CHAPTER LXIII.

The transition from J⸺a B⸺e, is to a female of as different a description

and character as can well be imagined. In making this assertion, we would

not, in the slightest degree, be understood to depreciate the merits, the

virtues, or the talents of

MRS. ⸺.

The Sexagenarian has taken occasion to speak of female personages equally

respectable in society, equally estimable for their talents, and perhaps

equally amiable in private life, but still as opposite as possible in

character, temper, and manners. Let the reader oppose in imagination,

Mrs. Cooper to Mrs. Yates, Mrs. Hannah More to Mrs. Wolstoncroft, Mrs.

Hayley to Mrs. Trimmer, and the only conclusion to be drawn is, that from

the mixed characters of life, we must extract as we can, what is useful,

convenient, and grateful.

The subject of Mrs. ⸺, therefore, who was known to the Sexagenarian from

childhood, is entered upon without feeling the necessity of apology, (if

any thing shall find its way from our notes not altogether acceptable)

to the Lady herself, if she may yet survive to read these Memoirs, or to

any of the numerous friends whom she has necessarily and meritoriously

acquired.

From a child she gave indications of talents above the ordinary level,

but her earliest propensity was for music, in which she soon became a

proficient; and in the provincial town where she resided, frequently

entertained and enlivened numerous parties with her concerts. From music

to poetry, the transition is natural and easy; she wrote, when very

young, many elegant and beautiful things, which perhaps have not been

excelled by any of the productions of her maturer years.

Her natural connections, her education, and the principles in which she

had been brought up, gave her an unavoidable predilection in favour of

those, who, on the breaking out of the French Revolution, vainly imagined

that a glorious opportunity was presenting itself, for the melioration of

the condition of mankind.

She was, however, steady and consistent, and did not, like her friends,

Mrs. Wolstonecroft and Helen Maria Williams, expose and disgrace

herself. On one occasion, indeed, her enthusiasm got the better both

of her prudence, and the natural delicacy of her sex. She attended the

trial of her admired—what shall we call him? Patriot!—Well then, Patriot,

if you please, Horne Tooke, for High Treason. When the verdict of “Not

guilty” was pronounced, she scrambled over seats and benches as she

could, and hastening to where he stood, kissed him in the public court.

When young, she was of a very lively and cheerful temper, of which

character her earliest compositions exhibited the amplest testimony.

It may be conjectured, that about this period, her sensibility and

tenderness must have received some very acute wounds, for almost all her

subsequent publications were of the most melancholy cast and tendency.

Misery, deep and dreadful misery, seemed alone to be her favourite

subject, to call forth all her talents, and to occupy the whole of her

imagination.

Her union with a celebrated artist, could not, as one should think, be

entirely congenial to her natural habits and propensities. They who knew

her from her childhood, held up their hands in astonishment; but Venus

delights in these vagaries. At his decease, it seemed for a time as if

other and higher destinies awaited her; but she was still a widow when

these Memorandums were committed to paper.

When it is added, by way of conclusion to this sketch, that she was

a most affectionate and dutiful daughter, warm and animated in her

attachments, lively and agreeable in conversation, steady and consistent

in her principles, if she could have known who it was that bore this

testimony in her favour, she would perhaps have been more than satisfied.

This also may tend to soften the resentment to which she may be inclined

to give way, when it is still further added, that the flattering

attentions she received from her childhood, so far spoiled her, that

whatever she does, or says, or writes, is somewhat tinged with vanity and

self-conceit, and that perhaps no more perfect picture was ever exhibited

in society, of a _Precieuse_.

Ite procul, sacer est locus, ite profani.

The sexagenarian; or, the recollections of a literary life (Volume 1 of 2) · 第 42 / 45 章