Chapter II
Chapter III
Chapter IV
Chapter V
Chapter VI
Chapter VII
Chapter VIII
Chapter IX
Chapter X
Chapter XI
Chapter XII
Chapter XIII
Chapter XIV
Chapter XV
Chapter XVI
Chapter XVII
Chapter XVIII
Chapter XIX
Chapter XX
Chapter XXI
Chapter XXII
Chapter XXIII
Chapter XXIV
Chapter XXV
Chapter XXVI
Chapter XXVII
Chapter XXVIII
Chapter XXIX
Chapter XXX
Chapter XXXI
Chapter XXXII
Chapter XXXIII
Chapter XXXIV
Chapter XXXV
Chapter XXXVI
Chapter XXXVII
Chapter XXXVIII
Chapter XXXIX
Chapter XL
PREFACE
The following chapters were written at a time when the craze for
indiscriminate church-restoration had just reached the remotest nooks
of western England, where the wild and tragic features of the coast had
long combined in perfect harmony with the crude Gothic Art of the
ecclesiastical buildings scattered along it, throwing into
extraordinary discord all architectural attempts at newness there. To
restore the grey carcases of a mediævalism whose spirit had fled,
seemed a not less incongruous act than to set about renovating the
adjoining crags themselves.
Hence it happened that an imaginary history of three human hearts,
whose emotions were not without correspondence with these material
circumstances, found in the ordinary incidents of such
church-renovations a fitting frame for its presentation.
The shore and country about “Castle Boterel” is now getting well known,
and will be readily recognized. The spot is, I may add, the furthest
westward of all those convenient corners wherein I have ventured to
erect my theatre for these imperfect little dramas of country life and
passions; and it lies near to, or no great way beyond, the vague border
of the Wessex kingdom on that side, which, like the westering verge of
modern American settlements, was progressive and uncertain.
This, however, is of little importance. The place is pre-eminently (for
one person at least) the region of dream and mystery. The ghostly
birds, the pall-like sea, the frothy wind, the eternal soliloquy of the
waters, the bloom of dark purple cast, that seems to exhale from the
shoreward precipices, in themselves lend to the scene an atmosphere
like the twilight of a night vision.
One enormous sea-bord cliff in particular figures in the narrative; and
for some forgotten reason or other this cliff was described in the
story as being without a name. Accuracy would require the statement to
be that a remarkable cliff which resembles in many points the cliff of
the description bears a name that no event has made famous.
T. H.
_March_ 1899
THE PERSONS
ELFRIDE SWANCOURT a young Lady
CHRISTOPHER SWANCOURT a Clergyman
STEPHEN SMITH an Architect
HENRY KNIGHT a Reviewer and Essayist
CHARLOTTE TROYTON a rich Widow
GERTRUDE JETHWAY a poor Widow
SPENSER HUGO LUXELLIAN a Peer
LADY LUXELLIAN his Wife
MARY AND KATE two little Girls
WILLIAM WORM a dazed Factotum
JOHN SMITH a Master-mason
JANE SMITH his Wife
MARTIN CANNISTER a Sexton
UNITY a Maid-servant
Other servants, masons, labourers, grooms, nondescripts, etc., etc.
THE SCENE
Mostly on the outskirts of Lower Wessex.
Chapter I
“A fair vestal, throned in the west”
Elfride Swancourt was a girl whose emotions lay very near the surface.
Their nature more precisely, and as modified by the creeping hours of
time, was known only to those who watched the circumstances of her
history.
Personally, she was the combination of very interesting particulars,
whose rarity, however, lay in the combination itself rather than in the
individual elements combined. As a matter of fact, you did not see the
form and substance of her features when conversing with her; and this
charming power of preventing a material study of her lineaments by an
interlocutor, originated not in the cloaking effect of a well-formed
manner (for her manner was childish and scarcely formed), but in the
attractive crudeness of the remarks themselves. She had lived all her
life in retirement—the _monstrari digito_ of idle men had not flattered
her, and at the age of nineteen or twenty she was no further on in
social consciousness than an urban young lady of fifteen.
One point in her, however, you did notice: that was her eyes. In them
was seen a sublimation of all of her; it was not necessary to look
further: there she lived.
These eyes were blue; blue as autumn distance—blue as the blue we see
between the retreating mouldings of hills and woody slopes on a sunny
September morning. A misty and shady blue, that had no beginning or
surface, and was looked INTO rather than AT.
As to her presence, it was not powerful; it was weak. Some women can
make their personality pervade the atmosphere of a whole banqueting
hall; Elfride’s was no more pervasive than that of a kitten.
Elfride had as her own the thoughtfulness which appears in the face of
the Madonna della Sedia, without its rapture: the warmth and spirit of
the type of woman’s feature most common to the beauties—mortal and
immortal—of Rubens, without their insistent fleshiness. The
characteristic expression of the female faces of Correggio—that of the
yearning human thoughts that lie too deep for tears—was hers sometimes,
but seldom under ordinary conditions.
The point in Elfride Swancourt’s life at which a deeper current may be
said to have permanently set in, was one winter afternoon when she
found herself standing, in the character of hostess, face to face with
a man she had never seen before—moreover, looking at him with a
Miranda-like curiosity and interest that she had never yet bestowed on
a mortal.
On this particular day her father, the vicar of a parish on the
sea-swept outskirts of Lower Wessex, and a widower, was suffering from
an attack of gout. After finishing her household supervisions Elfride
became restless, and several times left the room, ascended the
staircase, and knocked at her father’s chamber-door.
“Come in!” was always answered in a hearty out-of-door voice from the
inside.
“Papa,” she said on one occasion to the fine, red-faced, handsome man
of forty, who, puffing and fizzing like a bursting bottle, lay on the
bed wrapped in a dressing-gown, and every now and then enunciating, in
spite of himself, about one letter of some word or words that were
almost oaths; “papa, will you not come downstairs this evening?” She
spoke distinctly: he was rather deaf.
“Afraid not—eh-hh!—very much afraid I shall not, Elfride. Piph-ph-ph! I
can’t bear even a handkerchief upon this deuced toe of mine, much less
a stocking or slipper—piph-ph-ph! There ’tis again! No, I shan’t get up
till to-morrow.”
“Then I hope this London man won’t come; for I don’t know what I should
do, papa.”
“Well, it would be awkward, certainly.”
“I should hardly think he would come to-day.”
“Why?”
“Because the wind blows so.”
“Wind! What ideas you have, Elfride! Who ever heard of wind stopping a
man from doing his business? The idea of this toe of mine coming on so
suddenly!...If he should come, you must send him up to me, I suppose,
and then give him some food and put him to bed in some way. Dear me,
what a nuisance all this is!”
“Must he have dinner?”
“Too heavy for a tired man at the end of a tedious journey.”
“Tea, then?”
“Not substantial enough.”
“High tea, then? There is cold fowl, rabbit-pie, some pasties, and
things of that kind.”
“Yes, high tea.”
“Must I pour out his tea, papa?”
“Of course; you are the mistress of the house.”
“What! sit there all the time with a stranger, just as if I knew him,
and not anybody to introduce us?”
“Nonsense, child, about introducing; you know better than that. A
practical professional man, tired and hungry, who has been travelling
ever since daylight this morning, will hardly be inclined to talk and
air courtesies to-night. He wants food and shelter, and you must see
that he has it, simply because I am suddenly laid up and cannot. There
is nothing so dreadful in that, I hope? You get all kinds of stuff into
your head from reading so many of those novels.”
“Oh no; there is nothing dreadful in it when it becomes plainly a case
of necessity like this. But, you see, you are always there when people
come to dinner, even if we know them; and this is some strange London
man of the world, who will think it odd, perhaps.”
“Very well; let him.”
“Is he Mr. Hewby’s partner?”
“I should scarcely think so: he may be.”
“How old is he, I wonder?”
“That I cannot tell. You will find the copy of my letter to Mr. Hewby,
and his answer, upon the table in the study. You may read them, and
then you’ll know as much as I do about our visitor.”
“I have read them.”
“Well, what’s the use of asking questions, then? They contain all I
know. Ugh-h-h!...Od plague you, you young scamp! don’t put anything
there! I can’t bear the weight of a fly.”
“Oh, I am sorry, papa. I forgot; I thought you might be cold,” she
said, hastily removing the rug she had thrown upon the feet of the
sufferer; and waiting till she saw that consciousness of her offence
had passed from his face, she withdrew from the room, and retired again
downstairs.