FOOTNOTES:

[23] I consulted Dr. Dickerman, the most eminent Egyptologist in this

country, upon this subject, and his observation was this: The state

of mind and the condition of society of the ancient Egyptians were

not such as would incline them to theatrical representations. They

had athletic sports, games, such as draughts or checkers, and games

of chance, but not such a disposition as brought people together to

witness anything. None of the buildings whose ruins have been studied

indicate that any were constructed with reference to the assembling

of people, except the processions, with priests, in the temples, and

that the Labyrinth, moreover, in the twelfth dynasty, contemporary with

Abraham, had meetings of the delegates from the different nomes, or

provinces, to discuss the political affairs of the kingdom.

[24] Smith’s Dictionary, Vol. iii, p. 997.

[25] Gibbon says the Roman people considered the circus as their

home, their temple, and the seat of the republic. The impatient crowd

rushed at the dawn of day to secure their places; and there were many

who passed sleepless and anxious nights in the adjacent porticos.

From the morning to the evening, careless of the sun or of the rain,

the spectators, who sometimes amounted to the number of four hundred

thousand, remained in eager attention; their eyes fixed on the horses

and charioteers, their minds agitated with hope and fear, for the

success of the colors which they espoused and the happiness of Rome

appeared to hang on the event of a race. “Gibbon’s Decline and Fall,”

Vol. iv. pp. 87, 88. London edition of 1848.

[26] Collier, 256, 1st. ed.

[27] Prof. A. W. Ward.

[28] Jeremy Collier’s “View of the English Stage,” 1st ed., p. 258.

[29] Bossuet’s Works, Vol. xxxii. Calcraft’s “Defence of the Stage,” p.

12.

[30] Gifford’s “Jonson,” Vol. iii., pp. 162, 163.

[31] Calcraft, p. 61.

[32] Smith’s “Dictionary,” Vol. i, p. 42; Calcraft, 67.

First Theater in America When was the drama first introduced in America? An inquiry, including a consideration of the objections that have been made to the stage. · 第 33 / 34 题