Mr. Dickinson says:--

In China our poets and literary men have

taught their successors for long generations, to

look for good not in wealth, not in power, not in

miscellaneous activity, but in a trained, a

choice, an exquisite appreciation of the most

simple and universal relations of life. To feel,

and in order to feel, to express, or at least to

understand the expression, of all that is lovely

in nature, of all that is poignant and sensitive

in man, is to us in itself a sufficient end....

The pathos of life and death, the long embrace,

the hand stretched out in vain, the moment that

glides forever away, with its freight of music

and light, into the shadow and bush of the

haunted past, all that we have, all that eludes

us, a bird on the wing, a perfume escaped on the

gale--to all these things we are trained to

respond, and the response is what we call

literature.

Among Mr. Riley's many distinguished faculties of execution in

expressing, in stimulating, "an exquisite appreciation of the most

simple and universal relations of life," one faculty has been, in so far

as I know, very little mentioned--I mean his mastery in creating

character. Mr. Riley has expressed, has incarnated in the melodies and

harmonies of his poems, not merely several living, breathing human

creatures as they are made by their destinies, but a whole world of his

own, a vivid world of country-roads, and country-town streets, peopled

with farmers and tramps and step-mothers and children, trailing clouds

of glory even when they boast of the superiorities of "Renselaer," a

world of hardworking women and hard-luck men, and poverty and

prosperity, and drunkards and raccoons and dogs and grandmothers and

lovers. To have presented through the medium of rhythmic chronicle, a

world so sharply limned, so funny, so tragic, so mean, so noble, seems

to us in itself a striking achievement in the craft of verse.

No mere word of criticism can of course evoke, at all as example can,

Mr. Riley's genius of identification with varied human experiences, the

remarkable concentration and lyric skill of his characterization. Here

are two poems of his on the same general theme--grief in the presence of

death. We may well speak our pride in the wonderful range of inspiration

and the poetic endowment which can create on the same subject musical

stories of the soul as diverse, as searching, as fresh and true, as the

beloved poems of _Bereaved_ and _His Mother_.

Poetry: A Magazine of Verse, Volume 01 October-March, 1912-13 · 第 39 / 157 题