CHAPTER IV

1

Sitting down almost the moment Mr. Mendizabal brought him into the room

and playing _Wagner_. With many wrong notes and stumbling phrases, but

self-forgetfully, in the foreign way. Keeping bravely on, making the

shape come even in the most difficult parts. He was hearing the Queen's

Hall Orchestra all the time, and he knew that anyone who knew it could

hear it too. He was one of those people who stand in the arena and talk

about the music and know that there are piano scores and get them and

play them. It was amazing that there should be piano scores of Wagner.

Did he play because he wanted to remember the orchestra; without

thinking of the people who were listening. He did not know the Baileys

and their boarders. He could not imagine how extraordinary it was to

hear Wagner in the room, suddenly offered to the _Baileys_. They knew

something important was going on; sitting close round the piano

surprised and attentive, busily speculating, in scraps, hampered by the

need to appear to be listening. Afterwards they would talk to him

arching and laughing, Mr. Mendizabal's friend. Perhaps he would come and

play Wagner again; there would be music in the room undisturbed by their

forced attention. This was only a beginning.

At the end of the overture he sat quite still, making no movement of

turning towards the room. The group about the piano were taken by

surprise, waiting for him to turn. When they began making exclamations

his hands were on the piano again. The room was silenced by strange

little sentences of music. He played short fragments, unfamiliar things

with strange phrasing, difficult to trace, unmelodious, but haunted by

suggested melody; a curious flattened wandering abrupt intimate message

in their phrases; perhaps Russian or Brahms. Not Wagner writing down the

world in sound nor Beethoven speaking to one person. Other foreign

musicians, set apart, glancing, and listening to strange single things,

speaking in pain, just out of clear hearing, their speech unfinished.

Russian or Hungarian. Dvor-tchak. I will ask him. Perhaps he plays

Chopin.

The Baileys were growing weary of listening. They were becoming

strangers in their own dining-room, with a wonderful important evening

going on all round them. Miriam consulted Sissie, probing enviously for

the dark busy sulkily hidden thoughts going to and fro behind her

attitude of listening. Her eyes were drawing pictures of Mr. Bowdoin's

back view and noting his movements. Mrs. Bailey was still smiling her

pride. Her tired eyes were strained brightly towards the performance

with the proper expression of delighted appreciation. But now and again

they moved observantly across the slender shabby form and revealed her

circling thoughts. When she looked at the back of the thatch of soft

fine fair hair she was seeing that officeful of men painting posters,

the first arrival of Mr. Mendizabal, their resentment of his quick work,

the poster he thought of in the night, here, and worked out at the

office in an hour, the musician playing so gravely not knowing that he

was being seen as the man who was forced by Mr. Mendizabal to play a

Beethoven Sonata on the typewriter with his hair in curl-papers. If Mrs.

Bailey went too deeply into her speculations she would be too confused

to ask him to come again. Perhaps Mr. Mendizabal would bring him anyhow.

He was lounging back in his chair with his hands in his pockets. His

face seemed to be laughing ironically behind a proud smile. He respected

music. He admired Bowdoin for his talent. He was showing him off. It was

charming ... like Trilby. Men laughing at each other and admiring each

other.... She had left off listening. Mr. Bowdoin was sitting there at

her side, separate from his music, sitting there English, a little

altered by going out into foreign music. A sort of foreigner with an

English expression. Her glance had shown her an English profile, a

blunted irregular aquiline, a little defaced about the mouth and chin by

the influence on the muscles of a common way of speaking. But the back

of his head was foreign, the outline of his skull fine and delicate, a

delicate arch at the top and the back flattened a little under the soft

fall of hair. He was stopping. He sat still, facing the piano. There

were stirrings and murmurs and uncertain attempts at applause. Mr.

Mendizabal rose and stood over him, as if to smite him on the shoulder.

What do you think about when you play _Beethoven_?--said Miriam hastily.

His face came round and Mr. Mendizabal turned hilariously away to the

room.--By-toven himself I think said Mr. Bowdoin quietly.--If I get a

Beethoven's Sonatas would you play one?--I _will_ play one for you. But

not this evening I think--He turned back to the piano and Miriam gazed

at his indrawn profile. He was quite English and had all the English

thoughts and feelings about the little group gathered behind him in the

room. But there was something besides. He was a musician and that made

him understand. He knew the room was impervious to music and was ill at

ease after the first joy of playing, and could not convince his hearers

by vitality and exuberance as a foreigner would do even with quite

fragile subdued delicately controlled music. If you care about music he

said towards the piano, will you come one evening and let me play to you

on my own piano? I should like it more than anything said Miriam,

quivering, and clenching her clasped hands. It will be an honour and a

great pleasure to me if you will come he said in his quiet weary voice.

I will take the liberty of writing to suggest an evening. Miriam's

abrupt rising and blind movement left her standing opposite the

lady-help, who was standing with a foot on the fender and an elbow on

the mantelpiece, on the other side of the hearthrug. After only two days

in the house she seemed already more at home than the Baileys; talking

derisively across at Mr. Mendizabal who was marching up and down the far

side of the room with his hands in pockets shouting raillery and

snorting. D'you like London Miss Scott? said Miriam uncontrollably to

her averted talking face. Miss Scott completed her sally; the Baileys

were talking to Mr. Bowdoin, just behind at the piano. Perhaps no one

had witnessed her wild attack. But she could not take her eyes off Miss

Scott's face. It turned towards her still wearing its derisive smile.

What was that you said Miss Henderson I beg your pardon, she stated

encouragingly. She was not in the least impressed by being spoken to.

Her swift amused glance was all she could manage without breaking into

shouts of laughter. Her laughter-shaken person was the front of a

barricade of derision. Miriam repeated her question, fearfully

consulting the small sheeny satin dress, with the lace collar, the neat

slipper on the fender, the heavy little fringe stopping abruptly at the

hollow temples above high cheekbones and slightly hollow cheeks and

leading back to a tiny knot at the top of the head. Perhaps she was a

lady. Ye see so little of it unless yerra wealthy, she said in curious

tonguey tones, standing upright on the hearthrug and flinging back her

head with every other word; backing away with a balancing movement from

foot to foot. She laughed on her last word and stood shaking with

laughter, her elbow on the far corner of the mantelshelf and her foot

once more on the fender. Perhaps she was still laughing at some jest of

Mr. Mendizabal's. Arrya fond of London Miss Henderson, she chuckled and

went on without waiting for an answer, with rhythmically flinging

head,--it's ahl very well if ya can go out to theeaturras and consurruts

and out and about; but when the season comes and the people are in the

parruk and in thayre grand houses having parrties and gaities and yew've

just got to do nothing I think its draydefle.--She laughed consumedly,

throwing back her head. Miriam got herself across the room and outside

the door. On the hall table lay a letter; from Eve; witnessing her

discomfort; soothing, and reproaching.... Eve would have stayed and

talked to the musician.

Up in her cold room everything vanished into the picture of Eve,

deciding away down in green Wiltshire, to leave off teaching; smiling,

stretching out her firm small hands and taking hold of _London_. London

changed as she read. She sat stupefied. It seemed impossible,

terrifying, that Eve penniless, with her uncertain health should leave

the wealthy comfort of the Greens after all these years. Too excited to

read word by word she scanned the pages and learned that Madame Leroy a

friend of Mrs. Green who had a flower shop in Bruton Street had engaged

her.... _I decorated the table for dinner each night when she was

here at Christmas ... the Greens have been charming, quite excited

about the plans_ ... coming up _next week_.... Miriam leapt to her feet

and began hastily putting on her things. "Eve is coming to London for a

six months' course in floral decorations. She is putting up at a

hostel." She pulled on her cold sodden shoes. "Eve is going to be an

assistant in a flower shop at fifteen shillings a week. She has taken a

cubicle at a branch of the Young Women's Bible Association." By the time

she was ready she felt she must have dreamed the news. Eve, not a

governess, free, in London, just as she was herself. Another self, in

London. Eve being led about and taught London, going about under the

same skies, in the streets, feeling exactly as she felt. Nothing would

have changed before she came. The rain gently thudding on the roof and

rattling against the landing skylight was Eve's rain. She was listening

to it and hearing it in exactly the same way....

The girls did not realise the news at all. They kept going off into

questions about details until the fact of Eve's coming disappeared

altogether and only Eve's point of view and Eve's courage and her

difficulties remained.... One had told it the wrong way. Better not to

have given any facts at all but just to have said Eve's coming to

London; isn't it weird? But then they would have said is she coming to

London to see the Queen? The Queen. That would have been true. She was

coming to London partly to see the Queen. Perhaps the trouble was that

they had been cheated by not being told exactly how Eve was only just

managing to come at all and how scraped everything would be. But at

least they realised that one had people belonging to one who made up

their minds and did definite things, like other people. It was amazing

to decide to come to London and be a florist; _Napoleon_. They realised

that and nothing else. She would be able to tell Mr. Hancock on Monday;

first him, first thing in the morning and the Orlys during the day.

Mr. Hancock understood at once, making no response at all at first and

then standing quietly about near her as she busied herself with her

dusting really giving himself to taking in the simple stupendous fact;

and really realising it before asking any questions and asking them in a

tone that showed he knew what it meant and going on showing all day in

his manner that he knew what it was that kept her so brisk about her

work. He was divine; he was a divine person. She would never forget

being able to say just anyhow, h'm, I've got a _sister_ coming to

London; and his immediate silent approach across the room, drying his

hands.... Of _course_ the Orlys immediately said Oh how nice for you,

you won't be so lonely. _What_ did people mean about loneliness? It was

always the people arranged in groups and seeming so lost and isolated

and lonely who said that.... To-night she would begin turning out her

room for Eve's reception. No. It was the Dante lecture.... The day Eve

came she would buy some flowers. She understood now why people wanted to

put flowers in their rooms when people were coming. She would be a

hostess. Some people bought flowers and carried them home when they were

alone.... It must be like inviting a guest to keep you company. Like

saying you were alone and not liking being alone and putting flowers

about to tell you all the time that you did not want to be alone but

were. People _talked_ about these things. "I always buy flowers when I

am alone." Like suddenly taking off all their things and showing that

they had a crooked body. If they were really miserable about being alone

they would be too miserable to buy flowers. If they really wanted the

flowers enough to buy them they were already not alone. If they bought

the flowers in that fussy excited thoughtless way people seemed to do

things they were neither really ever alone or ever really with people

... they were in that sort of state that made social life a talkative

nothingness sliding about on nothing....

At the end of the afternoon she wandered forgetfully into the warmth of

the empty waiting-room. The house was silent. Her footsteps made no

sound along the carpeted hall and were lost in the thick Turkey

carpeting of the waiting-room floor. The room was lit only by the

firelight. From its wide clear core striped by black bars a broad

rose-gold shaft glowed out across the room reaching the copper vessels

on the black oak sideboard and the lower part of the long mirror between

the windows where the midmost piece of copper gleamed in reflection. She

stood still, holding the warm air in her nostrils, everything was

blotted out and then restored to its place ... what place, why was it

good, what was she trying to remember?... In the familiar fire-lit

winter darkness was a faint dry warm scent ... mimosa. It was a

repetition.... It had been there last year, suddenly; drily fragrant

in the winter darkness of the warm room preparing for the light and

warmth of the evening. It had seemed then like some wealthy

extravagance, bringing a sense of the freedom of wealth to have things

out of season, and a keen sudden memory in the dark London room of the

unspoken inexpressible beauty of Newlands ... its soft-toned softly

carpeted and curtained effect, fragrant with clusters of winter flowers,

standing complete somewhere in the secret black spaces of her mind....

But now here it was again, just at the same moment, just before the

winter darkness began to give way. Perhaps mimosa came at this time of

year suddenly in the shops, before the spring flowers, and careful

people like Mrs. Orly could buy it ... then in London mimosa was the

sign of _spring_. It was like the powdery fragrance of a clear warm

midsummer evening, like petal-dust; pollen-dust; the whole summer

circling in the glow of firelight. Then Eve would not come this winter.

The darkest secret winter-time of London was over again. It would come

again in single moments and groups of days, but its time was gone. The

moment of realisation of spring had come by surprise; there lay all the

spring days ahead leading on to summer spread out for anyone to see,

calling to Eve or to anyone who might have come into the room to whom

one could have said doesn't the smell of mimosa make you realise the

winter is over; and here within, lit up as if by a suddenly switched on

electric light was one's own real realisation going back and back; in

pictures that grew clearer, each time something happened that switched

on a light within the black spaces of your mind. Things that no one

could share, coming again and again just as some outside thing was

beginning to interest you, as if to _remind_ you that the inmost reality

comes to you when you are alone.... The prospect of Eve's coming was

changed. The pang of the mimosa came nearer than anything she could

bring. Perhaps it would be possible to tell her about this moment?

Perhaps her coming had made it more real. Yet now it did not seem to

matter so much whether she came or not. In a way it seemed as though the

fact of her coming threatened something.

2

"Antoine Bowdoin." If she had had a solemn letter from him first she

would never have undertaken to go and hear him play. The formal courtly

old-fashioned phrases had nothing to do with the hours of music. She had

thought of nothing but the music on the good piano and now when she had

forgotten all about it there was this awful result; the "few friends"

gathered together in his room on a fixed date so that she might go and

hear him play. She would have to sit, with a party, and afterwards find

something to say.... An Englishman, solemn and polite, playing foreign

music, with English friends politely and solemnly sitting round. There

was no word of Mr. Mendizabal. He was not going. If he had been Mr.

Bowdoin would not have said I will call at six-thirty for the purpose of

escorting you to my rooms. He was like a gaoler. Perhaps the walk would

be an opportunity of getting over nervousness. There would be music at

once, no meal to get through. She would thank him very much for the

great treat and when it was over there would only be Eve and the

accomplishment of having heard a good piano played by a musician. He

could be dropped.... He could be asked to come just once and play for

Eve. That would be a great London evening for Eve.... The sense of a

complex London life crowded with engagements made her pace in spite of

her weariness up and down the platform at Gower Street. Its familiar

sulphurous gloom, the platform lights shining murkily from the midst of

slowly rolling clouds of grey smoke, the dark forms and phantom white

faces of waiting passengers emerging suddenly as she threaded the

darkness, revived her. By the time the train rolled slowly in behind its

beloved black dumpy high-shouldered engine with its large unshrieking

mushroom bell-whistle the journey had changed from being an expedition

to a spot within five minutes' walk of Sarah's, unconfessed to Sarah,

and had become a journey on the Metropolitan; going indeed outside the

radius into blackness, but going so far only because the Dante lecture,

wandered out of London was waiting there; and to be repeated at the end

of the evening safely returning through increasing gloom until the

climax of Gower Street was reached again.... Miss Scott was _Scotch_.

She reached the little hall in the suburban road in good time and sat in

a forward row staring at the little platform where presently the

educative voice would be standing. She was conscious of a stirring and

buzzing all about her that had been absent in the London hall. The first

series of lectures had not brought any sense of an audience. Here the

many audible centres of culture, the eager discussions and sudden

incisive remarks, the triumphant intensity on the faces of some of the

women caught as she glanced now and then fearfully about, the curious

happy briskness of the men, made her feel that the lecturer was

superfluous. All these people were the cultured refined kind who did not

trouble much about their clothes. There were no furs to be seen; the

women wore large rather ugly coats or ulsters or capes and bashed muddly

looking hats and had mufflers or long scarves. In the London audience

herself and her clothes had been invisible, here they were just right, a

sort of hall-mark. In her black dress with her clumsy golf-cape thrown

back from her shoulders, her weather-worn felt hat softened perhaps to

harmony with her head in the soft light she could perhaps pass for a

cultured person. _Bianchi_ and _Neri_ whispered her neighbour eagerly in

the midst of a long sentence addressed to a girl at her side. She was an

Englishwoman. But her mind was so at home in the Middle Ages that she

spoke the names and used the Italian pronunciation without a touch of

pedantry, and as eagerly and interestedly as anyone else might say

"they're engaged!" The clergyman in the row in front would drawl out the

words with an unctuous suggestion of superior knowledge. He would use

them to crush someone. Most of the men present were a little like that,

using their knowledge like a code or a weapon. But the women were really

interested in it, they were like people who had climbed a hill and were

eagerly intent on what they could see on the other side. It was

refreshing and also in some way comforting to be with them. They

represented something in life that was going to increase. Perhaps it

would increase too much; they seemed so headlong and unaware of anything

else. Did she want a world made up of women like this? If she spoke to

them they would assume she was one of themselves and look busily at her

with unseeing eyes, fixed only on all the things they thought about,

until they perceived that she was a fraud. Long intercourse with them

might make her able to talk like they did, but never to think in the way

they did. Never to have the extraordinary busy assured appearance

presented by their persons when you could not see their eager faces; a

look that made them seem to be going very fast in some direction that

completely satisfied them, so that if a fire broke out behind them

suddenly they would regard it not as an adventure that might have been

expected but as an annoying interruption, like tripping over a stone....

She could see that when he read the sonnets he forgot how learned he

was. The little lecture had had its own fascination. But it was a

lecture; something told by a specialist to an audience. This was Dante's

voice, and they all listened as they could; the lecturer as well. All

his knowledge was put aside and he listened as he read. She sat

listening, her shocked mind still condemning her for not having

discovered for herself that it was wrong to have a post-office savings

account and that betting and gambling and lotteries were wrong because

they produced nothing. For a time she flashed about with the searchlight

of the new definition of vice ... money can't produce money ... then

all trade was wrong in some way ... dissipation of value without

production ... there was some principle that all civilisation was

breaking ... how did this man know that it was wrong to imagine

affection if there was no affection in your life, that dreaming and

brooding was a sort of beastliness ... love was actual and practical,

moving all the spheres and informing the mind. That was true. That was

the truth about everything. But who could attain to it? Dante knew it

because he loved Beatrice. How could humanity become more loving? How

could social life come to be founded on love? How can I become more

loving? I do not know or love anyone but myself ... it did not mean

being loved. It was not anything to do with marriage. Dante only _saw_

Beatrice. But this is the awful truth; however one may sit as if one

were not condemned and forget again. This is the difficult thing that

_everyone_ has to do. Not dogmas. This man believes that there is a God

who loves and demands that man shall be loving. That is what will be

asked. That is the judgment. It is true because it breaks into you and

condemns you. Everything else is distraction and sham. The humble

yearning devotion in the voice reading the lines made it a prayer, the

very voice a prayer to a spirit waiting all round, present in himself,

in every one listening, in the very atmosphere. It was there, to be had.

It was like something left far behind one on a dark road and still

there; to be had for the asking, to be had by merely turning towards

it.... She looked into the eyes of Dante across the centuries as into

the eyes of a friend. But then these people were the same. It was the

truth about everybody "the goodwill in all of us"....

She travelled back towards London in a dream. Her compartment was empty.

All the people in the world, full of goodwill without troubling or even

thinking about it were away somewhere else. Just as she had learned what

people were there was nobody. There was no love in her nature. If there

were any she would not have been sitting here alone. If a man love not

his brother whom he hath seen how shall he love God whom he hath not

seen? There was a catch in that like a riddle. Heads I win tails you

lose.... If you keep quite quiet and gentle, asking for nothing, not

being anything, not holding on to anything in your life, nor thinking

about anything in your life there is something there ... behind you ...

that must be God, the way to Christ; the edge of the way to Christ.

Keeping quiet and coming to that you feel what you are and that you have

never begun being anything but your evil natural self. You feel thick

with evil ... oh ... that was prayer. One could become more loving. It

is answered at once. Just turning towards that something, in a desire to

be different, begins to change you! At Praed Street the carriage began

to fill with seated forms. This was the beginning of new life....

Keeping perfectly still and looking at no one she realised the presence

of her fellow-travellers, all just like herself, living from within by

the contact with the edge of Christ ... all _knowing_ the thing that to

her was only a little flicker just dawning in a long life of evil. It

made them kindly in the world and able to understand each other. Perhaps

it was the explanation of all the fussing. Everyone in the world was

bathed in the light of love except herself.... It was not certain that a

whole lifetime of prayer and gentleness and self-control would destroy

enough of the thick roots of evil in her to bring her through into the

Paradiso.... But if prayer, just the turning away from all one knew

begging to be destroyed and made loving brought such an immediate sense

of the evil in oneself and the good in everyone else, there was no end

to what it might do. Prayer was the work to do in life, nothing else.

But the turning to the unseen God of love and giving up one's self-will

meant being changed in a way one could not control or foresee; dropping

everything one had and cherished secretly and having things only in

common with other people. It would mean going forward with nothing into

an unknown world; _always_ being agreeable, and agreeing. I _love_ all

these people she murmured in her mind and felt a glow that seemed to

radiate out to all the corners of the compartment. It's _true_. This is

life. This is the only way in. It may be that I am so bad that I can

only sit with all my evil visible silent amongst humanity for the rest

of my life, learning to love them, and then die out completely because I

am too bad to be quite new-born ... her eyes were drawn towards the

face of the woman sitting opposite to her; a shapeless body, a thin

ravaged face strained and sheeny with fatigue and wearing an expression

of undaunted sweetness and patience. Children and housework and a

selfish husband and nothing in life of her own. She was at the disposal

of everyone for kind actions. She would be _really_ sympathetic and

shocked about an earthquake in China. Was that it? Was that being

_inside_? Was that all there was? The woman did not see the wonderful

gold brown light in the carriage; nor the beauty of the blackness

outside. In her brain was the pain and pressure of everything she had to

do. She was good and sweet; perfectly good and sweet. But there was

something irritating about her ... her obliviousness of everything but

"troubles," other people's as much as her own. Yet she would love a day

in the country. The fields and the flowers would make her cry. It was

her obliviousness that made one afraid of associating with her. Being in

conversation with her or in any way associated with her life there would

always be the dreadful imprisoned feeling of knowing she did not

_think_.... Her glance slid over the other seated forms and fell,

leaving her struggling between her desire to feel in loving union with

them and her inability to ignore the revelations pouring from their

bearing and shapes, their clothes and the way they held their

belongings. They were terrible and hateful because all their thoughts

were visible. The terrible maddening thing about them was the thoughts

they did not think. It made them worse than the woman because to get on

with them one would have to pretend to see life as they saw it. It would

be so easy and deceitful with each one alone, knowing exactly what line

to take. She wrenched herself back to her prayer ... instantly the

thought came that all these people far away in themselves wanted to be

more loving. She drew herself together and sat up staring out towards

the darkness. That was an answer again! A state of mind that came from

the state of prayer. But then one would need always to be in a state of

prayer. It would be very difficult. It would be almost impossible even

to remember it in the rush of life ... it would mean being a sort of

fool ... having no judgments or opinions. It would _spoil_ everything.

There would be no time for anything. Nothing beyond one's daily work and

all the rest of the time being all things to all men. It meant that now

at this moment one must give up the sense of the train going along in

the darkness and the sense of the dark streets waiting lamplit under the

dark sky and go out to the people in the carriage and then on to the

people at Tansley Street ... she thought of people she knew who did

this, appearing to see nothing in life but people, and recoiled.

_Places_ to them were nothing but people; there was something they

missed out that could not be given up. Something goes if you lose

yourself in humanity. You cannot find humanity by looking for God only

there. Making up your mind that God is to be found in humanity is

humanism.... It was Comte's idea. Perhaps Unitarians are all Comtists.

That is why they dress without style. They are more interested in social

reform than the astoundingness of there being people _anywhere_. But to

see God everywhere is pantheism. What _is_ Christianity? Where are

Christians? Evangelicals are humanitarians; rushing about in ulsters.

Anglicans know all about the beauty of life and like comfort. But they

are snobs and afraid of new ideas ... convents and monasteries stop

your mind. But there is a God or a Christ, there is something always

there to answer when you turn away to it from everything. Perhaps one

would have to remain silent, for years, for a lifetime, and in the end

begin to understand.

3

At Gower Street it was eleven o'clock. She was faint with hunger. She

had had no dinner and there was nothing in her room. She wandered along

the Euston Road hoping to meet a potato-man. The shopfronts were black.

There was nothing to meet her need but the empty stretch of lamplit

pavement leading on and on.... Rapid walking in the rain-freshened air

relieved her faintness but she dreaded waking in the night with gnawing

hunger to keep her awake and drag her up exhausted in the morning. A

faint square of brighter light on the pavement ahead came like an

accusation. Passing swiftly across it she glanced bitterly at the

frosted door through which it came. Restaurant. Donizetti Brothers. The

whole world had conspired to leave her alone with that mystery shut in

and hidden every day the whole of her London time behind its closed

frosted doors and forcing her now to admit that there was food there and

she must go in or have the knowledge of being starved through fear. Her

thoughts flashed painfully across a frosted door long ago in Baker

Street and she saw the angry handsome face of the waiter who had shouted

roll and butter and whisked away from the table the twisted cone of

serviette and the knives and forks. That was in the middle of the day.

It would be worse at night. Perhaps they would even refuse to serve her.

Perhaps it was impossible to go into a restaurant late at night alone.

She was coming back. There was nothing to be seen behind the steamy

panes on either side of the door but plants standing on oil cloth mats.

Behind them was again frosted glass. It was not so grand as Baker

Street. There was no menu in a large brass frame with Schweppe's at the

top. She pushed open the glass door and was confronted by another glass

door blankly frosted all over. Why were they so secret? Inside the

second door she found herself at the beginning of a long aisle of

linoleum. On either side people were dotted here and there on short

velvet sofa seats behind marble topped tables. In the close air there

was a strong smell made up of all kinds of meat dishes. A waiter

flicking the crumbs from a table glanced sharply round at her and went

off down the room. He had seen the shifts and miseries that haunted all

her doings. They were apparent in the very hang of her cloak. She could

not first swing down the restaurant making it wave for joy as it did

when she walked across Trafalgar Square in the dark and then order a

roll and butter. After this it would never wave for joy again. A short

compact bald man in a white apron was hurrying down the aisle, towards

_her_. He stopped just in front of her and stood bowing and indicating a

near empty table with his short arm and stood silently hovering while

she dragged herself into place on the velvet sofa. The waiter rushing up

with a menu was gently waved away and the little man stood over the side

of the table blocking out the fuller end of the restaurant. Hardly able

to speak for the beating of her heart she looked up into a little firm

round pallid face with a small snub nose and curious pale waxy blue eyes

and said furiously oh please just a roll and butter and a cup of cocoa.

The little man bowed low with a beaming face and went gently away.

Miriam watched him go down the aisle bowing here and there right and

left. The hovering waiter came forward questioningly to meet him and was

again waved aside and she presently saw the little man at a speaking

tube and heard him sing in a soft smooth high monotone, un-sho-co-lat.

He brought her things and arranged them carefully about her and brought

her an Illustrated London News from another table. She sipped and

munched and looked at all the pictures. The people in the pictures were

real people. She imagined them moving and talking in all manner of

circumstances and suffered their characteristics gently, feeling as if

some one were there gently half-reproachfully holding her hands tied

behind her back. The waiter roamed up and down the aisle. People came

in, sometimes two or three at a time. The little man was sitting writing

with a stern bent face at a little table at the far end of the

restaurant just in front of a marble counter holding huge urns and glass

dishes piled with buns and slices of cake. He did not move again until

she rose to go when he came once more hurrying down the aisle. Her bill

was sixpence and he took the coin with a bow and waited while she

extricated herself from the clinging velvet, and held the door wide for

her to pass out. Good evening thank you very much she murmured hoping

that he heard, in response to his polite farewell. She wandered slowly

home through the drizzling rain warmed and fed and with a glow at her

heart. Inside those frightful frosted doors was a home, a bit of her own

London home.

4

The hall gas was out. The dining-room door was ajar showing a faint

light and light was coming from the little room at the end of the

passage. Miriam cautiously pushed open the dining-room door. Mrs. Bailey

was sitting alone poised socially in a low armchair by the fire with the

gas turned low. Miriam came dutifully forward in response to the

entrancement of her smile and stood on the hearthrug enwrapped in her

evening, invaded by the sense of beginning it anew with Mrs. Bailey.

When had she seen Mrs. Bailey last? She could tell her now about Eve in

great confidential detail and explain that she could not _at present_

afford to come to Tansley Street. That would be a great sociable

conversation and the engagement with Mr. Bowdoin would remain untouched.

She stood in a glow of eloquence. Mrs. Bailey preened and bridled and

made little cheerful affectionate remarks and waited silent a moment

before asking if it rained. Miriam forgot Eve and gathered herself

together for some tremendous communication. Was it raining? She glanced

at the outside London world and was lost in interchanging scenes, her

mind split up, pressing several ways at once. Mrs. Bailey saw all these

scenes and felt and understood them exactly as she did. There was no

need to answer the question. She glanced stonily towards her and saw the

downcast held-in embarrassment of her waiting form. In a dry

professional official voice she said gazing at the hearthrug with an air

of judicial profundity, _no_, at least oh yes, I _think_ it is raining

and drifted helplessly towards the window. The challenge was behind her.

She would have to face it again. A borrowed voice said briskly within

her yes it's pouring, I _hope_ it will be fine to-morrow, what _weather_

we have had; well _good_night Mrs. Bailey. I have been to a lecture she

said in imagination standing by the window. It was what any other

boarder would have said and then so fine, such a splendid lecturer and

told the subject and his name and one idea out of the lecture and they

would have agreed and gone cheerfully to bed, with no thoughts. To try

and really tell anything about the lecture would be to plunge down into

misrepresentations and misunderstandings and end with the lecture

vanished. To say anything real about it would lead to living the rest of

her life with the Baileys helping them with their plans ... she turned

and came busily back. It's very late she murmured. Mrs. Bailey smiled

and yawned. At least not so very late, not quite to-morrow she pursued

turning round to the clock and back again to consult the pictures and

the wall-paper. Just staying there was answering Mrs. Bailey's question.

Suddenly she laughed out and turned, laughing, as if she were about to

communicate some mirthful memory. It's too _absurd_ she said distracted

between the joy of her lingering laughter and the need for instantly

inventing an explanation. Mrs. Bailey was laughing delightedly. There

was a most absurd thing--chanted Miriam above her laughter; a gentle tap

took Mrs. Bailey scurrying to the door. May I have a _candle_ Mrs.

Bailey murmured a low voice in a curious solidly curving intonation.

Certainly doctor answered Mrs. Bailey's voice in the hall. She scurried

away downstairs. Miriam turned towards the window and stood listening to

St. Pancras clock striking midnight. Then those men in the little back

sitting-room were _doctors_. How pleased and proud Mrs. Bailey must be.

How wonderful of her to say nothing about them. Can I have a _candle_

missuz Bailey. Wrapped away in the suave strong courteous voice were the

knowledge and the fineness of a world no one in the house knew anything

about. Mrs. Bailey dimly knew, and screened it fearing to lose it. She

had the wonderful voice all to herself. "Good evening." The voice was in

the _room_. Miriam turned instantly; a square strong-looking man a

little over middle height with flat pale fair hair smooth on a squarish

head above grave bluntly moulded features was moving easily forward from

the door. They met at the end of the table standing one each side the

angle of the fireside corner, smiling as if her murmured response to his

greeting had been a speech in a play ready-made to bring them together.

Miriam felt that if she had said oh I'm so glad he would have responded

yes; so am I. My name's von Heber he announced quietly, his restrained

uncontrollably deepening smile sending out a radiance all round her. It

was as if they had met before without the opportunity of speaking and

here at last was the opportunity and they had first to smile out their

recognition of its perfection. They stood in a radiant silence, his even

tones making no break in their interchange. She felt a quality in him

she had not met before; in the ease of his manner there was no trace of

the complacent assumption of the man of the world. His deference was no

mask worn to decorate himself. It was deliberate and yet genuine. It was

the shape in which he presented to her, personally, set above and away

from her ugly clothes and her weariness, the beam of delight which had

been his inward greeting. The completeness and confidence of his

delight, his own completeness and security revealed to her an unknown

reading of life that she longed to hold and fathom. She offered in

return as a measure of her qualification, the laughter she had laughed

to Mrs. Bailey, hoping he had heard it. I find this custom of putting

down the light at eleven very inconvenient he was saying. Miriam smiled

and listened eagerly for more of the low even curiously curving

intonations. I propose to take the London medical examination in July

and I've a good deal of hard work to get through prior to that date. He

had not been going to stop speaking but Miriam found an immense

welcoming space for the word she summoned in vain desperately from far

away Wimpole Street. The _con_joint she declared at last eagerly, almost

before the word reached her consciousness. The Conjoint he repeated and

as his voice went on Miriam contemplated the accumulation they had

gathered. She stood smiling, growing familiar with the quality of his

voice, gathering the sense of a word here and there. Through his talk he

smiled a quizzical pleased appreciation of this way of listening. She

felt as if they were talking backwards, towards something already said

and when she took in I'm taking the post-graduate _course_ at your great

hospital near here she tried in vain to resist the temptation of leading

his talk down into detail. The way to preserve the charm unbroken would

be to let him go on talking. She might even listen carefully, and learn

the meaning of the post-graduate course and its place in the London

medical world; the whole of the London medical world was being

transformed by this man into something simple and joyful. But the eager

words had escaped her--oh; that's the one with the glorious yarn. Tell

me the yarn he chuckled gently, showing a row of strong squarish

flawless teeth. Well, she said the big surgeons were operating and the

patient was collapsing and one said I think it is time we called in

Divine aid. Nonsense said the other I don't believe in unqualified

assistants. That's great he declared; that's one of the greatest yarns

I've heard. I shan't forget it. He was not shocked and she had told the

story as evenly and as much without emphasis as he would have done

himself. She suddenly realised that this was the way to say things. It

made no pause and did not disturb anything. She was learning from him

every moment. He was _utterly_ different to the men she knew. He did not

resent her possession of the story nor attempt to cap it. You've got

some very great men over here he said; some of the very greatest; and he

began outlining the Canadian reputation of names that were amongst the

pinnacles of Wimpole Street conversation. She learned exactly why Victor

Horsley was great in the world and what it was that Dr. Barker did to

fractured knee-caps. When Mrs. Bailey came up it was half-past twelve.

He accepted his candle and thanked her gravely and gravely took his

leave. Miriam and Mrs. Bailey were left confronted. Miriam laughed a

social laugh, unintentionally, and listened happily to Mrs. Bailey's

kind brisk echo of it as she stood turning out the gas. They turned to

each other in the hall and laughed goodnight. Mrs. Bailey was like a

happy excited girl. She trotted busily and socially downstairs humming a

tune towards a sociable waiting world, flouting difficulties with the

sweep of the laughter in her voice.

Your Barker and your Horsley mused Miriam slackening her speed on the

stairs; the sound of the low quiet glad confident voice steadying the

aspect of the world and a strange new sense of the London medical world

dotted by men who were world-famous, approached from afar, reverently,

for specialist training, by already qualified medical men, competed

together within her as she prepared for bed, going serenely through all

the tiresome little processes. Something in the centre of life had

steadied and clarified. It sent a radiance like sunlight through the

endless processes of things; even a ragged tooth-brush was a part of the

sunlit scene; not unnoticed, or just dismal, but a part of the sunlit

scene.

Interim · 第 4 / 11 章