on Walpole's shoulder and looks frankly at him].

WALPOLE [sinking on the stool with a gasp] Dont mention it. It adds to

your fascination.

RIDGEON [who has been standing near the easel] Before we go any further,

you have a debt to pay, Mr Dubedat.

LOUIS. I have a precious lot of debts to pay, Ridgeon. I'll fetch you a

chair. [He makes for the inner door].

RIDGEON [stopping him] You shall not leave the room until you pay it.

It's a small one; and pay it you must and shall. I dont so much mind

your borrowing 10 pounds from one of my guests and 20 pounds from the

other--

WALPOLE. I walked into it, you know. I offered it.

RIDGEON.--they could afford it. But to clean poor Blenkinsop out of his

last half-crown was damnable. I intend to give him that half-crown and

to be in a position to pledge him my word that you paid it. I'll have

that out of you, at all events.

B. B. Quite right, Ridgeon. Quite right. Come, young man! down with the

dust. Pay up.

LOUIS. Oh, you neednt make such a fuss about it. Of course I'll pay it.

I had no idea the poor fellow was hard up. I'm as shocked as any of you

about it. [Putting his hand into his pocket] Here you are. [Finding

his pocket empty] Oh, I say, I havnt any money on me just at present.

Walpole: would you mind lending me half-a-crown just to settle this.

WALPOLE. Lend you half--[his voice faints away].

LOUIS. Well, if you dont, Blenkinsop wont get it; for I havnt a rap: you

may search my pockets if you like.

WALPOLE. Thats conclusive. [He produces half-a-crown].

LOUIS [passing it to Ridgeon] There! I'm really glad thats settled:

it was the only thing that was on my conscience. Now I hope youre all

satisfied.

SIR PATRICK. Not quite, Mr Dubedat. Do you happen to know a young woman

named Minnie Tinwell?

LOUIS. Minnie! I should think I do; and Minnie knows me too. She's a

really nice good girl, considering her station. Whats become of her?

WALPOLE. It's no use bluffing, Dubedat. Weve seen Minnie's marriage

lines.

LOUIS [coolly] Indeed? Have you seen Jennifer's?

RIDGEON [rising in irrepressible rage] Do you dare insinuate that Mrs

Dubedat is living with you without being married to you?

LOUIS. Why not?

B. B. { [echoing him in } Why not!

SIR PATRICK { various tones of } Why not!

RIDGEON { scandalized } Why not!

WALPOLE { amazement] } Why not!

LOUIS. Yes, why not? Lots of people do it: just as good people as you.

Why dont you learn to think, instead of bleating and bashing like a

lot of sheep when you come up against anything youre not accustomed to?

[Contemplating their amazed faces with a chuckle] I say: I should like

to draw the lot of you now: you do look jolly foolish. Especially you,

Ridgeon. I had you that time, you know.

RIDGEON. How, pray?

LOUIS. Well, you set up to appreciate Jennifer, you know. And you

despise me, dont you?

RIDGEON [curtly] I loathe you. [He sits down again on the sofa].

LOUIS. Just so. And yet you believe that Jennifer is a bad lot because

you think I told you so.

RIDGEON. Were you lying?

LOUIS. No; but you were smelling out a scandal instead of keeping your

mind clean and wholesome. I can just play with people like you. I only

asked you had you seen Jennifer's marriage lines; and you concluded

straight away that she hadnt got any. You dont know a lady when you see

one.

B. B. [majestically] What do you mean by that, may I ask?

LOUIS. Now, I'm only an immoral artist; but if YOUD told me that

Jennifer wasnt married, I'd have had the gentlemanly feeling and

artistic instinct to say that she carried her marriage certificate in

her face and in her character. But you are all moral men; and Jennifer

is only an artist's wife--probably a model; and morality consists in

suspecting other people of not being legally married. Arnt you ashamed

of yourselves? Can one of you look me in the face after it?

WALPOLE. Its very hard to look you in the face, Dubedat; you have such a

dazzling cheek. What about Minnie Tinwell, eh?

LOUIS. Minnie Tinwell is a young woman who has had three weeks of

glorious happiness in her poor little life, which is more than most

girls in her position get, I can tell you. Ask her whether she'd take it

back if she could. She's got her name into history, that girl. My little

sketches of her will be bought by collectors at Christie's. She'll have

a page in my biography. Pretty good, that, for a still-room maid at a

seaside hotel, I think. What have you fellows done for her to compare

with that?

RIDGEON. We havnt trapped her into a mock marriage and deserted her.

LOUIS. No: you wouldnt have the pluck. But dont fuss yourselves. I didnt

desert little Minnie. We spent all our money--

WALPOLE. All HER money. Thirty pounds.

LOUIS. I said all our money: hers and mine too. Her thirty pounds didnt

last three days. I had to borrow four times as much to spend on her. But

I didnt grudge it; and she didnt grudge her few pounds either, the brave

little lassie. When we were cleaned out, we'd had enough of it: you

can hardly suppose that we were fit company for longer than that: I an

artist, and she quite out of art and literature and refined living and

everything else. There was no desertion, no misunderstanding, no police

court or divorce court sensation for you moral chaps to lick your lips

over at breakfast. We just said, Well, the money's gone: weve had a good

time that can never be taken from us; so kiss; part good friends; and

she back to service, and I back to my studio and my Jennifer, both the

better and happier for our holiday.

WALPOLE. Quite a little poem, by George!'

B. B. If you had been scientifically trained, Mr Dubedat, you would

know how very seldom an actual case bears out a principle. In medical

practice a man may die when, scientifically speaking, he ought to have

lived. I have actually known a man die of a disease from which he

was scientifically speaking, immune. But that does not affect the

fundamental truth of science. In just the same way, in moral cases, a

man's behavior may be quite harmless and even beneficial, when he is

morally behaving like a scoundrel. And he may do great harm when he is

morally acting on the highest principles. But that does not affect the

fundamental truth of morality.

SIR PATRICK. And it doesnt affect the criminal law on the subject of

bigamy.

LOUIS. Oh bigamy! bigamy! bigamy! What a fascination anything connected

with the police has for you all, you moralists! Ive proved to you that

you were utterly wrong on the moral point: now I'm going to shew you

that youre utterly wrong on the legal point; and I hope it will be a

lesson to you not to be so jolly cocksure next time.

WALPOLE. Rot! You were married already when you married her; and that

settles it.

LOUIS. Does it! Why cant you think? How do you know she wasnt married

already too?

B.B. { [all } Walpole! Ridgeon!

RIDGEON { crying } This is beyond everything!

WALPOLE { out } Well, damn me!

SIR PATRICK { together] } You young rascal.

LOUIS [ignoring their outcry] She was married to the steward of a liner.

He cleared out and left her; and she thought, poor girl, that it was the

law that if you hadnt heard of your husband for three years you might

marry again. So as she was a thoroughly respectable girl and refused

to have anything to say to me unless we were married I went through the

ceremony to please her and to preserve her self-respect.

RIDGEON. Did you tell her you were already married?

LOUIS. Of course not. Dont you see that if she had known, she wouldnt

have considered herself my wife? You dont seem to understand, somehow.

SIR PATRICK. You let her risk imprisonment in her ignorance of the law?

LOUIS. Well, _I_ risked imprisonment for her sake. I could have been had

up for it just as much as she. But when a man makes a sacrifice of that

sort for a woman, he doesnt go and brag about it to her; at least, not

if he's a gentleman.

WALPOLE. What are we to do with this daisy?

LOUIS. [impatiently] Oh, go and do whatever the devil you please. Put

Minnie in prison. Put me in prison. Kill Jennifer with the disgrace of

it all. And then, when youve done all the mischief you can, go to church

and feel good about it. [He sits down pettishly on the old chair at the

easel, and takes up a sketching block, on which he begins to draw]

WALPOLE. He's got us.

SIR PATRICK [grimly] He has.

B. B. But is he to be allowed to defy the criminal law of the land?

SIR PATRICK. The criminal law is no use to decent people. It only helps

blackguards to blackmail their families. What are we family doctors

doing half our time but conspiring with the family solicitor to keep

some rascal out of jail and some family out of disgrace?

B. B. But at least it will punish him.

SIR PATRICK. Oh, yes: Itll punish him. Itll punish not only him but

everybody connected with him, innocent and guilty alike. Itll throw his

board and lodging on our rates and taxes for a couple of years, and then

turn him loose on us a more dangerous blackguard than ever. Itll put the

girl in prison and ruin her: Itll lay his wife's life waste. You may put

the criminal law out of your head once for all: it's only fit for fools

and savages.

LOUIS. Would you mind turning your face a little more this way, Sir

Patrick. [Sir Patrick turns indignantly and glares at him]. Oh, thats

too much.

SIR PATRICK. Put down your foolish pencil, man; and think of your

position. You can defy the laws made by men; but there are other laws to

reckon with. Do you know that youre going to die?

LOUIS. We're all going to die, arnt we?

WALPOLE. We're not all going to die in six months.

LOUIS. How do you know?

This for B. B. is the last straw. He completely loses his temper and

begins to walk excitedly about.

B. B. Upon my soul, I will not stand this. It is in questionable taste

under any circumstances or in any company to harp on the subject

of death; but it is a dastardly advantage to take of a medical man.

[Thundering at Dubedat] I will not allow it, do you hear?

LOUIS. Well, I didn't begin it: you chaps did. It's always the way with

the inartistic professions: when theyre beaten in argument they fall

back on intimidation. I never knew a lawyer who didnt threaten to put me

in prison sooner or later. I never knew a parson who didnt threaten me

with damnation. And now you threaten me with death. With all your talk

youve only one real trump in your hand, and thats Intimidation. Well,

I'm not a coward; so it's no use with me.

B. B. [advancing upon him] I'll tell you what you are, sir. Youre a

scoundrel.

LOUIS. Oh, I don't mind you calling me a scoundrel a bit. It's only a

word: a word that you dont know the meaning of. What is a scoundrel?

B. B. You are a scoundrel, sir.

LOUIS. Just so. What is a scoundrel? I am. What am I? A Scoundrel. It's

just arguing in a circle. And you imagine youre a man of science!

B. B. I--I--I--I have a good mind to take you by the scruff of your

neck, you infamous rascal, and give you a sound thrashing.

LOUIS. I wish you would. Youd pay me something handsome to keep it

out of court afterwards. [B. B., baffled, flings away from him with a

snort]. Have you any more civilities to address to me in my own house? I

should like to get them over before my wife comes back. [He resumes his

sketching].

RIDGEON. My mind's made up. When the law breaks down, honest men must

find a remedy for themselves. I will not lift a finger to save this

reptile.

B. B. That is the word I was trying to remember. Reptile.

WALPOLE. I cant help rather liking you, Dubedat. But you certainly are a

thoroughgoing specimen.

SIR PATRICK. You know our opinion of you now, at all events.

LOUIS [patiently putting down his pencil] Look here. All this is no

good. You dont understand. You imagine that I'm simply an ordinary

criminal.

WALPOLE. Not an ordinary one, Dubedat. Do yourself justice.

LOUIS. Well youre on the wrong tack altogether. I'm not a criminal. All

your moralizings have no value for me. I don't believe in morality. I'm

a disciple of Bernard Shaw.

SIR PATRICK [puzzled] Eh?

B.B. [waving his hand as if the subject was now disposed of] Thats

enough, I wish to hear no more.

LOUIS. Of course I havnt the ridiculous vanity to set up to be exactly

a Superman; but still, it's an ideal that I strive towards just as any

other man strives towards his ideal.

B. B. [intolerant] Dont trouble to explain. I now understand you

perfectly. Say no more, please. When a man pretends to discuss science,

morals, and religion, and then avows himself a follower of a notorious

and avowed anti-vaccinationist, there is nothing more to be said.

[Suddenly putting in an effusive saving clause in parenthesis to

Ridgeon] Not, my dear Ridgeon, that I believe in vaccination in the

popular sense any more than you do: I neednt tell you that. But there

are things that place a man socially; and anti-vaccination is one of

them. [He resumes his seat on the dais].

SIR PATRICK. Bernard Shaw? I never heard of him. He's a Methodist

preacher, I suppose.

LOUIS [scandalized] No, no. He's the most advanced man now living: he

isn't anything.

SIR PATRICK. I assure you, young man, my father learnt the doctrine of

deliverance from sin from John Wesley's own lips before you or Mr. Shaw

were born. It used to be very popular as an excuse for putting sand in

sugar and water in milk. Youre a sound Methodist, my lad; only you don't

know it.

LOUIS [seriously annoyed for the first time] Its an intellectual insult.

I don't believe theres such a thing as sin.

SIR PATRICK. Well, sir, there are people who dont believe theres such

a thing as disease either. They call themselves Christian Scientists, I

believe. Theyll just suit your complaint. We can do nothing for you. [He

rises]. Good afternoon to you.

LOUIS [running to him piteously] Oh dont get up, Sir Patrick. Don't go.

Please dont. I didnt mean to shock you, on my word. Do sit down again.

Give me another chance. Two minutes more: thats all I ask.

SIR PATRICK [surprised by this sign of grace, and a little touched]

Well--[He sits down]

LOUIS [gratefully] Thanks awfully.

SIR PATRICK [continuing] I don't mind giving you two minutes more. But

dont address yourself to me; for Ive retired from practice; and I dont

pretend to be able to cure your complaint. Your life is in the hands of

these gentlemen.

RIDGEON. Not in mine. My hands are full. I have no time and no means

available for this case.

SIR PATRICK. What do you say, Mr. Walpole?

WALPOLE. Oh, I'll take him in hand: I dont mind. I feel perfectly

convinced that this is not a moral case at all: it's a physical one.

Theres something abnormal about his brain. That means, probably,

some morbid condition affecting the spinal cord. And that means the

circulation. In short, it's clear to me that he's suffering from an

obscure form of blood-poisoning, which is almost certainly due to an

accumulation of ptomaines in the nuciform sac. I'll remove the sac--

LOUIS [changing color] Do you mean, operate on me? Ugh! No, thank you.

WALPOLE. Never fear: you wont feel anything. Youll be under an

anaesthetic, of course. And it will be extraordinarily interesting.

LOUIS. Oh, well, if it would interest you, and if it wont hurt, thats

another matter. How much will you give me to let you do it?

WALPOLE [rising indignantly] How much! What do you mean?

LOUIS. Well, you dont expect me to let you cut me up for nothing, do

you?

WALPOLE. Will you paint my portrait for nothing?

LOUIS. No; but I'll give you the portrait when its painted; and you

can sell it afterwards for perhaps double the money. But I cant sell my

nuciform sac when youve cut it out.

WALPOLE. Ridgeon: did you ever hear anything like this! [To Louis]

Well, you can keep your nuciform sac, and your tubercular lung, and your

diseased brain: Ive done with you. One would think I was not conferring

a favor on the fellow! [He returns to his stool in high dudgeon].

SIR PATRICK. That leaves only one medical man who has not withdrawn from

your case, Mr. Dubedat. You have nobody left to appeal to now but Sir

Ralph Bloomfield Bonington.

WALPOLE. If I were you, B. B., I shouldnt touch him with a pair of

tongs. Let him take his lungs to the Brompton Hospital. They wont cure

him; but theyll teach him manners.

B. B. My weakness is that I have never been able to say No, even to the

most thoroughly undeserving people. Besides, I am bound to say that I

dont think it is possible in medical practice to go into the question of

the value of the lives we save. Just consider, Ridgeon. Let me put it to

you, Paddy. Clear your mind of cant, Walpole.

WALPOLE [indignantly] My mind is clear of cant.

B. B. Quite so. Well now, look at my practice. It is what I suppose you

would call a fashionable practice, a smart practice, a practice among

the best people. You ask me to go into the question of whether my

patients are of any use either to themselves or anyone else. Well, if

you apply any scientific test known to me, you will achieve a reductio

ad absurdum. You will be driven to the conclusion that the majority

of them would be, as my friend Mr J. M. Barrie has tersely phrased it,

better dead. Better dead. There are exceptions, no doubt. For instance,

there is the court, an essentially social-democratic institution,

supported out of public funds by the public because the public wants

it and likes it. My court patients are hard-working people who give

satisfaction, undoubtedly. Then I have a duke or two whose estates are

probably better managed than they would be in public hands. But as to

most of the rest, if I once began to argue about them, unquestionably

the verdict would be, Better dead. When they actually do die, I

sometimes have to offer that consolation, thinly disguised, to the

family. [Lulled by the cadences of his own voice, he becomes drowsier

and drowsier]. The fact that they spend money so extravagantly

on medical attendance really would not justify me in wasting my

talents--such as they are--in keeping them alive. After all, if my fees

are high, I have to spend heavily. My own tastes are simple: a camp

bed, a couple of rooms, a crust, a bottle of wine; and I am happy and

contented. My wife's tastes are perhaps more luxurious; but even she

deplores an expenditure the sole object of which is to maintain

the state my patients require from their medical attendant.

The--er--er--er--[suddenly waking up] I have lost the thread of these

remarks. What was I talking about, Ridgeon?

RIDGEON. About Dubedat.

B. B. Ah yes. Precisely. Thank you. Dubedat, of course. Well, what is

our friend Dubedat? A vicious and ignorant young man with a talent for

drawing.

LOUIS. Thank you. Dont mind me.

B. B. But then, what are many of my patients? Vicious and ignorant young

men without a talent for anything. If I were to stop to argue about

their merits I should have to give up three-quarters of my practice.

Therefore I have made it a rule not so to argue. Now, as an honorable

man, having made that rule as to paying patients, can I make an

exception as to a patient who, far from being a paying patient, may more

fitly be described as a borrowing patient? No. I say No. Mr Dubedat:

your moral character is nothing to me. I look at you from a purely

scientific point of view. To me you are simply a field of battle in

which an invading army of tubercle bacilli struggles with a patriotic

force of phagocytes. Having made a promise to your wife, which my

principles will not allow me to break, to stimulate those phagocytes,

I will stimulate them. And I take no further responsibility. [He digs

himself back in his seat exhausted].

SIR PATRICK. Well, Mr Dubedat, as Sir Ralph has very kindly offered to

take charge of your case, and as the two minutes I promised you are up,

I must ask you to excuse me. [He rises].

LOUIS. Oh, certainly. Ive quite done with you. [Rising and holding up

the sketch block] There! While youve been talking, Ive been doing. What

is there left of your moralizing? Only a little carbonic acid gas which

makes the room unhealthy. What is there left of my work? That. Look at

it [Ridgeon rises to look at it].

SIR PATRICK [who has come down to him from the throne] You young rascal,

was it drawing me you were?

LOUIS. Of course. What else?

SIR PATRICK [takes the drawing from him and grunts approvingly] Thats

rather good. Dont you think so, Lolly?

RIDGEON. Yes. So good that I should like to have it.

SIR PATRICK. Thank you; but _I_ should like to have it myself. What d'ye

think, Walpole?

WALPOLE [rising and coming over to look] No, by Jove: _I_ must have

this.

LOUIS. I wish I could afford to give it to you, Sir Patrick. But I'd pay

five guineas sooner than part with it.

RIDGEON. Oh, for that matter, I will give you six for it.

WALPOLE. Ten.

LOUIS. I think Sir Patrick is morally entitled to it, as he sat for it.

May I send it to your house, Sir Patrick, for twelve guineas?

SIR PATRICK. Twelve guineas! Not if you were President of the Royal

Academy, young man. [He gives him back the drawing decisively and turns

away, taking up his hat].

LOUIS [to B. B.] Would you like to take it at twelve, Sir Ralph?

B. B. [coming between Louis and Walpole] Twelve guineas? Thank you: I'll

take it at that. [He takes it and presents it to Sir Patrick]. Accept it

from me, Paddy; and may you long be spared to contemplate it.

SIR PATRICK. Thank you. [He puts the drawing into his hat].

B. B. I neednt settle with you now, Mr Dubedat: my fees will come to

more than that. [He also retrieves his hat].

LOUIS [indignantly] Well, of all the mean--[words fail him]! I'd let

myself be shot sooner than do a thing like that. I consider youve stolen

that drawing.

SIR PATRICK [drily] So weve converted you to a belief in morality after

all, eh?

LOUIS. Yah! [To Walpole] I'll do another one for you, Walpole, if youll

let me have the ten you promised.

WALPOLE. Very good. I'll pay on delivery.

LOUIS. Oh! What do you take me for? Have you no confidence in my honor?

WALPOLE. None whatever.

LOUIS. Oh well, of course if you feel that way, you cant help it. Before

you go, Sir Patrick, let me fetch Jennifer. I know she'd like to see

you, if you dont mind. [He goes to the inner door]. And now, before

she comes in, one word. Youve all been talking here pretty freely about

me--in my own house too. I dont mind that: I'm a man and can take care

of myself. But when Jennifer comes in, please remember that she's a

lady, and that you are supposed to be gentlemen. [He goes out].

WALPOLE. Well!!! [He gives the situation up as indescribable, and goes

for his hat].

RIDGEON. Damn his impudence!

B. B. I shouldnt be at all surprised to learn that he's well connected.

Whenever I meet dignity and self-possession without any discoverable

basis, I diagnose good family.

RIDGEON. Diagnose artistic genius, B. B. Thats what saves his

self-respect.

SIR PATRICK. The world is made like that. The decent fellows are always

being lectured and put out of countenance by the snobs.

B. B. [altogether refusing to accept this] _I_ am not out of

countenance. I should like, by Jupiter, to see the man who could put me

out of countenance. [Jennifer comes in]. Ah, Mrs. Dubedat! And how are

we to-day?

MRS DUBEDAT [shaking hands with him] Thank you all so much for coming.

[She shakes Walpole's hand]. Thank you, Sir Patrick [she shakes Sir

Patrick's]. Oh, life has been worth living since I have known you. Since

Richmond I have not known a moment's fear. And it used to be nothing but

fear. Wont you sit down and tell me the result of the consultation?

WALPOLE. I'll go, if you dont mind, Mrs. Dubedat. I have an appointment.

Before I go, let me say that I am quite agreed with my colleagues here

as to the character of the case. As to the cause and the remedy, thats

not my business: I'm only a surgeon; and these gentlemen are physicians

and will advise you. I may have my own views: in fact I HAVE them; and

they are perfectly well known to my colleagues. If I am needed--and

needed I shall be finally--they know where to find me; and I am always

at your service. So for to-day, good-bye. [He goes out, leaving Jennifer

much puzzled by his unexpected withdrawal and formal manner].

SIR PATRICK. I also will ask you to excuse me, Mrs Dubedat.

RIDGEON [anxiously] Are you going?

SIR PATRICK. Yes: I can be of no use here; and I must be getting back.

As you know, maam, I'm not in practice now; and I shall not be in

charge of the case. It rests between Sir Colenso Ridgeon and Sir Ralph

Bloomfield Bonington. They know my opinion. Good afternoon to you, maam.

[He bows and makes for the door].

MRS DUBEDAT [detaining him] Theres nothing wrong, is there? You dont

think Louis is worse, do you?

SIR PATRICK. No: he's not worse. Just the same as at Richmond.

MRS DUBEDAT. Oh, thank you: you frightened me. Excuse me.

SIR PATRICK. Dont mention it, maam. [He goes out].

B. B. Now, Mrs Dubedat, if I am to take the patient in hand--

MRS DUBEDAT [apprehensively, with a glance at Ridgeon] You! But I

thought that Sir Colenso--

B. B. [beaming with the conviction that he is giving her a most

gratifying surprise] My dear lady, your husband shall have Me.

MRS DUBEDAT. But--

B. B. Not a word: it is a pleasure to me, for your sake. Sir Colenso

Ridgeon will be in his proper place, in the bacteriological laboratory.

_I_ shall be in my proper place, at the bedside. Your husband shall

be treated exactly as if he were a member of the royal family. [Mrs

Dubedat, uneasy, again is about to protest]. No gratitude: it would

embarrass me, I assure you. Now, may I ask whether you are particularly

tied to these apartments. Of course, the motor has annihilated distance;

but I confess that if you were rather nearer to me, it would be a little

more convenient.

MRS DUBEDAT. You see, this studio and flat are self-contained. I have

suffered so much in lodgings. The servants are so frightfully dishonest.

B. B. Ah! Are they? Are they? Dear me!

MRS DUBEDAT. I was never accustomed to lock things up. And I missed

so many small sums. At last a dreadful thing happened. I missed a

five-pound note. It was traced to the housemaid; and she actually said

Louis had given it to her. And he wouldnt let me do anything: he is so

sensitive that these things drive him mad.

B. B. Ah--hm--ha--yes--say no more, Mrs. Dubedat: you shall not move.

If the mountain will not come to Mahomet, Mahomet must come to the

mountain. Now I must be off. I will write and make an appointment. We

shall begin stimulating the phagocytes on--on--probably on Tuesday next;

but I will let you know. Depend on me; dont fret; eat regularly; sleep

well; keep your spirits up; keep the patient cheerful; hope for the

best; no tonic like a charming woman; no medicine like cheerfulness;

no resource like science; goodbye, good-bye, good-bye. [Having shaken

hands--she being too overwhelmed to speak--he goes out, stopping to say

to Ridgeon] On Tuesday morning send me down a tube of some really stiff

anti-toxin. Any kind will do. Dont forget. Good-bye, Colly. [He goes

out.]

RIDGEON. You look quite discouraged again. [She is almost in tears].

What's the matter? Are you disappointed?

MRS DUBEDAT. I know I ought to be very grateful. Believe me, I am very

grateful. But--but--

RIDGEON. Well?

MRS DUBEDAT. I had set my heart _your_ curing Louis.

RIDGEON. Well, Sir Ralph Bloomfield Bonington--

MRS DUBEDAT. Yes, I know, I know. It is a great privilege to have

him. But oh, I wish it had been you. I know it's unreasonable; I cant

explain; but I had such a strong instinct that you would cure him. I

dont--I cant feel the same about Sir Ralph. You promised me. Why did

you give Louis up?

RIDGEON. I explained to you. I cannot take another case.

MRS DUBEDAT. But at Richmond?

RIDGEON. At Richmond I thought I could make room for one more case. But

my old friend Dr Blenkinsop claimed that place. His lung is attacked.

MRS DUBEDAT [attaching no importance whatever to Blenkinsop] Do you mean

that elderly man--that rather--

RIDGEON [sternly] I mean the gentleman that dined with us: an excellent

and honest man, whose life is as valuable as anyone else's. I have

arranged that I shall take his case, and that Sir Ralph Bloomfield

Bonington shall take Mr Dubedat's.

MRS DUBEDAT [turning indignantly on him] I see what it is. Oh! it is

envious, mean, cruel. And I thought that you would be above such a

thing.

RIDGEON. What do you mean?

MRS DUBEDAT. Oh, do you think I dont know? do you think it has never

happened before? Why does everybody turn against him? Can you not

forgive him for being superior to you? for being cleverer? for being

braver? for being a great artist?

RIDGEON. Yes: I can forgive him for all that.

MRS DUBEDAT. Well, have you anything to say against him? I have

challenged everyone who has turned against him--challenged them face to

face to tell me any wrong thing he has done, any ignoble thought he has

uttered. They have always confessed that they could not tell me one. I

challenge you now. What do you accuse him of?

RIDGEON. I am like all the rest. Face to face, I cannot tell you one

thing against him.

MRS DUBEDAT [not satisfied] But your manner is changed. And you have

broken your promise to me to make room for him as your patient.

RIDGEON. I think you are a little unreasonable. You have had the very

best medical advice in London for him; and his case has been taken in

hand by a leader of the profession. Surely--

MRS DUBEDAT. Oh, it is so cruel to keep telling me that. It seems all

right; and it puts me in the wrong. But I am not in the wrong. I have

faith in you; and I have no faith in the others. We have seen so many

doctors: I have come to know at last when they are only talking and can

do nothing. It is different with you. I feel that you know. You must

listen to me, doctor. [With sudden misgiving] Am I offending you by

calling you doctor instead of remembering your title?

RIDGEON. Nonsense. I AM a doctor. But mind you, dont call Walpole one.

MRS DUBEBAT. I dont care about Mr Walpole: it is you who must befriend

me. Oh, will you please sit down and listen to me just for a few

minutes. [He assents with a grave inclination, and sits on the sofa.

She sits on the easel chair] Thank you. I wont keep you long; but I must

tell you the whole truth. Listen. I know Louis as nobody else in the

world knows him or ever can know him. I am his wife. I know he has

little faults: impatiences, sensitivenesses, even little selfishnesses

that are too trivial for him to notice. I know that he sometimes

shocks people about money because he is so utterly above it, and cant

understand the value ordinary people set on it. Tell me: did he--did he

borrow any money from you?

RIDGEON. He asked me for some once.

MRS DUBEDAT [tears again in her eyes] Oh, I am so sorry--so sorry. But

he will never do it again: I pledge you my word for that. He has given

me his promise: here in this room just before you came; and he is

incapable of breaking his word. That was his only real weakness; and now

it is conquered and done with for ever.

RIDGEON. Was that really his only weakness?

MRS DUBEDAT. He is perhaps sometimes weak about women, because they

adore him so, and are always laying traps for him. And of course when he

says he doesnt believe in morality, ordinary pious people think he must

be wicked. You can understand, cant you, how all this starts a great

deal of gossip about him, and gets repeated until even good friends get

set against him?

RIDGEON. Yes: I understand.

MRS DUBEDAT. Oh, if you only knew the other side of him as I do! Do you

know, doctor, that if Louis dishonored himself by a really bad action, I

should kill myself.

RIDGEON. Come! dont exaggerate.

MRS DUBEDAT. I should. You don't understand that, you east country

people.

RIDGEON. You did not see much of the world in Cornwall, did you?

MRS DUBEDAT [naively] Oh yes. I saw a great deal every day of the beauty

of the world--more than you ever see here in London. But I saw very few

people, if that is what you mean. I was an only child.

RIDGEON. That explains a good deal.

MRS DUBEDAT. I had a great many dreams; but at last they all came to one

dream.

RIDGEON [with half a sigh] Yes, the usual dream.

MRS DUBEDAT [surprised] Is it usual?

RIDGEON. As I guess. You havnt yet told me what it was.

MRS DUBEDAT. I didn't want to waste myself. I could do nothing myself;

but I had a little property and I could help with it. I had even

a little beauty: dont think me vain for knowing it. I always had a

terrible struggle with poverty and neglect at first. My dream was to

save one of them from that, and bring some charm and happiness into his

life. I prayed Heaven to send me one. I firmly believe that Louis was

guided to me in answer to my prayer. He was no more like the other men

I had met than the Thames Embankment is like our Cornish coasts. He saw

everything that I saw, and drew it for me. He understood everything.

He came to me like a child. Only fancy, doctor: he never even wanted to

marry me: he never thought of the things other men think of! I had to

propose it myself. Then he said he had no money. When I told him I had

some, he said "Oh, all right," just like a boy. He is still like that,

quite unspoiled, a man in his thoughts, a great poet and artist in his

dreams, and a child in his ways. I gave him myself and all I had that he

might grow to his full height with plenty of sunshine. If I lost faith

in him, it would mean the wreck and failure of my life. I should go back

to Cornwall and die. I could show you the very cliff I should jump off.

You must cure him: you must make him quite well again for me. I know

that you can do it and that nobody else can. I implore you not to refuse

what I am going to ask you to do. Take Louis yourself; and let Sir Ralph

cure Dr Blenkinsop.

RIDGEON [slowly] Mrs Dubedat: do you really believe in my knowledge and

skill as you say you do?

MRS DUBEDAT. Absolutely. I do not give my trust by halves.

RIDGEON. I know that. Well, I am going to test you--hard. Will you

believe me when I tell you that I understand what you have just told me;

that I have no desire but to serve you in the most faithful friendship;

and that your hero must be preserved to you.

MRS DUBEDAT. Oh forgive me. Forgive what I said. You will preserve him

to me.

RIDGEON. At all hazards. [She kisses his hand. He rises hastily]. No:

you have not heard the rest. [She rises too]. You must believe me when I

tell you that the one chance of preserving the hero lies in Louis being

in the care of Sir Ralph.

MRS DUBEDAT [firmly] You say so: I have no more doubt: I believe you.

Thank you.

RIDGEON. Good-bye. [She takes his hand]. I hope this will be a lasting

friendship.

MRS DUBEDAT. It will. My friendships end only with death.

RIDGEON. Death ends everything, doesnt it? Goodbye.

With a sigh and a look of pity at her which she does not understand, he

goes.

The Doctor's Dilemma(#5070) · 第 3 / 5 章